MELBOURNE, Australia — Just months after the 2024 Music Victoria Awards were confirmed to have been targeted in an egregious occurrence of voter fraud, organizers have made the decision to suspend the 2025 event.

The 2024 edition of the awards – which seeks to honor and recognize the talents of musicians in the Australian state of Victoria – was held in Melbourne on Oct. 24, though it was later announced on Nov. 27 that an “unknown assailant/s” had targeted the voting process and manipulated several of the publicly-voted categories. 

In a statement, Music Victoria, the trade body that produces the annual ceremony, explained they had become aware of “unusual activity within the third-party voting system used for the public voted categories.” 

Following a thorough internal investigation, and liaisons with “the third-party voting system Award Force, cyber security experts and legal advice,” it was discovered that “thousands of misregistered votes” had been “falsely attributed to nominees, resulting in a change to the recipients of five of the six publicly voted categories.”

As a result of the discovery, the rightful winners were later reinstated and Music Victoria insisted it will “carve out space” in the 2025 ceremony to “present the winners in front of our industry.”

However, a statement issued by Music Victoria on Wednesday (April 16) has now confirmed the awards will in fact be suspended for 2025.

“This decision comes after careful reflection, consultation, valuable feedback and learnings over the last 18 months,” the statement read. “The organisation believes this is the right time and opportunity for Music Victoria to reassess and reimagine the Music Victoria Awards, ensuring they are reflective of and aligned with Victoria’s diverse music community while operating in a financially sustainable manner.  

“Music Victoria remains deeply committed to its mission of providing a valuable platform for artists and industry and looks forward to engaging with stakeholders – working together to uncover new ways to celebrate and support Victorian music meaningfully.”

Music Victoria CEO Fiona Duncan also issued a statement, noting, “this short-term action gives us the opportunity to set up the Music Victoria Awards for a robust and sustainable long-term future.”

“We need to take one step back to allow leaps forward,” Duncan added. “We look forward to collaborating closely with our community to shape this next chapter to celebrate the depths of talent we have in Victoria. We appreciate your understanding and continued support as we evolve through these changes.”

The Music Victoria Awards were originally launched in 2006 as the EG Music Awards, as a means to celebrate the 21st anniversary of Melbourne newspaper The Age’s long-running entertainment guide. Initially a retrospective ceremony, the focus shifted in the ensuing years to reflect the annual performance of musicians from Victoria.

The 2024 edition of the Music Victoria Awards saw names such as Angie McMahon, Gut Health, and Maple Glider, recognized for best album, best group, and best solo artist, respectively.

Just a week after revealing that their forthcoming album will be taking an orchestral lean, prolific Australian collective King Gizzard & the Lizard Wizard have officially detailed their 27th album.

Set for release on June 13 via the band’s own (p)doom Records, new album Phantom Island is slated to be a stylistic change for the genre-defying rockers, with the ten-track album seeing them utilize orchestral arrangements for the first time.

Inspired by a meeting with members of Los Angeles Philharmonic while backstage at the Hollywood Bowl in June 2023, the sessions for King Gizzard’s 2024 album Flight b741 yielded an additional batch of tracks that needed “more time and space and thought” and additional “energy and colour,” guitarist and vocalist Stu Mackenzie claimed. 

With the LA Philharmonic in mind, Mackenzie reached out to friend, British historical keyboardist, conductor and arranger Chad Kelly, who brings a “wealth of musical awareness to his chameleon-like arrangements,” according to Mackenzie. “We come from such different worlds – he plays Mozart and Bach and uses the same harpsichords they did, and tunes them the exact same way. But he’s obsessed with microtonal music, too, and all this nerdy stuff like me.”

Kelly’s influence can be seen in lead single “Deadstick,” which pairs elaborate orchestrations and funky musicianship with a sprawling clip directed by Guy Tyzack. 

King Gizzard formed in Melbourne, Australia in 2010 and swiftly became one of the country’s most prolific groups, with both 2017 and 2022 seeing the band release five albums within the span of a year.

