The first Top Gabb Music Songs chart of 2025 continues a trend that started with the inaugural ranking for October 2024: a new No. 1 each month.

This time around, it’s Lady Gaga and Bruno Mars’ “Die With a Smile” that tops the tally, debuting at No. 1 on the January 2025 survey as the most-played songs on Gabb Wireless phones that month.

Billboard has partnered with Gabb Wireless, a phone company for kids and teens, to present a monthly chart tracking on-demand streams via its Gabb Music platform. Gabb Music offers a vast catalog of songs, all of which are selected by the Gabb team to include only kid- and teen-appropriate content. Gabb Music streams are not currently factored into any other Billboard charts.

Despite premiering in August 2024, “Die With a Smile” had not taken off on Gabb until January, becoming both acts’ first No. 1 on the monthly tally. The previous rulers include Benson Boone’s “Beautiful Things,” KSI’s Trippie Redd-featuring “Thick of It” and Jelly Roll’s “Run It.”

Concurrently, “Die With a Smile” rose to the top of the Billboard Hot 100 in January and has reigned for five weeks total, including on the most recent (Feb. 15-dated) list.

It assumes the lead over former No. 1s “Thick of It,” “Run It” and “Beautiful Things” at Nos. 2-4, respectively. Juice WRLD’s “Face 2 Face” rounds out the top five at a new peak, rising 6-5.

Mars appears in the top 10 of Top Gabb Music Songs twice, as his ROSE collaboration “APT.” appears at No. 6, while Myles Smith’s “Stargazing” is the only other new entrant in the top 10, rising 12-9.

Other debuts aside from “Die With a Smile,” meanwhile, include “I Always Wanted a Brother” from the 2024 Disney film Mufasa: The Lion King (No. 22), Paul Russell’s “Lil Boo Thang (No. 24) and SZA’s “Saturn” (No. 25).

See the full top 25 below.

Top Gabb Music Songs

DROPS FROM DECEMBER 2024: JVKE, “Golden Hour”; “What Is This Feeling,” Ariana Grande & Cynthia Erivo; “Eyes Closed,” Imagine Dragons; “Jealousy, Jealousy,” Olivia Rodrigo

Warner Music Group signed an expanded licensing agreement with Audiomack that covers 47 new countries including the U.K., France, Italy, Germany, the Caribbean, Mexico, Uganda and Zimbabwe. The two companies first struck a licensing deal in 2019.

Exceleration Music acquired Mack Avene Music Group, a collection of independent jazz labels that has released the works of artists including Christian McBride, Cécile McLorin Salvant and Kenny Garrett. Following the acquisition, Mack Avenue’s operations will be integrated with those of jazz label Candid Records, which Exceleration previously acquired, to form Exceleration’s overall jazz group. The group will be led by current Mack Avenue president Denny Stilwell and boast a team featuring other key executives from both Mack Avenue and Candid.

Triller Group scored a $50 million equity funding round from institutional investors, secured through a private placement consisting of common stocks and warrants, with the company’s shares priced at $2.20. The money will be used to unveil new AI tools, enhance the Triller platform’s livestreaming capabilities and revamp its video editing suite. An additional fundraise is expected later this year.

Musical AI, a rights management platform for generative AI, raised an initial investment of $2.1 million led by Canadian VC firm Build Ventures. Select angel investors also contributed, with a seed round expected to close in the first half of this year. According to the company, its attribution model can determine what percentage of a generated output came from what data source, allowing rightsholders to “monitor, take down and sunset usage” of their works. “If we want AI training to be sustainable and ethical, we need attribution. Musical AI is the only company offering it in the audio space,” said Musical AI CEO Sean Power in a statement. “I’m thrilled that discerning investors are backing our efforts to transform how AI is trained.”

