Mac Miller’s Balloonerism bows at No. 1 across multiple Billboard album charts, including Top Album Sales, Top Rap Albums, Vinyl Albums and Indie Store Album Sales. Plus, seven of the album’s tracks dot the Hot R&B/Hip-Hop Songs chart. Balloonerism’s songs date back to 2014, but the project was shelved in favor of other releases.

Balloonerism is the second No. 1 on Top Album Sales for Miller, who died in 2018. It’s also his third leader on Top Rap Albums, his sixth chart-topper on Vinyl Albums and his first on the Indie Store Album Sales ranking.

Balloonerism sold a little over 41,000 copies in the U.S. in the tracking week ending Jan. 23, according to Luminate. Vinyl sales comprise the bulk of that sum – 32,000, marking his best sales week ever on vinyl.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.

On Top Album Sales, Miller triumphs over a surging Gracie Abrams, whose The Secret of Us vaults 33-2 with 21,000 sold (up 689% after the vinyl and CD release of a deluxe edition of the album). Rounding out the rest of the top 10: the Wicked soundtrack (moving 2-3), Stray Kids’ HOP (5-4), Chappell Roan’s The Rise and Fall of a Midwest Princess (3-5), Sabrina Carpenter’s Short n’ Sweet (holding at No. 6), Billie Eilish’s Hit Me Hard and Soft (9-7), ROSÉ’s Rosie (11-8), Fleetwood Mac’s Rumours (13-9) and Tyler, The Creator’s IGOR (15-10).

On the Billboard 200, Balloonerism debuts at No. 3 – the eighth top 10-charting set for Miller on that ranking.

Miller On the R&B/Hip-Hop & Rap Charts: Miller earns his third No. 1 on the Top Rap Albums chart. He first ruled with Blue Slide Park in 2011 and followed with The Divine Feminine in 2016, both of which led for one week. On the Top R&B/Hip-Hop Albums list, Balloonerism debuts at No. 2 andgives the late rapper his seventh top 10 effort. In addition to the No. 1s Blue Slide Park and The Divine Feminine, he also reached the region with Watching Movies With the Sound Off (No. 3 in 2013); GO:OD AM (No. 2, 2015); Swimming (No. 3, 2018) and Faces (No. 3, 2021).

Seven of Balloonerism’s tracks land on the Hot R&B/Hip-Hop Songs chart, led by a No. 16 debut for “Funny Papers.” The arrival instantly makes it Miller’s second-highest peak on the chart among his 23 entries, trailing only the No. 10 best for “Good News” in 2020.

Notable among the other tracks, “5 Dollar Pony Rides” bolts 32-19 in its second week on Hot R&B/Hip-Hop Songs and wins the weekly Streaming Gainer and Sales Gainer honors. “DJ’s Chord Organ,” featuring SZA, begins at No. 23 and opens at No. 7 on the Hot R&B Songs chart.

Over On the Billboard Hot 100: On the all-genre, multi-metric Hot 100, four of the album’s songs debut: “Funny Papers” (No. 77), “5 Dollar Pony Rides” (No. 85), “DJ’s Chord Organ” (No. 95) and “Stoned” (No. 97).

Miller Hits a New Peak on the Billboard Artist 100 Chart: Activity surrounding Ballonerism drives Miller 66-2 on the Billboard Artist 100, a new peak for the rapper at his 83rd nonconsecutive week on the chart. The Billboard Artist 100 measures artist activity across key metrics of music consumption – album and track sales, radio airplay and streaming – to provide a weekly multi-dimensional ranking of the most popular artists in the U.S.

In response to the devastating wildfires that have swept through Los Angeles, an all-star lineup of artists will come together for “G*ve a F*ck LA“, a benefit concert aimed at supporting relief efforts and aiding displaced communities.

Set for Feb. 5 at the Hollywood Palladium, the event will feature Hayley Williams, St. Vincent, and Finneas, with additional performances by Lucy Dacus, MUNA, Perfume Genius, The Linda Lindas, Phantom Planet, Courtney Barnett, Christopher Owens, Reggie Watts, Fred Armisen, Jenny Lewis, Juliette Lewis, and Scout Willis.

Actor-comedian John C. Reilly will host the evening, which will also include surprise guests and DJ sets from Harmony Tividad and Fat Tony. Following the concert, Rico Nasty and Dylan Brady host an official afterparty.

Proceeds from the concert will support local organizations, including Altadena Girls, Friends in Deed, One Voice, and the Pasadena Humane Society. Tickets are now available, as well as an option to stream the concert with a minimum donation of $5.

The announcement follows a wave of philanthropic efforts from the music community. Beyoncé’s BeyGOOD foundation has donated $2.5 million to wildfire relief, while Paris Hilton has launched a fund for displaced families. Artists such as Dave Grohl and Flavor Flav have also been involved in initiatives to assist those affected.

