The Florida Department of Health’s COVID-19 dashboard reported 9,535 new confirmed cases Sunday along with 132 total deaths, 129 of which were residents. Looking at it one way, it’s the … Click to Continue »
Tax season can be frustrating and tedious even in the best of times. This year, you can bet on it being even worse. Because of the pandemic, many people will … Click to Continue »
SEATTLE — A Tacoma police officer’s actions are under investigation by an independent police-review body after he drove an SUV through a crowd Saturday night, according to Tacoma interim police … Click to Continue »

Someone put forth into the world the idea of Frank Ocean joining SZA on “Good Days,” and SZA is all about it.

“Good days by SZA ft. Frank ocean would literally cure corona,” a Twitter user wrote recently.

SZA shared that tweet and a response in a now-expired post on Instagram Stories on Saturday (Jan. 23).

“Imma ask lol,” she wrote.

While there’s no update as of Sunday, fans of both artists have already started daydreaming about a “Good Days” remix.

“Ok but the frank ocean remix….let’s talk,” one person wrote to SZA on Twitter.

Another tweeted: “If Sza really gets frank ocean on the good days remix my soul will quite literally leave my body.”

“sza and frank ocean are both scorpios so if they do collab i know it’s gonna hit emotionally and i’m gonna cry for days,” wrote another fan.

“The day Frank Ocean hops on Good Days by SZA is the day I pass away peacefully,” another person joked.

See some of the reactions, and enjoy SZA’s “Good Days” again, below.

The NFL invited 7,500 “health care heroes” who have already received both doses of the COVID-19 vaccine to the Super Bowl. Those essential workers will get to see the game and the already announced festivities, and they’ll also get to experience seeing Miley Cyrus perform live.

Cyrus will be at the the Super Bowl for the TikTok Tailgate pre-show, where she’ll perform in honor of these special guests.

“SUPER BOWL LV!!!” Cyrus wrote on Instagram on Sunday (Jan. 24). “I’ll be there for TIKTOK TAILGATE!!! I can’t wait to put on a show for the NFL’s honored guests before the game…. Health care workers from Tampa and around the country!”

The official NFL Twitter account gave some more context for the event: “@mileycyrus will be at Super Bowl LV to perform at the first-ever #TikTokTailgate – the NFL’s pregame event for the 7,500 vaccinated health care heroes who have been invited to attend.”

“These dedicated health care workers continue to put their own lives at risk to serve others, and we owe them our ongoing gratitude,” NFL commissioner Roger Goodell said in a statement about giving Super Bowl tickets to people working in health care during the pandemic. “We hope in a small way that this initiative will inspire our country and recognize these true American heroes. This is also an opportunity to promote the importance of vaccination and appropriate health practices, including wearing masks in public settings.”

The TikTok Tailgate can be watched on Feb. 7 at 2:30 p.m. ET, either on TikTok or CBS.

It was previously announced that H.E.R. will perform “America the Beautiful” and Jazmine Sullivan and Eric Church will sing the National Anthem at this year’s kick-off show at 6 p.m. ET. The Weeknd is the headline performer of the 2021 Pepsi Super Bowl LV Halftime Show.

Morgan Wallen’s Dangerous: The Double Album spends a second straight week at No. 1 on the Billboard 200 chart, earning 159,000 equivalent album units in the U.S. in the week ending Jan. 21 (down 40%), according to MRC Data. The album arrived atop the list a week ago with 265,000 units.

Dangerous is the first country album to spend two weeks in a row at No. 1 since Chris Stapleton’s Traveller in 2015 (charts dated Nov. 21-28 that year), and the first country set to spend its first two weeks at No. 1 since Luke Bryan’s Kill the Lights that year (Aug. 29-Sept. 5, 2015). Traveller debuted on the chart dated May 23, 2015 at No. 14, and was off the chart by October. It then re-entered at No. 1 on Nov. 21, 2015, after Stapleton’s multiple wins and well-received performance on the Country Music Association Awards on Nov. 4.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 30, 2021-dated chart (where Dangerous holds at No. 1) will be posted in full on Billboard’s website on Jan. 26. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Dangerous’ 159,000 equivalent album units earned in the tracking week ending Jan. 21, SEA units comprise 133,000 (down 26%, equaling 177.11 million on-demand streams of the album’s songs), album sales comprise 22,000 (down 70%) and TEA units comprise 4,000 (down 39%).

Since the Billboard 200 began ranking albums by equivalent album units in December of 2014, Dangerous is the first country set to log two weeks of at least 150,000 units.

Notably, in the last 12 months, Dangerous is just the fourth album, among all genres, to log at least two weeks of 150,000-plus units. It follows Taylor Swift’s Evermore, Juice WRLD’s Legends Never Die and Lil Uzi Vert’s Eternal Atake — all with two weeks each of 150,000-plus units.

