If you’re holding out to see Massive Attack return to Coachella, you might be left waiting for some time.
The English trip-hop duo – which comprises Robert ‘3D’ Del Naja and Grant ‘Daddy G’ Marshall – have spent close to 40 years becoming known for their activism and politics almost as much as their groundbreakingg music, with climate matters and environmentalism a strong focus of their efforts.
Alongside support of the Extinction Rebellion group, Massive Attack have also been critical of the impact that live music has upon the envionment. In 2021, they comissioned a study through the Tyndall Centre for Climate Change Research, ultimately launching their own plan to reduce carbon emissions throughout the wider music industry.
Recently, the pair have been performing shows as part of their Act 1.5 series, aiming to not only rethink how concerts can be staged with environmental friendliness in mind, but to also be the lowest-carbon events of their kind.
During their recent Act 1.5 event in Liverpool, England, the pair spoke to NME about their decision to turn down a return visit to Coachella due to their concerns over the event’s environmental impact.
“We said no to Coachella for next year because again, we’ve been there once, and once was enough,” Del Naja explained. “It’s in Palm Springs. It’s a golf resort built on a desert, run on a sprinkler system, using public water supplies. Mental. If you want to see something that’s the most ludicrous bit of human behaviour – it’s right there.”
Del Naja also turned his focus to artists who perform residencies in Las Vegas, naming the city an “aviation destination”, and describing The Sphere as “a brilliant bit of infrastructure in the worst possible place it could be – in the worst setting in the world”.
Massive Attack’s sole appearance at Coachella took place in 2006, four years prior to the release of their most recent album, 2010’s Heliogland. Elsewhere in the interview, Del Naja added that the group have been sitting on new music for four years which is yet to be released due to a label dispute.
Their forthcoming plans also include furthering environmental activism with partnerships in Europe, including an in-progress deal with Trainline to provide discounts to Billie Eilish fans who travel to the show by rail.
Megan Thee Stallion is demanding a restraining order against Tory Lanez, claiming he has continued to “terrorize her” with a “campaign of harassment” even as he sits behind bars on a ten-year prison sentence for shooting her.
In a petition filed Tuesday (Dec. 17) in Los Angeles court, attorneys for the superstar (real name Megan Pete) claim that Lanez (Daystar Peterson) has conspired with people outside prison to “harass, bully, and antagonize” her with misinformation amid his “desperate” appeal of his 2022 felony convictions.
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“Mr. Peterson’s attempts to retraumatize and revictimize Ms. Pete recognize no limits — indeed, they continue even while he is behind bars,” Megan’s lawyers write. “While Mr. Peterson distorts and recklessly disregards the truth in his desperate attempt to appeal his conviction, his false assertions have reignited a slew of negative, harmful, and defamatory comments directed to Ms. Pete.”
Monday’s petition cited a separate lawsuit Megan filed in October against YouTuber and social media personality Milagro Gramz, who she claims has served as a “mouthpiece and puppet” for the convicted singer. In an updated version of that case filed last week, Megan alleged that discovery in the case had revealed prison phone calls in which Lanez coordinated payments to Gramz.
“Mr. Peterson’s father—when he thought no one was listening—asked his son about payments to Ms. Cooper for her harassment of Ms. Pete,” Megan’s attorneys write in the new filing. “Instead of denying that Ms. Cooper has been paid, they question how Ms. Pete uncovered their conspiracy.”
If granted by a California judge, the restraining order would immediately bar Lanez from any harassing conduct. In the filing, Megan’s lawyers ask the judge that Lanez be “ordered not to contact Ms. Pete, directly or indirectly, or harass or intimidate her, directly or indirectly, online.”
The exact contours of such an order — what constitutes harassment of Megan versus Lanez simply speaking about his own defense — could be further clarified by the judge. Lanez would later have a chance to respond, and the judge would then decide whether to issue a longer-term restraining order.
Attorneys for Lanez did not immediately return a request for comment.
