Addison Rae is on the verge of pop superstardom, but there was once a time when she was a rising TikTok star and a college student looking to get by.

Rae joined The New York TimesPopcast on Friday (May 30), where she reflected on her time at Louisiana State when she was getting paid $20 via PayPal by record labels to post videos dancing to their artists’ songs on TikTok.

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“I actually remember getting little brand deals from labels paying me to post when I was in college,” the 24-year-old began. “They jumped on that really fast. I was like, ‘Oh, this is really interesting’ — that the music industry was really leaning on it.”

This appears to be circa 2019, when the platform was beginning to boom and before Rae dropped out of college. Co-host Jon Caramanica threw out a potential fee of “hundreds of dollars,” but Rae revealed it was actually much lower. “A hundred bucks?! I wish, it was probably like $20. I actually remember being like, ‘Holy sh–, $20!’”

Rae confirmed the payments were made via PayPal. “It was actually really sketch,” she admitted. “I was like: ‘Did the $20 hit the PayPal yet?!’”

Addison Rae is a trailblazer in the TikTok creator-to-singer pipeline. She’s looking to capitalize on her momentum with the arrival of her anticipated self-titled debut album via Columbia Records on Friday.

The 12-track project includes previously-released singles like Billboard Hot 100 hit “Diet Pepsi,” “Aquamarine,” “Headphones On,” “High Fashion” and “Fame is a Gun.”

Listen to her entire 80-minute sit-down on Pop Cast below.

Following the launch of Iron Maiden’s Run for Your Lives World Tour, manager Rod Smallwood has shared a new plea for fans to put their phones away at the band’s shows.

The British heavy metal veterans’ recently-launched tour takes place as part of their 50th anniversary celebrations, with the group kicking things off with a pair of sold-out dates in Budapest, Hungary last week.

Prior to the tour’s launch, Smallwood took to Iron Maiden’s website to request that fans put their phones back into their pockets and witness the show as it’s supposed to be seen.

“We really want fans to enjoy the shows first hand, rather than on their small screens,” Smallwood wrote. “The amount of phone use nowadays diminishes enjoyment, particularly for the band who are on stage looking out at rows of phones, but also for other concertgoers. 

“We feel that the passion and involvement of our fans at shows really makes them special, but the phone obsession has now got so out of hand that it has become unnecessarily distracting especially to the band. I hope fans understand this and will be sensible in severely limiting the use of their phone cameras out of respect for the band and their fellow fans.”

In the wake of the band’s first few shows of their latest tour, Smallwood shared a reflective post on social media over the weekend, thanking fans for their support of new drummer Simon Dawson, and applauding those who heeded his request for limited phone usage during the gigs.

“A huge thank you to every one of you who kept your phones down, respected the band and your fellow fans, and embraced the show the way it’s meant to be experienced – in the room with us,” Smallwood said. “That was a great boost for us and the band appreciated it greatly. It is so much better when they can see you unencumbered and that drives them on without that distraction. For the selfish few that didn’t and just had to keep videoing… I wish you nothing but a very sore arm!

“But they were few, and we do hope this support from fans, especially in the floor area in front of the sound desk, continues in Prague tomorrow and beyond,” he added. “As I said before, by all means take the odd quick pic as a memento of a great night, but otherwise please keep your phone in your pocket.”

Iron Maiden’s current Run for Your Lives World Tour marks their performances since wrapping the The Future Past Tour in São Paulo, Brazil in December. That tour was the last to feature drummer Nicko McBrain, who announced his “decision to take a step back from the grind of the extensive touring lifestyle.”

Daniel Seavey has been forced to postpone more tour dates, axing his performances in Australia and New Zealand as he continues to recover from ongoing vocal issues.

Seavey, whose global tour in support of debut album Second Wind launched in March, alerted fans to his troubles last month when he postponed the final six dates of his European run. 

“My doctors made it clear that my vocal cords are completely unusable right now, and that any attempt at forcing them to work will result in permanent and irreversible damage,” he told fans on social media on May 13.

However, despite “taking the next few weeks to get to the bottom of these issues and resolve them” ahead of his shows in Australia and New Zealand, Seavey’s vocal issues have persisted, necessitating the postponement of these dates as well.

“Hey guys I got some pretty tough news yesterday,” Seavey wrote on social media over the weekend. “My doctor has ordered me to go on another 3 weeks of vocal rest to ensure that this problem completely resolves and never returns, which means I have to push back my shows in Australia a couple weeks.