Downtown-owned distributor FUGA announced an expansion in the Asia-Pacific region via several new signings and partnerships across Indonesia, India and the Philippines. In Indonesia, FUGA partnered with Jakarta-based label Maspam Company, whose roster includes Pamungkas and Prince Husein; and label/distributor Sintesa Pro, home to Batas Senja. In India, it partnered with digital and music entities including GK Digital, whose catalog includes artists like Karan Randhawa and Max Singh; and music management platform DroomMusic, home to Gajendra Verma. And in the Philippines, it signed GMA Music and battle-rap artist Pricetagg.

Primary Wave Music expanded its relationship with The Piano Guys, with its Green Hill Productions (a member of the Sun Label Group) acquiring an additional stake in the instrumental group’s master audio catalog. Green Hill also signed a new distribution deal with the group that will see it “playing a more active role in the strategic growth of The Piano Guys’ catalog and new releases,” according to a press release.

Live Nation Urban invested in Breakr, a creator marketing and tech platform that allows record labels, creative agencies, brands and more “to discover, select, pay, and contract with independent online content creators for promoting songs, products, and services,” according to a press release. The investment will be made via a new venture fund formed by Live Nation and Live Nation Urban called the Black Lily Capital Fund, which is focused on providing capital and resources to Black founders of companies operating in or adjacent to the live music industry, with a focus on startups in pre-seed and seed round stages. Along with the investment announcement, Breakr unveiled a new instant pay system called BreakrPay that allows companies to fund campaigns instantly, allowing influencers to be paid in real-time.

Virgin Music Group Nigeria partnered with Ghanian distribution and integrated label services company RainLabs. Under the deal, Virgin will help provide comprehensive support for African artists through digital distribution, marketing, creative production and brand partnerships. RainLabs’ roster includes Joey B, Cina Soul and Baaba J.

Warner Music Group’s ADA distribution and artist services arm partnered with Berlin-based neoclassical label Aemeralds, which specializes in building composers’ brands through social media marketing, composer camps and playlists. Under the agreement, Aemeralds will have the ability to partner with the Warner Classics marketing team for local services and expertise globally.

Under an expanded naming rights partnership between the City of Bakersfield, Calif., and Dignity Health, the downtown complex previously known as Centennial Garden and then Mechanics Bank Arena will now be rebranded as Dignity Health Arena, Theater and Convention Center beginning next month. The complex features a 10,000-capacity arena, 3,000-seat theater and 17,840-square-foot convention center.

Sexyy Red could’ve been a wrestler in the WWE universe.

During a profile with Dazed, it was revealed that the St. Louis rapper was offered “a permanent role as wrestler.” However, Sexyy’s busy schedule didn’t allow for proper time to train and she ultimately settled for cameo instead. And when talking about the subject, she compared her current occupation with sports entertainment. “Rapping and wrestling are pretty much the same,” she explained. “It’s not quite acting, but it’s kind of acting too, right? Because when we go home and take off all our jewels and gold and remove the costumes we wear, we then have to go right back to reality with our families.”

Sexxy made her WWE debut last May when she hosted NXT where she unveiled the brand new NXT North American Women’s Championship belt and sang Shawn Michael’s iconic “Sexy Boy” theme song with the legend himself. She then hosted NXT Battleground in Nevada a couple months later.

Elsewhere in the profile, she said what she would change if she became president and admitted to having around 600 pairs of True Religion jeans. “I would give all the hungry poor people free food,” she said. So they don’t have to steal it no more, because it’s too expensive right now. Food should be free! No one should ever be homeless.”

Adding, “The people at the bottom are my favorite kind of people, period. I like people that wear True Religion jeans, even though they’re [seen as being] too ghetto. I’ve got like 600 pairs! I represent the people with no airs and graces.” 

She also talked about the hardships of fame and how she’s still racially profiled when she goes back home. “Trying to live a normal life is difficult when you’re famous,” she admitted. “Sometimes y’all be so annoying. If you see me with my babies bagging up groceries, then get the f—k away from me. No photos!”

