HYBE and JYP Entertainment were among the few music stocks to make gains this week as markets stumbled globally. HYBE, home to BTS and its members’ solo projects, rose 7.2% to 215,500 won ($146.19), its best closing price since Nov. 20, thanks to Friday’s news that BTS member J-Hope will soon release new music and commence a world tour starting in Seoul on Feb. 28. JYP Entertainment, which has had global success with Stray Kids and ITZY, rose 5.6% to 71,600 won ($48.57) after the company announced it will launch a new boy band, Kickflip, on Jan. 20.

The 20-company Billboard Global Music Index (BGMI) slipped 1.4% to 2,126.33, marketing the fourth time in five weeks the index has lost value. Only five of the 20 stocks finished the week in positive territory. Other than HYBE and JYP Entertainment, only CTS Eventim (up 3.4%), Believe (up 3.2%) and Universal Music Group (up 1.1%) posted gains. Three stocks (Cumulus Media, Deezer and Anghami) were unchanged while 12 stocks had losing weeks.

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Music stocks were dragged down by numerous market forces this week. Stocks fell sharply on Friday (Jan. 10) following healthy employment numbers that investors likely interpreted to mean the U.S. Federal Reserve would not seek to lower interest rates at its meetings in January or March. Also, data from the University of Michigan released Friday showed consumers’ expectations for future inflation rose to 3.3% from 2.8%. In the United States, the Nasdaq composite fell 2.3% to 19,161.63 and the S&P 500 dropped 1.9% to 5,827.04. In the United Kingdom, the FTSE 100 rose 0.3% to 8,248.49. China’s Shanghai Composite Index dipped 1.3% to 3,168.52. South Korea was an outlier as the KOSPI composite index rose 3.0%. 

Warner Music Group (WMG) shares dropped 5.4% to $29.33 after three analysts lowered their price targets ahead of WMG’s quarterly earnings release on Feb. 6. Guggenheim lowered its WMG price target to $40 from $44 after taking into account an expected 1.5% foreign exchange impact on the latest quarter’s revenue and a 1.7% impact on revenue for the full fiscal year ended Sept. 30, 2025. Guggenheim also dropped its recorded music licensing estimate while maintaining its recorded music subscription revenue growth forecast in the “high single-digit” range. Evercore lowered WMG shares to $35 from $36. UBS lowered WMG to $41 from $43 and maintained its “neutral” rating. 

Spotify, which announces fourth-quarter earnings on Feb. 4, fell 1.5% to $459.53. Goldman Sachs raised its Spotify price target this week to $550 from $490. Spotify shares have fallen in five of the last six weeks and are 9.3% below the all-time high of $506.47 set on Dec. 4. 

Music streaming company LiveOne had the index’s biggest decline, dropping 12.4% to $1.20. Radio broadcaster iHeartMedia fell 11.7% to $1.88. SiriusXM continued its losing streak, sinking 6.8% to $20.83. SiriusXM shares fell 58.3% in 2024 and have dropped 16.4% in the last three months. K-pop company SM Entertainment sank 5.1% to 68,900 won ($46.74).

Mandy Moore, one of the thousands of people who lost their homes as catastrophic fires continue to blaze across Los Angeles, is hitting back at critics who shamed her for posting a GoFundMe page for her in-laws whose home was also destroyed.

“Yesterday, my brother-in-law and sister-in-law Griff & Kit lost their home and everything they own in the Eaton Fire,” Moore explained in the caption. “With their first baby on the way in a matter of weeks, they need our support now more than ever. Griff is a touring musician and also lost his entire arsenal of drums/percussion he uses to make a living. It’s all so much. So many have asked how to help during this unimaginable and stressful time…Please consider donating and sharing to help them rebuild.”

She then responded to people who indicated that she should just donate her own money to her in-laws, citing a Celebrity Net Worth statistic found online. “People questioning whether we’re helping out our own family or attributing some arbitrary amount of money Google says someone has is NOT helpful or empathetic,” Moore added. “Of course we are. Our buddy Matt started this GoFundMe and I’m sharing because people have asked how they can help them. We just lost most of our life in a fire too. Kindly F OFF. No one is forcing you to do anything.”

See her post here.

The campaign initially sought to raise $60,000 but has since raised $176,000 and counting.