“I am so beyond devastated by the outcome of all of this and am so terribly sorry to everyone I am letting down.”

Seavey’s Australian trek was scheduled to begin in Perth on Saturday (June 7), before visiting Adelaide, Melbourne, Sydney, and Brisbane, and then venturing over to New Zealand for a single date in Auckland. 

New dates have already been announced, with Seavey set to instead visit Auckland on Aug. 2, and Australian dates to occur in the following days. His European dates are currently in the works, with Seavey telling fans “My team and I are working as fast as we can to get those to you.”

Seavey rose to fame in 2015 after placing in the top nine of the 14th season of American Idol. He later served as a member of Why Don’t We, whose two studio albums both charted in the top ten of the Billboard 200. 

Why Don’t We went on hiatus amidst a lengthy legal battle in 2022, and eventually disbanded officially in February 2025, with Seavey releasing his debut album on March 7.

Daniel Seavey – 2025 Tour Dates

Aug. 2 – The Powerstation, Auckland, New Zealand
Aug. 5 – The Forum, Melbourne, VIC, Australia
Aug. 6 – Enmore Theatre, Sydney, NSW, Australia
Aug. 8 – Eatons Hill Hotel, Brisbane, QLD, Australia
Aug. 10 – AEC Theatre, Adelaide, SA, Australia
Aug. 12 – Rechabite, Perth, WA, Australia

Patti LuPone has issued an apology after hundreds of members of the Broadway community condemned her recent remarks disparaging fellow Broadway actresses Kecia Lewis and Audra McDonald.

“For as long as I have worked in the theatre, I have spoken my mind and never apologized. That is changing today,” LuPone wrote in the opening of a statement released via Instagram on Saturday (May 31).

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“I am deeply sorry for the words I used during The New Yorker interview, particularly about Kecia Lewis, which were demeaning and disrespectful. I regret my flippant and emotional responses during this interview, which were inappropriate, and I am devastated that my behavior has offended others and has run counter to what we hold dear in this community. I hope to have the chance to speak to Audra and Kecia personally to offer my sincere apologies,” said LuPone.

LuPone’s response arrived the day after after an open letter directed at her — and signed by more than 500 individuals in the Broadway world — was published in outcry to comments from the actress perceived to be “degrading and misogynistic,” as well as a “blatant act of racialized disrespect.” The letter was also aimed at “a culture, a pattern” in the Broadway industry: “a persistent failure to hold people accountable for violent, disrespectful, or harmful behavior — especially when they are powerful or well-known.”

In Saturday’s statement, LuPone acknowledged the message of the letter and expressed regret over what she said about her peers.

“I wholeheartedly agree with everything that was written in the open letter shared yesterday,” she wrote. “From middle school drama clubs to professional stages, theatre has always been about lifting each other up and welcoming those who feel they don’t belong anywhere else. I made a mistake, I take full responsibility for it, and I am committed to making this right. Our entire theatre community deserves better.”

The New Yorker ran a profile on LuPone earlier this week that quoted her calling Lewis — who’s in the Alicia Keys-created Broadway musical Hell’s Kitchen, which was performed next door to the LuPone-starring The Roommate in 2024 — a “b—-” for considering herself a stage “veteran.”

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The piece had LuPone recounting complaints she’d made to Shubert Organization head Robert Wankel that sound from Lewis’ Hell’s Kitchen could be heard during her stage time in The Roommate. (Lewis had responded to LuPone’s complaints on Instagram at the time, and deemed them “bullying,” “racially microaggressive” and “rooted in privilege” for calling “a Black show loud.”)

“She calls herself a veteran?” LuPone said in The New Yorker article dated May 26. “Let’s find out how many Broadway shows Kecia Lewis has done, because she doesn’t know what the f— she’s talking about. Don’t call yourself a vet, b—-.”

LuPone also remarked that she had a “rift” with McDonald, who’d shown support for Lewis: “That’s typical of Audra. She’s not a friend,” LuPone told The New Yorker; McDonald later said she was unaware of the rift.

LuPone, a three-time Tony Award and two-time Grammy Award winner, in 2024 starred as Robyn opposite Mia Farrow’s Sharon in The Roommate for the dark comedy’s four-month engagement on Broadway at the Booth Theatre. She just wrapped a series of concert dates that ran across select U.S. cities from late January through late May, with a couple festival appearances slated for this summer.

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In 2024 Lewis won her first Tony, for best featured actress in a musical, for her work as Miss Liza Jane in Hell’s Kitchen, the Broadway production whose performers were also awarded the Grammy for best musical theater album last year. Hell’s Kitchen is presently still playing on Broadway at the Shubert Theatre.

