Heidi Klum is ready to make it work — again. As exclusively confirmed by People Friday (Jan. 3), the German supermodel is returning to Project Runway as host, a role she served for 16 seasons before stepping away in 2017.

The news comes more than two decades after Klum helmed the debut season of Project Runway alongside co-host Tim Gunn in 2004, after which the duo led the fashion design competition series side by side for 16 years. The two friends eventually left the program at the same time, announcing their joint departure in 2018 and revealing that they would be joining forces on a new project.

“We’re like husband and wife,” the “Sunglasses at Night” musician told People shortly afterward. “This was our baby. Our baby is 16 years old now. Our baby can walk, and it’s going to walk by itself. And we love our baby — we love our baby and we wish our baby good luck. But now we’re ready to pop out a new one.”

Klum and Gunn shared the screen again in 2020 with Making the Cut, a similar design show that ran for three seasons on Prime Video. Meanwhile, Karlie Kloss and former Project Runway winner Christian Siriano took over hosting duties for the Bravo-originated series.

Now coming to Freeform, Disney+ and Hulu, season 21 of Project Runway will reportedly arrive at some point in 2025 and feature 10 weekly episodes, though the rest of the judges have not yet been announced. In 2023, Elle editor-in-chief Nina Garcia, designer Brandon Maxwell and journalist Elaine Welteroth rounded out the panel for season 20.

Klum won a Primetime Emmy for best reality host in 2013 for her role on Project Runway.

The Bob Dylan biopic A Complete Unknown is off to a fast start at the boxoffice. The film has grossed $33.6 million worldwide since its release on Christmas Day, according to boxofficemojo.com. That enables it to place on our list of music biopics with the highest worldwide grosses.

Timothée Chalamet stars in the film, which follows Dylan from January 1961, when he moved from Minnesota to New York City, to July 1965, when he caused an uproar by playing (gasp) electronic instruments at the Newport Folk Festival. James Mangold, who directed the Johnny Cash biopic Walk the Line, also did the honors here.

Mangold has directed three actors in Oscar-nominated performances – Angelina Jolie in her Oscar-winning role in Girl, Interrupted, Joaquin Phoenix in his Oscar-nominated role as Cash in Walk the Line and Reese Witherspoon in her Oscar-winning role as June Carter Cash in that same film. Chalamat and Edward Norton, who plays Pete Seeger in A Complete Unknown, may well join them when this year’s Oscar nods are announced on Jan. 17.

Here are the highest-grossing biopics of musicians in terms of worldwide box office. We didn’t include a few high-grossing films about real-life music personalities because they’re not biopics in the traditional sense. These include The Sound of Music (which tells the story of Maria von Trapp and the Trapp Family Singers); Green Book (which deals with a road trip taken by pianist and composer Don Shirley); Florence Foster Jenkins (about an heiress and hopelessly untalented soprano by that name); and Music of the Heart (about violinist and music educator Roberta Guaspari). Meryl Streep starred in the latter two films.

Here are the 26 biopics of music stars with the highest worldwide grosses.

Footage of a 2024 traffic stop between Ice-T — born Tracy Marrow — and a New Jersey police officer surfaced earlier this week.

The contentious exchange reportedly went down in May in Hudson County when bodycam footage showed the “Cop Killer” artist was stopped mere feet away from the Department of Motor Vehicles as he was allegedly on his way to register the car he was driving with the state.

“That’s why I’m trying to get this car set up. Yesterday, I went to the DMV, and they said their system was down. I got seven cars, I’m trying to get them all straight,” an agitated Ice told the cop. “You don’t gotta be that serious about this. I mean you can, but you don’t have to.”

The officer didn’t appreciate Ice-T’s tone and threatened to take his keys and have the vehicle towed.

“Can I park the car and walk to the DMV? You’re not finna to tow my f—ing vehicle,” the Law & Order: SVU star said. “Let me park my car right here. If I’m not under arrest then I’m getting out of the car.”

Ice-T then got out of the car and stood eye-to-eye with the officer. “Give me my paperwork you f—ing a–hole,” he demanded. “Give me my f—ing paperwork. Get this on camera. I’m a foot away from the DMV. You’re an a–hole.”

A sergeant officer was called in to diffuse the situation. Eventually, the officers decided to give Ice-T four tickets related to his license expiration, registration, missing license plates and lack of inspection. However, the car would not be towed and he could keep the keys and get the vehicle’s records updated.

“Next time, just show some respect,” the officer stated. Ice-T fired back before going their separate ways: “I don’t have to.”

Watch the bodycam footage below. Billboard has reached out to the Hudson County Sheriff’s Office and reps for Ice-T.

Former Motörhead drummer Mikkey Dee says he’s lucky to be alive following a sepsis diagnosis over the holiday period.