Moore has been sharing her personal experience amid the fires over the past week. “I love you, Altadena. Grateful for my family and pets getting out last night before it was too late (and endless gratitude to friends for taking us in and bringing us clothes and blankets),” she wrote on Wednesday (Jan. 8) alongside videos of her neighborhood, engulfed in smoke and flames. “Honestly, I’m in shock and feeling numb for all so many have lost, including my family. My children’s school is gone. Our favorite restaurants, leveled. So many friends and loved ones have lost everything too. Our community is broken but we will be here to rebuild together. Sending love to all affected and on the front lines trying to get this under control.”

She posted another series of photos the next day, this time from her property, much of which destroyed. “We were able to park and walk up our street to bear witness to all the loss. Miraculously, the main part of our house is still standing,” she wrote. “For now. It’s not livable but mostly intact.”

Moore continued, “Everyone we know lost everything. Every house on our street is gone. My in laws. My brother and sister in law- 6 weeks from welcoming their first baby. Our best friends. Feeling weird survivors guilt. We love this community and will do everything we can to help rebuild and support.”

Rosé and Bruno Mars’ are making chart history with their duet “APT.,” which continues its reign at No. 1 on the ARIA Singles Charts for its ninth non-consecutive week. The track now holds the title of the longest-running No. 1 duet since Elton John and Dua Lipa’s “Cold Heart (PNAU Remix)” dominated for 10 weeks back in 2020-21.

The milestone cements “APT.” as one of the most iconic duets of the decade, holding its own amidst fierce competition from Gracie Abrams’ emotional anthem “That’s So True” and Mariah Carey’s holiday staple “All I Want For Christmas Is You,” which had a brief resurgence during the festive season.

Sabrina Carpenter is also celebrating a landmark moment with her album Short n’ Sweet. The record has now notched nine non-consecutive weeks at the top of the ARIA Albums Chart, making it the longest-running No. 1 album by a female artist since Taylor Swift’s 1989 (Taylor’s Version) held the spot for 14 weeks in 2023-24. Excluding Taylor’s catalog, Carpenter’s achievement is unmatched by a solo female artist since Adele’s 21, which spent an incredible 32 weeks at No. 1 in 2010-11. The only longer recent run by a female artist was Lady Gaga’s A Star Is Born soundtrack, credited alongside Bradley Cooper, which logged 11 weeks at No. 1 in 2018-19. Carpenter’s success with Short n’ Sweet is a testament to her growing dominance in the global pop scene.

The ARIA Singles Chart is also spotlighting emerging talent this week. British DJ Chrystal has broken into the top 10 for the first time with her remix of “The Days (Notion Remix),” which leaps from No. 18 to No. 7. Meanwhile, SZA continues to thrive with “BMF,” a fresh track from the new Lana edition of her 2022 album SOS. The song rises from No. 27 to No. 17 as the SOS album itself holds strong at No. 2 on the Albums Chart.

Morgan Wallen makes waves on the Singles Chart with his newest release “Smile,” which debuts at No. 36. The track, his third single from his upcoming fourth album, marks Wallen’s seventh top 50 hit in Australia and adds to his growing country-pop repertoire, which includes chart-toppers like “Last Night” and “I Had Some Help” featuring Post Malone.

Over on the Albums Chart, Lil Baby’s Wham debuts at No. 42, becoming his third solo album to chart in Australia. Previous entries include My Turn (No. 20 in 2020) and It’s Only Me (No. 7 in 2022), along with his collaborative effort with Lil Durk, The Voice Of The Heroes (No. 20 in 2021).

The top albums of the week are led by Sabrina Carpenter’s Short n’ Sweet in first place, followed by SZA’s SOS, Billie Eilish’s Hit Me Hard And Soft, the Wicked movie soundtrack featuring Cynthia Erivo and Ariana Grande, and Taylor Swift’s The Tortured Poets Department.

Rosé and Bruno Mars’ are making chart history with their duet “APT.,” which continues its reign at No. 1 on the ARIA Singles Charts for its ninth non-consecutive week. The track now holds the title of the longest-running No. 1 duet since Elton John and Dua Lipa’s “Cold Heart (PNAU Remix)” dominated for 10 weeks back in 2020-21.

