[Spoiler alert: This story contains the identity of the eliminated contestants on Wednesday night’s (April 21) The Masked Singer.] 

The Crab scuttled off the Masked Singer stage on Wednesday night (April 21), but not before giving the judges’ panel all the feels over an emotional wildcard ride. In a dramatic two-hour, double-elimination Super Eight episode that swept away both Crab and Seashell as season 5 surfs to a close, the crustacean with the voice of a ragged angel said goodbye with his pincers held high.

The man behind the Crab left it all on the stage with a trio of performances that brought the judges to tears and an earlier dramatic exit following a costume-induced panic attack. Crab’s emotional cover of Bill Withers’ iconic 1971 weeper “Ain’t No Sunshine” was a clear indication that they were dealing with a heavyweight vocalist. And his take on Rick James’ 1981 bass-slapper “Give It to Me Baby” was a further indication that this dude could bring the funk and the soul. His final, surprising choice on Wednesday night, Phil Collins’ titanic 1981 ballad “In the Air Tonight,” brought out Crab’s rocky edge, which made sense, since frequently incorrect judge Ken Jeong earlier suggested the man under the mantle could be ageless icon Lenny Kravitz.

Robin Thicke was close, suggesting former New Edition member and solo star Johnny Gill or perhaps “Ghostbusters” singer Ray Parker Jr., while Jenny McCarthy thought it might be Public Enemy rapper Flavor Flav and Nicole Scherzinger ended up being wayyy off base with her suggestion that it was either Kanye West or Keith Sweat.

Ken should have stuck with his initial guess of former New Edition and solo star Bobby Brown, who was indeed the sensitive, emotional crabmeat under that hard blue and purple exterior. The night’s other eliminated singer was Sister, Sister star Tamera Mowry.

Billboard spoke to Brown before his elimination to find out what happened the night he had to run offstage and why he’s psyched that his kids are now going to learn that titanic drum break in the Collins hit. Check out our chat with Brown below:

Whose idea was it for you to do this show?

Me and my kids watch the show every week. We’ve been watching it since the beginning, and so my wife and I thought it would be fun to do it and see if the kids could guess it was me… and they did.

I mean, your voice is so distinctive, so it wasn’t that hard. 

No, not really. I do have a recognizable voice and tone. So it was still fun to do and a lot of fun to be able to get out of the house during these times and do something.

You had to run offstage at one point because you got claustrophobic. Can you explain what happened?

I just got overwhelmed performing the Rick James song and not being able to move like I would normally move and trying to breathe at the same time.

Did you know beforehand that you were claustrophobic?

I did not know I was until I did The Masked Singer.

That’s a hell of a way to find out!

[Laughs] Yeah, that’s a hard way to learn, live on TV!

Why’d you pick the Crab costume? It seemed super cumbersome and sweaty and you even said it was hard to breathe during the Withers song.

It was just so well put together, with the claws and shell on my back and the mustache on the head. It was definitely hard to move around in it.

You usually move around a lot, but you seemingly couldn’t in that costume. What was the hardest part of performing in it?

Because it has so many layers and I’m so used to being free. I wear light clothes when I’m performing normally, and this had so many layers that it constricted me from moving like I do. But it was fun to have it on and I just had to deal with the fact that it was heavy and restrictive.

You’re so well-known — was there something about being anonymous that appealed to you?

Yes. In a lot of different ways. Knowing that the kids would be watching, I was like, “Why not do something out of the box that could be fun for me and kids?” So when we sit down and have TV time it would be fun for them. I know they’re enjoying every minute of it.

You talked in one package about the terrible stage fright you had at your first performance as a little kid — where you ended up being discovered — but if you knew that, why would you do this show? Is that what got in your head during the James song?

No, I didn’t have that in my head. Me having stage fright was so long ago and I’ve never [had it] again. It was so long ago and it’s never happened since that time, but having the costume on brought those memories back.

The judges guessed your old bandmate Johnny Gill, but also Kanye, Lenny Kravitz, Ray Parker Jr. and Flavor Flav. Were you surprised or offended by any of those guesses?

