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W Hotels has officially stepped into the world of all-inclusive experiences. With the grand opening of their W Punta Cana property in Dominican Republic, the luxury hotel chain aims to redefine the hospitality market that’s typically synonymous with wristbands and buffet-style food by providing its adults-only guests with a relaxed, modern layout, a variety of culinary experiences and a wellness-forward retreat.

The first thing guests will notice as they enter the 340-room resort is the mix of lush jungle greenery and tropical beach views. Designed by Zanobia Arquitectura, every design choice feels intentional, from the towering palm trees to the contemporary architecture and decor, to an open-air, village-style layout, to tropical plants flanking each building and swimming pool throughout. There’s a level of relaxation, local heritage and W’s signature style all blending together to provide a luxe feel of escapism.

“This entry is not about following trends; it is about expanding our brand DNA into new environments while staying true to what makes W Hotels unique,” says the brands in a press release. “Including bold, detail-driven design, vibrant energy, and meaningful connections to culture and the locale.”

Developed in partnership with Grupo Puntacana and MAC Hotels, rooms and suites start at 700 square feet, all with king beds and bathtubs. 46 suites come with swim-ups, and several offer full private pools, a rarity on the island.

As its first all-inclusive resort, W Punta Cana has something for everyone, especially in their dining and beverage options. Their culinary program features six signature restaurants and six bar/lounges ranging from a noodle bar serving up Asian dishes like hand-pulled noodles and wok-inspired meals, a rooftop restaurant that pairs fresh seafood plates with a stunning ocean view, a food hall-style venue featuring global street-food dishes and desserts, and a hidden speakeasy-style cocktail lounge that has cigar rolling, vinyl collections and parties for night goers. Whatever you’re in the mood for, W Punta Cana will most likely have a dining option for you.

Travelers familiar with the brand will recognize the W flair, especially at the 262-foot infinity pool and wet deck overlooking the beach. A short walk away, the Chill Pool offers a more relaxed alternative, complete with a lively swim-up bar. There’s also a variety of fun actives including DJ-led sound baths and beachside silent discos curated by W Hotels Americas music director Sinegoto to keep the party going all-night long.

When you need to slow things, the AWAY Spa includes a steam room, sauna, Himalayan salt room and striking indoor pool for the ultimate getaway. There’s also sunrise yoga and restorative rituals that take advantage of Punta Cana’s natural setting. Guests can workout at W’s 1,500-square-foot FIT gym, which is open 24/7.

“From music and wellness activations to cultural storytelling, each element is curated to be both immersive and authentic,” says the brand. “Unlike traditional all-inclusive resorts, which can feel standardized, the W Hotels approach is intentionally dynamic, layered, and unmistakably connected to both the local culture and the energetic spirit of the brand.”

Book your all-inclusive stay at W Punta Cana online here.

Keyla Richardson stopped the show on Monday’s American Idol with a performance of The Beatles‘ “With a Little Help From My Friends” that left judge Lionel Richie declaring it the greatest he had ever witnessed on the show.

The 29-year-old single mother and music teacher from Pensacola, Fla., dedicated the performance to the people God had placed in her path, delivering a vocal that drew comparisons to Janis Joplin and Tina Turner from Richie himself.

“I have never. I have never ever! I’ve been on American Idol since I was that big,” Richie said after the performance, unable to contain himself. “I have never had any contestant walk out on this stage and tear the place up.”

“The place got blown up. That Janis Joplin sounding, Tina Turner sounding. I don’t know who you are, but that right there was the greatest performance I have ever seen on this stage,” he added.

Guest advisor and judge Keke Palmer was moved to tears during rehearsals, telling Richardson: “That voice was ancestral, girl. What you’re doing is more than just singing. You’re embodying spirit through song.” After the performance, Palmer drew a pointed comparison.

“The last time I’ve seen somebody make me feel like this and get people turned up like this, her name was Fantasia Barrino,” she said. “And she won American Idol.”

Carrie Underwood added: “You don’t think about what you’re doing as it’s happening. It just flows out of you. You were in the moment, you were having fun with the audience. It was from the heavens to Keyla and then out to us. It was spectacular.” Luke Bryan rounded out the praise: “You’re just here to let what God has given you come out.”