The milestone cements “APT.” as one of the most iconic duets of the decade, holding its own amidst fierce competition from Gracie Abrams’ emotional anthem “That’s So True” and Mariah Carey’s holiday staple “All I Want For Christmas Is You,” which had a brief resurgence during the festive season.

Sabrina Carpenter is also celebrating a landmark moment with her album Short n’ Sweet. The record has now notched nine non-consecutive weeks at the top of the ARIA Albums Chart, making it the longest-running No. 1 album by a female artist since Taylor Swift’s 1989 (Taylor’s Version) held the spot for 14 weeks in 2023-24. Excluding Taylor’s catalog, Carpenter’s achievement is unmatched by a solo female artist since Adele’s 21, which spent an incredible 32 weeks at No. 1 in 2010-11. The only longer recent run by a female artist was Lady Gaga’s A Star Is Born soundtrack, credited alongside Bradley Cooper, which logged 11 weeks at No. 1 in 2018-19. Carpenter’s success with Short n’ Sweet is a testament to her growing dominance in the global pop scene.

The ARIA Singles Chart is also spotlighting emerging talent this week. British DJ Chrystal has broken into the top 10 for the first time with her remix of “The Days (Notion Remix),” which leaps from No. 18 to No. 7. Meanwhile, SZA continues to thrive with “BMF,” a fresh track from the new Lana edition of her 2022 album SOS. The song rises from No. 27 to No. 17 as the SOS album itself holds strong at No. 2 on the Albums Chart.

Morgan Wallen makes waves on the Singles Chart with his newest release “Smile,” which debuts at No. 36. The track, his third single from his upcoming fourth album, marks Wallen’s seventh top 50 hit in Australia and adds to his growing country-pop repertoire, which includes chart-toppers like “Last Night” and “I Had Some Help” featuring Post Malone.

Over on the Albums Chart, Lil Baby’s Wham debuts at No. 42, becoming his third solo album to chart in Australia. Previous entries include My Turn (No. 20 in 2020) and It’s Only Me (No. 7 in 2022), along with his collaborative effort with Lil Durk, The Voice Of The Heroes (No. 20 in 2021).

The top albums of the week are led by Sabrina Carpenter’s Short n’ Sweet in first place, followed by SZA’s SOS, Billie Eilish’s Hit Me Hard And Soft, the Wicked movie soundtrack featuring Cynthia Erivo and Ariana Grande, and Taylor Swift’s The Tortured Poets Department.

Veteran actor Rob Lowe has used a recent episode of his podcast to reflect on how he almost embarked upon a music career thanks to Toto.

Lowe made the claim during a discussion with journalist, author, and fellow podcaster Bill Simmons as part of the latest episode of SiriusXM’s Literally! With Rob Lowe. During their chat, the pair switched their focus onto the world of ’80s music and nascent documentary Yacht Rock: A Dockumentary, for which Simmons is an executive producer.

“That’s the other thing about yacht rock,” Simmons said during a focus on the somewhat negative attitudes to the genre in recent years. “These songs were some of – literally – the biggest songs of the year; songs that won Grammys.

“[The Doobie Brothers’] ‘Minute by Minute’ won a Grammy, Christopher Cross won, like, four Grammys. Toto crushed at the Grammys. Toto crushed at the Grammys to the point that people got pissed about it. Like, there was a Grammys backlash. They were like, ‘Who the fuck are these guys?’”

Lowe countered Simmons’ claims about Toto’s success at the 1983 Grammy Awards (in which they won six awards due to the success of Toto IV and lead single “Rosanna”) by recalling how he too had a brush with the Los Angeles rockers.

“I got one for ya. There was a minute in the ’80s where I was definitely doing too much Bolivian marching powder and just being a fucking lunatic,” Lowe remembered. “And [it was] also coming at the time in a young actor’s career where they’re too old to play the roles they’ve been playing, but they’re too young to play the roles that will last you the rest of your life, which are really the great ones. And you can kind of feel it.

“I love music so much, as evidenced by this talk and all of that, that I got it into my head that maybe I should think more about music and I cut a demo with Toto.”

“Wow, this is one of the reasons you’re the world’s most interesting man,” Simmons responded. “You were partying with the Showtime Lakers as they were winning titles during the Magic’s shots scenario. Who weren’t you involved with in L.A. in the ’80s?”