The Swedish percussionist shared news of his health scare on social media on Thursday (Dec. 2), explaining that he had been hospitalized following a blood infection he described as “very serious”.

“I was admitted for three weeks but now I am home fighting this bastard bacteria,” he shared. “Thankfully, I have received fantastic care at the Sahlgrenska University Hospital in Gothenburg, my hometown.

“So thanks a million to all the Doctors and Nurses that have been giving me the most excellent care,” he added. “After several operations, I am now back home and the numbers are all going in the right direction. Still lots of recovery and rehab in front of me.”

In an interview with Swedish publication Aftonbladet, Dee expanded upon the experience. He told the outlet that what began as a simple sprain quickly evolved into something far worse on the weekend before Christmas.

“The ankle swelled up like hell, then it took on a weird shape and appearance and looked like an overcooked ham,” Dee said. “I became very ill so I had to go by ambulance to Sahlgrenska and there they found that I had sky-high values, so I became priority one there.

“It was surgery right away, the first of three. They cut away what was dead and infected and badly infested. It was not a good journey I was on… Another day and I’d be playing drums with Lemmy in heaven. I can say that.”

In some strange synchronicity, Dee’s brush with death occurred almost nine years to the day since his Motörhead bandmate Lemmy Kilmister passed away, on Dec. 28, 2015. Notably, his health scare also took place mere weeks after he took to social media to refute premature reports of his death.

First rising to fame as a member of Danish outfit King Diamond in the ’80s, a stint with Don Dokken saw Dee recruited by Motörhead to replace Phil ‘Philthy Animal’ Taylor on drums. Dee would remain with the group until their 2015 dissolution in the wake of Lemmy’s passing, and joined German rockers the Scorpions the following year.

The Rock and Roll Hall of Fame is destined to always evolve, says chairman John Sykes, but while new categories could arrive in the future, a new name for the establishment is out of the question.

Sykes’ comments were published in a new interview with Vulture, which arrived on Tuesday (Dec. 31), just one day before the 2024 Rock Hall induction ceremony hit streaming services. In the piece, Sykes opens up about the current state of the foundation, and touches on previous calls for a name change, especially given how more pop and hip-hop artists have found themselves inducted in recent years.

“I think it’s because some people don’t understand the meaning of rock and roll,” Sykes explains. “If you go back to the original sound in the ’50s, it was everything. As Missy Elliott calls it, it was a gumbo. It just became known as rock and roll. So when I hear people say, ‘You should just change it to the Music Hall of Fame,’ rock and roll has pretty much covered all of that territory. Rather than throwing the name out, it’s doing a better job of communicating to people where rock and roll came from and what it’s truly about. Once they hear it that way, they understand.

“The best story to convey this was when a great friend of mine, Jay-Z, got inducted a few years ago,” he continued. “I was so excited. But he told me, ‘Rock is dead. It should be called the Hip-Hop Hall of Fame.’ And I said, ‘Well, hip-hop is rock and roll.’ He goes, ‘No, it isn’t.’ And I said, ‘We’ve got to do a better job explaining it. Little Richard, Otis Redding, Chuck Berry — these artists were the cornerstones of rock and roll. If you look at the sounds over the years, those artists ended up influencing hip-hop.’ Jay-Z hemmed and hawed, but he showed up to the ceremony. That made me feel like we had done our job to communicate that rock and roll is open to all.”

These comments echo Sykes’ previous recollection of the discussion, as printed in Jay-Z’s Book of HOV just last month.

“My last words, as I pleaded for Jay to come to Cleveland to accept his award, were that rock n’ roll is not any one sound, rather a gumbo,” he wrote. “To paraphrase the great Berry Gordy, rock n’ roll created the sound of young America. It’s a spirit, and the spirit of hip-hop and rap connected rock n’ roll with an entirely new generation.”

Elsewhere in his new discussion, Sykes also looked towards the future of the Rock Hall and the potential for further new categories. While the annual induction ceremony has always featured Performers, Musical Influences (previously called ‘Early Influences’ before 2023), and the Ahmet Ertegun Award (previously called ‘Non-Performers’ before 2008) as categories, it has expanded further in the past.

In 2000, the Rock Hall introduced the Sidemen category to honor those who are often overlooked in the grand scheme of things, with the category being renamed the Award for Musical Excellence in 2010. Likewise, between 2018 and 2020, roughly half-a-dozen songs were chosen each year as the singles that shaped rock history. As Sykes explains, there’s the potential to dig even deeper into the music industry to honor those who keep the industry turning.

“We’ve discussed ways we could recognize not only artists but those around them who’ve had an impact on the sound of rock and roll. Fans often don’t even know who helped break these artists,” he added. “It could be record-company presidents, it could be lawyers, it could be agents. We also want to look at specific songs that change culture. That could be another category.”