McDonald, currently leading the Broadway revival of Gypsy at the Majestic Theatre, has won six Tonys, two Grammys and an Emmy throughout her career. Nominated for her portrayal of Rose in Gypsy, she’s up for another Tony, for best actress in a musical, at this year’s ceremony. She holds a record number of total Tony nominations (11).

The 2025 Tony Awards will broadcast live to both coasts on CBS just a week from today, from 8 to 11 p.m. ET on Sunday, June 8; the show will also stream on Paramount+.

Morgan Wallen’s I’m the Problem notches a second week at No. 1 on the Billboard 200 chart (dated June 7), after debuting in the pole position a week ago with the year’s biggest week for an album. In its second week, I’m the Problem earned 286,000 equivalent album units (in the tracking week ending May 29) in the United States according to Luminate. A week ago, the set arrived at No. 1 with 493,000 units.

With a relatively scant 42% second-week decline in units earned, I’m the Problem tallies the smallest second-week percentage drop for a No. 1-debuting album in more than a year. The last No. 1-debuting set to see a smaller sophomore frame fall, by percentage decline, was 21 Savage’s American Dream on the March 3, 2024-dated chart. It fell 41% in its second week (from 133,000 to 78,000).

Plus, Wallen has three albums in the top 10 at the same time for the first time ever, as I’m the Problem is joined by his former No. 1s One Thing at a Time (No. 4) and Dangerous: The Double Album (No. 10).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new June 7, 2025-dated chart will be posted in full on Billboard‘s website on June 3. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of I’m the Problem’s 286,000 equivalent album units earned in the week ending May 29, SEA units comprise 256,000 (down 28%, equaling 332.89 million on-demand official streams of the set’s songs — it leads Top Streaming Albums for a second week), album sales comprise 28,000 (down 79% — it’s No. 1 on Top Album Sales for a second week) and TEA units comprise 2,000 (down 39%).

Nos. 2-8 on the Billboard 200 are all former No. 1s. SZA’s SOS is a non-mover at No. 2 (47,000 equivalent album units earned; up 2%); Kendrick Lamar’s GNX climbs 5-3 (42,000; up 1%); Wallen’s One Thing at a Time is steady at No. 4 (nearly 42,000; down 1%); Playboi Carti’s MUSIC motors 18-5 (41,000; up 57% after a range of deluxe boxed set editions, sold through his webstore, were fulfilled to customers); Sabrina Carpenter’s Short n’ Sweet steps 7-6 (36,000; down 3%); PARTYNEXTDOOR and Drake’s $ome $exy $ongs 4 U is up 8-7 (nearly 36,000; down 4%); and Bad Bunny’s Debí Tirar Más Fotos rises 9-8 (35,000; down 3%).

Billie Eilish’s Hit Me Hard and Soft is back in the top 10, moving 11-9, with 31,000 equivalent album units earned (though down 2%).

Wallen’s chart-topping Dangerous: The Double Album rises 12-10 with 30,000 equivalent album units earned (down less than 1%). Wallen has three albums in the top 10 concurrently for the first time ever, as Dangerous joins I’m the Problem (No. 1) and One Thing at a Time (No. 4). Wallen is the second act to log at least three albums in the top 10 at the same time in 2025, following Lamar after his Super Bowl LIX halftime show performance on Feb. 9. On the Feb. 22-dated chart, Lamar was at Nos. 1, 9 and 10 with GNX, DAMN. and good kid, m.A.A.d city, respectively.

Wallen and Lamar are the only living male artists to have had at least three albums in the top 10 at the same time since Herb Alpert on the Dec. 24, 1966-dated chart (when he, along with the Tijuana Brass, had three titles in the top 10). The most recent act, overall, with at least three albums in the top 10 was Taylor Swift on the March 2, 2024, chart, when she had three in the region — she has held at least three albums concurrently in the top 10 of the chart 22 times.

Before Lamar, the last male artist — or anyone aside from Swift — to have at least three albums in the top 10 at the same time was Prince, following his death, in 2016. That year, on the May 14 chart, he logged five titles in the region; and on the May 7 chart, he had three in the top 10. Prince died on April 21, 2016.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Ava Max‘s “Lovin Myself” tops this week’s new music poll.

In a poll published Friday (May 30) on Billboard, music fans chose the pop singer’s latest single as their favorite new release of the past week.

