Top five American Idol finalist Caleb Kennedy is leaving the show after a video surfaced of him sitting next to a friend in what looked like a Ku Klux Klan hood.
While Idol and ABC haven’t yet commented on the video or his exit, Kennedy took to social media to say he won’t be on the show any longer because of the controversial clip.
“Hey y’all, this is gonna be a bit of a surprise, but I am no longer gonna be on American Idol,” the 16-year-old singer tweeted Wednesday (May 12). “There was a video that surfaced on the internet and it displayed actions that were not meant to be taken in that way. I was younger and did not think about the actions, but that’s not an excuse. I wanna say sorry to all my fans and everyone who I have let down.
“I’ll be taking a little time off social media to better myself, but saying that, I know this has hurt and disappointed a lot of people and made people lose respect for me,” his note continues. “I’m so sorry! I pray that I can one day regain your trust in who I am and have your respect! Thank you for supporting me.”
Billboard can confirm that Sunday’s episode will now include the top four finalists and one contestant will be eliminated.
Two of seven contestants were eliminated on this past Sunday’s show, putting Kennedy in the top five for season 19. He was set to perform an original song on this Sunday’s show as the contestants were mentored by iconic producers. One of those mentors is four-time BMI songwriter of the year Ross Copperman, who marveled at the talent of the teenage Kennedy and praised the depth of his songwriting in an interview with Billboard before the controversy. “He really knows who he is as an artist,” Copperman said of Kennedy.
Kennedy’s mom, Anita Gay, spoke to South Carolina’s Spartanburg Herald-Journal, telling her local paper that the video was made when Kennedy was 12 years old and that he and his friends were imitating a horror movie, not the KKK. “I hate this has happened and how Caleb is being portrayed by people online,” Guy told the paper. “This video was taken after Caleb had watched the movie The Strangers: Prey at Night and they were imitating those characters. It had nothing to do with the Ku Klux Klan, but I know that’s how it looks. Caleb doesn’t have a racist bone in his body. He loves everyone and has friends of all races.”
See Kennedy’s post below:
And then there were five.
On Wednesday (May 12), The Go-Go’s became just the fifth all-female group to be inducted into the Rock and Roll Hall of Fame. Here’s a complete list of these groundbreaking groups.
The Supremes (1988): The stylish trio was the first all-female group to be voted into the Hall. Little Richard, who was pretty stylish in his own right, inducted the trio: Diana Ross, Mary Wilson and Florence Ballard (who had died in 1976). The Supremes amassed 12 No. 1 hits on the Billboard Hot 100, from “Where Did Our Love Go” (1964) to “Someday We’ll Be Together” (1969).
Martha & The Vandellas (1995): The Hall also looked to the Motown roster for its second all-female group. The inducted members were Martha Reeves and her younger sister Lois Reeves as well as Rosalind Ashford, Annette Beard and Betty Kelly. Fred Schneider and Kate Pierson of The B-52’s did the honors. Highest-charting Hot 100 hit: “Dancing in the Street,” No. 2 in 1964.
The Shirelles (1996): This quartet preceded The Supremes and Martha & The Vandellas to fame. They landed their first No. 1 hit on the Hot 100, “Will You Love Tomorrow,” in January 1961. The Shirelles consisted of Shirley Alston Reeves, Addie Harris, Doris Kenner-Jackson and Beverly Lee. The Shirelles had a second No. 1 hit on the Hot 100 with “Soldier Boy” (1962). The induction was made by Merry Clayton, Marianne Faithfull and Darlene Love.
The Ronettes (2007): The trio consisted of Estelle Bennett, Ronnie Spector and Nedra Talley. Keith Richards of The Rolling Stones made the induction. Highest-charting Hot 100 hit: “Be My Baby,” No. 2 in 1963.
The Go-Go’s (2021): The group’s debut album Beauty and the Beat made history as the first No. 1 album on the Billboard 200 by a female group that sang its own material. The quintet consists of Charlotte Caffey, Belinda Carlisle, Gina Schock, Kathy Valentine and Jane Wiedlin. Highest-charting Hot 100 hit: “We Got the Beat,” No. 2 in 1982.
Ginger Spice didn’t invent wearing the Union Jack, but she’s definitely the poster child for the patriotic look.
Ginger — aka Geri Halliwell, now known by her married name Geri Horner — popularized the British flag dress when she performed with the Spice Girls at the 1997 Brit Awards. Twenty-four years later, Dua Lipa paid homage to the iconic ensemble with a Union Jack jacket and skirt of her own at the very same awards show on Tuesday night.
