CISAC, the international trade organization for copyright collecting societies, has a new Chair, with APRA AMCOS CEO Dean Ormston elected into the role.

Announced on Thursday (May 29), Ormston is only the second Australian to hold the title in CISAC’s 99-year history, with his APRA AMCOS predecessor Brett Cottle having previously served in the role from 2006 until 2010.

Ormston brings more than two decades of experience in the fields of music rights management, policy and advocacy to his new appointment. Since 2018, he’s served as the CEO of Australia and New Zealand’s music rights management organization APRA AMCOS, which represents more than 124,000 songwriters, composers and publishers.

“Being elected Chair of the CISAC Board at such a pivotal moment for creators worldwide is an honour,” Ormston said in a statement. “As the creative economy enters a new era shaped by AI and global digitalisation, the opportunity to secure a fair and thriving future for creators has never been greater.

“Creators are central to the cultural, social and economic fabric of every nation. Each country has a responsibility to nurture its own cultural voices by ensuring a strong copyright framework and enabling creators to share in the value generated by innovations such as Generative AI.”

Ormston’s noted focus on ensuring a fairer future for creatives in the current AI-focused climate comes just over a year after he was named as one of the 20 leaders from the creative industries and academia invited to join the Steering Committee of the Attorney-General’s Copyright and Artificial Intelligence Reference Group (CAIRG).

APRA AMCOS have themselves been noted voices in the Generative AI debate, releasing their AI and Music report in August 2024 which focused on the benefits and concerns facing creators in Australia and New Zealand. Meanwhile, CISAC performed their own global study in December which re-iterated international calls for credit, consent and fair remuneration for songwriters and composers.

As newly-elected Chair of CISAC, Ormston takes over from Marcelo Castello Branco, the CEO of Brazil’s UBC, who has occupied the role for six years. Ormston is joined by Jennifer Brown, CEO of Canada’s SOCAN, who has been re-elected for a second term as Vice-Chair, and VG Bild-Kunst director general Urban Pappi, who has been elected as Vice-Chair for the first time. 

Founded in France in 1926, CISAC has been presided over by Swedish singer, songwriter, and ABBA co-founder Björn Ulvaeus since 2020, taking over from French composer Jean Michel Jarre after he had spent a seven-year stint in the top job.

“CISAC’s global network is uniquely positioned to amplify the voice of these creators to decision-makers across the world,” Ormston added. “I look forward to working with the new Board and the entire CISAC community to champion creators’ rights, further develop our services, and empower societies and their members to lead in this rapidly changing global market.”

Radiohead frontman Thom Yorke has unveiled a new song, with “Dialing In” serving as the theme to Apple TV+’s forthcoming series Smoke.

Released on Wednesday (May 28), and recorded with Sam Petts-Davies, the haunting track presents a dark and brooding atmosphere as Yorke’s trademark vocals warmly accompany a tender and eclectic musical bed.

The song also soundtracks the recently-released trailer for Smoke, which – according to a descriptor – follows Taron Egerton and Jurnee Smollett as they “attempt to get as close to the truth as possible—without getting burned.”

For diehard fans, “Dialing In” won’t be an entirely new experience, with its origins being found in Yorke’s unreleased track “Gawpers,” which had been performed during a run of European dates in 2019, but has since evolved before its 2025 release date.

Yorke announced the release of “Dialing In” by noting on social media that the track is “now available to stream on your least crap streaming service.” According to the song’s credits on Tidal, Yorke’s daughter Agnes is also featured as a backing vocalist.

“Working with Thom Yorke was as much an honour for me as working with Clint Eastwood, Martin Scorsese or Richard Price,” said Dennis Lehane, Smoke creator and executive producer. “I’ve somehow been blessed with collaborating with living legends who were also formative influences on my own creative life. Thom is definitely that.

“In addition, he took a basic concept I gave him and delivered a song that perfectly embodies the show and absolutely crushes.”

“Dialing In” is the latest release from Yorke this month, who also released the album Tall Tales, created alongside Mark Pritchard, on May 9.

“Mark sent me a large file of MP3s of ideas during lockdown,” Yorke explained of their long-distance collaboration. “There were so many great ones, I knew straight away that I had to drop what I was doing. It felt very much that I had not been anywhere like this before — both as soon as I put my headphones on and started trying to find the vocals, words and sounds, but also, as it progressed, watching Jonathan [Zawada] respond so freely and spontaneously with all his video and artwork ideas. 

“It was mental, and I feel lucky to have been involved,” he added. “Tall Tales is very important to me. I hope people get it, and get to hear it!”

Listen to “Dialing In” below:

Former Red Hot Chili Peppers guitarist Josh Klinghoffer will avoid prison time after striking and killing a man with his car in Los Angeles last year, according to a new report.