Lanez was convicted in December 2022 on three felony counts over the violent 2020 incident, in which he shot at the feet of Megan during an argument following a pool party at Kylie Jenner’s house in the Hollywood Hills. In August 2023, he was sentenced to 10 years in prison. He has filed an appeal, which remains pending.
In the new petition, Megan’s attorneys also directly accused Lanez of orchestrating a high-profile false story that circulated on social media earlier this year, claiming incorrectly that an appeals court had declared him “innocent” in the shooting.
“Mr. Peterson, through third parties, disseminated a rumor which falsely suggested that an appellate court declared his innocence,” Megan’s lawyers write. “Mr. Peterson’s interpretation underscores his desire to spread misinformation in an effort to save his public image.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-18 03:04:252024-12-18 03:04:25Megan Thee Stallion Wants Restraining Order Against Tory Lanez Over Harassment Claims
Jennifer Hudson is no stranger to covering songs and making them her own, after getting her start on American Idol and continuing through her Emmy-nominated daytime talk show. So when she started work on her first-ever holiday album, The Gift of Love, Hudson understood the assignment: She would need to Jennifer-ize some of the most beloved Christmas classics of all time.
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“Any time I do a classic — which I get to do a lot — I always want to stay true to the base but then allow space for my artistry to come through, which made making this album the most fun I have ever had recording an album,” the EGOT winner tells Katie & Keith on our special Christmas episode of the Billboard Pop Shop Podcast (listen below). “Whether it’s me lyrically or musically, my expression is there in some form, in my interpretation. … So it was fun to reimagine the classics, Jennifer Hudson-style. I call it ‘Jennifer-izing’ them.”
How did she choose which holiday hallmarks to tackle? “I picked what was most personal to me. Like ‘The Christmas Song,’ for instance, my grandmother used to love that song, so I recall hearing that as a little girl throughout each and every holiday of her playing that song — Nat King Cole with the satin voice — so that made me want to pay tribute to her in that way,” Hudson says. “Or ‘Go Tell It on the Mountain,’ I grew up singing that in church during the holiday season and ‘Carol of the Bells’ in high school. ‘Hallelujah,’ that’s my favorite song; that’s the heart of the album. And ‘O Holy Night’ is my favorite Christmas song.”
She was also conscious of bringing a diversity of sounds, styles, genres and tempos to the project, because, according to Hudson: “There are different Christmases. Some years it’s a winter wonderland Christmas, it’s a big-band Christmas, it’s a North Pole Christmas with the reds and the greens and the candy canes for the kids, a ‘Jingle Bells’ type of Christmas. It can change through each year — which is why my album has a lot of variety in it, because it’s like: Is your Christmas the icicle Christmas? Is it a green Christmas? Is it a white Christmas? What type of Christmas do you want, baby?”
Hudson spoke with Katie & Keith from the set of The Jennifer Hudson Show, and she said it was her tightknit work family that was the original “inspiration towards why the time is now to do a holiday album. Our [show] theme is ‘Choose Joy.’ And on the Christmas album is the song ‘Let There Be Joy.’ So that’s what it’s all about, and that’s what I love to do. And the best gift and the best way I know to do it is through music. And it’s just a blessing to come in here every day and work with such beautiful people. And it’s like a party every day. We call it The Happy Place.”
The 15-song project also includes a half-dozen originals, all co-written by Hudson. Below, J-Hud breaks down the messages behind four of those brand-new holiday songs.
“Santa for Someone”
“My assistant inspired it because he he’s a scrooge. [Laughs] And I was like, ‘What is it about the holidays you don’t like?’ He’s like, ‘Getting gifts for everybody and trying to figure it out.’ So that’s where ‘Santa for Someone’ came from. Because we all can get frustrated looking for those gifts. Will we get it in enough time? Will we get them what they want? … I can’t think of too many men, like uncles and brothers, that are listening to ‘Jingle Bells,’ so how about I give them something to bop to throughout the holiday season? So I was trying to think of everyone, as we do during the holidays.”