“Wow @dualipa you wore it well!” Horner wrote first thing Wednesday (May 12) on Instagram, also congratulating Little Mix for being the first female group to win the award for British group at the show. She added on her Instagram Story, alongside a video of Dua’s performance: “Girl power! Loved the outfit and the performance @dualipa.”
In a post later Wednesday, Horner told the full story behind one of her most famous looks.
“Trust urself.. this dress is a reminder to follow ur instincts & be urself,” Horner tweeted with a picture from 1997. “24yrs ago I had an idea to wear a Union Jack to celebrate The Brit Awards. Despite doubts, I trusted my instincts & wore it anyway. So special to see it worn by a fellow sister yesterday #girlpower”
Geri added on Instagram that her look was a little high-fashion mixed with a little DIY: “P.S. it was [a] £5 tea towel on a Gucci dress.”
See the posts below:
David Kada captures his fourth top 10 on Billboard’s Tropical Airplay chart as “Se Va Acordar De Mi” jumps 14-9 on the ranking dated May 15.
The song, the fifth single from Kada’s forthcoming album Así Tenía Que Ser, rises with a 25% gain in audience impressions, to 1.4 million, earned in the week ending May 9, according to MRC Data.
Before “Se Va Acordar De Mi,” the Dominican singer last reached the top 10 with “El Amor De Tu Vida” in August 2020. In total, Kada has placed five entries on the list, including two other chart top 10s: “Estos Celos” (2017) and “Amigo Con Derechos” (Feb 20-dated list).
“Se Va Acordar De Mi” was written by Victor Noriega and produced by Victor Waill.
Ricardo Montaner & Juan Luis Guerra’s First Joint Top 10: Elsewhere on Tropical Airplay, Ricardo Montaner and Juan Luis Guerra’s first collaborative effort, “Dios Así Lo Quiso,” climbs 17-10 with 1.3 in audience impressions (up 98%).
The jump earns Montaner his first visit to the tally since 2015 with the No. 12 high of “Se Desesperaba (El Carrito Azul).” Previously, he scored a top 10 in 2005 (“Cuando A Mi Lado Estás,” No. 4). In all, Montaner has notched a total of seven top 10s.
Guerra adds his top 10 career count to 21, dating back to “Mi PC,” the six-week winner in 1998. He last secured a top 10 with “Lámpara Pa’ Mi Pies” in 2019.
[Spoiler alert: This story contains the identity of the eliminated contestant on Wednesday night’s (May 12) The Masked Singer.]
Are three voices better than one? That was the quandary facing The Masked Singer trifecta of perfect pitch known as Russian Dolls on Wednesday night. The trio inside the gigantic wooden costumes had survived the quarterfinals round and made it into the top five, but after showing their final bit of flair with a cover of Elton John’s “I’m Still Standing” in their last performance, it was time to set aside the bedazzled heads and boas.
The end came after the singers made it pop with Bruno Mars’ “24K Magic,” crushed an emotional take on Lady Gaga and Bradley Cooper’s A Star Is Born hit “Shallow,” flexed their perfect falsettos on Jason DeRulo’s “Want to Want Me” and blew the roof off with Michael Jackson’s “Man in the Mirror” to start their deep run on the show.
After talking about being ridiculed for trying to do their thing earlier in their career and laughing their way through guesses that ranged from Menudo to the Red Hot Chili Peppers, Boyz II Men and the Jonas Brothers, when push came to shove, it could only be one family band under those massive heads: Hanson. The trio of Taylor, Isaac and Zac had the panel stumped for most of this season, but if you’ve followed the Tulsa-bred band’s 25-plus-year career at all, those harmonies were unmistakable.
On Wednesday, the Grammy-winning “MmmBop” trio also announced their seventh studio album, Against the World, which will premiere in seven consecutive monthly singles throughout the rest of the year, beginning with lead single “Annalie,” out now. The brothers have also planned a concert series from July-October at the Cains Ballroom in their Oklahoma hometown, with each show spotlighting a different part of their career, followed by a world tour in 2022.
Billboard spoke to the Hansons before Wednesday night’s elimination to find out how they ended up on the show, why they picked the totally awkward Minion-like Dolls costumes, and what fans can expect from their new collection.
You’ve explored so many different musical avenues over your career that a reality singing show seems like the last stone unturned.
