Little Mix gave their fans “Love (Sweet Love)” on Friday (Sept. 3) in the form of a new single.

In a teaser photo shared on Monday (Aug. 30), Perrie Edwards, Leigh-Anne Pinnock and Jade Thirlwell look like goddesses, with stunning, elaborate golden headpieces and flowing gray dresses. “Your gonna love this one,” Pinnock teased on her Instagram account.

Prior to giving their fans “Love,” Edwards and Pinnock gave birth to their firstborn children in August. Edwards welcomed her baby with partner Alex Oxlade-Chamberlain on Aug. 21, while Pinnock welcomed her twins five days earlier with fiancé Andre Gray on Aug. 16.

The new single also comes on the heels of the British girl group’s 10th anniversary. To commemorate the milestone, Little Mix will release Between Us, a compilation of their 18 biggest hits — including five brand new songs — on Nov. 11.

Listen to “Love (Sweet Love)” below.

Apple will allow a select group of apps it calls “readers” that includes music streamers like Spotify to include in-app links to their websites for external sign-ups and account management, the company announced Thursday (Sept. 2). The move is part of an agreement with the Japan Fair Trade Commission (JFTC), which closed a five-year investigation into Apple upon the new settlement.

“Reader” apps in the App Store are apps that “provide previously purchased content or content subscriptions for digital magazines, newspapers, books, audio, music, and video,” according to Apple. This move will allow apps like Spotify and Netflix — which have both removed the ability to sign up for paid subscriptions through their iOS apps over the years — to sign-up iOS users on their own platforms at their standard rates.

Before removing the ability to sign up for a Premium subscription, Spotify charged iOS users $13 a month instead of its standard $10 a month fee to make up for the 30% cut Apple takes from every subscription for developers who earn over $1 million in the App Store.

Spotify, which has complained about Apple’s App Store fees and general dominance over the platform for years, says the move is welcome, but not enough to address their complaints.

Apple says the change will go into effect in “early 2022.”

“This is a step in the right direction, but it doesn’t solve the problem,” Spotify CEO Daniel Ek said in a tweet. “App developers want clear, fair rules that apply to all apps. Our goal is to restore competition once and for all, not one arbitrary, self-serving step at a time. We will continue to push for a real solution.”

It’s lit! Hip-hop icons Ja Rule and Fat Joe are set to face off in an all-new Verzuz battle on Sept. 14. The friendly competition will take place in person, live from New York. Tickets will be available for purchase beginning Tuesday, Sept. 7.

“The summer ain’t over!!” Verzuz co-creator Swizz Beatz wrote on Instagram revealing the news.

In a separate announcement post on Instagram, Ja Rule wrote, “#ICONN.” Meanwhile, Fat Joe captioned his identical post, “The price just went [up] @fatjoe @verzuz @jarule.”

This marks the first Verzuz battle since last month, when The LOX and Dipset hit the stage to deliver some fan-favorite hit songs.

Over the course of his decades-long career, Ja Rule has released eight No. 1 Billboard Hot 100 singles, including “Always On Time,” featuring Ashanti, which peaked at No. 1 in February 2002 and charted for 27 weeks. The hitmaker has released a total of 17 Hot 100 songs. His debut studio album, Venni Vetti Vecci, peaked at No. 3 on the Billboard 200, where it charted for 31 weeks.

Fat Joe, who began his career in music as a member of hip-hop group Diggin’ in the Crates Crew (D.I.T.C.), released his debut solo album Represent in 1993. His single from the album, “Flow Joe,” reached No. 1 on the Hot Rap Songs chart.

Ja Rule’s collaborative hit track “New York,” featuring Fat Joe and Jadakiss, was a top 30 Hot 100 song. It peaked at No. 27 on the list in 2004, where it charted for 14 weeks.

Hip-hop fans can catch the newly announced Verzuz battle between Fat Joe and Ja Rule on Sept. 14 at 9 p.m. ET, which will be available for live streaming via the Triller app, FITE TV or on the Verzuz TV Instagram account.

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Requiring proof of vaccination at concerts is becoming the new normal as the touring industry returns amid another wave of the coronavirus pandemic, but in 20 states across the country there are bans on such mandates, complicating measures to safely keep live music going.

At risk of losing out on major tours in 2021 as a result, venues and promoters in Florida and Texas are now honing in on the wording of the two state’s executive orders, which ban vaccine mandates but don’t ban venues from requiring fans to show negative COVID-19 test results in order to gain entry to a concert. The loophole is that venue operators can accept proof of vaccination for entry in lieu of a negative COVID-19 test result. This, oddly enough, creates the same restrictions for fans in Texas and Florida that exist in nearly every other state, but gives the governors in both states the political cover they need to claim they aren’t backing down.

Tom DeGeorge, owner of Crowbar in Tampa, Florida, is one of the venue owners offering artists and promoters a choice on whether to require proof of vaccination or a negative COVID-19 test for attendees. DeGeorge, who sought legal counsel alongside fellow National Independent Venue Association members to unpack the executive order, tells Billboard it was within their rights to ask for a negative test and that patrons could volunteer proof of vaccination instead. A representative from Gov. Ron DeSantis’ office has confirmed the loophole’s legality to Billboard.

