Giving credence to the saying “it’s not me, it’s you,” Taylor Momsen is beginning to think that touring with AC/DC might be a hazard to her health. The Pretty Reckless singer posted a video on Wednesday (April 8) in which she received medical treatment from a doctor in Mexico after she was bitten by a venomous spider.

“When do my superpowers kick in? That’s what I want to know,” a nonplussed Momsen says with a smile as a doctor cleans a nasty-looking bite mark on her lower right leg while another member of the medical team gives her a shot in her left arm in what looks like a green room backstage.

The brief video ends with a snippet of the old “Spider-Man, Spider-Man, does whatever a spider can” cartoon theme song.

You see, this is becoming a habit for Momsen, who revealed in the caption that this isn’t her first bite on a tour with the Australian hard rock legends. “🕷️🕷️🕷️ So it wouldn’t be an AC/DC tour if I didn’t get bit,” wrote Momsen. “This time a massive spider decided to take a chunk out of me and its venom did a number on my system so had to have the wonderful doctors in Mexico come and deliver quite the shot before the show last night…add it to the list!”

The last time Momsen toured with AC/DC in 2024, she was bitten by a bat while on the road in Spain during a performance of, no joke, “Witches Burn” from her band’s 2021 Death By Rock and Roll album. In a clip from the time, a bat landed on the singer’s thigh and she didn’t notice it at first. But after spotting some fans pointing at her she looked down and said, “There’s a f–king flying bat on my leg right now … I must really be a witch!”

A crewmember helped her remove the flying menace, but not before it sank into her leg, which sent her to a Spanish hospital, where she had to get treatment and two weeks of follow-up rabies shots. “Thanks to all the staff at the hospital who dubbed me #batgirl after seeing it on the local news that morning…more footage to come…that’s one for the books!!!!,” she wrote at the time.

She was equally chill about her latest unexpected venom incident, doubling-down on her joke from 2024, writing, “Spider woman? Batgirl? 🕷️🕷️🕷️🦇🦇🦇 WTF 😬”

Momsen has a couple days to rest before hitting the stage to warm-up for AC/DC at Estadio GNP Seguros in Mexico City on Saturday (April 11) and then again April 15. The band will then take some well-deserved time off before moving on to a European swing beginning with a June 5 show at the Rock Im Park festival in Nuremberg, Germany and then teaming back up with AC/DC in Charlotte, N.C. on July 11 for a North American summer stadium run in-between their own club shows.

Check out Momsen’s spider scene below.


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With Nothing’s About To Happen to Me which dropped in February, Mitski’s recording career goes eight albums deep. There’s a sense she’s only getting started.

Following its release, Nothing’s About To Happen to Me debuted at No. 10 on the Billboard 200 chart with nearly 43,000 equivalent album units earned, the singer and songwriter’s best week ever by units. That for an artist who has converted a massive presence on TikTok into pop star-level popularity.

Mitski’s fans adore her. And she is reaching out to them, everywhere, on this album cycle, for which Mitski has been something of a road warrior. She completed a six-night residency at New York’s multi-purpose cultural center The Shed, in addition to a Tansy House Installation; five nights at Hollywood High School; four nights at the Sydney Opera House as part of Vivid LIVE, and locked-in shows in Mexico City, Istanbul, Paris, Brussels, Amsterdam, London, Manila, Bangkok, Jakarta, Kuala Lumpur, and Singapore.

Mitski returned to The Late Show with Stephen Colbert earlier year to perform “I’ll Change For You,” her first performance on the show since 2016, and last night (April 8) stopped by Jimmy Kimmel Live, for a rendition of album track “If I Leave.”

Wearing a luxurious, faux leopard-skin coat, and a knee-length string of beads, the Japan-born artist was a picture of calm as her full band rocked out.

Mitski wrote all of the songs and performed all of the vocals on Nothing’s About to Happen to Me, which was produced and engineered by Patrick Hyland and mastered by Bob Weston, and features live instrumentation by The Land touring band and ensemble arrangements. The orchestra was recorded at Sunset Sound and TTG Studios, arranged and conducted by Drew Erickson, engineered by Michael Harris.

Her tour continues May 2 with a concert in Istanbul. Visit Mitski’s website for more, and watch her latest late-night appearance below.