She continued by saying the more famous she gets, the more she feels unsafe. “I feel like with me, the more famous I get, the more people will see me as a threat,” she added. “As I get bigger and more viral, there’s going to be more and more people who want to harm me, 100 percent.”

Sexyy then brought up her dealing with law enforcement in her hometown. “The police in St. Louis just shot another Black kid dead the other day. That sh—t’s so wrong,” she said. “When I go back home, there are usually two outcomes [when I am stopped in traffic]: they either like your music and want to tell you about their kids being fans, or they choose to mess with you even more [now you’re this celebrity]! Sometimes they pick on me or just fuck with me for fun. They like to remind you of where you are. It’s all about reinforcing their position [of power].”

Her song with Bruno Mars “Fat Juicy & Wet” currently sits at No. 34 on the Hot 100 where it peaked at No. 17 and has been on the chart for two weeks.

The Jonas Brothers are feeling nostalgic, with a sweet note to their fans about upcoming plans momentarily leading to fears of an impending split.

The familial trio are diving headfirst into a big 2025, with their 20th anniversary bringing with it some rather sizable plans. On Wednesday (Feb. 12) however, the group shared a lengthy post to their social media accounts, with its formal nature swiftly causing panic that their 20th year may be their last.

“To our incredible fans, as a family, we have been reflecting a lot lately,” the post began. “It’s been 20 years since we started this journey together. To us, it feels like just yesterday we were loading up our family mini-van with a couple of guitars and copies of It’s About Time CDs, en route to an afternoon performance at a local to play for anyone who would listen.

“We were chasing our dream to play music and connect with others in a deep way that only music can provide,” they added. “We were teenagers then.. actually, Nick wasn’t even old enough to get into a PG-13 movie.”

Understandably, the opening lines were enough to add some fears into the mix. As it stands, the top comments on their posts all relate to unfounded fears the note was a farewell to their fans.

As their message continued though, it was made clear that the Jonas Brothers weren’t intending to break some hearts, instead they were sharing an appreciation post to the fans that had allowed them to continue their journey for these past two decades.

“In the years that followed, you’ve given us a thousand lifetimes of incredible memories. We wake up each day filled with gratitude that you’ve been on this 20-year journey with us,” they continued. “Together, we have celebrated wins, made mistakes, overcome obstacles, and grieved losses. Put simply: we’ve all grown up together.

“It’s seemingly impossible to put our appreciation into words. None of this would have been possible without you. You’ve shown up for us. Rooted for us. Encouraged us. And inspired us. We’ve made memories with you at shows, bumped into you on the street, run into you at airports, and read your amazing stories on socials. We treasure our connection with you as much today as we did when we played our first show. We are celebrating this wild 20-year journey by doing what we love, and we can’t wait to share it with you.”

Wrapping up their post, the group promised that the coming year will be “a year of music”, teasing new music from the Jonas Brothers, a live concert album, a soundtrack, and solo music.

“Nick returns to Broadway this spring for The Last Five Years. And we are nearly wrapped on our holiday movie that we can’t wait for you to see this fall,” they added.

Initial fears of a split wouldn’t have been unfounded for fans of the Jonas Brothers. After all, 2013 brought with it the news that after eight years together as a band, and four albums, the brothers would be calling it quits. 

While Joe and Nick launched solo careers in the interim, Kevin found himself working on music production, appearing in reality television, and even getting involved in a handful of business ventures. The brothers would reunite officially in 2019, however, relaunching their music career and issuing two new records, including 2019’s Happiness Begins and 2023’s The Album.

Having previously teased big plans during their appearance on Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest in New York City on Dec. 31, the Jonas Brothers closed out their latest message to fans by promising that formal announcements would be made in the coming days and weeks. Currently, the band’s website boasts a countdown clock which is set to conclude on Valentine’s Day (Feb. 14).

“From the bottom of our hearts: thank you!” they wrote. “Here’s to the next 20 years, and here’s to doing it together. The best is yet to come.”