“Probably nobody, because I also took having fun very seriously,” Lowe added.

Lower did not elaborate on the track further, and it’s unclear what happened to the demo that he recorded with Toto, or if it may ever see a potential release – ideally on a future sequel to the Yacht Rock documentary.

The “most misunderstood entry” in the White Stripes’ back catalog is getting a revisit for its 20th anniversary.

Released as part of the ongoing Vault subscription series from Jack White’s Third Man Records, Get Behind Me Satan XX comes packaged as part of a special two-record set alongside an additional 7″ record and a Blu-Ray and serves as a companion to the original 2005 album.

“Often mistaken as a break-up album, a treatise on fame, or a ‘piano’ album, the record is most accurately described in Jack White’s own words as focused on the truth,” a statement from Third Man Records reads. “The fact that it was in no way Elephant, Part 2 only further confused, infuriated, and/or beguiled many.

“Twenty years later and the album still stands out for how fresh and how timeless it sounds. In the face of newfound worldwide commercial success, no other contemporary rock band had the stones to introduce mandolin, tympani, hand bells and marimba into their arsenal, let alone embark on deep tours of both Central America and Eastern Europe. But as has long been established, the White Stripes were singular. They were never like anybody else. What enchants now, upon further reflection, is the disparate threads that all came together to make Satan so refreshing.”

The first disc of the new package comes front-stacked with previously-unreleased demos of the album and alternate studio takes. “At the same time both skeletal and enlightening, Jack White’s songwriting demos from 2004 and early 2005 – captured with zero concern for fidelity or thought that anyone else would ever hear them – are of prime excitement here,” the statement adds.

Meanwhile, the second disc features previously-unreleased live recordings from the album’s 2005 tour, while the additional 7″ record features “one of the great white whales in Stripes history”, a recording of the long sought-after “Spitting Tacks”. Additionally, the Blu-Ray captures footage of the band during a tour of Central and South America in support of the original record.

“Armed with a mini-DV camera and free reign to capture whatever caught his eye, David James Swanson tagged along on the White Stripes Central and South American tour in 2005,” Third Man Records added. “A soundcheck here, rabid fans singing along there, it’s all crystalline visual quality on a handheld scale. While it would be too grandiose to deem this a ‘film’, the collection of sequences and behind-the-scenes moments captured here are a striking, complimentary statement of the unique and chaotic time that the White Stripes inhabited in this era.”

In typical fashion, the nascent package is rounded out by an expansive archival booklet which collects photos, concert posters, a comprehensive list of tour dates, “and all the exhaustive details fans have come to expect from these anniversary editions”.

Released in June 2005 as the White Stripes’ fifth – and penultimate – album, Get Behind Me Satan peaked at No. 3 on the Billboard 200 and saw the group win the Grammy for Best Alternative Album the following year.

While the original album has been occasionally reissued since its original release, Third Man Records’ Vault editions are not reissued, with those interested in the Get Behind Me Satan XX advised to sign up to the Vault before Jan. 31st.

John Mayer is sending a message to victims of the devastating wildfires across Los Angeles County, recognizing that many of the losses suffered this week are truly and tragically irreplaceable.

On his social accounts, Mayer shared a photo of a file folder containing photos of his 97-year-old father, Richard, “spanning his life from being a baby, an educator, a husband and a father,” which the singer/songwriter called “the most valuable thing I own.”

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“It’s the only evidence of his life that will exist over time,” Mayer wrote in his caption. “These are the ‘documents’ you read about people taking from their homes. When you hear someone say they’ve lost everything in a fire, this is much of that everything, if not all of it. Those who say they’ll be okay still have their folders and their albums. Those who are inconsolable have lost them.”

Many ordered to evacuate fire zones starting on Tuesday had just minutes to round up their families and pets and grab anything they could before leaving homes they might never return to. Mayer’s caption addressed those who didn’t have time to salvage anything beyond the essentials, like the sentimental treasures that can never be replaced.

“Just behind the immeasurable loss of life is the loss of the proof of life,” he wrote. “I don’t practice prayer but tonight I will say one for everyone who no longer has these items. It’s not about the art and the collectibles. It’s the photos, the letters, the class rings, the eyeglasses and the things we keep to remind us that those we loved were here. May those who have lost so much find some semblance of hope and support from their family and friends.”