Pop stardom is about the big moments. Securing one, and nailing it. Keli Holiday’s arrival at the 2025 ARIA Awards was a moment that many of us would rate as the stuff of nightmares, a phobia right up there with heights and massive, fangy spiders.

Holiday had the honors of opening the ARIAs with a performance of his viral smash “Dancing2.” Just Holiday, his hair teased like a mane, chest out, staring down the barrel of national TV cameras. Right on cue, he strutted through the industry tables at Sydney’s Hordern Pavilion, singing and cutting a path to the stage where an all-star band awaited. No worries.

Big moments, if and when they come, rarely do so with such a high degree of failure. He nailed it. Later, he nabbed an ARIA Award for best video, a fan-voted category.

In the five-plus months that have passed, Holiday has been gliding like he did at the ARIAs.

Holiday’s second studio album Capital Fiction, opened at No. 3 on the all-genres ARIA Albums Chart in February, and topped the national Australian albums tally. His tour in support of the LP got underway in March and went deep into regional Australia, visiting the capitals with a string of sellouts, and expands with his first-ever run of dates in North America, followed by more shows Down Under, and then the United Kingdom and Europe.

On April 29, Holiday has two chances of adding to his collection. He’s a first-time nominee for the APRA Music Awards, including the coveted song of the year for “Dancing2,” which took flight on TikTok, where fans clamored to its message of love, connection and positivity.

This new chapter for Keli Holiday is a “representative of love,” he tells Billboard over Zoom. “The core of it, it’s really joyous. It’s really about love. Human beings, we’re constantly craving love. We constantly hold on to love. It’s top of the rock. There is something to be said for the fact that, with all the madness going on in the world, any skerrick of sunshine we can clutch onto, whether that be through a song, or a movie, or a conversation is welcomed with a wide embrace. That’s what I represent with my shows and what I want to do it, because I really feel it, so I got to give it back.”

Holiday has been here before, but all of this is new. He’s the alter-ego of Adam Hyde, who alongside Reuben Styles is co-founder of Peking Duk, the multi-platinum, ARIA Award-winning electronic duo which has accumulated more than 400 million streams across such songs as “High,” “Take Me Over,” “Stranger” and “Fire.” The duo’s debut album, Paradise, is due out Aug. 14 and features the cut “Thrills” with Rico Nasty.

Want a job done, ask a busy person. Holiday is that person. He’s already making headway on a new album. “I’ve written the majority of the next record,” he tells Billboard. “I want to get that album as close to ready as possible before embarking on those shows. Because I have a lot of ideas coming out of me at the moment, and to not act upon them while they’re creating a little buzz within would be remiss. It’d be a disservice to the idea itself, so I’m really looking forward to that.”

And how far along is the process? “As far as the agonizing part goes, I’d say I’m about 60% now. The most important thing is the bones of it, the writing. So, I’ve really hunkered down. I think I’ve written all the songs for the record. I could be wrong.” Holiday plans to “get with some people in L.A., throw some different sonic ideas around. We’ll see where we land.”

Next stop, The Echo in Tinseltown on May 1.

For those fans about to experience Keli Holiday for the first time, he sets the scene with the “wild, sweaty, beautiful union of people getting down to a bunch of new music” on his Australian tour. “It felt so refreshing to be able to bring this show that I created around this country, and to have it received in a warm embrace. It was gorgeous. I’m still kind of humming from it.”

That confident ARIAs performance last November, and hanging out backstage with Olivia Dean and his peers, was like a gate opening for Holiday. “Buzz is definitely the word,” he recounts of the experience. “It was, like, a different kind of nervous energy. It was a real excitement. To be able to walk through the room, sing this song, meet all these wonderful people, it was just a great way to introduce Keli Holiday to Australia, in a really kind of formal way. Even though I wasn’t wearing a shirt.”

Visit keliholiday.com for all tour dates.

Robert Plant, he’s still got it. Never any doubt.

The legendary Led Zeppelin frontman returned to The Late Show with Stephen Colbert on Wednesday evening (April 8), for something old, and something folky.

The British singer and his group Saving Grace performed Martha Scanlan’s “Higher Rock,” lifted from their self-titled debut covers album, released last September. The veteran artist and his bandmates stuck around for a bonus shot at the Zeppelin classic, “Ramble On.”