[Laughs] No, I wasn’t surprised. It’s just when you have the costume on, there’s no telling who the person is. Especially when you’re singing, you can sound like anybody these days. … Them guessing those names was a surprise.

How did you pick that Phil Collins song? It seems out of your wheelhouse, but you crushed it.

I just always loved that song, the way the drums come in at the end is just so powerful, it’s a powerful record. It was fun to sing that one on television and for my kids to be able to learn it. … They will [definitely] learn that one tonight.

You picked all emotional songs. What message were you sending with them?

I’m an emotional person. I just think that’s where my head was, where my heart was in singing those songs. It was therapeutic for me after going through everything I’ve gone through. Therapy is good.

Did you think you were going to win?

It wasn’t about winning for me. It was just about pure fun, because that’s what it is. I didn’t look at it as a competition, but just as a way to be able to get out of the house and have fun with my peers. I can’t wait to see who everyone else is when they’re revealed. I’ve been trying to guess myself and if people guessed me, that’s good for them. I’m still a big fan of the show and I’m trying to keep my numbers up [in the house] because I’m usually the one in the household who guesses the person right away.

Does Janet Jackson know you have a crush on her now that you revealed it in the clues? I mean, she does now, right?

[Laughs] I believe she does!

J Balvin and Khalid’s first collaboration, “Otra Noche Sin Ti,” debuts at No. 5 on the Hot Latin Songs chart (dated April 24). The track earns Khalid his first entry and first top 10 on any Latin chart. J Balvin collects his 32nd top 10.

The song, a fusion of slow-tempo perreo and R&B, rallied to 5.6 million U.S. streams in the week ending April 15, according to MRC Data, after its first tracking week (it was released on April 9). The track also lands a No. 4 start on Latin Streaming Songs.

Sales, too, help its top five debut on the airplay-, digital sales and streaming-blended Hot Latin Songs list: “Otra Noche” registers 1,000 downloads, enough for a No. 4 launch on Latin Digital Songs.

“Otra Noche” joins another Balvin track on Hot Latin Songs. His recently released “Tu Veneno” (March 19), which is also part of Balvin’s forthcoming album, holds at No. 9 for a second week after its No. 6 debut and peak (April 3-dated tally).

Khalid, who secured his first Billboard Hot 100 chart entry with “Location” in 2017, makes his Hot Latin Songs chart debut with “Otra Noche Sin Ti.” He’s one of a number of primarily English-language recording artists to make their Hot Latin Songs debut straight into the top 10 in the past 12 months. He follows Snoop Dogg, Travis Scott, 6ix9ine, Dua Lipa, The Weeknd, Doja Cat and Sia. (All but 6ix9ine scored their debuts through a collaboration with an established Spanish-language recording artist.)

“Otra Noche” concurrently debuts on both Billboard Global charts: at No. 72 on the Billboard Global 200 and at No. 89 on the Global Excl. U.S. list. The song was produced by Lexus and songwriter Keityn, who also co-wrote Karol G’s “Tusa” and Sebastian Yatra and Guaynna’s “Chica Ideal.”

Los Legendarios’ Second Top 10: Elsewhere on Hot Latin Songs, producers Los Legendarios secure their second top 10 as “Fiel,” with Wisin and Jhay Cortez, jumps 12-7. It’s the second top 10 for Los Legendarios who just earned their first less than three months ago through another collaboration with Wisin “Mi Niña,” with Myke Towers (No. 10; Jan. 9-dated list).

“Fiel” pushes up the chart mainly boosted by streams. The song logged 4.7 million in the week ending April 15 (up 19%). As it takes the Greatest Gainer/Streaming trophy on the chart, it jumps 6-5 on Latin Streaming Songs.  Wisin scores his 12th top 10 and Cortez his seventh.

The 2021 Brit Awards, set for May 11 at The O2 arena in London, will be both a celebration and an experiment. The show is expected to have an audience of 4,000 — roughly one-fifth of the venue’s capacity. Here’s the surprising part: Audience members will not be socially distanced or required to wear face coverings in the arena.

In a statement, the Brit Awards characterize the show as the “first major indoor music event to welcome back a live audience – a pivotal moment in the return of live music at scale.”