“Find the Love”
“It meets the times that we’re in, and I feel like it’s a song that could be played throughout the year. … We’re in such a difficult time as a people, and it’s like, what unifies us? Music. We’re all human. We all have to go through a season no matter what — no matter if it’s the holiday season or life has seasons in itself. But that one thing that can bring us together on one accord is music, and that’s why the album is called The Gift of Love. And a song like ‘Find the Love’ is on there because it doesn’t just sit within the holiday season; it’s something you can carry throughout your life, and it can speak to you and it can speak to the times.”
“Make It to Christmas”
“‘Make It to Christmas’ is my son’s favorite song. It speaks to like, we all work all year, right? But we are waiting to get to the end of that tunnel, where the lights are red and green, to that holiday season, where we can go home at that one time of year and enjoy each other and our families.”
“Go Tell It on the Mountain”
“‘Go Tell It on the Mountain’ is for the mourners, those who may have lost. It’s kind of like a remake of that song, but from a personal perspective.”
________________
Also on the podcast, we’ve got chart news on how Taylor Swift spends a 17th week at No. 1 on the Billboard 200 albums chart with The Tortured Poets Department; how Mariah Carey’s “All I Want for Christmas Is You” nets a 16th week at No. 1 on the Billboard Hot 100 songs chart, tying “One Sweet Day” as her song with the most weeks atop the list; and how Sabrina Carpenter’s “Fruitcake” flies into the top 10 for the first time on the Billboard 200 with the single-largest sales week in the modern era for a holiday album on vinyl. Plus, Madonna announced new music with her longtime collaborator Stuart Price coming next year, and we’ll hear from the Queen of Pop’s biggest fan, Keith, about why this is especially exciting news.
The Billboard Pop ShopPodcast is your one-stop shop for all things pop on Billboard’s weekly charts. You can always count on a lively about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard’s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in ApplePodcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)
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Jelly Roll’s fans had mixed opinions after he met and chatted with President-elect Donald Trump at a UFC match. Keep watching to see what he had to say.
Do you agree with his statement? Let us know in the comments!
Tetris Kelly:
Jelly Roll was spotted shaking hands and smiling with President-elect Donald Trump at a UFC match, and it had fans debating about his political opinions. He’s finally speaking up. The “I’m Not Okay” singer cleared the air alongside his wife Bunnie XO on an episode of her ‘Dumb Blonde’ podcast, explaining: “We were told that the president is the highest honor in the world. When you meet a president, that’s a f—ing honor, no matter if you like them or not.”
He detailed his approach saying: “Dude, there’s not a chance in hell that I’m not going to meet the President-elect. I don’t care — if I got a call to meet Joe Biden, I would have stopped at any point and meet him. I don’t care about what he thinks or I think about policies. I don’t hide behind the ‘I’m not political stuff’. I’m not political!”
And lastly, he added Trump likes his music stating it was more relaxed than people think, with Trump telling him that he loves the song “Save Me” and that the star is “doing incredible things.”
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Karaoke machines have made it possible to belt out your favorite songs with friends from the comfort of your home. Whether or not you’re an aspiring singer, Amazon is offering 50% off a retro-inspired karaoke machine that’ll let you sing without having to perform in front of a crowd of strangers.
More than 2,000 Amazon shoppers have purchased Niaufux’s Retro Karaoke Machine in the last month alone and now, the bestselling machine ahs been discounted to $60 for a limited time. Reviewers have been gushing over the device’s “immersive audio” from the 360-degree speakers that’ll help elevate your karaoke experience.
Instead of just using wireless karaoke microphones, this deal will score you two mics and a compact machine packed with adjustable features such as the mic echo and volume.
Keep reading to learn more and buy the karaoke machine online.
Turn your space into a stage with the help of this karaoke machine that’s had its price slashed by 50%. You can perform solos or duets using the included wireless microphones. It also comes with Bluetooth compatibility, allowing you to instantly connect your smart device for easy playback.
If you’d prefer to plug your devices straight into the karaoke machine, just use the built-in USB and jack ports. The speaker can also last up to eight hours on a single charge, and includes a charger.
Amazon shoppers have given the device a 4.5-star rating, praising the “strong range” of the wireless microphones that allow more “freedom of movement during performances.”