The concert also comes on the heels of the “FireAid” benefit concerts on Jan. 30, featuring Billie Eilish, Joni Mitchell, Green Day, Lady Gaga, Olivia Rodrigo, Earth, Wind & Fire, Gracie Abrams and many more. The event will take place at two iconic venues, the Intuit Dome and the Kia Forum in Inglewood, California.

Los Angeles has faced unprecedented destruction this month, with five wildfires displacing over 150,000 residents and causing 28 fatalities, while many remain missing.

The Vans Warped Tour is making a highly anticipated return in 2025, celebrating its 30th anniversary with three major two-day festivals in Washington, D.C.; Long Beach, California; and Orlando, Florida.

The first round of artist announcements includes Warped Tour staples Simple Plan, Bowling for Soup, Pennywise, and Miss May I. The Warped Tour will also see the long-awaited reunion of ska-punk favorites Dance Hall Crashers, who are returning to the stage after 20 years, and rising pop-rock artist Chandler Leighton.

The six acts are just the beginning, with organizers planning to reveal additional names daily until Feb. 26 via Warped Tour’s social media platforms.

Partnering with Insomniac—the production powerhouse behind Electric Daisy Carnival Las Vegas—Warped Tour 2025 aims to merge its punk rock spirit with elevated festival production. Each stop will showcase between 70 and 100 bands, spanning genres such as punk rock, pop punk, emo, alternative, and more.

“The complete lineup will be revealed over the next 30 days, with new artists announced daily until February 26. Each announcement will feature unique, artist-created content shared on the official Warped social channels,” Warped Tour organizers said in a statement, as per Metal Injection.

Vans Warped Tour founder and organizer Kevin Lyman added: “Putting together a lineup is never an easy task, but each act, both new and returning, plays an important role in delivering an unforgettable experience for fans, especially at the price point we’re offer. We collaborated closely with the bands to create some exciting surprises, exclusive content, and more for fans to enjoy. So follow along, soak in the journey, and who knows—you might just discover your next favorite band!”

Since its debut in 1995, the Vans Warped Tour has been a cornerstone of alternative music culture, launching the careers of acts like Paramore, Blink-182, and My Chemical Romance, and providing a stage for countless others.

Warped Tour 2025 Dates

June 14-15: Washington, D.C. – Festival Grounds at RFK Campus

July 26-27: Long Beach, CA – Downtown Long Beach Shoreline Waterfront

Nov. 15-16: Orlando, FL – Camping World Stadium Campus

The will of late Irish musician Sinéad O’Connor has been revealed, with the singer’s children being urged to get as much value as they can out of her archive of unreleased music.

According to Irish probate records obtained by U.K. tabloid The Sun, O’Connor – who passed away in 2023 – left her family £1.4 million after debts, legal fees, and funeral costs. Her ex-husband, music producer John Reynolds, was named executor of her estate. 

Signed in 2013 ahead of her conversion to Islam in 2018, the document also requested that she be buried in priest clothing, and accompanied by a Hebrew bible and a copy of her 2007 record Theology, while noting her children may “dispense my ashes as they see fit”.

Meanwhile, O’Connor’s religious regalia was bestowed to her son Shane (who passed away in 2022), while her youngest son Yeshua was given her collection of guitars. The documents additionally instructed her children to ensure they get their money’s worth out of any recorded music that has not yet been released. 

“I direct that after my death, and at the discretion of any of my children who are then over 18, my albums are to be released so as to ‘milk it for what it’s worth’,” she wrote.

O’Connor passed away in July 2023 at the age of 56, with her death later being attributed to chronic obstructive pulmonary disease (COPD) and asthma. 

First establishing her presence on the music scene with her 1987 debut The Lion and the Cobra, O’Connor achieved further worldwide recognition with the release of 1990’s I Do Not Want What I Haven’t Got. Peaking at No. 1 globally, including on the Billboard 200, the record’s success was bolstered by her cover of The Family’s “Nothing Compares 2 U”, which topped the Billboard Hot 100 and was named #1 World Single at that year’s Billboard Music Awards.

O’Connor’s final album, I’m Not Bossy, I’m the Boss, was released in 2014. Weeks before her passing in 2023, O’Connor had told fans she was in the process of completing an album which was planned to arrive in 2024, with a world tour set to accompany its release that would include stops in the U.S., Europe, New Zealand and Australia.

In 2021, O’Connor had also spoken to People about the advice she had given her children ahead of her eventual passing, telling them they should be prepared to call an accountant ahead of 911.

“See, when the artists are dead, they’re much more valuable than when they’re alive,” she told the publication. “Tupac has released way more albums since he died than he ever did alive, so it’s kind of gross what record companies do.

“That’s why I’ve always instructed my children since they were very small, ‘If your mother drops dead tomorrow, before you called 911, call my accountant and make sure the record companies don’t start releasing my records and not telling you where the money is.’”