Taylor: The show was a really unique in that it gave us a different opportunity to highlight our strengths and the things we admire about different artists and songs with melody. It was a cool opportunity in that you’re presented with these Russian Dolls and you had to see if you could woo people as a singer [in the costumes]. That was fun and it was an interesting challenge to put to the test what it is that makes us unique. In this case, it was leaning into our harmonies and Zac doing his ridiculous Bee Gees falsetto and Isaac with his baritone and I’m doing that kind of MJ thing on “Man in the Mirror.”
Were you in agreement on the costumes? They seemed super cumbersome.
Zac: They were like giant avocados. [Laughs] The main driving force for our costume was accentuating the idea: How many people are onstage? When you look at a Russian doll you have no idea how many are in there, and we knew it wouldn’t last the whole show, but if we could go three to four episodes and make people wonder, “Is one more going to show up?” But yeah, it was very cumbersome and hard to see out of and difficult to walk in, but also it allowed you to become someone that wasn’t yourself. … It was like trying to be a cartoon instead of a drummer.
How did you decide who got to be in the biggest one? Was it by age? Height? Were there fights over them?
Isaac: We actually swapped it up a bunch. Whether it was the size of the dolls or being in the largest doll. When the large doll was onstage, there were two of us in there in order to move it and do the articulation of the mouth, which was impossible to do as one person. We are brothers, but I would prefer never to be that close to Taylor or Zac like that again. We tried to change up the sizes so people wouldn’t know what to expect. Sometimes I was in the middle doll.
You all have kids, so is it safe to assume you were already watching the show with your families?
Isaac: Our kids had actually never seen the show, so I don’t know what that says about me. But they know about the show and it was a fun experience for them to see it with fresh eyes.
Zac: I did not know how many of my friends watched this show! After a week or two, I started getting all these winky emojis from so many people! “I know what you did,” wink. “What did I do?!” It’s only becoming clear now how many of my friends and their wives and kids watch the show.
Did you tell your kids?
Isaac: I had to keep it secret from my daughter because she can’t keep a secret from anyone. But my older boys knew.
Zac: I told all my kids because it was very hard to explain why I was leaving their eight-months-pregnant mother to go to California. “Dad, why are you leaving now? You’re not on tour. What’s going on?!”
Taylor: We all balanced it differently, but I had my whole posse [Taylor has seven children with wife Natalie Bryant] with me the whole time and they were curious about it and into it. They would comment on the songs and costumes, and the main point from my crew was that it needs to be cute; scary costumes never win. The Dolls costume definitely had a comical flair to it, they were so round and jolly … “Here comes the Masked Singer Minions!”
A lot of your clue packages were about how people have underestimated you and even pushed you aside after your initial success. Did Masked Singer feel like a good way to show off your chops without having people judge you?
Isaac: Twenty-five years in, we’re at the point in our career where you don’t often get an opportunity to make a first impression, so that was the most exciting thing for us. We could lean into this and give people a unique, fresh look at who we are as singers.
Zac: There was something subconscious in us about telling our story and look at our music career and see the overriding themes… that idea of taking every opportunity be what you want to be and overcome what you’re going through.
The guesses were pretty spot-on but also bonkers, from the Jonas Brothers and Brady Bunch to the Red Hot Chili Peppers and Boyz II Men. Were you surprised by any of the guesses?
Isaac: At some point, the judges were definitely fishing a little bit and maybe trying to throw each other off the scent. It was interesting and fun to see who guessed us first, but Jenny [McCarthy-Wahlberg] leaned into it pretty hard. That was nice because we have a longstanding relationship with her. … We did our first-ever television performance on her show in 1997, an acoustic performance of “MMMBop.”
Zac: There were some super cool ones — Boyz II Men, the Jacksons, these are people who are legends — but some you really couldn’t understand. “Do I really sound like a woman? They keep saying they’re hearing a woman’s voice!” I’m pretty sure we’re not Sugarland.
It sounds like you have a pretty ambitious 2021-22 planned with the new album, residency and next year’s tour. Have you been itching to get out of the house after lockdown?
Isaac: We’ve been itching to get on the road and that kept getting pushed back, so we’re just excited that we’ve got a bunch of stuff on the docket… For seven straight months there will be a single every month culminating with the Against the World album and an ambitious touring plan next year that we will announce [at a later date].
Taylor: One of the things about the show that we loved was that it was something you could do at a time when the things typically available to you weren’t. It arrived at a unique time and it was such a positive thing and a great escape for a lot of people that lifted them up. And now we’re going into this time when we’re going to get back together with fans all over the world and we’ll be everywhere next year.