Despite their extensive output, the band have not yet topped the charts in their homeland (though they would hit No. 2 on four separate occasions). In the U.S., the band peaked at No. 64 on the Billboard 200 with 2019’s Infest the Rats’ Nest, while their voracious fanbase has also seen the majority of their releases chart on the Top Album Sales chart.

In January, King Gizzard were also listed on the lineup for the 2025 edition of Bonnaroo, performing three sets over three days as part of the inaugural ‘Roo Residency. This Residency coincides with the release of Phantom Island on June 13, and will be followed by a series of U.S. tour dates where the band will be joined by a different 29-piece orchestra in each city. 

Their U.S. run will also feature a standalone “Rock ‘n Roll Show” in New York on Aug. 2, and will wrap in Colorado later that month with the band’s own three-day Field of Vision festival.

King Gizzard & the Lizard Wizard 2025 U.S. Tour Dates

June 13-15 – Bonnaroo Music & Arts Festival, Manchester, TN
July 28 – TD Pavilion At The Mann, Philadelphia, PA (w/ Chamber Orchestra of Philadelphia)
July 30 – Westville Music Bowl, New Haven, CT (w/ Orchestra of St. Luke’s)
Aug. 1 – Forest Hills Stadium, Forest Hills, NY (w/ Orchestra of St. Luke’s)
Aug. 2 – Forest Hills Stadium, Forest Hills, NY
Aug. 4 – Merriweather Post Pavilion, Columbia, MD (w/ National Symphony Orchestra)
Aug. 6 – Ravinia Festival, Highland Park, IL (w/ Chicago Philharmonic)
Aug. 8 – Ford Amphitheater, Colorado Springs, CO (w/ Colorado Symphony)
Aug. 10 – Hollywood Bowl, Los Angeles, CA (w/ Hollywood Bowl Orchestra)
Aug. 11 – The Rady Shell at Jacobs Park, San Diego, CA (w/ San Diego Symphony Orchestra)
Aug. 15-17 – Field of Vision at Meadow Creek, Buena Vista, CO

Adrianne Lenker of Big Thief has announced a new live album, with the forthcoming record capturing shows on her 2024 solo tour.

Set for release on Thursday, April 24 via 4AD and Remote Control, Live at Revolution Hall is a 43-track collection of songs recorded across three days in June 2024. Largely capturing performances at Portland’s eponymous Revolution Hall, the record features fan favorites, deep cuts and unreleased gems from Lenker’s prolific catalog. One of these unreleased tracks, “Happiness,” has been shared to preview the forthcoming live album.

Backed by pianist Nick Hakim and violinist Josefin Runsteen, the album was recorded by engineer Andrew Sarlo, who has been a longtime producer of Lenker and Big Thief.

“This live album is another generous offering from Adrianne,” Sarlo said in a statement. “Performing a myriad of songs; some new, some rare, some favorites, and beyond in front of an audience and behind the scenes.

“Clocking in around 120 minutes featuring songs & vignettes recorded exclusively on reel to reel and cassette tape, there was an attempt to create a different spin on what a live album could be,” he added. “Recorded over the span of 3-days while on the Bright Future tour, we put friendship at the focal point making this a loving memento from one friend to another.”

Lenker’s 2024 tour saw her performing throughout North America, Europe, and the U.K. in support of her latest solo album, Bright Future. Hitting No. 5 on the Heatseekers Albums chart, the record also garnered Lenker her first Grammy nomination as a solo artist, in the best folk album category.

Lenker will return to the live stage later this year when Big Thief performs a series of live dates throughout September and October. The band haven’t released a new record since 2022’s Dragon New Warm Mountain I Believe in You, which became their best charting release to date with a peak of No. 31 on the Billboard 200.

In July 2024, the group announced the departure of bassist Max Oleartchik, citing “interpersonal reasons” for his exit. “It’s a big change for us and the four of us ask for your trust, respect, and care as we grow into the next chapter of our lives,” the band wrote in a statement at the time.

