Daft Punk‘s Coachella 2006 performance is widely considered to be one of the best shows to ever happen at the festival, turning everyone in the packed Sahara tent into dance-music believers and helping set the stage for the genre’s coming explosion in the United States.

But how did the French duo even end up at the festival?

New documentary Busy P Says Oui explores the dynamics that brought the show to life, via interviews with Busy P (real name Pedro Winter), the founder of Ed Banger records who also managed Daft Punk for 12 years, starting when he was 20 years old.

The documentary as a whole celebrates Winter, one of dance music’s most crucial and beloved figures, while looking at the relationship he and Ed Banger have had with Coachella over the years with artists including Justice, DJ Mehdi and more.

Shot on location at and near Coachella 2024, the documentary is a project by Coachella producer Goldenvoice and one in a series of upcoming pieces (with many more to come) from the original content initiative at Coachella led by Ike Adler, Mikhail Mehra and David Prince. The doc also features an interview with Goldenvoice’s vp of festival talent Stacey Vee, who was instrumental in getting the robots to the desert for their performance on April 29, 2006.

It wasn’t easy. “Daft Pink really wanted to focus on their own career, own music,” Winter says in the doc, “so my job mostly during those 12 years was to say no to everybody, everything.”

“We really didn’t want a no; we really wanted this one to happen,” Vee says of sending Daft Punk’s agent the offer, which would provide the duo with $350,000, plus airfare, hotel and ground transportation.

The pair, of course, ultimately said “oui,” with the documentary unpacking how the show came together, with Sahara tent mastermind Wiley Dailey recalling that “people showed up and lost their minds.”

“Magic happened,” Winter concurs of the performance, which unveiled Daft Punk’s iconic pyramid stage production and more or less changed the course of electronic music forever.

“Whenever I’m given an opportunity to make a film about music, I’m always on board,” the doc’s director Garfield tells Billboard. “I was excited about this project because I am a fan of Pedro Winter’s as well as Coachella’s, but I also knew it came with a challenge. How could I cover everything about the dopeness that is Pedro and his long relationship with the festival in 10 minutes or less? The answer was not to go for all but to go for small. So I chose to focus on just a moment in their shared history and springboard out from there. 

“Busy P Says Oui is as much a metaphor for taking chances as it is about the gravitational pull between two musical forces who continue to support each other to this day,” Garfield continues. Hopefully when you watch you will catch a glimpse into the ball of energy that is both Coachella and Busy P. Who knows, maybe it will inspire you to try something too.”

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Digital cameras were thought to be dead after the introduction of the first iPhone back in 2007, but new research has found an increasing surge in sales — and it’s all thanks to Gen Z. Young adults aged 18-29 are supposedly the driving force behind the major growth in digital camera sales as the desire for a vintage ’90s aesthetic and Y2K style prevails.

The average price for a digital camera has since increased to around $620, but that doesn’t mean you have to burn a hole in your wallet to hop on the instant camera trend. There are a number of good digital cameras under $100 that’ll provide better quality photos than what your smartphone and flip phones could ever produce.

Below, Billboard Shopping breaks down the benefits of owning a digital camera as well as the best digital cameras under $100 to buy online. Just in time for the holiday shopping season, here are some budget cameras to put under the tree.

Are Digital Cameras Still Worth It?

The best digital cameras have evolved with the times to include an expanded list of features and upgraded technology. You’ll not only capture higher-quality photos than with a smartphone (especially in low-light conditions), you’ll also enjoy quicker shutter speeds, an increased amount of storage, and customizability.

Content creators can also use most point-and-shoot cameras as a vlogging camera due to its versatile nature, allowing you to switch from point-and-shoot to a video camera.

Is a Digital Camera Better Than An iPhone?