It’s the second time Plant has graced the Late Show stage in six months. Last November, he stopped by for a deep dive into The Lord of the Rings and the fantasy classic’s late author J.R.R. Tolkien. Hitting “Ramble On” was a neat tie-in. The song was originally recorded in 1969, appears on Zeppelin’s second studio album, and is said to have been inspired by LOTR.

Earlier, in a sitdown with Colbert, Plant discussed the state of English folk music. He digs it, well, most of it. It’s become “quite healthy again. There’s a contemporary element of it,” he remarks in a “Colbert Before Air” edit. The American stuff, however, “it’s a lot more bloodthirsty and there’s a lot more treachery.” Sea shanties, nope.

Colbert’s beloved late-night show is scheduled to go off the air, for good, on May 21. The talk-show master isn’t folding with the end in sight.

Plant, one of many superstar entertainers booked for the last run, is one of the best to ever do it. Zep’s career spans nine albums and 12 years, effectively ending when drummer John Bonham died in 1980. Seven of those went to No. 1 on the Billboard 200 chart, and five are certified diamond by the RIAA, for 10 million units shifted in the United States. The blues-rockers were indicted into the Rock And Roll Hall of Fame in 1995.

Saving Grace was recorded between April of 2019 and January of 2025 in the Cotswolds region of England and on the Welsh Borders. Plant most recent collaborations have been with longtime creative partner Alison Krauss, with whom he went on tour last summer, and the Sensational Shapeshifters, which was active from 2012 to 2018.

Plant and Saving Grace (vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, and cellist Barney Morse-Brown) will embark on a tour of Europe and the United States this summer and fall.

See the dates here.

For their next musical adventure, PNAU is aiming straight for the heart — with some help from Mexico’s The Warning.

The electronic music hitmakers return with “Tu Corazón (Your Heart),” a good time crunched into three pumping minutes. It’s a piece of art years in the making, honed on multiple continents.

“Tu Corazón,” say reps for PNAU’s Nick Littlemore and Peter Mayes, is a song about opening your heart to the beauty around you, an important reminder in this ever-changing world.

PNAU were first made aware of The Warning when Littlemore’s other project, Empire of the Sun, was filming in Mexico more than a decade ago. At the time, The Warning, the Villarreal Vélez sisters Daniela (guitar, vocals, piano), Paulina (drums, vocals, piano), and Alejandra (bass guitar, backing vocals, piano), were a band on the way up, dreaming of the big stage.

After an initial meeting, the siblings headed to a recording session in PNAU’s studio in downtown Los Angeles. “Tu Corazón (Your Heart)” is part of that long-percolating collaborative process.

“Tu Corazón is a flash of ecstatic dance, coming at you from our sister city of Monterrey,” comments Littlemore. “A once storied adventure, now a booming jam – punk, love and all wild. Try as you might to sit still, I challenge you to do so. You have been warned!”

The Warning adds: “This song is about opening your heart to every beautiful thing this world has to offer through community and the people we love. We had a great time working with PNAU creating something this unique and fun! It was a very nostalgic process for us and we loved connecting with our past selves through this song. We are grateful to have been a part of this record and we love Pete and Nick very much!”

The official music video was shot in Monterrey, and can be seen below.

Forged in Sydney’s rave scene, PNAU has gone where few Australian electronic acts have ventured before: landing No. 1 hits around the globe.

An international breakthrough came when PNAU joined forces with Elton John on the Rocket Man’s 2012 remix album Good Morning to the Night. The collection went to No. 1 on the Official U.K. Albums Chart. PNAU and Elton repeated the feat for another remix, the 2021 single “Cold Heart” with Dua Lipa, and landed a bonafide global smash.

“Tu Corazón” follows The Warning’s single “Kerosene,” and a bunch of high-profile concerts and festival spots including Lollapalooza Chile, Argentina, Brazil, and a record-breaking crowd of 50,000 for their homecoming date at Monterrey. Later this year, the sister act will support YUNGBLUD on his IDOLS World Tour in the United States and United Kingdom.

“Tu Corazón (Your Heart)” comes on the heels of PNAU’s collaborations with Italian trio MEDUZA, “Rollin,” “Light Me Up” with Kungs, and a slew of remixes with the likes of including Coldplay, Parcels, Tame Impala, Diana Ross and Sophie Ellis-Bextor.

The latest incarnation of PNAU is the OG lineup. Sam Littlemore, Nick’s brother, joined in 2016 and wrapped up at the end of the last album cycle, 2024’s Hyperbolic. Billboard understands Sam contributed to the production of the new song, which was recorded before they parted ways.