In February, Big Thief also unveiled a new L.A. wildfires benefit EP, with Passional Relations collecting some of their “favorite unreleased songs” to aid relief for those impacted by the fires in Los Angeles.

When Post Malone released F-1 Trillion last year, he conquered yet another genre with the country collab album. And it looks like he’s going back to that well on his next project.

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On the new Pop Shop Podcast, Katie & Keith are joined by Billboard deputy editor Lyndsey Havens to discuss Post’s Sunday headlining set at Coachella as well as Havens’ interview with the superstar in the desert about what’s next. Post told Lyndsey that he’s already made two trips to Nashville and that he and his collaborators “just have fun. We just sit and f—ing talk and make songs. And so I’m pretty excited for the new record already.”

Listen to our full conversation with Lyndsey below:

Also on the show, we’ve chart news on how Elton John and Brandi Carlile team up for a top 10 debut on the Billboard 200 with Who Believes In Angels?, how the vinyl release of a Ethel Cain’s 2022 album Preacher’s Daughter brings the set onto the Billboard 200 for the first time (and straight into the top 10), and how the top 10 on the Billboard Hot 100 songs chart gets shaken up by a couple of new arrivals to the region.

Plus, we continue our Coachella chat with a discussion around whether Green Day or Charli xcx should have headlined day 2, after Charli sported a “Miss Should Be Headliner” sash at an afterparty.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Wink Martindale, who had success as a DJ, radio personality, game show host and TV producer, died in Rancho Mirage, California, on Tuesday (April 15).  He was 91.

Martindale was best-known for hosting Gambit from 1972 to 1976 (and again from 1980 to 1981), Tic-Tac-Dough from 1978 to 1985, High Rollers from 1987 to 1988 and Debt from 1996 to 1998.

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He also had a short-lived career as a recording artist. His spoken-word hit “Deck of Cards” reached No. 7 on the Billboard Hot 100 in 1959. The song had been a No. 2 hit for “T” Texas Tyler in 1948 on Billboard’s Best-Selling Retail Folk Records chart, a forerunner to Hot Country Songs.

Martindale landed just one other Hot 100 hit, “Black Land Farmer,” which reached No. 85 in 1961.

The future broadcaster was born Winston Conrad Martindale in Jackson, Tennessee. He began his career as a DJ at age 17 at WPLI in Jackson, earning $25 a week. After moving to WTJS, he was hired away for double the salary by Jackson’s only other station, WDXI. He next hosted mornings at WHBQ in Memphis while attending college at Memphis State University.

In 1959, he became morning man at KHJ in Los Angeles, moving a year later to the morning show at KRLA and finally to KFWB in 1962. He was a regular presence on Los Angeles radio into the 1990s. He had lengthy stays at KGIL (AM) from 1968 to 1971, KKGO-FM/KJQI and Gene Autry‘s KMPC (now KSPN-AM) from 1971 to 1979 and again from 1983 to 1987, a brief stint on KABC during 1989, and KJQI from 1993 to 1994.

Martindale’s first break into television was at WHBQ-TV in Memphis, as the host of Mars Patrol, a children’s series. While at that station, Martindale became the host of the TV show Teenage Dance Party, where Elvis Presley (who would become a friend) made an appearance in June 1956.

Martindale’s first game-show hosting job was What’s This Song?, which he hosted for NBC (credited as “Win Martindale”) in 1964-65. In 1970-71, he hosted a similar song-recognition game show, Words and Music, again on NBC.

While Martindale’s greatest claim to fame is as a game-show host, he periodically returned to music programming. Martin filled in as guest host for Casey Kasem on American Top 40 in October 1975.

In the 2000s, Martindale had a daily three-hour show on the syndicated Music of Your Life format. In 2012, Martindale hosted the nationally-syndicated The 100 Greatest Christmas Hits of All Time.