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“Lovin Myself” brought in 57% of the vote, beating out new releases from artists like Tate McRae (“Just Keep Watching”), Miley Cyrus (Something Beautiful), Lorde (“Man of the Year”), Leon Thomas (MUTT Deluxe: HEEL), Yeule (Evangelic Girl Is a Gun), and others.

“Lovin Myself” doubles down on Max’s streak of self-empowerment, with the singer declaring, “I don’t need nobody, I’m lovin’ myself!” as warm synths rain down on her voice.

Max revealed in early May that her third album, Don’t Click Play, will be arriving on Aug. 22. The forthcoming set features lead single “Lost Your Faith.”

The album cover sees Max braving the heat within a triangle of fire, her hands gripping its burning edges — perhaps a visual metaphor for the fire-emoji energy she wants listeners to feel when they hit play. The triangle itself resembles the familiar symbol for a play button. In April, she directed fans to DontClickPlayOnAvaMax.com, a site disguised as an online petition that cleverly teased an unreleased track.

Don’t Click Play follows 2023’s Diamonds & Dancefloors (which reached No. 34 on the Billboard 200) and 2020’s debut Heaven & Hell (which peaked at No. 27 and featured her breakthrough single “Sweet But Psycho,” a top 10 hit on the Billboard Hot 100 in 2018).

Placing second in the poll was Tate McRae’s “Just Keep Watching”, which received nearly 15% of the vote. The fast-moving club track is featured in the F1 film soundtrack.

Check out the full results of this week’s poll below and visit Billboard’s Friday Music Guide for more must-hear releases.

The performance this week by Nigerian star TEMS is one eagerly awaited moment at the inaugural SXSW London, which opens Monday (June 2) and runs through Saturday (June 7), building on the four-decade legacy of the South By Southwest music, arts, film and tech conference and festival launched by four young colleagues in Austin, Texas, in 1987.

TEMS will headline The Stage at SXSW London on Thursday (June 5) in an exclusive concert presented by Billboard at London’s iconic music venue Troxy. She was featured on the cover of the magazine’s May 17 issue.

London is some 4,900 air miles from Austin where, in the mid 1980s, the idea of a conference and festival, initially focused on music, was hatched by the co-founders of SXSW: Roland Swenson, Louis Jay Meyers, Louis Black and Nick Barbaro. At the first event, held in March 1987, an expected 150 registrants reached 700 on the opening day. 

In 2021, following the challenges of the pandemic, SXSW gained an investment partner in Penske Media Corporation (which also owns Billboard) and the film and production company MRC. Two years later, Penske took majority ownership of SXSW.

Under its new owners, SXSW has gone global. The third SXSW Sydney will take place in Australia’s largest city from Oct. 13-19.

This first SXSW London takes place at a time when the creative industries of the United Kingdom are more vital than ever, with the music business finding global success with superstars like Dua Lipa, Charli xcx, Coldplay and others. The event also follows the publication by Billboard of its annual Global Power Players list and its first U.K. Power Players list, whose honorees will be recognized at an invitation-only gathering.

Here are seven highlights to watch for at SXSW London.

Hailee Steinfeld and Josh Allen are officially husband and wife.

The singer-actress, 28, and Buffalo Bills quarterback, 29, were photographed walking down the aisle during a stunning wedding ceremony in Southern California on Saturday (May 31), according to People.

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Neither Steinfeld nor Allen had shared photos of their oceanside nuptials on social media at press time.

The couple announced their engagement in November 2024 with a breathtaking Instagram post. In the snapshot, the NFL star is seen down on one knee atop a grassy ridge overlooking the water, surrounded by candles and framed by a large, flower-covered arch.

The Sinners actress and Allen were first linked romantically in spring 2023, after being spotted dining together in New York City. Months later, Allen confirmed the relationship but asked The Associated Press not to mention Steinfeld by name in an attempt to maintain privacy.

Earlier this year, Steinfeld opened up about the engagement during an appearance on The Tonight Show Starring Jimmy Fallon. Speaking about her new life in Buffalo, N.Y., the “Starving” singer said with a smile, “I have been given a very warm welcome.” She added, “The people are incredible, it’s such a wonderful, wonderful place.”

Allen’s Buffalo Bills had an impressive season, making it to the AFC Championship before falling to the Kansas City Chiefs ahead of the Super Bowl. Steinfeld has become a vocal supporter of her new husband’s team. In a February interview with Who What Wear, she playfully shaded the Chiefs when asked to name the four AFC teams.

“You got the Buffalo Bills and the Bills’ three sons,” she replied pointedly.

