Tate McRae‘s “Sports Car” has emerged as the winner of this week’s new music poll, which highlights fresh tracks from a variety of artists across genres.

The song was voted the top new release by music fans in a poll published Friday (Jan. 24) on Billboard.

“Sports Car” took home 25% of the vote, narrowly beating other notable new releases like Sexyy Red and Bruno Mars‘ “Fat Juicy & Wet,” Djo‘s “Basic Being Basic,” Travis Scott‘s “4×4” and Central Cee‘s Can’t Rush Greatness, among others.

“Sports Car” crackles with energy, much like the pop star’s recent singles, with a whispered chorus that draws listeners in before sending them into a danceable frenzy. Co-written by McRae, Ryan Tedder, Grant Boutin and Julia Michaels, the song will appear on her upcoming third album, So Close to What, set for release on Feb. 21 through RCA Records.

“Sports Car” follows McRae’s recent singles “2 hands” and “It’s ok I’m ok,” the latter of which topped Billboard’s Hot Dance/Pop Songs chart.

In March, the singer-songwriter will launch her Miss Possessive Tour, which will travel across South America, Europe, the U.K. and North America. The Live Nation-produced trek begins March 18 at Mexico City’s Pepsi Center and will wrap up on Sept. 27 at the Kia Forum in Los Angeles. Benee will support on all European/U.K. dates, while Zara Larsson will join McRae for the U.S./Canada leg of the tour.

Taking second place in the poll is the “other” category, which garnered nearly 24% of the vote. Sexyy Red and Bruno Mars’ “Fat Juicy & Wet” secured third place with 22% of the vote. The track marks Mars’ third collaboration in recent months, following his Billboard Hot 100-topping “Die With a Smile” with Lady Gaga and “APT.” with Rosé.

Check out the full results of this week’s poll below, and head over to Billboard’s Friday Music Guide for more must-hear releases.

Universal Music Group and Spotify have struck a new direct deal, impacting both the company’s recorded music and publishing royalty rates, the companies announced today (Jan. 26). In a statement, UMG chairman/CEO Lucian Grainge said that the deal is “precisely the kind of partnership development [UMG] envisioned” as part of its idea for “Streaming 2.0,” the company’s proposed changes to revamp streaming royalty rates and improve remuneration for its artists on streaming platforms.

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Under the new agreement, UMG and Spotify “will collaborate closely to advance the next era of streaming innovation,” according to a press release. “Artists, songwriters and consumers will benefit from new and evolving offers, new paid subscription tiers, bundling of music and non-music content, and a richer audio and visual content catalog,” the press release continues. The deal also includes continued protection for UMG through Spotify’s fraud detection and enforcement systems. 

Importantly, the agreement includes a direct deal between Spotify and Universal Music Publishing Group, the first direct deal between Spotify and a publisher since the passage of the Music Modernization Act in 2018. One top publishing executive tells Billboard that this change “sounds like Spotify is raising the white flag” about the so-called “bundling” dispute which has soured relations between many publishers, writers and Spotify since it launched last year. In March, Billboard reported that Spotify’s payments to music publishers and songwriters would be cut significantly to account for Spotify bundling in audiobooks as part of its premium tiers. Instead of paying out royalties for these tiers purely to music publishers and writers, Spotify began splitting the payments between music and books publishers. 

Billboard estimated the losses to be about $150 million in the first year the bundled audiobooks took effect. Now, nearly a year later, Universal Music Publishing Group appears to be back in a better position with Spotify. One source familiar with the deal said it has improved royalty payments for UMPG songwriters, although the two companies declined to state the specifics of how the new publishing royalty model (or the one for recorded music) works. 

“Spotify maintains its bundle, but with this direct deal, it has evolved to account for broader rights, including a different economic treatment for music and non-music content,” a Spotify spokesperson clarified in a statement to Billboard.

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“[This deal] makes sense,” the publishing executive tells Billboard. “[Spotify is] despised in the songwriting industry. [One of] their main competitors, Amazon, has already left them isolated and alone. And they claim to want to expand into more videos but can’t get deals done. It was monumentally stupid for them to put themselves in this position but perhaps they are finally trying to get out of the bind they put themselves in.”

Grainge said, in his complete statement about the deal, “When we first presented our vision for the next stage in the evolution of music subscription several months ago — Streaming 2.0 — this is precisely the kind of partnership development we envisioned. This agreement furthers and broadens the collaboration with Spotify for both our labels and music publisher, advancing artist-centric principles to drive greater monetization for artists and songwriters, as well as enhancing product offerings for consumers.”

“For nearly two decades, Spotify has made good on its commitment to return the music industry to growth, ensuring that we deliver record payouts to the benefit of artists and songwriters each new year,” Spotify founder/CEO Daniel Ek said in a statement. “This partnership ensures we can continue to deliver on this promise by embracing the certainty that constant innovation is key to making paid music subscriptions even more attractive to a broader audience of fans around the world.”