On June 6, 2021, Martindale began hosting the syndicated The History of Rock ‘n’ Roll, a two-hour weekend review of music from the 1960s, 1970s and 1980s. The production was created by Martindale, producer/engineer Peter Jay Gould of The Intervale Group, and writer/producer Gary Theroux.

Martindale was one of the hosts featured in the 2002 NBC special Most Outrageous Game Show Moments, alongside four other game show mainstays – Bob Eubanks, Jim Lange, Ben Stein, and Peter Marshall.

Martindale’s last program was the GSN original series Instant Recall, which premiered on March 4, 2010.

On June 2, 2006, Martindale received a star on the Hollywood Walk of Fame. It is located at 7018 Hollywood Boulevard, adjacent to the Hollywood Roosevelt Hotel – site of the first Academy Awards ceremony.  On Oct. 13, 2007, Martindale was one of the first inductees into the American TV Game Show Hall of Fame in Las Vegas.

Martindale married Madelyn Leech in 1954, with whom he had four children; the couple divorced in 1972. He married his second wife, Sandy (née Ferra), on Aug. 2, 1975.

Drake went on Adin Ross’ livestream and spilled that he has a new solo album in the works after he received love from Travis Scott and Yeat at Coachella. Keep watching for the full story!

Are you ready for a new Drake album? Let us know in the comments!

Tetris Kelly:

Drake’s recent return with PARTYNEXTDOOR wasn’t enough, as he hints at new music with Adin Ross. After Yeat and Travis Scott showed him all the love at Coachella, we’re breaking it down. “Nokia” just reached a new peak on the Billboard Hot 100, and Drake told Adin Ross on a livestream he appreciates the success, but is ready for a new album. We hope it slaps—the OVO crooner dropped his last solo LP back in 2023. The streets must miss him, because Yeat performed a cover of Drake’s song “Feel No Ways” at Coachella, and Travis Scott performed “Modern Jam” over Drake’s “Nokia” instrumental. Drake himself also mentioned the Wireless Festival, which he’s headlining in London this July.

Olivier Bergeron brought the judges — and much of America — to the brink of tears on American Idol Monday night (April 14), performing Jelly Roll’s “I Am Not Okay” with vulnerability and raw conviction.

The 22-year-old Canadian contestant, who grew up in a French-speaking community in New Brunswick, explained before the performance that music isn’t just a dream for him, it’s a lifeline.

“It’s very hard to be a dreamer where I’m from,” he said in a pre-performance package. “It’s an emergency. I need to be a singer. That’s the only thing I can do. I just want to show to everyone in my hometown that when you believe in something, it’s possible.”

Bergeron took the stage at Disney’s Aulani Resort in Hawaii for the Top 24 round of Season 23, pouring emotion into every line of the Jelly Roll ballad. The artist-in-residence himself was in the audience, and deeply moved by what he witnessed.

“I know what it’s like to be untrained and overwhelmed and just singing from the bottom of my soul with every part of me shaking,” Jelly Roll told Bergeron after the performance. “I see it and I feel it on you. To be a kid that hardly speaks English, to be coming over here and kicking this much butt already, I am a big fan and I am your family.”

The performance quickly became one of the standout moments of the night as voting opened for viewers to help determine who advances to the Top 20.

Other memorable performances during the night included Drew Ryn’s moving rendition of Avril Lavigne’s “I’m With You,” Thunderstorm Artis’ soulful take on Bob Marley’s “Is This Love,” and Mattie Pruitt’s full-circle moment singing Katy Perry’s “Wide Awake.”

Voting for American Idol remains open until 6 a.m. ET on Tuesday (April 15). The Top 14 will be revealed live next Monday, following a three-hour Easter special featuring performances by CeCe Winans, Jelly Roll with Brandon Lake, and more.

Weezer have used their last-minute appearance at Coachella to reveal to fans that the band are currently working on a movie.