Its versatile design transforms it from a karaoke machine to a wireless speaker, and since the model is only a little over five pounds, you can take the party on the go and enjoy music or singing performances wherever.
Enigmatic English electronic extraordinaire Aphex Twin (aka Richard D. James) has released a surprise compilation album, with Music from the Merch Desk (2016–2023) collecting a number of limited edition recordings from the past decade.
Released on Tuesday (Dec. 17) without any prior warning, the 38-track compilation collects all of the music originally issued on six limited edition vinyl records sold at the titular merch desks between 2016 and 2023.
The compilation arrives seven years to the date since the first of these original records – Houston, TX 12.17.16 – was similarly released without warning at Aphex Twin’s first U.S. date in eight years as part of Houston’s Day for Night festival.
Since then, a number of other records have been issued sporadically, including at London performances in 2017, 2019, and 2023, along with dates in Manchester in 2019 and Barcelona in 2023. All of these records had been stamped with Warp Records logos, and sold out swiftly, with scalpers quick to attempt to flip these sought-after records for exorbitant prices online.
Aphex Twin’s London 03.06.17 had previously received expansion following its initial physical release, with a digital reissue the following month adding another ten tracks, and an additional bonus track arriving in April 2024 under the record’s revised title, London 03.06.17 [field day].
The nascent compilation follows on from the 30th anniversary expanded edition of Aphex Twin’s Selected Ambient Works Volume II in October. While its original 1994 release avoided the charts outside James’ native U.K., the album’s ensuing popularity and influence resulted in a myriad high chart positions upon its reissue. Alongside topping the U.K. Dance Albums once again, the record also debuted at No. 135 on the Billboard 200 and No. 3 on the Top Dance/Electronic Albums chart.
Though a handful of EPs and singles have arrived alongside the aforementioned merch desk drops over the last decade, Aphex Twin has not released a studio album since 2014’s Syro, which won the Grammy for Best Dance/Electronic Album the following year.
After more than a decade away from the iconic performing space, Katie Crutchfield has brought Waxahatchee back to NPR’s Tiny Desk Concert series.
Appearing in support of her latest album, the Grammy-nominated Tiger’s Blood, Crutchfield ran through a five song set which included three tracks from her latest record, alongside the recent single “Much Ado About Nothing” and 2020’s “Fire”.
Backed by a full five-piece band, the performance is a picture of evolution for the Alabama musician, whose 2013 debut on the series in support of Cerulean Salt is one she looks back on with some mixed emotions.
“I have been here before, it was about 11 years ago,” Crutchfield explained during her set.
“I sort rolled out of the tour van, I didn’t realize I was going in be the NPR building, I sort of didn’t really know what I was doing at all. My amp broke in the middle,” she added. “I’m really happy to be back.”
Taking to her personal Substack newsletter after the fact, Crutchfield reflected on that initial performance, noting it does “leave some room for improvement”.
“It’s giving endearingly green and inexperienced and tiny bangs she cut herself in a hurry,” she wrote. “It’s a sweet little relic of my early 20s but I am thrilled to have been given the opportunity to go back and do it again as a full grown adult with my band and some newer songs.”
Though this latest return to NPR’s Tiny Desk Concert series is her second in-person appearance, Crutchfield did however show up with Kevin Morby in 2020 as part of the lockdown-inspired Tiny Desk (Home) Concert series.
Crutchfield’s latest effort as Waxahatchee, Tiger’s Blood, is currently up for Best Americana Album at the 2025 Grammy Awards in early February. It follows on from an impressive global showing for the record, which also featured a No. 146 position on the Billboard 200 and No. 27 on the Independent Albums chart.
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Dua Lipa & more kicked off Billboard’s inaugural ‘Global No. 1s’ series, partnering with 10-plus global editions to showcase their No. 1s. Keep watching for all the details!