Gracie Abrams just announced Dora Jar as the opening act for her upcoming tour dates in Europe. In a bewildering move, a fan planning to attend the February-March leg of Abrams’ Secret of Us Tour started a petition to replace Jar as the opener.

A screenshot shared on social media shows that the petition was created on Change.org.

Though Jar has previously been the supporting act for Billie Eilish and The 1975 on arena tours, and toured in support of her own album this past fall, the petition’s creator — under the pseudonym Dexter Morgan — wrote, “Many fans, including myself, are baffled by the recent announcement … We are perplexed as we do not recognize her, and with less than two weeks till the tour, it’s virtually impossible to familiarize ourselves with her slow-paced songs.”

They claimed, “For a memorable concert experience, an opening act should set the mood and get the crowd excited, but Dora’s slow tempo songs may not achieve this goal.”

What’s more perplexing: The petition organizer attempted to source Billboard to strengthen their statement that “upbeat opening acts are essential” at a concert. No citation link was shared, and no previous article appears to have been published on this website with those words, or arguing that opinion. (For what it’s worth, this Billboard editor isn’t demanding upbeat openers.)

Jar responded politely when discovering the petition’s existence Friday night (Jan. 24).

“Don’t worry this doesn’t bum me out! I’m hear to perform for all the music loving open hearted fans. those who aren’t interested can go buy merch while I’m playing (but they might as well let me entertain them tho..;)) an overwhelming amount of fans have been so kind & excited,” she said in response to a message spotted on X (formerly Twitter).

Later she joked, “signed the petition but rehearsing these songs just in case I remain the opener! Love u Dexter.”

In another message Jar expressed thanks to fans of Abrams who’ve stepped in with words of support: “Hate comes with the job, the truth is this is the biggest outpouring of love I’ve ever received from a fanbase who is still unfamiliar with me. Gracie has beautiful open hearted fans and I am so excited for this.”

By Saturday, Abrams got word of the ill-mannered petition and spoke out on behalf of Jar.

“Just hearing about this absolute ridiculousness . . . so wildly uncool and bizarre and also just does not remotely add up. I’ve only seen everyone’s total excitement and I couldn’t be luckier or prouder to share a stage with this talented wonder. Stream everything she’s ever made whether or not you’re coming to the show. Dora forever and ever,” Abrams commented on Stereogum’s Instagram post about the situation.

Jar’s debut full-length album, No Way to Relax When You Are on Fire, was released in September, featuring the single “She Loves Me.” The album followed two EPs, 2022’s Comfortably in Pain and 2021’s Digital Meadow.

She first shared the news that she’ll join Abrams on her European trek, which kicks off in Madrid on Feb. 8 and runs through Glasgow on March 12, on Friday (Jan. 24).

“PINCH ME!!!!” Jar captioned the announcement on Instagram. “To all the beautiful Gracie fans in Europe and the UK: it is such an honor to announce that I will be playing some of my songs for you , opening for our golden hearted living legend GRACIE ABRAMS!!! A privilege to soon share the stage and this experience with you @gracieabrams. Can’t wait to see you all, I will share a playlist soon with some songs that I’ll be playing so you can get familiar and sway with me xoxox.”

Billy Ray Cyrus is allegedly “taking legal action” against son Trace Cyrus, according to social media claims posted by Trace on Saturday (Jan. 25).

Trace, the elder brother of Miley Cyrus and Noah Cyrus, posted an Instagram message concerning the Cyrus family on Jan. 22, expressing worry over his father’s well-being. Trace published an Instagram letter again on Jan. 25, saying Billy Ray had threatened him with legal action following the public plea he’d shared for his dad to “get help.”

Billboard reached out to a representative for Billy Ray Cyrus for comment on Saturday.

“Dad my message was beyond loving,” Trace wrote in Saturday’s note to Billy Ray, referencing the public message to his father from a few days ago. “I could have been extremely honest about a lot more but I don’t want to put your business out there like that. But for you to threaten me with legal action for wanting you to get help is a disgrace. Pappy is looking down at you with such disappointment I can assure you. You should be ashamed of yourself. I will always love you but I no longer respect you as a man. Everyone close to you is terrified to tell you how they really feel. I’m not. Get help.”

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In an Instagram Story also posted on Saturday, Trace added, “For all of you wondering no I still haven’t heard from my dad. He did contact a family member to let me know he’s taking legal action against me for encouraging him to get help. Dad I love 30 miles away from you. You could’ve just come & talked to me like a man.”

At press time, Billy Ray has not publicly responded to Trace’s statements.