To coincide with the new release, PNAU announces a 12-date Nirvana Tour of Australia’s East Coast this June and July, the winter months in these parts. Before that, the lads will debut their live show May 1 at Foro Indie Rocks! in Mexico City.

PNAU DJ Sets:

April 10 – Beach Hotel, Byron Bay

April 11 – Ability Fest, The Timber Yard, Melbourne

PNAU Debut Live Show in Mexico:

May 1 – Foro Indie Rocks!, Mexico City

PNAU Nirvana Tour 2026:

​​June 19 – Gilligan’s, Cairns

June 20 – The Warehouse, Townsville

June 21 – Magnums, Airlie Beach

June 24 – McGuires Hotel, Mackay

June 25 – Leichhardt Hotel, Rockhampton

June 26 – Sugarland Tavern, Bundaberg

June 27 – The Powerhouse, Toowoomba

June 28 – Beach Hotel, Byron Bay

July 1 – Hoey Moey, Coffs Harbor

July 2 –  Shoal Bay Country Club, Shoal Bay

July 3 – King Street Hotel, Newcastle

July 4 – Drifters Wharf, Gosford

After completing their North American tour, Bleachers will embark on a visit to the U.K. and Europe.

The indie pop-rock outfit will play their biggest pan-European headline jaunt to date across November and December, including a raft of shows up and down the United Kingdom.

According to reps, £1/€1 from each ticket sold will be donated to The Ally Coalition to support LGBTQ+ youth.

As previously reported, the group will tour in support of the May 22 release of everyone for ten minutes (via Big Hit), their fifth studio album. Before Jack Antonoff and Co. head abroad, a major run of shows that get underway June 5 in Chicago IL, rolling into cities across the United States and Canada, and wrapping up Oct. 8 in Nashville, TN. Along the way, a five-night headline residency this September in Los Angeles.

The forthcoming collection includes previously released cuts “You and Forever, “Dirty Wedding Dress,” and “The Van,” which dropped this week and can be streamed in full below.

Everyone for ten minutes, reads a statement announcing the new project, is the “inevitable culmination of a lifetime of devotion to bands for the six members of Bleachers and, ultimately, finds each one at their creative peak.”

It’s said to have “moments where it briefly peers into darkness,” but is “essentially an optimistic record that feels lovestruck and hopeful, leaping from harmony-laden folk rock to shimmering pop soul to the sax-assisted New Jersey sound that Bleachers have become synonymous for.”

Bleachers U.K. and Europe 2026 Tour:
Nov. 5 – Alcatraz, Milan, IT
Nov. 7 – Tonhalle, Munich, DE
Nov. 9 – Columbiahalle, Berlin, DE
Nov. 10 – Columbiahalle, Berlin, DE
Nov. 12 – Sentrum Scene, Oslo, NO
Nov. 13 – Annexet, Stockholm, SE
Nov. 15 – Sporthalle, Hamburg DE
Nov. 17 – Paradiso, Amsterdam, NL
Nov. 18 – Paradiso, Amsterdam, NL
Nov. 20 – Cirque Royal, Brussels, BE
Nov. 21 – Salle Pleyel, Paris, FR
Nov. 24 – O2 Academy, Bristol, UK
Nov. 25 – O2 Academy, Glasgow, UK –
Nov. 26 – O2 Academy, Leeds, UK
Nov. 28 – O2 Academy, Birmingham
Nov. 30 – 3Olympia, Dublin, IE
Dec. 2 – O2 Apollo, Manchester, UK
Dec. 3 – Eventim Apollo, London, UK

BTS‘ certainly made a splash with “SWIM,” the lead single from their seventh studio album ARIRANG. The 2026 LP was the K-pop group’s first record after they announced they would be taking an indefinite break in 2022 for the members to complete their mandatory military service.

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In true BTS fashion, the new album and lead single topped the charts immediately upon release. “SWIM” debuted at No. 1 on the Billboard Hot 100 and ARIRANG did the same on the Billboard 200. Seven must be the band’s lucky number, as ARIRANG was their seventh album and seventh Billboard 200 No. 1 while “SWIM” was their seventh Hot 100 chart-topper.

Below are the lyrics to BTS’ “SWIM.”