Mayer ended his message by urging everyone to “stay safe, look out for yourself and for one another, and trust that humanity and all it entails, though sometimes hard to see, is alive and well. This is truly devastating.”

Five people have been confirmed dead after multiple fires raging throughout Los Angeles County, starting on Tuesday. Late Thursday, the latest blaze, called the the Kenneth Fire, was threatening the Calabasas area. Billboard has compiled an updating list of organizations offering relief for musicians and music industry professionals affected by the hugely destructive blazes, as well as an ongoing roundup of events and concerts canceled or postponed due to the fires.

Find Mayer’s full message below:

The state funeral for former President Jimmy Carter featured a number of reverent tributes to the nation’s 39th commander-in-chief. But one of the most touching moments during Thursday morning’s (Jan. 9) event came when country couple Garth Brooks and Trisha Yearwood performed a moving cover of John Lennon’s 1971 homage to peace, “Imagine.”

Brooks played the song’s iconic melody on an acoustic guitar, singing, “Imagine there’s no heaven/ It’s easy if you try/ No hell below us/ Above us, only sky,” his voice echoing through the majestic 188-year-old Washington National Cathedral, which has hosted the funeral and memorial services for almost all of the 21 Presidents who’ve died since Congress approved its charter in 1893.

The deliberate pace of the performance — and the addition of a piano accompaniment — appeared to move many of the dignitaries on hand, which included all the former living Presidents. Soon-to-be-ex-President Joe Biden bowed his head at one point as his successor, former President Donald Trump seemed to close his eyes briefly during the performance.

“You may say I’m a dreamer/ But I’m not the only one,” Brooks sang as wife Yearwood joined in, matching his vocals on the lines, “I hope someday you’ll join us/ And the world will live as one.” That final line was delivered as the couple looked into each other’s eyes and held the moment for a beat, with Brooks leaning in to give Yearwood a kiss on the cheek.

The choice of the song — which was one of three-time Grammy winner Carter’s favorites — was an interesting one, given the late 39th President’s deep faith. Carter taught Sunday school in his native Plains, GA nearly every weekend after leaving the White House in 1981 and often spoke of the importance of religion in his life. In contrast, Lennon’s song features the lines “Imagine there’s no countries/ It isn’t hard to do/ Nothing to kill or die for/ And no religion, too.”

The song’s messages of peace, unity and “no need for greed or hunger,” and the dream of a “brotherhood of man,” however, more closely mirror Carter’s humanitarian post-White House efforts, which included building houses with Habitat for Humanity, and a Nobel Peace Prize in 2002 for his efforts to promote human rights around the world.

The performance was one of the first public appearances by Brooks and Yearwood — who often joined Carter on his Habitat For Humanity efforts — since an anonymous woman filed sexual assault charges against Brooks in October, accusing him of sexual battery, assault and battery; Brooks has adamantly denied the claims.

Carter, who died on Dec. 29 at age 100, was the longest-lived President in U.S. history and the first to live to the century mark. In addition to Biden and Trump — as well as their wives, First Lady Dr. Jill Biden and Melania Trump — the funeral was attended by former Presidents Barack Obama, Bill Clinton, former Sec. of State Hillary Clinton and George and Laura Bush, as well as Vice President Kamala Harris and Second Gentleman Doug Emhoff; CNN reported that former First Lady Michelle Obama was unable to attend due to a scheduling conflict.

In addition to the Brooks/Yearwood performance and a number of other moving tributes from Carter’s family, the funeral included a eulogy by Biden, who is less than two weeks away from the end of his term, after which he will be replaced by twice-impeached former President Trump.

The President repeatedly hailed Carter’s deep faith and strong moral outlook, noting that he was likely the first Senator to endorse Carter’s long-shot 1976 candidacy, “based on what I believe is Jimmy Carter’s enduring attribute: character, character, character.” Biden added, “Jimmy Carter’s friendship taught me, and through his life, taught me, that strength of character is more than title or the power we hold. It’s the strength to understand that everyone should be treated with dignity, respect, that everyone, and I mean everyone, deserves an even shot.”