About 2,500 tickets will be gifted by the recorded music industry to “key workers” — the British term for “essential workers” — in the greater London area. (This is meant to discourage longer-distance travel.) The remaining 1,500 tickets will be allocated for purchase by the nominated and performing artists and their teams, supporting record labels, management and show partners and sponsors.

A “ballot” (lottery) for free tickets for key workers will open on Brits.co.uk on Thursday (April 22) at noon local time. But those free tickets come with a catch: All attendees must consent to participate in a research program sponsored by the U.K. government.

A statement notes: “The indoor ceremony and live show will form part of the Government’s scientific Events Research Programme, using enhanced testing approaches to examine how events can take place without the need for social distancing.

“Working closely with the Government to adhere to safety guidelines, this means The Brits, as the first live music show at The O2 in over a year, will play an important role in paving the way for the return of live music at scale as the UK emerges from the past year’s restrictions.

“…Audience members will not be socially distanced or required to wear face coverings in the arena, but they will be required to follow existing Government guidance when travelling to the venue and adhere to rules set out by the event organisers.

“Attendees must have proof of a negative lateral flow test result to enter the venue. As part of the wider scientific research on the trial events, attendees will also be asked to take a test after the event to gather further evidence on the safety of indoor settings, reduced social distancing and the removal of non-pharmaceutical interventions like face coverings.

“They will also have to provide contact details for NHS Test and Trace to ensure everyone can be traced in the event of an audience member receiving a positive test after the event.”

The 2020 Brit Awards, held at The O2 on Feb. 18, 2020, was one of the last major events before the COVID-19 pandemic put large-scale public gatherings, including awards shows, on hold for more than a year. The 2021 Brit Awards, nearly 15 months later, will hopefully be a step on the road back to normalcy.

Comedian Jack Whitehall is set to host the show for the fourth year in a row. Celeste, Joel Corry, Dua Lipa, Arlo Parks, Young T & Bugsey and AJ Tracey received three Brit nominations each, more than anyone else this year. Lipa, Parks, Griff and Headie One have been confirmed as performers.

Lipa, who won British single of the year two years ago for “One Kiss,” a collab with Calvin Harris, said in a statement: “This has been a long tough year for everyone and I’m delighted the night will honour the key worker heroes who have cared for us so well during that time and continue to do so…”

Geoff Taylor, chief executive BPI & Brit Awards, said: “This year’s Brit Awards with Mastercard is one of the most significant in the show’s history. Not only will we be celebrating the brilliant music and artists that have helped us through the pandemic, but we hope it will provide a path for the return of live music that fans and artists have so sorely missed … We’re… working closely with Government, The O2 and all our partners to ensure all safety measures and guidelines are adhered to.”

Danielle Kennedy-Clark, deputy general manager of The O2, said “We’re proud that The O2 has been selected to host the largest indoor capacity pilot event with The Brits. This scientific trial is an important step on the path to recovery for the live entertainment industry, and our operational teams are making the final preparations to be able to welcome people into The O2 arena again for the first time in more than a year.”

A statement from the Brit Awards (officially, the Brit Awards with Mastercard) sheds more light on the rationale behind this testing program. Here is the opening paragraph (British spellings retained): “Through the Events Research Programme, the annual UK music industry showcase will test the safety of live audiences returning to indoor seated settings on a large scale. The research gathered from this year’s Brit Awards will build on the evidence collected at other pilots in the programme, including the World Snooker Championships at the Sheffield Crucible and an outdoor gig at Sefton Park hosted by Festival Republic. The evidence from these pilots will be used to inform government policy to bring about the phased return of fuller audiences to venues and events across England.”

Edited by Dan Rys

Warner Closes in on New Latin Leader
The guessing game is over on who will replace longtime president of Warner Music Latin America and Iberia Iñigo Zabala when he retires at the end of 2021.

Inside Track hears that Warner Recorded Music CEO Max Lousada and president of international recorded music Simon Robson, who were looking outside the company for Zabala’s successor, have narrowed their search considerably.