Concluding his interview, Sykes also discussed a number of artists who have been overlooked in previous years, including The B-52s, “Weird Al” Yankovic, the Pixies, and Phil Collins’ solo career.

Labelling Yankovic a “genius” who is yet to make it “close” to the ballot, Sykes expressed confidence that the others may make it in some day.

“There’s been a group of nominees who’ve been passionate about the Pixies,” he said. “The same thing with Warren Zevon, who actually did get on the ballot one year. I’m passionate about Warren, and he’ll get in, too. But the Pixies have had a lot of support.”

Yolanda Saldívar, the obsessed fan who was sent to prison for the murder of Tejano superstar Selena in 1995, has started the parole review process, according to the Texas Department of Criminal Justice.

Saldívar, who is now 64, was found guilty of murdering Selena on Oct. 23, 1995, and later sentenced to life in prison with the possibility of parole in 30 years. The Texas Department of Criminal Justice’s website lists her parole review date as March 30, 2025, and notes that the parole review process begins roughly six month before an inmate’s parole eligibility date for a first review, with an institutional parole officer responsible for reviewing the inmate’s file “for all appropriate documents, including letters of support and protest.” After reviewing the file and interviewing the inmate, the officer prepares a case summary for a “Board voting panel,” which “normally will vote on the case just prior to the parole eligibility date.”

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A former nurse who insinuated herself into Selena’s orbit during the singer’s rise to fame, Saldívar founded the star’s official fan club and was later named manager of her Selena Etc. clothing boutiques. However, the relationship soured after Selena and her family accused Saldívar of embezzling money from Selena’s businesses and fired her from her role.

Things came to a tragic end on March 31, 1995, during a meeting between Selena and Saldívar at a Days Inn in Corpus Christi, Tex., when Saldívar shot Selena in the shoulder with a .38-caliber revolver as Selena, who had come to retrieve financial records, attempted to flee. The singer succumbed to her injuries that afternoon, just two weeks shy of her 24th birthday. Saldívar surrendered after a more than nine-hour standoff with police. She has long maintained that the shooting was an accident.

Selena’s death was followed by a massive outpouring of public grief, with mourners numbering in the tens of thousands attending a viewing of the singer’s open casket ahead of her funeral. She has since been recognized as one of the most influential Latin artists in history, helping usher in the mainstream popularity of Tejano music. Following her death, five of her singles hit No. 1 on Billboard‘s Hot Latin Tracks chart, and her final studio album, Dreaming of You, reached No. 1 on the Billboard 200, with its title track also rising to No. 22 on the Billboard Hot 100. Her life has been dramatized in both a hit 1997 feature film starring Jennifer Lopez and Netflix’s Selena: The Series starring Christian Serratos as the late singer.

Billy Joel rung in the new year in style, joining forces with Jason Bonham for a rendition of Led Zeppelin’s “Whole Lotta Love”.

Performing at Long Island’s UBS Arena on Tuesday (Dec. 31), Joel’s end-of-year spectacular was a special for one for numerous reasons. Not only was the night preceded by Jason Bonham’s Led Zepellin Evening as the opener, but the lengthy set saw the veteran musician roll out plenty of fan favorites for the night, along with a few rarer tracks from his extensive into his back catalog.

While the seldom-heard 1982’s “A Room of Our Own” got a look-in, rarer still was a performance of 1974’s “Souvenir”, which received only its 13th showing from across the past 40 years.

However, one of the most notable songs from the evening was one that wasn’t Joel’s own. Just over a third of the way through the set, Joel switched his focus to welcome Bonham and his band to the stage for a rendition of 1969’s “Whole Lotta Love”.

“We’re going to bring a guest onstage and do this next song,” Joel said to the crowd. “We have fun playing this, especially with this guy. Please welcome Jason Bonham. You all know this song. It’s not a piano song.”

With Bonham performing drums on the song his father helped make famous more than five decades ago, Joel’s longtime guitarist and vocalist Mike DelGuidice sang lead on the track, relagting Joel to the background somewhat.

Hearing Joel perform “Whole Lotta Love” isn’t a rarity (in fact, he also performed it at his previous New Year’s Eve celebration at the same venue), and it seamlessly fit in amongst the rest of the set, which also featured renditions of The Rolling Stones’ “Start Me Up”, and Derek and the Dominos’ “Layla”, which was used to fill time ahead of the midnight countdown.

The show also wrapped up a big year for Joel, who not only concluded his record-breaking ten-year Madison Square Garden residency (earning $266.7 million from 1.9 million ticket sales to 104 shows), but also released “Turn the Lights Back On” – his first new lyrical single in nearly 20 years.

London’s New Year’s Eve fireworks display was, apparently, brat. The celebration took pace on the River Thames as Big Ben struck midnight on Dec. 31, 2024 to ring in 2025.