In an Alhambra, California, courtroom on Wednesday (May 28), Klinghoffer pleaded no contest to misdemeanor vehicular manslaughter without gross negligence after hitting the man, 47-year-old Israel Sanchez, with his 2022 GMC Yukon on March 18, 2024, according to Rolling Stone. Sanchez, who was in a crosswalk when he was hit, was pronounced dead at a hospital later that day.

As a result of the no jail plea deal, Klinghoffer was sentenced to one year of informal probation and 60 days of community labor, Rolling Stone reports. Additionally, he must complete a driver safety class and pay restitution in an amount to be determined at a later date.

After Klinghoffer entered his plea deal, a prosecutor read a statement that warned against distracted driving, according to Rolling Stone: “If you continue to drive while distracted, and as a result of your driving someone is killed, you can be charged with murder.” Klinghoffer then said that he understood.

Also during the hearing, Sanchez’s only daughter, Ashley Sanchez, read a victim impact statement in which she called him “an extraordinary grandfather” whose “absence has left an irreversible void in our lives,” according to Rolling Stone. In addressing Klinghoffer, she said her father’s death had caused her “deep and lasting trauma” and called it an “avoidable loss.”

Klinghoffer still faces a wrongful death lawsuit over the incident. In the complaint, filed by Ashley Sanchez, her attorneys wrote, “Video of the incident shows that defendant Josh Adam Klinghoffer made no braking or slowing motion until after he fatally struck Israel Sanchez, indicating that defendant was likely driving while distracted.” The woman’s lawyers also claimed to have video evidence showing that Klinghoffer was “using a device mere seconds before” he hit Sanchez. The trial in that case is slated to kick off on July 1, according to Rolling Stone.

Representatives for Klinghoffer and Ashley Sanchez did not immediately return requests for comment on Wednesday.

A touring guitarist for the Red Hot Chili Peppers in the late 2000s, Klinghoffer officially joined the band full-time in 2010 as a replacement for John Frusciante. After working on two studio albums with the group, he was fired in 2019 following Frusciante’s return. He has also served as a touring guitarist for Pearl Jam and released solo material under the name Pluralone.

Global success enjoyed by the likes of Central Cee, Charli xcx and Dua Lipa helped lift British music exports to a record high of £794 million ($1.72 billion) in 2024, according to new figures from the British Phonographic Industry (BPI).

The London-based trade body says last year’s total is the highest since it began analyzing labels’ overseas income in 2000, and that it’s more than triple the £243 million ($328 million) from 2013. The result also means that the U.K. remains the world’s second biggest exporter of music, making up around 8% to 9% of global streams, says the BPI.

Driving last year’s stats was a combination of established, globally successful British artists and a new generation of homegrown talent making waves on the world stage. In total, around 600 artists accumulated more than 100 million global streams throughout 2024, including high-charting releases from Central Cee, Charli xcx and Dua Lipa, alongside platinum singles for Myles Smith (“Stargazing”) and Good Neighbours (“Home”).

Data by Luminate shows that the list of top revenue-generating artists also includes contemporary himakers Adele, Arctic Monkeys, Ed Sheeran, Harry Styles and Sam Smith, as well as icons who first rose to prominence in the 1970s, such as Queen and Elton John. 

Consumption of British music increased in all but one of the main global regions in 2024, says BPI. This trend was led by an incrase of 29% in the Middle East and 12% in Africa. North America and Europe remained the biggest regions for export.

The BPI attributes many of these major gains to British record labels’ long-term investment in new talent and established acts. The organization reports that between 2020-2024, label businesses invested more than £2 billion ($2.7 billion) in artist A&R and marketing.

The rate of growth is declining, however. The BPI reports that income from the sales and streams of British music overseas increased by just 1.9% in 2024, compared to 7.6% in 2023 and 20% in 2022. In previous years, the consumption of British music globally was bolstered by extensive album and touring campaigns from superstars including Styles and Lewis Capaldi. Last year, however, no British artists ranked among the 20 most-streamed artists globally, according to the IFPI.

BPI chief executive Dr Jo Twist said in a statement: “It’s brilliant to see British artists, backed by their labels, continue to shine on the world stage, including a new generation of talent such as Charli XCX, Lola Young, and Myles Smith, among others. Their emergence shows we are on the cusp of future success.”

In her statement, Twist also stressed the importance of raising awareness around the government’s potential future approach to generative artificial intelligence training, as well as highlighting the need for further conversation around music education in the U.K.

Twist continued: “If we are to realise this potential in an increasingly competitive global market and keep British music a headline act, we need the right environment where the industry comes together to deliver growth to the UK. We have a Government that values not just the cultural power of British music but also the foundations of its success: creative arts education, labels that are supported and encouraged to invest in talent, successful programmes like the Music Export Growth Scheme, and a gold standard copyright framework that safeguards creativity and rewards human artistry.”