Swim, swim
Water falling off your skin
Swim, swim
I could spend a lifetime watching you
Swim, swim
This is how it all begins
Swim, swim
I just wanna dive
I just wanna dive

Bad world
Gone away, I still wake up in this mad world
Name a place that I could breathe on this map, world
Lookin’ like a goody, goody in this bad world, bad world
Don’t know how to act, girl
I’m in the deep, tell me where the hell you at, girl?
Oh, you ain’t even gotta love me back, girl
You know that I’m never holdin’ back, girl, yeah

So easy
Don’t make it so hard
Nights like these, I just wanna get lost
Right here with the moon and the sharks
I ain’t gotta think ’bout a thing, baby, I just

Swim, swim
Water falling off your skin
Swim, swim
I could spend a lifetime watching you
Swim (swim), swim (swim)
This is how it all begins
Swim, swim
I just wanna dive
I just wanna dive

Water, water so deep
Water so deep
Take it off the ground
I ain’t never gettin’ cold feet
Yeah, you know me
Yeah, you know me
Sittin’ on the shore
Now I’m ready for the whole sea
I can feel the high waves comin’ (yeah)
Why you run away? You can run in (yeah)
Salt on my tongue, she’s stunnin’ (yeah)
You’re the only place that I wanna be, yeah

Swim, swim
Water falling off your skin
Swim, swim
I could spend a lifetime watching you
Swim (swim), swim (swim)
This is how it all begins
Swim, swim
I just wanna dive
I just wanna dive

Splash (splash), drift (drift)
I make waves with my two fins (two fins)
Splash (woo), drip (drip)
I just wanna take it across the line
Under here, we don’t chase the time
Baby, everything can’t be so sad (so sad)
Turn my face from the land
I just wanna dive
I just wanna dive

Swim, swim
Water falling off your skin
Swim, swim
I could spend a lifetime watching you
Swim (swim), swim (swim)
Let it all begin
Swim, swim
I just wanna dive
I just wanna dive

Lyrics licensed & provided by LyricFind.
WRITERS
James Essien, Ho Weon Kang, Sean Foreman, Tyler Spry, Jamison Baken, Ryan Tedder, Nam Jun Kim, Kirsten Allyssa Spencer, Derrick Milano
PUBLISHERS
Lyrics © Universal Music Publishing Group, CONCORD MUSIC PUBLISHING LLC, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.

Andrea Bocelli will join the list of international artists who have performed at the iconic Zócalo in Mexico City on April 18, when he takes to the country’s main public square for a free concert. And he won’t do it alone.

That night, the acclaimed Italian tenor will be accompanied by the Mexican cumbia band Los Ángeles Azules and singer/songwriter Ximena Sariñana, announced Banco Plata, the event’s organizer alongside the city government.

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“Can you imagine that fusion? Neither can we, but we can’t wait to hear how it sounds,” said the bank in a message posted on social media on Tuesday night (April 7).

Bocelli will bring his celebrated 1997 album Romanza — one of his most successful and commercially acclaimed — to the Plaza de la Constitución (the official name of the Zócalo) in celebration of its 30th anniversary.

Clara Brugada, Mexico City’s head of government, previously expressed excitement about Bocelli’s performance at the iconic venue. “It will be a magical evening that reaffirms Mexico City as the cultural capital of the world,” she said.

The Zócalo is considered a landmark of great importance, as it is a plaza filled with symbolism where politics, social movements, culture and religion intersect. It is the second-largest public square in the world, only behind Tiananmen Square in Beijing.

One of the earliest concerts held at the Zócalo on record was by Los Tigres del Norte in 1999, which lasted nearly three hours. Since then, artists like Paul McCartney, Roger Waters, Justin Bieber, Shakira, Los Fabulosos Cadillacs and Grupo Firme have performed there before thousands of attendees.

On March 1, Colombian superstar Shakira set a record as the artist who has drawn the largest number of attendees to a free show in the Zócalo, with 400,000 people gathered, according to official figures. The previous record-holder was the Argentine band Los Fabulosos Cadillacs, which brought together 300,000 people on June 3, 2023, followed by Grupo Firme, which attracted 280,000 attendees a year earlier.

Eden Muñoz captures the crown on Billboard’s Regional Mexican Airplay chart with his latest single “Mi Yo De Antes” leading the April 11-dated ranking. The song rises 4-1 after a 20% surge to 7.6 million audience impressions on United States panel-contributing regional Mexican stations during the March 27-April 2 tracking week, according to Luminate.