Tetris Kelly:
It doesn’t get more global than Dua Lipa. Billboard is launching its inaugural ‘Global No. 1s’ series, an initiative to spotlight top-charting artists from around the world. Billboard partnered with its 10-plus global editions to showcase distinct voices topping their local charts. Three of those covers launched today including this stunning UK cover from Dua Lipa. Billboard Japan is highlighting Creepy Nuts. Billboard China introduces you to KUN. Stay tuned throughout the week to discover who else is No. 1!
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Billboard caught up with Karrahbooo at Rolling Loud Miami 2024, and she dishes the tea on her life, rumors about her, her top female rappers and more!
Karrahbooo:
What’s up? It’s Karrahbooo, not the two. And we are at Rolling Loud with Billboard.
Meghan Mahar:
If you could live in any music video, what would you pick?
Dang this hard as f—. If I could live in any music video, I’m gonna say an answer, but like, this is like, just, like, a random answer, because I couldn’t really think it through. But I’m just gonna say, like, “FRONT END” bro, I like that video, it’s like a vibe, some little cute outfit. So, yeah, f— it.
If your life was a movie, what would the title be?
It is a movie, let me tell you. It would be probably called ‘Not the Two’ … and it would be directed by me, and it would be starring Zendaya. F— it.
What’s one rumor about you that you wish was actually true?
I don’t know. I don’t like the rumors about me. I don’t think none of them, I don’t want any of them to be true, and they’re not. So I guess I won.
Are you trying to clarify anything right now? Let the people know.
Sh–, f— it. Who don’t write they music, because I write my music and I have all my chains still, and what else? I don’t own 900k, and what else? I don’t even care. F— it. That’s all the sh–. F— it. It’s more. Oh, and I’m black. Are you dumb? Are you kidding me, bro? But it’s cool, though, I love everybody.
There’s a lot of trends in hip-hop, ins and outs. If you could erase one trend from hip-hop history forever, what would it be?
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-12-17 03:06:312024-12-17 03:06:31Karrahbooo Clears the Air on Rumors About Her & More | Rolling Loud Miami 2024
Just a month after Bad Bunny bagged his 77th top 10 on Billboard’s Hot Latin Songs chart, the Puerto Rican adds a new top 10 to his roster of songs, as “El Club” debuts at No. 2 on the Dec. 21-dated list. The new arrival extends his scope to 78 top 10s across a seventh calendar year, dating back to his first in 2017.
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“El Club,”, along with its music video, was released Dec. 5 on Rimas Entertainment. The song launches at No. 2 as the Hot Shot Debut of the week largely to its streaming activity –9.5 million official U.S. streams in the tracking week of Dec. 6-12, according to Luminate. The sum also sparks a No. 2 entrance on Latin Streaming Songs for a record-extending 83 top 10s there.
“El Club,” Benito’s second solo single of the year, follows “Una Velita,” a song that addressed the destructive effects of hurricane María on his native Puerto Rico in 2017, which launched at No. 4 on Hot Latin Songs with 6.6 million official U.S. streams (Oct. 5-dated list). The multi-metric tally combines streaming data, digital sales and audience impressions into its formula.
Despite a negligible number of downloads in its first week, “El Club” advances 11-2 on Latin Digital Song Sales, also Benito’s 78th top 10 there.
With “El Club,” Bad Bunny stacks his 78th top 10 on Hot Latin Songs, further extending the distance from the next competitor, Enrique Iglesias, who last secured a top 10 through his Anuel AA collab, “Fútbol y Rumba” (No. 8 debut and peak in 2020).
As Bad Bunny’s top 10 collection grows, here’s a look at the artists with the most top 10s on Hot Latin Songs since its inception in 1986:
78, Bad Bunny 39, Enrique Iglesias 39, Luis Miguel 37, Daddy Yankee 37, Shakira
Further, “El Club” starts at No. 66 on the overall Billboard Hot 100, for Benito’s 97th entry there, still the most for a Latin artist. It also makes its No. 39 entrance on both the Billboard Global 200 and Global Excl. U.S. charts, with 31 million global streams and 22 million clicks outside the U.S., respectively.
All charts (dated Dec. 21, 2024) will update on Billboard.com tomorrow (Dec. 17). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
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