The Nashville Songwriters Hall of Fame has announced its class of 2021: Rhett Akins and Buddy Cannon in the songwriter category; John Scott Sherrill in the veteran songwriter category; Toby Keith in the songwriter/artist category ;and Amy Grant in the veteran songwriter/artist category.

The five will be inducted Nov. 1 at the Music City Center in Nashville. Because the organization’s 50th-anniversary celebration was postponed last year due to COVID-19, this year’s event will honor two classes in a special, supersize event, dubbed the “50/51 Nashville Songwriters Hall of Fame Gala.” This year’s honorees will share the spotlight with the class of 2020: Steve Earle, Bobbie Gentry, Kent Blazy, Brett James and Spooner Oldham.

This year’s inductees bring the total number of songwriters in the Hall to 218. Though country songwriters predominate, the body includes “writers from all genres of music,” according to a NaSHOF mission statement. The Nashville Hall dates to 1970 – the same year the Songwriters Hall of Fame launched.

The announcement was made Tuesday (July 13) by Sarah Cates, chair of the organization’s board of directors, and Mark Ford, its executive director.

Four of the five inductees have received Grammy nominations for best country song: Akins in 2018 for co-writing Blake Shelton’s “I Lived It,” Cannon in 2007 for co-writing George Strait’s “Give It Away,” Keith in 2003 for co-writing his own “Beer for My Horses” (a collab with Willie Nelson), and Grant in 2011 for co-writing Vince Gill’s “Threaten Me With Heaven.” In addition, Grant was nominated in the overall song of the year category in 1991 for co-writing her own “Baby Baby,” a No. 1 hit on the Billboard Hot 100.

Grant is married to Gill, who was inducted in 2005. They are among the few married couples in the NaSHOF. Boudleaux and Felice Bryant, best known for writing classics for the Everly Brothers, were inducted as a couple in 1972.

Keith was inducted into the New York-based Songwriters Hall of Fame in 2015. It’s relatively rare for a songwriter to be inducted into the Songwriters Hall of Fame before its Nashville counterpart. This last happened with Will Jennings, who was inducted into the SHOF in 2006 and the NaSHOF in 2013.

Here’s a capsule look at each of this year’s honorees:

Akins’ songwriter credits include his own “That Ain’t My Truck,” as well as “Honey Bee” (Shelton) and “It Goes Like This” (Thomas Rhett). Akins, 51, is the father of red-hot country star Rhett.

Cannon’s résumé includes “Set ’Em Up Joe” (Vern Gosdin) and “I’ve Come to Expect It From You” (Strait). Cannon, 74, was born in Lexington, Tenn.

Sherrill’s hits include “Wild and Blue” (John Anderson), “The Church on Cumberland Road” (Shenandoah) and “How Long Gone” (Brooks & Dunn). Sherrill was born and raised in Chappaqua, N.Y., and in Uganda and Bolivia.

Grant popularized many of her own compositions, including “Baby Baby,” “That’s What Love Is For” and “Tennessee Christmas.” Grant, 60, was raised in Nashville.

Keith likewise popularized many of his compositions, including “Should’ve Been a Cowboy” “How Do You Like Me Now?!” and “As Good As I Once Was.” Keith, an Oklahoma native, is also 60.

Starting in September, select public seating for the Nashville Songwriters Hall of Fame gala may be purchased as available by contacting executive director Mark Ford at mail@nashvillesongwritersfoundation.com.

Operated by the nonprofit Nashville Songwriters Foundation, the Hall of Fame is dedicated to honoring Nashville’s rich legacy of songwriting excellence. More information is available here.

Independent venue owners, promoters and talent representatives were given good news Tuesday (July 13) when a Small Business Administration (SBA) representative told stakeholders they would not need to reapply for supplemental funds from the Shuttered Venue Operators Grant (SVOG).  

According to multiple sources who were on an SVOG stakeholders call Tuesday morning, the SBA said any applicants who were approved for grants in the first two tiers — those who lost 70% or more of their revenue in 2020 — would not need to resubmit an application to receive additional funding. As of Monday, $11.8 billion of the more than $16 billion grant funds had been requested by initial applicants, which would leave at least $4 billion in supplemental grants for entertainment businesses.  