Still, Steinfeld managed to find a few kind words for the Chiefs in a Hot Ones Versus episode released the day before her Fallon appearance in early April. When challenged to compliment the team or eat a spicy wing, Steinfeld gave it her best shot while facing off against her Sinners co-star Michael B. Jordan.

“Yellow and red really complement them all pretty well,” she said to avoid eating a spicy wing, struggling to think of more things to say as Jordan laughed at her. “They are very loud … it’s great you want that from a fanbase. And third, they go hard for their team.”

Netflix has confirmed Lady Gaga will appear in season two of Wednesday, the hit series starring Jenna Ortega as Wednesday Addams. Gaga will be “playing the mysterious and enigmatic Rosaline Rotwood, a legendary Nevermore teacher who crosses paths with Wednesday,” according to a company news release on Netflix.com.

The streaming service first announced the news of Gaga as guest star at its Tudum fan event at the Kia Forum in Los Angeles on Saturday (May 31), The Hollywood Reporter says.

Gaga marked the occasion by making an appearance herself, taking the stage for a Wednesday-themed performance that had her “emerging from a coffin” while “backed by a cadre of Addams Family-esque dancers,” reports THR. The coffin lid was inscribed with “HERE LIES THE MONSTER QUEEN.”

The pop star performed Mayhem tracks “Zombieboy” and “Abracadabra” before returning to her coffin. In the middle of her mini set was a dance performance to the Cramps’ “Goo Goo Muck,” inspired by the viral dance scene from Wednesday‘s first season.

Wednesday is the latest acting credit for the singer, who led the films Joker: Folie à DeuxA Star Is Born and House of Gucci, and was in two seasons of FX’s American Horror Story. Gaga won an Oscar for best original song and was nominated for best actress for A Star Is Born in 2019.

Netflix’s Saturday night preview for season two of Wednesday gives fans of the show a glimpse at how Wednesday Addams (Ortega) spent her summer: locked in a serial killer’s (Haley Joel Osment) basement.

Watch the first six minutes of the second season of Wednesday below.

Alf Clausen, the Emmy-winning composer whose music provided essential accompaniment for the animated antics of The Simpsons for 27 years, has died.

His daughter Kaarin Clausen told The Associated Press that Alf Clausen died Thursday (May 29) at his home in Los Angeles after struggling with Parkinson’s disease for about a decade. He was 84.

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Clausen, who also scored TV series including Moonlighting and Alf (“no relation,” he used to joke) was nominated for 30 Emmy Awards, 21 of them for The Simpsons, winning twice.

Al Jean, an early Simpsons writer who was one of the key creative figures on the show in the 1990s, said in a post on X Friday that “Clausen was an incredibly talented man who did so much for The Simpsons.”

While Danny Elfman wrote the show’s theme song, Clausen joined the Fox animated series created by Matt Groening in 1990 and provided essentially all of its music until 2017, composing nearly 600 scores and conducting the 35-piece orchestra that played it in the studio.

His colleagues said his music was a key component of the show’s comedy, but Clausen believed the best way to back up the gags of Homer, Marge Bart and Lisa was by making the music as straight as possible.

“This is a dream job for a composer,” Clausen told Variety, which first reported his death, in 1998. “Matt Groening said to me very early on, ‘We’re not a cartoon. We’re a drama where the characters are drawn. I want you to score it like a drama.’ I score the emotions of the characters as opposed to specific action hits on the screen.”

Groening, in a 1996 interview, called him “one of the unacknowledged treasures of the show.”

Clausen was born in Minneapolis and raised in Jamestown, North Dakota. He graduated from the Berklee College of Music in 1966, and moved to Los Angeles seeking a career in music.

In the 1970s he was a musical director on several TV variety shows including Donny & Marie.

Clausen worked as an orchestrator for composer Lee Holdridge in his scores for 1980s films including Splash and The Beastmaster.

It was Holdridge who first got the composing job on Moonlighting, the late-’80s ABC rom-com detective series starring Bruce Willis and Cybil Shepherd, but he handed the gig off to Clausen, who would get six Emmy nominations for his music on it.

Clausen won his Emmys for The Simpsons in 1997 and 1998 and also won five Annie Awards, which honor work in animation in film and television.

He was fired from The Simpsons in a cost-cutting move in 2017, to the outrage of his collaborators and fans. He sued over his dismissal.

Clausen is survived by his wife, Sally; children Kaarin, Scott and Kyle; stepchildren Josh and Emily, and 11 grandchildren.