Richardson has been a standout since her Season 24 audition, when she performed P!nk’s “Glitter in the Air” and brought Bryan to tears. She has previous competition experience — she was a Top 4 finalist on BET’s Sunday Best in 2019, and subsequently landed her first No. 1 on Billboard’s Gospel Airplay chart with the single “So Good.”

She has been a music teacher at Life Shifting Learning Academy in Florida and serves as a praise and worship leader at her church. Her nine-year-old son Drew, who briefly sang for the judges during her audition, has been her biggest supporter throughout the competition.

The Top 14 will be revealed during the first live show on March 30. Viewers can vote for Richardson by texting 20 to 21523, at AmericanIdol.com, or by commenting “Keyla” on American Idol‘s pinned posts on Facebook, Instagram or TikTok. Voting closes at 6 a.m. ET Tuesday, March 24.

Earl Sweatshirt and MIKE have announced a run of Australian and New Zealand headline shows in May, alongside their previously announced joint appearance at Sydney’s Vivid LIVE festival.

The tour takes in Auckland’s Studio The Venue on May 22, Melbourne’s The Timber Yard on May 23, and Brisbane’s The Tivoli on May 27. The Sydney Opera House show for Vivid LIVE on May 24 rounds out the run. C.FRIM and Chef Chung will provide support at selected dates. Presale opens Thursday, March 26 at 8 a.m. AEDT, with general public on sale from Friday, March 27 at 9 a.m. AEDT.

The shows follow the announcement of POMPEII // UTILITY, a collaborative album from Earl Sweatshirt, MIKE, and New York collective SURF GANG, due April 3 via 10k/Tan Cressida Records.

The double-disc project — featuring lead single “Minty // Earth” — brings together two artists whose friendship and creative partnership stretches back more than a decade, with previous collaborations including “Allstar” on MIKE’s 2020 album Weight of the World and “Sentry” on Earl Sweatshirt and The Alchemist’s 2023 collaboration VOIR DIRE.

Earl Sweatshirt — born Thebe Kgositsile — emerged at 16 as part of the Odd Future collective before launching a critically acclaimed solo career. His debut album Doris (2013) debuted at No. 5 on the Billboard 200 and No. 1 on Top Rap Albums. His subsequent records I Don’t Like Shit, I Don’t Go Outside (2015) and Some Rap Songs (2018) both peaked within the top 20 of the Billboard 200 and earned widespread critical praise. His most recent solo album, Live, Laugh, Love, arrived in August 2025.

MIKE, the New York-born rapper and producer, has built one of the most prolific and critically admired catalogs in underground hip-hop over the past decade. His 2025 album Showbiz! was among the year’s most acclaimed releases.

Two years later, and the rap beef that broke up the Big 3 of Kendrick Lamar, Drake and J. Cole is still making headlines.

J. Cole finally stopped by Cam’ron’s interview series Talk With Flee to not only address their issues — like the lawsuit Killa filed back in October — but also his current standing with Drake and Kendrick and the aftermath that followed their historic battle.

“Right away, the world became like politics,” Cole responded after Cam asked if he felt like things got out of hand. “You either Democrat or Republican, you either Kendrick or you Drake, and you have to pick a side. And I felt like the n—a that was disgusted both ways, damn near. To me, it’s like disgusting how people try to use that opportunity to either show how they really felt about Drake the whole time or just pile on and tear this dude down and create a narrative as if he’s not great.”

Cam then asked Cole where he is with Kendrick and Drake friendship-wise.

“I’m in the same place,” Cole answered. “Where it’s like, Yo, I genuinely love these n—as, but I’m not going to act like we’ve been communicating and talking. I’ve had conversations with them post-everything, but it’s not like it’s a lot. That’s me not knowing where they at. Me maybe assuming, ’cause I done heard x-y-and-z, but it has nothing to do with how I actually feel. I genuinely love these n—as. I be wanting to shoot off a text, you know what I mean? Even saying that on a mic is kind of lame to me, but it is my truth.”

In another clip, they both talked about Cam’ron’s pending lawsuit against J. Cole, with Cam asking what emotions Cole felt when he first heard about the lawsuit. “I was like hurt, almost disappointed,” he answered. “Like, ‘Nah, Cam, not you.’”

You can check out full interview Tuesday, March 24, at 10 p.m. ET on Revolt and on YouTube the next day on Wednesday, March 25, at 5 p.m. ET.