Apple’s latest iPhone 16 boasts 48 megapixels (the amount of detail a camera’s sensor can capture), which is at the same level of some cheap digital cameras. That doesn’t take into account the $1,000+ price tag attached to the smartphone in addition to not as much storage and a less crisp flash. Digital cameras are also designed with photography being the main use, whereas an iPhone and other smartphones have to be able to switch from a camera, to a phone and web browser.

What Are the Best Digital Cameras Under $100?

When determining the best digital camera under $100 to buy, you’ll want to decide what your main purpose of use will be. Whether you’re capturing memories from your lineup of tours and music festivals or looking for a beginner-friendly design to start a photography hobby, check below for some of the top-rated affordable digital cameras.

For more product recommendations, check out our roundups of the best podcast equipment, portable recording booths and studio headphones.

During the course of Robert Kyncl’s nearly two-year tenure as Warner Music Group’s CEO, the former YouTube exec has focused on positioning the historic label for longtime growth.

In early 2024, WMG reported record earnings but announced a 10% workforce reduction. Then, August saw a major leadership shakeup: Max Lousada exited, Julie Greenwald was briefly chairman of Atlantic Music Group before leaving, and Elliot Grainge became AMG’s CEO. Under Grainge, Atlantic restructured and new leadership came in at 10K Records and 300 Entertainment. These moves signaled a loud-and-clear generational shift in leadership, marking a transformative year for Atlantic and Warner.

Looking back at a year of bombshells and breakouts — success stories include Zach Bryan, Benson Boone, Teddy Swims, Charli xcx, Dua Lipa and more — Kyncl writes in a note to staff, obtained by Billboard, that he is grateful for their dedication in a year he has long-dubbed the “Year of the Next 10.”

In the note, Kyncl writes that the company achieved significant milestones, including having the most listened-to artist (Bruno Mars), the No. 1 song of the year (Boone’s “Beautiful Things”), and the most in-demand songwriter (Amy Allen). He also highlights the importance of change and innovation in the music industry, celebrating the team’s success in delivering originality, which “gives this industry its energy and optimism.”

“We’ve not just helped our artists and songwriters do new, brave, and disruptive things, we’ve held ourselves to the same standard,” he writes. “The industry is at a pivot point, and the changes we’ve made this year put us on the front foot.”

He highlights that WMG was a clear leader in onboarding new talent in the marketplace, with artists like Boone, Swims and Allen receiving critical acclaim. Established acts also reached new heights, he notes, with Mars becoming the world’s biggest streaming artist, Charli xcx exhibiting “radical newness” during brat summer and Linkin Park making a notable return with a new singer. The company further expanded its reach through catalog reissues by the likes of the Grateful Dead, Madonna, David Bowie, Neil Young and Joni Mitchell, among others.

Kyncl writes that, internally, WMG has focused on growth by increasing A&R investments by double digits, overhauling leadership, and advocating for new pricing and royalty models in streaming. The company also embraced AI — Kyncl cites the recreation of Randy Travis’ voice as a prime example — and prioritized global market share through a streamlined structure.

Looking ahead to 2025, Kyncl encourages continued innovation, aiming to amplify unique voices, grow the music ecosystem and deepen fan engagement. He rounds out the memo by celebrating the team’s efforts and hinting at exciting projects on the horizon.

“There’s still plenty of work to do, but we’re getting stronger, faster, bolder all the time,” he says. “As I’ve said before, focus and simplicity brings great intensity and impact.”

Read the full memo below:

Hi everyone, 

I wanted to take a moment to thank you for your incredible dedication and passion over the past year. 

In January, I talked about 2024 being the Year of the Next 10, where we moved to set ourselves up for the next decade. We’ve ended the year with the No.1 most listened-to artist, No. 1 song of the year, and the most in-demand songwriter of the year. I know the last twelve months have been intense, and I’m so grateful to you all for rising to the occasion. We’ve achieved something that only a really collaborative and committed team could… We simultaneously delivered for our artists and songwriters, while doing the tough work of change.