The same loophole has been okayed in Texas, according to Texas promoter and owner of Resound Presents Graham Williams, who characterizes the loophole as “just backwards wording.” Indeed, major festivals like Live Nation’s Austin City Limits Music Festival, which is set for October, have already adopted the loophole language for their safety policies. 

“Lawyers and the Texas Music Office in the governor’s office and all these other people have talked it over, and as far as I know, there’s sort of a general agreement that it is doable as long as there is an option,” says Williams. “I felt like as long as you are offering the option, then you’re not requiring vaccinations only.” However, by placing that extra hurdle for unvaccinated attendees, promoters are providing “another positive reason to get the vaccine,” he adds.

Crowbar’s DeGeorge says Florida venues and promoters have warned the governor’s office about the ban, explaining that requiring proof of vaccination “is the direction the industry is going, and if we can’t do these things there is a good possibility we’ll lose many of our artists in the fall and winter.”

Those businesses are responding to policies being implemented by the artists themselves; in August, several touring musicians began publicly calling for vaccination requirements at their 2021 shows. Harry Styles announced his Love On Tour dates would require proof of vaccination or a negative COVID-19 test when he returns to the stage in September. Dead & Company’s 2021 tour requires fans to provide the same information, and only fully vaccinated attendees will be allowed in their general admission pit sections. And in late August, indie rock band Spoon moved their September show in Des Moines, Iowa, across I-80 to Omaha, Nebraska, because Iowa bans businesses from requiring proof of vaccination.

Jason Isbell has also called for the same requirements and canceled three performances for not agreeing to the terms, including shows at Brandon Amphitheater in Mississippi, the Bristol Rhythm & Roots Reunion on the Tennessee-Virginia border and a show with Lucinda Williams at The Cynthia Woods Mitchell Pavilion in Texas. 

“From everything that I’ve heard so far, all the response I’ve gotten from people in the business has been positive because they understand we could go back to not working at all,” Isbell told MSNBC on Aug. 9. “A lot of these smaller venues will not be able to reopen if they go through another round of shutdowns.” 

The two major concert promoters in the U.S., AEG and Live Nation, have also announced vaccine requirements and vaccine proof or proof of a negative COVID test, respectively, to attend concerts fully operated by the companies. Both companies have emphasized that their policies will be in place where permitted by law, but according to Ballotpedia, 20 states across the country have implemented some form of a ban on businesses requiring proof of vaccination (masks can be required by businesses in Florida and Texas). In March, more than 30 music venues in Austin came together to establish their own public health code-of-conduct and safety program following Gov. Greg Abbott’s decision to lift the mask mandate for all of Texas.  

Technology companies have made it easy for venues to discreetly check customers’ health information. Crowbar has implemented the use of touchless access apps including Clear, where the venue can set its parameters for entering a show (e.g. full vaccination or a recent negative test result) and, without divulging any medical information, the app can indicate whether or not the person meets the requirements to enter.  

“We were able to find ways to get around things to make sure we were in line with what a lot of other states could do,” says DeGeorge. “I want the option to be able to do everything within the law to make our clients and customers happy and keep them as safe as possible.” 

Coronavirus

Masked Wolf has joined an elite new pack: APRA AMCOS’ one billion-streams club.

The Australian hip-hop artist (real name Harry Michael) and producer/songwriter Tyron Hapi are inducted into the PRO’s The 1,000,000,000 List for “Astronaut In The Ocean,” which has blasted past one billion streams across streaming services.

Released in 2019 via Teamwrk Records, the track went viral on TikTok in 2020 and was picked up earlier in the year by Elektra Records for the world (Teamwrk Records retains rights for Australia and New Zealand).

“Astronaut In The Ocean” impacted charts around the globe, hitting No. 6 on the Hot 100, No. 1 on Billboard’s Hot Rap Songs and earning Chartbreaker status.

The two creators were presented with trophies earlier in the week at the APRA AMCOS offices. “I went out to celebrate 20 million streams because to me that was a goal and achievement,” explains Masked Wolf in a statement. “It’s crazy what can happen when you never give up and truly believe in yourself. One billion streams later I’m still the same person but am so grateful for this moment.”

Tyron Hapi produced and co-wrote the song. Its milestone, he explains, is “an incredible achievement and stepping stone for me. I appreciate everyone who listens and supports. Without my team this also wouldn’t have been possible. Teamwork makes the dream work.”

“Astronaut In The Ocean” is lifted from Masked Wolf’s debut LP, Astronomical, scheduled for release Sept. 10.

The 1,000,000,000 List is said to be the first award of its kind to acknowledge a songwriter’s achievement. Past recipients include Kevin Parker (for Tame Impala’s “The Less I Know The Better”), Flume (for “Never Be Like You”), Troye Sivan and Alex Hope (for “Youth”), Tones And I (for “Dance Monkey”), 5 Seconds of Summer (for “Youngblood”), Starley and P-Money (for “Call On Me”), Vance Joy (for “Riptide”), Gotye (for “Somebody That I Used to Know”), and Vassy (for “Bad”).

The award takes into account plays from all major streaming services including Spotify, Apple Music, YouTube, YouTube Music, Vevo and Amazon.

Click here for the full list.