The Shuttered Venue Operators Grant was passed in December and supplemental grants were worked into the bill language to provide additional funding for entertainment businesses that continued to suffer closures into 2021. More than six months after the bill was passed, following failed launches and missed deadlines, venues are slowly receiving the much-needed initial round of funding, with just over $3 billion disbursed as of Monday.

Information on how the supplemental grants will work continues to be minimal, but the SBA provided stakeholders with additional details this morning. In addition to year-round entities that lost 70% or more of their revenue in 2020, seasonal events such as annual festivals or amphitheaters that lost 70% or more of their revenue in a specific quarter are also expected to be eligible.

The SBA informed stakeholders that it intends to reach out to those approved for the grant in the first and second tiers — those who lost 90% or more or 70% or more of their revenue in 2020, respectively — for supplemental grants of half the amount of their initial grant. For example, if a venue received $1 million for their initial grant, they would receive $500,000 for their supplemental grant.

Applicants can expect to hear from the SBA about supplemental grants 14 days after reconciliation and appeals processes begin. As of Tuesday, more than 3,000 applications have been declined or are queued to be declined. Declined applications that are not suspected of fraud will have that 14-day period to appeal the SBA’s decision. The number of entities that wish to reconcile the amount of money they were awarded by the SBA is pending.

The SBA has not yet clarified when the appeals and reconciliation processes will begin. If a significant number of applicants are declined, it could leave more than the estimated $4 billion for supplemental grants.

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The Small Business Administration has so far notified nearly half of the 15,026 independent venue owners, promoters, movie theaters and other live entertainment businesses who have applied for Shuttered Venue Operators Grants, according to numbers released Monday (July 12). 

Following a prolonged rollout of the program, which was signed into law in December as part of a pandemic stimulus bill, those SBA numbers show 6,610 applicants have been notified of their successful grant and the amount of money they will receive from the more than $16 billon program. Another 440 applications have been declined by the administration that was tasked with creating and implementing the first-of-its-kind program.   

Of those notified of their awards, 2,374 are live music venue operators or promoters and 734 are talent representatives. Live performing arts organizations have received 1,777 award notifications. 

In addition, the SBA has “come to a decision on eligibility” for another 5,902 applicants, which means they will soon be notified of their applications success, failure or need for revision. Monday’s numbers show the SBA has “decisioned” 86% of the total 15,026 applications submitted. The administration has another 11% of applications in review and 3% waiting to be reviewed.  

As of midday Monday, the SBA has disbursed $3.3 billion in federal funding to venues, promoters, talent agencies, zoos, museums and movie theaters since May 26. Another $1.7 billion has been awarded but has not yet been deposited into accounts. Since applications for the SVOG opened on April 27, $11.8 billion has been requested by businesses that lost a significant amount of revenue in 2020 due to the pandemic.  

Several notable live music businesses newly notified of their awards. Promoters Cardenas Marketing Network was awarded $9.1 million, Frank Productions was awarded $10 million and Outback Presents got $9,6. Nashville’s Bluebird Café landed just over $1 million, Belly Up Aspen received just over. $3.5 million, Atlanta’s Fox Theatre maxed out at the $10 million, San Francisco’s Independent reached nearly $2 million in grant funds, and The Armory in Minneapolis hit just over $9.8 million. Talent representatives MAC Presents was also rewarded $846,000. 

Southern California festival Beachlife was awarded $2.3 million, while Noise Pop received just over $1 million and Telluride Bluegrass Festival in Colorado received more than $2.8 million. FELD Entertainment, which formerly put on the Ringling Bros. and Barnum & Bailey Circus, was awarded $10 million. The Grammy Museum in Los Angeles also received an award notice of just above $1.5 million.  

Britney Spears’ personal conservator Jodi Montgomery is alleging in new court papers that Spears’ father, Jamie, used $2 million of the pop superstar’s funds in his own defense.

Montgomery has acted as the conservator over Spears’ person since she temporarily took over for Jamie in September 2019, after he asked the court to allow him to step down due to “personal health reasons.” In new documents filed to Los Angeles court on Friday by Montgomery’s attorney Lauriann Wright, she alleges that Jamie has not been acting in the best interest of his daughter.