A source familiar with the search says the frontrunner is Alejandro Duque, managing director of Universal Music Latino, Machete and Capitol Latin and a protégé of Jesús López, chairman/CEO of Universal Music Latin America & Iberian Peninsula. Duque, who’s in his late 30s, grew up in the Latin music business thanks to his father, who was a record executive in Colombia and took his first job with Universal in his home country.

The source says WMG has also had conversations with or about Alex Gallardo, president, Sony Music U.S. Latin; Gustavo Lopez, CEO of Saban Music Group (as well as a partner) and the original president of Universal’s urban Latin label, Machete Music; and Nir Seroussi, executive vp at Interscope Geffen A&M Records, where his purview is Latin music. Duque had not responded at publication time. Gallardo, Lopez and WMG declined to comment. Seroussi responded, “It’s not me.”  – Frank DiGiacomo

Azoff Is Hiring

Irving Azoff has taken another step forward with the new record label and music publishing venture he’s launching with son Jeffrey Azoff and former Columbia Records urban music co-head Shawn Holiday.

An insider says Azoff, who ran MCA Records in the 1980s and his own label Giant in the ’90s, has hired executive search firm James & Co. to find a leader to help run the label. Another source says Holiday will be involved in both the label and publishing sides of the start-up, and that Sony Music will almost certainly not be involved, as other publications have reported.

James & Co., which specializes in finding C-suite candidates for media and entertainment companies, was founded by Michele James and business partner Roysi Erbes in 2002 after James worked as AOL Time Warner’s chief talent scout. The firm’s clients have reportedly included the NFL, ESPN, Oxygen Media and SiriusXM. James and Erbes did not return calls requesting comment, and a rep for Azoff was unavailable for comment. – F.D.

If you have a tip or story for Inside Track, contact dan.rys@billboard.com

Like most major U.S. cities, Miami was the scene of weeks of protests last summer after the police killing of George Floyd in Minneapolis sparked a national reckoning over race … Click to Continue »
A national effort from conservative state lawmakers to ban transgender athletes from girls’ and women’s sports looks to be dead in Florida. Although the Florida House voted to pass House … Click to Continue »
As a Minnesota judge read a jury’s verdicts against the former police officer accused of murdering George Floyd, Donald Graham, a federal judge in the Southern District of Florida, was … Click to Continue »
Gov. Ron DeSantis late Monday signed into law a plan to require out-of-state online retailers to collect sales taxes on purchases made by Floridians, with the estimated $1 billion a … Click to Continue »
LOS ANGELES — Investigators believe that Kristin Smart’s body was recently moved from beneath the deck at the Arroyo Grande home of the father of Paul Flores, who is accused … Click to Continue »

Meat Loaf has remembered his “brother” and long-time collaborator Jim Steinman, the late Grammy-winning composer and lyricist.

With Meat Loaf the voice and presence and Steinman the creative mastermind, the pair would become one of rock music’s most powerful partnerships through the ‘70s and beyond.

Steinman, who passed away Tuesday (April 20), aged 73, was composer on Meat Loaf’s rock-opera juggernaut Bat Out Of Hell, which yielded the classics “You Took the Words Right Out of My Mouth,” “Paradise by the Dashboard Light,” “Two Out of Three Ain’t Bad” and is now diamond certified in the United States.

After a slow lift off, Bat Out Of Hell is recognized as one of the biggest-selling albums of all time.

The duo returned to the well for 1993’s Bat Out of Hell II, Back Into Hell, and its enduring hit “I’d Do Anything for Love (But I Won’t Do That).”

Texas rocker Loaf paid tribute to Steinman with a photo collage of their golden years, and a nod to the winged mammal in that most famous 1970s album.

“Coming here soon, My brother Jimmy,” writes Loaf. “Fly Jimmy Fly.”

Coming here soon,
My brotherJimmy.
Fly Jimmy Fly .

Posted by Meat Loaf on Tuesday, 20 April 2021

Steinman won a Grammy for his production on Celine Dion’s 1996 release Falling Into You, received the BMI Song Of The Year award for Dion’s “It’s All Coming Back To Me Now” and was inducted into the Songwriters Hall Of Fame in 2012.

According to multiple published reports, Steinman died from kidney failure.