The Los Angeles rockers were added to the Saturday (April 12) lineup of the festival’s first weekend, joining the bill following cancellations from FKA Twigs and Anitta due to “ongoing visa issues” and “unexpected personal reasons,” respectively. Ed Sheeran was also added to the festival, though he will appear on the second weekend, performing on Saturday afternoon (April 19).

Appearing just days after the wife of bassist Scott Shriner sustained non-life-threatening injuries during a bizarre run-in with Los Angeles Police Department (LAPD) officers that ended in a dramatic shootout, the group’s 12-song set featured no material released past 2008. However, just before performing 1994’s “Undone – The Sweater Song,” frontman Rivers Cuomo revealed the band have been active in the world of film lately.

“We’ve been busy making the Weezer movie back in LA the last couple weeks,” Cuomo told the crowd. “But when Coachella called us up, said, ‘Hey Weezer, could you guys make it out for a surprise appearance?,’ we’re like, ‘Heck yeah!’ It feels so good to be here with you guys and let out these emotions.”

According to further information shared by fans online, members of the Weezer fan club had received correspondence alerting them that the band would be “doing a private filmed merchandise signing for a select few fans, for a TBA video.” Additionally, it was noted that “selected participants will need to sign a release and NDA prior to arriving,” with a shoot date of April 21 being mentioned.

Elsewhere, fans on X (formerly Twitter) had also shared a photo of a “Notice of Filming” that had appeared in Los Angeles for a scripted feature film. The film, which listed a title of Weezer: Security Threat, also named Watch Me Unravel LLC as the production company (which adopted its moniker from a lyric in “Undone – The Sweater Song”), and alerted those in attendance that that the three day shoot from April 7-9 would feature “simulated bullet effects,” “atmospheric smoke,” and more.

While few details have been officially released by Weezer, it makes them the third Californian band to be the focus of an off-kilter film project in recent years. While Stockton’s Pavement are set to be the focus of the genre-defying Pavements from director Alex Ross Perry, Rodeo trio Green Day are in the process of filming New Years Rev, which is inspired by the group and their years of living in a tour van.

Veteran performer Barry Manilow will be taking a break from his ongoing Las Vegas residency over the coming months to embark upon a final run of North American concert dates.

Dubbed “The Last Concerts,” Manilow’s upcoming run of arena shows will launch in late May and run until early June, before a return to his ongoing residency precedes another batch of newly-announced dates in July. Those dates will again be followed by a return to Las Vegas, and a handful of holiday shows in December.

“I couldn’t be more thrilled to visit these great cities of which I have so many fond memories,” Manilow said in a statement. “Each one is special to my touring history.”

News of the “Copacabana” singer’s upcoming North American dates comes just a few months after he announced a lifetime residency at his longtime home, the Westgate Las Vegas Resort & Casino.

Manilow launched his “The Hits Come Home” residency at the Westgate Hotel in 2021, marking the third Vegas hotel at which he had a residency. He had previously set up shop at the Las Vegas Hilton from February 2005 to December 2009, and he followed with his “Manilow Paris Las Vegas” at the Paris Hotel & Casino at Las Vegas from March 2010 to December 2012.

His current run of residency dates see him booked until Dec. 13, though he will perform five shows for Manilow’s A Gift of Love VII concerts at Palm Desert’s McCallum Theatre only days later.

Barry Manilow – The Last Concerts 2025

May 23 –  PPG Paints Arena, Pittsburgh, PA
May 24 –  Wells Fargo Center, Philadelphia, PA
May 27 –  Amica Mutual Pavilion, Providence, RI
May 28 –  TD Garden, Boston, MA
May 30 –  Bell Centre, Montreal, QC
May 31 –  Scotiabank Arena, Toronto, ON
June 03 –  Little Caesars Arena, Detroit, MI
June 04 –  Van Andel Arena, Grand Rapids, MI
June 05 –  Rocket Mortgage Fieldhouse, Cleveland, OH
July 11 –  Spokane Arena, Spokane, WA
July 12 –  Climate Pledge Arena, Seattle, WA
July 14 –  Maverik Center, West Valley City, UT
July 15 –  ExtraMile Arena, Boise, ID
July 16 –  Moda Centre, Portland, OR
July 18 –  Oakland Arena, Oakland, CA
July 19 –  Golden 1 Center, Sacramento, CA

Elton John and Brandi Carlile’s first collaborative album, Who Believes in Angels?, debuts at No. 9 on the Billboard 200 chart dated April 19, marking the 22nd top 10 for John and fourth for Carlile.