And change is a necessity in this business… Music is nothing without the new. New sounds, new ideas, fresh looks, different directions. That’s what stands out. That’s what cuts through the noise. That blast of originality is what gives this industry its energy and optimism. 

There are countless examples of innovative successes across the company. In a note like this, I can’t be comprehensive, so please excuse that I’ve picked just a few examples to highlight our trajectory. 

NEW TALENT

When it comes to impactful new talent, we’ve led the industry this year.

Benson Boone had the biggest song of 2024 worldwide, and Teddy Swims had the biggest song of the year in the U.S., the largest market. Both are signed to Warner Records and Warner Chappell, and both are up for Best New Artist at the Grammys. Amy Allen became the planet’s hottest songwriter and is nominated for Grammy Songwriter of the Year, alongside WCM’s Jessi Alexander and RAYE.

Across the world, we have an extraordinary new generation lighting the way forward, including Artemas, Aziya, Bea and her Business, BENNETT, Bug Eyed, Dasha, Florence Road, Forrest Frank, Jeff Satur, Jordan Adetunji, The Marías, Michael Marcagi, Tokischa, Roxy Dekker, TitoM, and Yuppe.

NEW HEIGHTS

We’ve also helped established artists and songwriters reach new heights, telling their stories in bold, new ways.

Bruno Mars became officially the biggest artist in the world (smashing records with 138 million monthly listeners on Spotify!), thanks in part to new collaborations, including with ROSÉ, who herself set new streaming records for a K-pop soloist. 

Then there’s the radical newness of Charli xcx’s Brat, or the record-breaking return of Linkin Park, with a soulful new singer. As well as incredible new projects from stars around the world such as Alex Warren, Ana Mena, Ayed, AYLIVA, Bailey Zimmerman, Burna Boy, Cardi B, Charlie Zhou, Coldplay, CYRIL, Dani Fernández, David Guetta, Diljit Dosanjh, Don Toliver, Dua Lipa, Ed Sheeran, Fred again.., Geolier, Gunna, Iñigo Quintero, Jack Harlow, Kenya Grace, King, Lay Zhang, Lil Uzi Vert, María Becerra, Megan Thee Stallion, Michael Bublé, Miriam Bryant, Myke Towers, NLE Choppa, SCH, twenty one pilots, TWICE, and Zach Bryan to name a few; along with reissues of iconic music from David Bowie, Grateful Dead, Green Day, Joni Mitchell, Madonna, Neil Young, and Talking Heads… all of which won new fans, and drove new spikes in streams. 

NEW WORLD

We’ve not just helped our artists and songwriters do new, brave, and disruptive things, we’ve held ourselves to the same standard. The industry is at a pivot point, and the changes we’ve made this year put us on the front foot. 

There’s still plenty of work to do, but we’re getting stronger, faster, bolder all the time. As I’ve said before, focus and simplicity brings great intensity and impact:

➞Due to the changes we’ve made, we’ve delivered on our promise to put more money behind the music… growing our A&R investment by double digits.   

➞We prioritized market share growth, bringing in pioneering new leaders in major markets, including the U.S. with Atlantic and in Japan, while investing in talent and entrepreneurs in high-growth territories, such as India.

➞We’ve shrunk the world, flattening our company, to make it easier for artists to break worldwide, while fully globalizing our catalog and distribution services.

➞We’ve successfully advocated for innovation in pricing and royalty models at the streaming services, while demonstrating the potential of AI (with Randy Travis still my personal favorite example!). 

The throughline here is our powerful ability to amplify unique voices, crank up the contrast, and bring the shock of the new. Going into 2025, let’s lean into that expertise… we want to expand the music ecosystem while, crucially, growing our share. Our mission is to turn dreams into stardom and audiences into fans. 

I hope you and your loved ones enjoy a well-deserved break. So many exciting things to come in 2025!