“It is ironic that Mr. Spears now wants the conservatorship to ‘reflect her wishes,’ since it is no secret that Ms. Spears has wished her father out of her life for years,” she says in the recent filing, adding that he has used “more than $2 million of his daughter’s money” to keep his post as co-conservator of her estate.

Montgomery asked Los Angeles County Superior Court Judge Brenda Penny on July 7 to approve that the 24/7 protection she requested be paid for by the conservatorship, which could cost up to $50,000 a month. Jamie’s attorney Vivian Lee Thoreen filed an opposition the next day, arguing that Montgomery “is not the only person involved in this Conservatorship who has received threatening communications and/or death threats” and suggested other feasible options for security.

Montgomery also said in the documents that she and Jamie “should be working as a team to ensure that Ms. Spears’ best interests are being met, that she is on a path to recovery and termination of her conservatorship, and that she is living her best life possible. Instead, Mr. Spears has decided it is time to start the finger-pointing and media attacks.”

Britney’s court-appointed lawyer Samuel D. Ingham III; Bessemer Trust, the wealth management firm that was appointed to be co-conservator of the singer’s financial affairs alongside Jamie; and her longtime manager Larry Rudolph have all recently announced their intentions to step away from the situation in the weeks following her bombshell court hearing. On June 23, the 39-year-old superstar told Judge Penny in an open court that she wished for the end of her “abusive” conservatorship that she entered into in 2008. During her 20-minute testimony, Britney said she believed she should sue Montgomery and her team for making her go visit her therapist and psychiatrist multiple times a week.

But in the new court filing, Montgomery included screenshots with texts from the singer, who’s referred to as “Jane Doe,” where she says, “I need u to stay as my co conservator of person. I’m asking u for ur assistance in getting a new attorney.” Last Wednesday, Montgomery filed a petition for a guardian ad litem to help Britney pick her own attorney to replace Ingham after he requested to resign. She argued this would allow said guardian to retain the attorney Britney wants on her behalf, since the pop star cannot enter into such a contract on her own, and would bypass the need for an evaluation of her capacity to retain her own attorney.

“After 13 years of court-appointed counsel, she wants to select her own counsel,” the filing reads. “At the hearing on June 23, 2021, Ms. Spears addressed the Court and repeatedly expressed her desire to select her own counsel, without an additional medical evaluation.”

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A$AP Rocky has been announced as the first-ever Guest Artistic Director for SoCal surf and lifestyle brand Pacsun. As part of the new partnership, launched in collaboration with Rocky’s A$AP Worldwide, the rapper and fashion icon will oversee designer collaborations, brand campaigns and in-store activations on Pacsun.com and in both the Pacsun downtown Los Angeles store and its New York store in Soho.

Rocky’s first Pacsun project is slated to be a reworked sneaker collection with Vans. Pacsun is an official Vans retailer and the new capsule collection will include three styles of the Old Skool silhouette, consisting of black canvas, white leather, and silver reflective colorways, in addition to “materials with flame embroidery.”

In addition to the shoes, Pacsun says it tapped Rocky to help drive “a new wave of premium streetwear and style” to the LA-based multi-brand retailer, thanks to his influence in the fashion and entertainment space.

“Our community of customers is looking for something unexpected, that elevates their daily experience and lets them express their personal style. Nobody bridges the gap between high fashion and streetwear like A$AP Rocky,” says Alfred Chang, co-CEO Pacsun, in a release. “We are proud to welcome him to the Pacsun family and energized about making his ideas a reality that can be shared (and worn) by millions and lead a global style conversation.”

“This partnership is special to me because it’s a collaboration that combines my roots, A$AP Worldwide, and some of the most respected heritage brands that have roots in both the sportswear and lifestyle worlds,” adds Rocky. “Together with Pacsun, we will be releasing several limited-edition collections that are both nostalgic and forward at the same time.”

Pacsun says it’s been working with Rocky for the past 18 months, calling it “an inspiring creative process.” It’s unclear if Rocky himself will design an original collection for the retailer, though he’s expected to help introduce a number of limited-edition releases and collaborations similar to the first Vans release.

Head over to Pacsun.com to see the latest releases from the A$AP Rocky x Pacsun partnership.