John earned his first Billboard 200 top 10 more than 54 years ago, with his self-titled album on the Jan. 30, 1971-dated chart. A living soloist last logged a longer top 10 span on the Oct. 16, 2021-dated survey, when Tony Bennett’s Love for Sale, with Lady Gaga, debuted at No. 8. It gave the then-95-year-old Bennett a 59-year top 10 stretch, dating to I Left My Heart in San Francisco in October 1962.

As for Carlile, she notched her first top 10 on the Billboard 200 in 2012 with Bear Creek, which debuted and peaked at No. 10 on the June 23, 2012-dated list.

Who Believes in Angels? earned 40,000 equivalent album units in the United States in its opening week (April 4-10), according to Luminate. The album’s sales (36,500) were bolstered by its availability across seven vinyl and five CD variants, including signed versions.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new April 19, 2025-dated chart will be posted in full on Billboard‘s website on April 15.

The new album also takes a bow atop both the Top Rock Albums and Top Rock & Alternative Albums charts, while also opening in the top 10 on Top Album Sales (No. 2), Indie Store Album Sales (No. 2) and Vinyl Albums (No. 3).

John and Carlile ushered in the release of the album with a flurry of media appearances, including CBS News Sunday Morning (CBS, March 30), The Tonight Show Starring Jimmy Fallon (April 3), Saturday Night Live (NBC, April 5) and the concert special An Evening With Elton John and Brandi Carlile (CBS and Paramount+, April 6), along with interviews with Apple Music’s Zane Lowe, NPR and SiriusXM’s The Howard Stern Show, among other outlets.

Meanwhile, the album’s title track extended John’s record for the most top 10s (43) in the history of the Adult Contemporary chart, where it rises to a new No. 9 high on the chart dated April 19.

“Nobody wants another Elton John album like the other 35 [I’ve made],” John recently told Billboard. “This one had to have energy, and it had to have a statement saying: ‘Listen, I’m nearly 78 and I’m gonna be really sounding powerful.’” Said Carlile, “I don’t think it’ll ever really catch up to how incredibly life-affirming this has been for me.”

54 Years of Top 10 Albums: John earned his first Billboard 200 top 10 a little over 54 years ago, when his self-titled album climbed 11-7 on the Jan. 30, 1971-dated chart; it peaked at No. 4 a week later (Feb. 6, 1971). Breaking down John’s 22 top 10s by decade: 13 in the 1970s, two in the 1990s, one in the 2000s, four in the 2010s and two in the 2020s. Who Believes in Angels? is John’s second album with shared artist billing to reach the top 10, following The Union, with Leon Russell, which reached No. 3 in 2010.

John continues to be among elite company of acts with at least 20 top 10-charting albums on the Billboard 200, from March 24, 1956, when the list began publishing on a regular, weekly basis, through the new, April 19, 2025-dated chart. Here’s an updated leaderboard:

Most Billboard 200 Top 10s:
38, The Rolling Stones
34, Barbra Streisand
33, Frank Sinatra
32, The Beatles
27, Elvis Presley
23, Bob Dylan
23, Madonna
22, Elton John
22, Bruce Springsteen
21, Paul McCartney/Wings
21, George Strait
20, Prince

Notably, the Kidz Bop Kids music brand has collected 24 top 10s, in 2005-16, with its series of kid-friendly covers of hit singles. The franchise’s early albums were performed mostly by anonymous studio singers, although later releases focused on branding named talent.