Robert

Pharrell Williams has won 13 Grammys and been nominated for countless other awards. But on Tuesday (Dec. 17) the singer/producer/songwriter received a rare honor when he was named UNESCO’s goodwill ambassador for artistic eduction and entrepreneurship in a ceremony in Paris.

According to the Associated Press, Williams’ new role for the Paris-based U.N. cultural agency will involve promoting initiatives including the protection of indigenous cultures, the advancement of education and health care for women and raising awareness about genocide prevention and safeguarding cultural heritage.

“Growing up in Virginia, never in my wildest dreams did I think I would be given an opportunity like this one,” Williams, 51, said in accepting the honor while nodding to his impoverished youth. He said by taking up the role he hoped to “deepen that sense of unity and togetherness” by doing work that “evens the odds for marginalized communities.”

In a statement, UNESCO general director Audrey Azoulay called Williams a “complete artist [who is] also a humanist who works to put culture at the service of peace and bringing people together. He believes in the power of creativity and education to build a better future. His commitments resonate with UNESCO’s mandate. I am delighted that he is joining UNESCO’s family of Goodwill Ambassadors today to support our action.”

UNESCO said that Williams will serve as a “mentor and role model for young creators, particularly in Africa, where UNESCO supports the development of cultural industries.” He will join other goodwill ambassadors including K-pop group Seventeen and jazz great Herbie Hancock, among others.

To celebrate his nomination, Williams spoke to 800 secondary school students and fashion, music and films students at UNESCO headquarters at a screening of his LEGO biopic Piece by Piece. “Words cannot describe how I feel about being chose by UNESCO as a Goodwill Ambassador,” said Louis Vuitton menswear designer Williams, who chose the UNESCO HQ for the setting of his June fashion show for the iconic French fashion house.

Ariana Grande is explaining her decision not to tour after Republic Records confirmed earlier this week that she has no shows planned for 2025.

While at the Golden Globes First-Time Nominees luncheon Tuesday (Dec. 17), the 31-year-old singer-actress told Variety that “music will always be a part of [her] life,” but she’s more focused on continuing what she started with Wicked going into the new year. “I feel so grateful to the acting, and I think my fans know that music and being on stage will always be a part of my life,” she began.

“But I don’t see it coming anytime soon,” Grande continued. “I think the next few years, hopefully we’ll be exploring different forms of art, and I think acting is feeling like home right now. I am appreciative for [my fans’] understanding. I’m so grateful for the ways in which we’ve grown together over this whole journey with Wicked.”

“But music will always be a part of my life,” she added. “I’lll perform at my mother’s house.”

The “Yes, And?” singer’s explanation comes two days after her label shut down rumors that she was gearing up to hit the road next year, something she’d previously talked about doing during her Eternal Sunshine album rollout. Replying to a fan account on X Sunday (Dec. 15), Republic wrote, “There are no plans for a tour next year. But Ariana remains deeply appreciative of her fans and all their continued love, support and excitement.”

While at the luncheon, Grande also gushed to Entertainment Tonight about receiving her first-ever Golden Globe nomination the same year Selena Gomez and Miley Cyrus both earned nods. All three women started their careers around the same time in the 2000s on Nickelodeon and Disney Channel TV shows. Now, the Victorious alum and Wizards of Waverly Place star are both up for best supporting actress in 2025 thanks to their respective performances in Wicked and Emilia Pérez, while the Hannah Montana leading lady’s The Last Showgirl ballad, “Beautiful That Way,” is in the running for best original song.

“It’s incredibly special,” Grande said of Gomez and Cyrus. “I love those girls, and to grow up with the world watching, and then to have your work be recognized in this way, it makes me so happy. I love those girls so much. I’ve always loved their work. Just to see them grow is so beautiful.”

Watch the clip below.

Ariana Grande feels pride in how far her, Miley Cyrus and Selena Gomez have come — from child stars to Golden Globe nominees. ✨ pic.twitter.com/ku9tW6waja

— Entertainment Tonight (@etnow) December 18, 2024