Pop Smoke’s former No. 1 Shoot for the Stars Aim for the Moon rises 3-2 on the new Billboard 200 with 47,000 equivalent album units earned (up less than 1%). In the album’s 29 weeks on the chart, it has been absent from the top 10 for only one week (Jan. 2-dated chart, No. 11).

Why Don’t We nets a career-high chart rank as the group’s latest album The Good Times and the Bad Ones bows at No. 3. The set starts with 46,000 equivalent album units earned. Of that sum, 38,000 comprise album sales (making it the top-selling album of the week), 7,500 comprise SEA units (equating to 11.34 million on-demand streams of the album’s songs) and a little under 500 comprise TEA units.

Why Don’t We’s previous high on the Billboard 200 came with the quintet’s last album, 8 Letters, which debuted and peaked at No. 9 on the Sept. 15, 2018-dated chart.

The new album was led by the single “Fallin’,” which marked the act’s first Billboard Hot 100 hit, when it peaked at No. 37 on the Oct. 17, 2020, list. The track also marked the group’s fifth hit on the Pop Airplay chart, reaching No. 22 in November.

Taylor Swift’s former No. 1 Evermore dips 2-4 on the new Billboard 200 (41,000 equivalent album units earned; down 26%) and Ariana Grande’s previous leader Positions climbs 7-5 (39,000; up 17%).

As Republic Records is the distributing label for Dangerous, Shoot for the Stars …, Evermore and Positions, the company has four of the top five albums of the week. It’s the first time a label has claimed four-fifths of the top five since Republic itself did it on the Sept. 1, 2018-dated chart.

Lil Durk’s The Voice falls 5-6 on the new Billboard 200 with 37,000 equivalent album units earned (down 11%). Eminem’s former No. 1 Music to Be Murdered By jumps 19-7 with 33,000 units (up 51%) following the Jan. 15 release of the album’s deluxe reissue on CD. The deluxe edition, dubbed Music to Be Murdered By – Side B, added extra tracks to the year-old album and first dropped on digital retail and streamers on Dec. 18, 2020. A vinyl release of the deluxe package is due in August. (All versions of the album are tracked together on the chart.)

A trio of former No. 1s closes out the new top 10 on the Billboard 200, as The Weeknd’s After Hours falls 6-8 (33,000 equivalent album units; down 6%), Juice WRLD’s Legends Never Die is steady at No. 9 (32,000; up 3%) and Luke CombsWhat You See Is What You Get descends 8-10 (just under 32,000; up 1%).

With the holidays and the historic Biden-Harris inauguration behind us, musicians are getting back to livestreaming events, which means more entertainment to enjoy from the warmth of your own home during these chilly January days.

One of the big virtual events to check out is iHeartRadio’s ALTer EGO on Jan. 28, which will feature new music and stories by Billie Eilish and Foo Fighters, and iconic performances by acts such as Coldplay, Twenty One Pilots and many others. One day later, Adam Lambert celebrates his birthday with a live show from the iconic Roxy Theatre in L.A.

See the list below for more virtual concerts and events to check out during the week of Jan. 25-31. As more shows are announced, we’ll update the roundup.


Jan. 27: Katie Crutchfield of Waxahatachee will be chatting about her album Saint Cloud as well as getting through the pandemic. RSVP here.

Jan. 28: Billie Eilish, Foo Fighters, Muse and many more are participating in iHeartRadio’s ALTer EGO, with the Foo kicking things off at 9 p.m. ET, and Eilish wrapping up the evening at 10:20 p.m. ET.

Princess Nokia is kicking off Brooklyn club Elsewhere’s new Twitch series, Elsewhere Sound Space, with a live performance and interview. The show begins at 7 p.m. ET.

Jan. 29: Adam Lambert is celebrating his 29th birthday with a livestream show from L.A.’s The Roxy. He’ll be performing songs from his latest album, Velvet, and other favorites from his catalogue. He’ll be doing two shows that day, one at 3 p.m. ET, and the other at 10 p.m. ET. Tickets are $18.50.

Lyle Lovett and Jason Isabell are performing a virtual live show, with the two taking turns playing songs. Show set begins at 9 p.m. ET; tickets are $10.

Jimmy Eat World is playing Futures in its entirety for its Phoenix Sessions. The show begins at 5 p.m. ET; tickets start at $14.99.

The Kinks return with a livestream of the one-man show The Moneygoround. The audio-visual production will feature Ben Norris in the lead role, and will include archive and video footage. The show begins at 3 p.m. ET on YouTube.

Jan. 30: Bret Michaels, Lita Ford, Sebastian Bach, Grandmaster Flash, Kenny Loggins and more are participating in the ’80s Radical Sabbatical virtual music event.  The ’80s themed streaming event will include performances, cooking demos, costume contest, and more. An all-day pass is $99.80 plus fees; you can also purchase add-ons for events such as a wine flight with Skid Row frontman Bach.