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“I am very happy that this is my 10th No. 1 on Billboard,” Muñoz tells Billboard. “These past four years as a soloist have been quite dynamic. The No. 1s are like a big hug to the entire team that is giving their all to ensure the message of these songs reaches, as much as possible, those who need it most. Thank you, Billboard, and thanks to the whole team.”

“Mi Yo De Antes,” released Feb. 5 via EMC/Sony Music Mexico/Sony Music Latin, has enjoyed a steady ascent since its February debut at No. 29. After three weeks in the top 10, the track reached the summit of the chart in its seventh week.

“The song represents me completely today, especially in phrases from the song like feeling that you can’t handle everything, or that sometimes you don’t even know what you want, feeling lost,” Muñoz adds. “I realize that it’s not just me going through this stage, but many people who have connected with this song and have found it to be a catharsis.”

With the move, Muñoz hits a milestone, securing his 10th No. 1 on Regional Mexican Airplay, dating to the 2022 chart-topping “Chale!” Plus, he breaks his previous tie with El Fantasma and joins an elite group of solo artists who have earned 10 or more No. 1s since the chart’s launch in 1994. Here is how the leaderboard stands:

Artist, No. 1s

Christian Nodal, 17
Alejandro Fernández, 14
Gerardo Ortiz, 14
Carin León, 12
Eden Muñoz, 10
El Fantasma, 9
Julion Álvarez y Su Norteño Banda, 9
Marco Antonio Solis, 8
Vicente Fernández, 7
Alfredo Olivas, 6
Xavi, 6

“Mi Yo De Antes” also climbs 8-3 on the overall Latin Airplay chart and becomes just the third soloist track to break into the top three in 2026, after Gerardo Ortiz with “Échame El Grito” (No. 3 in January) and Danny Ocean’s “Corazón” (No. 1 in February).

“Mi Yo De Antes” is the first single from Muñoz’s forthcoming album 8847 slated for an August release.
Says Muñoz, “8847 is an important number for me. This album will include tracks that directly tie into this introspection. There’s the song ‘Osadía’ with the maestro Cristian Castro, and collaborations with Fonseca and Yuridia.”

Marc Jacobs is asking Sabrina Carpenter the right kinds of questions.

While conducting an interview with the singer for the April 7 issue of Perfect, the fashion mogul asked Carpenter how she would describe the importance of having a queer audience as a pop star in today’s day and age.

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“I don’t think pop music would exist if it wasn’t for the queer community,” Carpenter begins her thoughtful response. “I don’t think some of our greatest pop stars would exist if it wasn’t for the queer community.”

Carpenter goes on to shout out the LGBTQ+ people in her life: “I feel so deeply connected. I mean, some of my greatest friends and collaborators and artists that I know are a part of the queer community or are just so celebratory of it.”

The Coachella headliner then speaks on how having the community with her has affected her work, saying that she doesn’t think going on tour would be as fun without them.

“I feel so connected and grateful to be able to have them be a part of my journey, to be a part of the world,” Carpenter concludes. Jacobs, an out gay man, agrees with Carpenter’s stance, saying, “Life is much more [colorful] and fun with [the queer community],” and, “It’s important sometimes to say it. Especially now.”

Carpenter has long been incredibly vocal in her support of the LGBTQ+ community. In partnership with non-profit PLUS1, the singer raised over $1 million for mental health initiatives, LGBTQ+ rights and animal welfare last year. In doing so, The Sabrina Carpenter Fund became the nonprofit’s fastest-growing artist fund to date.

Carpenter has also platformed LGBTQ+ artists in her work. Last August she enlisted openly queer Academy Award-winning actor Colman Domingo for her “Tears” music video. The video was inspired by the queer cult classic film The Rocky Horror Picture Show and featured Domingo playing Carpenter’s drag mother. When she debuted the track onstage at the VMAs the following month, Carpenter performed alongside drag artists and trans dancers who held up signs that read, “Protect Trans Rights,” “Support Local Drag” and “Dolls! Dolls! Dolls!”

Carpenter is set to headline Coachella on Friday (April 8). While we don’t know what surprises she might have planned for “her most ambitious show ever,” perhaps she’ll invite some drag artists from her past performances to the stage with her again.