After the funeral, Carter’s body will be flown back to Georgia for a private family funeral before he is buried on the grounds of his home in Plains next to his late wife of 77 years, Rosalynn Carter.

Watch footage of the “Imagine” performance below.

Lily Allen just gave fans another update on her mental health, shutting down rumors that she’s been using drugs.

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On the latest episode of her Miss Me? podcast posted Thursday (Jan. 9), the 39-year-old singer told co-host Miquita Oliver that she’s “really not in a good place” lately. “I know I’ve been talking about it for months, but I’ve been spiraling and spiraling and spiraling and it’s got out of control,” she continued.

Noting that she’s having trouble feeling “interested in anything,” Allen detailed how panic attacks have forced her to leave events and hangouts with friends early. “I just can’t concentrate on anything except the pain that I’m going through,” she added.

That said, the “Smile” singer revealed that she’ll be taking an extended break from the podcast — but not for any other reason that might be gleaned from the “vicious rumors” Allen said she’s seen about herself in recent weeks. “I do want to reassure people, because there will be speculation … I’ve not relapsed,” she told listeners.

Allen has been open in the past about her struggles with addiction. She got sober in 2019 and, the following year, married her husband, Stranger Things star David Harbour.

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And despite what might be circulating online, Allen affirmed that she still hasn’t looked back since. “I know there’s been some horrible blind items on the internet about me being found by my husband in a crack den being surrounded by men,” Allen said on Miss Me? as Oliver laughed in disbelief. “I don’t know who’s spreading these vicious rumors, but that’s not true.”

Allen’s latest update comes a few weeks after she said on a December episode of the podcast that she’d been “going through a tough time over the last few months” as her eating had “become a real issue.” The English singer-songwriter has also previously opened up about being diagnosed with ADHD in 2023 and struggling with PTSD after delivering a stillborn son named George in 2010.

The podcaster is also Mom to daughters Ethel and Marnie, whom she shares with ex-husband Sam Cooper. On the latest episode, she also touched on how she’s been leaning on her family unit during her difficult period, telling Oliver, “We are a support network for each other and encourage each other to talk about our feelings, but I think the main thing is telling them we’re going to get through it and be fine.”

If you or anyone you know is struggling with mental health or substance abuse disorders, reach out to the Substance Abuse and Mental Health Services Administration‘s national helpline 24/7 at 1-800-662-HELP (4357) for confidential treatment referrals and information. If you or someone you know is struggling with disordered eating or an eating disorder, you can contact the ANAD helpline at 1 (888) 375-7767 or the National Alliance for Eating Disorders at 1 (866) 662-1235.

Listen below.

Devastating wildfires have ravaged thousands of acres in and around Los Angeles over the past few days, burning homes and businesses and devastating communities including Pacific Palisades, Pasadena and Altadena.

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The wildfires also claimed a home in Pacific Palisades that at one time belonged to country singer Brad Paisley and his wife, actress Kimberly Williams-Paisley. The couple currently live in Tennessee, but the musician shared in an Instagram post that their family holds fond memories of the Pacific Palisades home.

“We lived in Pacific Palisades for years. It was the first house Kim and I bought together,” Paisley wrote in the post, alongside a photo of a firefighter battling flames and thick smoke. “Memories were made with some of our dearest friends- the first nursery we had to prep, the birthing classes with @kevinnealon and @sukiyeagley. Walking to the local restaurants, the Gelson’s, and the Starbucks.

“That beautiful old house burned last night. As did most of that community. So many good people displaced, devastated and cast out all over LA. I would post a link to donate or raise awareness or something but it all feels so much bigger than that. I don’t know where to begin. I’m sure those of you reading this will find some way to help if you can, but mostly right now I just want to mourn the loss of a town. And acknowledge the beauty and the memories of what it was.”

Paisley added, “It is all so tragic and sad. Love to you all. #pacificpalisades #firstresponders When I find the right link I’ll post.”

Williams-Paisley commented on Paisley’s post, writing, “Beautiful post, thank you. I don’t have the words right now. 💔💔💔”

Others from the country music community shared their condolences and thoughts in response to Paisley’s post, including Morgan Wade, Mark Wills and Lindsay Ell.

Several celebrities have been among those who have seen their residences devastated in the wildfires, including Paris Hilton, Billy Crystal and Mandy Moore.