Weird Al Yankovic, Fred Armisen, Jon Hamm, Eddie Izzard and many more are participating in Festpocalypse, a fundraiser for SF Sketchfest. The show begins at 8 p.m. ET; tickets start at $20.

Cage the Elephant is performing a live set streamed from Nashville’s Blackbird Studio to benefit non-profits in the Bay Area who are providing arts and entertainment to residents who otherwise have little or no access to the arts. The show begins at 8 p.m. ET; tickets are $19.99.

Billie Eilish and Rosalía’s new Spanish-language collaboration, “Lo Vas a Olvidar,” has topped this week’s new music poll.

Music fans voted in a poll published Friday (Jan. 22) on Billboard, choosing the tag-team bilingual effort as their favorite new music release of the past week.

“Lo Vas a Olvidar,” in which Eilish completely stuns by singing in Spanish, brought in nearly 36% of the vote, beating out new music by Diplo and Mark Ronson’s Silk City duo featuring Ellie Goulding (“New Love”), Sabrina Carpenter (“Skin”), Anuel AA and Ozuna (“Los Dioses”), and others.

After hinting that a collaboration was in the works in spring 2019, Eilish and Rosalía dropped the dreamlike track in which the two music stars showcase their vocal chemistry by trading off slow-tempo verses filled with hazy melodies and melancholic lyrics.

“I remember when we were writing the song, I remember her saying something about, ‘It should be in English.’ And I was like, ‘No, no, no. It should be in Spanish. It’s so beautiful.’ And I’ve always loved music that isn’t in English,” Eilish recently told Apple Music’s Zane Lowe.

The music video for “Lo Vas a Olvidar,” filmed by award-winning director Nabil, shows Eilish and Rosalía’s powerful performances in a somber setting.

Placing second on the past week’s tally was the “other” category with close to 17% of the vote, followed by “New Love,” a shimmery house anthem by Diplo and Ronson’s Silk City, featuring vocals by Goulding. The collab brought in nearly 16% of the total vote.

“The song is about losing yourself on your own, not needing to be seen, knowing that the one that got away could be just as happy as this too,” Goulding said in a statement. “The main concept is dancing on your own not needing to be seen.”

See the final results of this week’s new music release poll below.

The UFC’s Dana White and ESPN’s Michael Eaves co-star in Eminem’s new music video for “Higher.”

The video debuted on Saturday (Jan. 23), ahead of that night’s Dustin Poirier vs. Conor McGregor UFC event.

In the clip, which features a mock SportsCenter interview segment midway through, Eminem gets ready for “a battle for the ages” — amping himself up with “Higher,” off of the rapper’s Music to be Murdered By – Side B album.

“All I know is every time I think I hit my ceiling/ I go higher than I’ve ever f—in’ been,” Eminem sings in the chorus.

“We have always been interested in fostering the synergy between music and sports and along with ESPN we have created many great moments together,” David Nieman, VP of sports and gaming for Interscope Geffen A&M said in a statement. “Working together to amplify Eminem’s artistic vision in such a unique way for this highly anticipated UFC event is absolutely a high point.”

Watch Eminem’s “Higher” video below.

Justin Bieber is spending some time reflecting on his past mistakes.

The 26-year-old pop superstar took to Instagram on Saturday (Jan. 23) to look back on getting arrested in 2014 and how his relationship with God has helped him become a better person.

“7 years ago today I got was arrested, not my finest hour. Not proud of where I was at in my life. I was hurting, unhappy, confused, angry, mislead, misunderstood and angry at god,” Bieber wrote alongside a photo of himself hunched over in handcuffs.

On Jan. 23, 2014, Bieber was arrested in Florida for drag racing on a Miami Beach street in a yellow Lamborghini and failing a sobriety test. He was later charged with driving under the influence, resisting arrest and driving with a suspended license.

“All this to say God has brought me a long way,” Bieber continued in his post. “From then til now I do realize something.. God was as close to me then as he is right now. My encouragement to you is to ‘let your past be a reminder of how far god has brought you. Don’t allow shame to ruin your “today” let the forgiveness of Jesus take over and watch your life blossom into all that God has designed you to be.”

Following the arrest, Bieber was able to avoid jail time by pleading guilty to a lesser charge of reckless driving. The singer also made a charitable donation and agreed to take anger management classes.

This isn’t the first time Bieber has reflected on his past arrest. In 2017, the singer wrote on Instagram that he had done a lot of growing up since his DUI.

“I LOVE THIS because it reminds me IM NOT EXACTLY WHERE I WANT TO BE BUT THANK GOD IM NOT WHERE I USED TO BE!! THE BEST IS YET TO COME DO YOU BELIEVE IT?” he captioned a side-by-side picture of his mugshot and a current selfie.

See Bieber’s latest reflective Instagram post here.