Charli XCX’s big year made it into the city’s annual fireworks display airing on BBC and ITV; her influence on the fireworks show is immediately recognizable as Brat green lights the sky.

The night’s Brat-inspired moment is captured in the photo above, and can be seen in full here, via a clip Charli’s fans shared on X (formerly Twitter). Along with that familiar shade of green, album track “Apple” plays and “london” appears typewritten in the style of Charli’s album art.

Elsewhere on New Year’s Eve, Charli shared reflections on Brat‘s massive success over the past year on Instagram.

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“So many highs in 2024 and i cba to post them all but here’s some of my fav memories and fav people. love you all so much and thank you for everything. sorry i’m a lot sometimes xx,” she wrote on Dec. 31.

The caption went along with a photo carousel looking back at the year of Brat, with snapshots with friends and from the rollout of the album — and its companion release, Brat and it’s completely different but also still brat. Some highlights included pictures with her fiancé (The 1975’s George Daniel) and friends, and a behind-the-scenes cue card shot from her SNL hosting gig.

Brat arrived in June, reaching No. 3 on the Billboard 200 albums chart. It also led the Top Dance/Electronic Albums chart 29 weeks.

Brat and it’s completely different but also still brat, a variation of the original album featuring collaborations with Ariana Grande, Billie Eilish, The 1975, Lorde, Robyn, Troye Sivan, Bon Iver, Julian Casablancas, Caroline Polacheck and more, followed in October.

Charli’s fall Sweat Tour with Sivan earned $28 million, with 297,000 tickets sold over the course of 22 shows in the U.S. and Canada, according to figures reported to Billboard Boxscore

Selena Gomez and Benny Blanco are starting off 2025 on a sweet note. The singer-actress shared a series of photos on New Year’s Eve that offer a glimpse at the engaged couple enjoying each other’s company.

“Happy new years,” Gomez captioned the Dec. 31 post, which includes eight pictures, most of them being cute selfies of the two together — lounging, attending a party and shopping at T.J. Maxx.

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One snapshot features Gomez’s younger sister, Gracie, and a scrumptious-looking ice cream sundae from Serendipity that the siblings seemed to be sharing.

Another photo in the bunch shows a paper plate, with beans on one side and the words “I LOVE YOU” etched on the other.

Gomez and record producer Blanco, who went public with their relationship back in December 2023, have been documenting their happiness on Instagram this holiday break. Over the weekend, they uploaded a loved-up picture of a romantic kiss.

The couple announced the news of their engagement on Dec. 11, 2024, with Gomez writing on Instagram, “forever begins now.” She shared a video of her marquise-cut diamond engagement ring soon after. “I’ve just dreamed of this moment my whole life,” she said in the clip. Meanwhile, Blanco revealed a behind-the-scenes look at the proposal.

Gomez and Blanco were first linked professionally in 2019, when they collaborated on the track “I Can’t Get Enough” with Tainy and J Balvin. In 2023, the they teamed up for Gomez’s song “Single Soon.”

See her New Year’s Eve photo carousel below.

Rihanna went alcohol-free in 2024.

On Wednesday (Jan. 1), the 36-year-old singer and entrepreneur took to social media to share a video of herself ringing in the New Year with friends. In the clip, Ri reveals that she abstained from alcohol over the past 12 months while celebrating the countdown to 2025, holding up her phone to capture the iconic ball drop in New York City’s Times Square.

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“Y’all, I didn’t drink all year,” Rihanna proudly told her 150 million Instagram followers after the clock struck midnight. “I didn’t drink all year.”

The brief clip shows the “Diamonds” singer enjoying a low-key New Year’s Eve celebration, dressed casually in a gray robe and surrounded by a group of friends who helped with the countdown while holding up their drinks. Ri rang in the New Year in New York City alongside her boyfriend, A$AP Rocky, People reports. The couple shares two sons: RZA, 2, and Riot, 1.

“New Year, New Me,” she captioned the IG post.

In another Instagram video, Rihanna is seen goofing around with friends while using her Fenty Hair shampoo to properly clean a hair extension. “You owe me a new bottle!” she playfully says to her pals. “For one stinkin’ track!” She captioned the post, “De Dirt!!! We walking into 2025 CLEANSED baby! 1 track at a time! Also tell @mdollas11 stay out my bathroom!”

In late December, Rihanna surprised fans with an impromptu visit to Manhattan’s Girls Love Karaoke, where she took the stage to perform “Needed Me” and “Sex With Me” from her 2016 album, Anti. In fan-captured footage from the event, the “Work” hitmaker can be heard telling the excited crowd that she only had about five minutes to spare, joking that her “battery” was “about to burn out.”

Check out Rihanna’s New Year’s 2025 celebration post on Instagram below.