Trace’s initial message to Billy Ray on Wednesday — which had him stating, “You’re not healthy, Dad and everyone is noticing it,” and “As I write this with tears in my eyes, I hope you realize this message only comes from a place of love and also fear that the world may lose you far too soon” — came after Billy Ray’s shaky performance at Donald Trump’s inauguration Liberty Ball on Jan. 20, an appearance that was marred by technical difficulties and had him singing a capella to the crowd.

In that note, Trace told his father he was coming from the place of being “over a year and a half clean from alcohol,” and said, “I don’t know what you’re struggling with exactly, but I think I have a pretty good idea, and I’d love to help you if you would open up and receive the help.”

The “Achy Breaky Heart” singer did comment on the Liberty Ball performance, writing on Instagram, “I wouldn’t have missed the honor of playing this event whether my microphone, guitar and monitors worked or not. I was there because President Donald J. Trump invited me. I had a ball at the Liberty Ball last night and I’ve learned through all these years when the producer says “you’re on,” you go entertain the folks even if the equipment goes to hell. I was there for the people and we had a blast. That’s called rock n roll!!!”

On Friday, Billy Ray announced an upcoming album, produced by his younger son, Braison. It’s expected to arrive some time this summer.

“This is art imitating life, imitating art,” Billy Ray said of the record. “It starts and ends with art. Braison is very talented and ‘25 is his year. I’m glad to be a part of it. This record is gonna be special. I’m gearing up for what will be the journey of a lifetime.”

Billy Ray and ex-wife Tish are parents to Brandi, now 37, and Trace, 35, both of whom Billy Ray adopted after he’d married Tish. Together, they also share Miley, 31; Braison, 30, and Noah, 25. He’s also the parent of 32-year-old son Christopher, his child with ex-girlfriend Kristin Luckey.

After Billy Ray and Tish went through their divorce, Billy Ray had a short marriage with now-ex Firerose (Johanna Hodges); they married in 2023 and settled a divorce by 2024.

“What’s being seen in public now reflects much of what I experienced in private during our relationship,” Firerose claimed in a statement to People, following Billy Ray’s performance at the inauguration event and Trace’s message to him. “It’s very sad to see those same struggles continue for him, but I’m glad the truth is coming to light — for his potential good because healing is only possible when you confront the truth and accept there’s a problem.”

Hugh Jackman received an unexpected surprise from his friend and Deadpool & Wolverine co-star Ryan Reynolds during the opening night of his concert series at New York’s Radio City Music Hall.

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On Friday (Jan. 24), the 56-year-old Australian actor launched his sold-out show, From New York, With Love, when Reynolds, 48, playfully interrupted from the audience, stepping up for an impromptu speech.

“I was told this was going to be a comedy version of Les Mis as a one-man show. We all said it was a terrible idea but he carried on. I see he’s duped me once again!” Reynolds joked.

After a few more laughs, Reynolds turned sentimental and shared some heartfelt words about Jackman.

“This was the first major movie star I ever worked with, 16 or 17 years ago on X-Men Origins: Wolverine,” Reynolds recalled, according to People. “And I was young still. I was impressionable. I was expecting going to this movie set with this guy right here, and I didn’t know, I really didn’t know what was gonna happen. … But what I saw was just about the best thing anyone could possibly experience if you’re working your way up in the industry.”

Reynolds continued, “I saw a movie star, a capital M movie star… I saw this gentleman right here walk around that set, and just like here, he knew every single person’s name, even though he was making them up half the time. He showed a kind of courtesy and gentleness and curiosity, and he put value into every single crew member that we were working with.”

The Canadian actor, seated in the center orchestra next to Deadpool & Wolverine director Shawn Levy, went on to call Jackman “my gotcha for life.”

“I mean it,” Reynolds said. “And I know we were supposed to finish this bit where these two security gentlemen come and they try to take the mic for me — it’s like a struggle, and then they tase me and I go down, and then they hog-tie me and then they put me in the Radio City music garbage dump, and then they just light it on fire. But I wanted to actually just say, I love this man, I care about this man. He is, he is genuinely the best human being I know — and I have 4 children!”

Jackman responded, “I love you, Ryan Reynolds, I love you, man,” before teasing that Reynolds is actually his fifth best friend. He also jokingly added, “Thanks for coming. And thanks for asking for a free ticket, too.”

In October 2024, Jackman enlisted Reynolds for a humorous promo video to announce the Radio City concert series, which launched Friday with musical numbers from his 2017 film The Greatest Showman, as well as his most recent Broadway show, The Music Man. The concert, Jackman’s first concert in five years, also featured songs from Les Misérables and The Boy From Oz.

Originally slated for 12 performances, From New York, With Love was met with overwhelming demand for tickets and has since expanded to 24 shows, running over eight weekends through October.

Lizzo‘s feeling “Good as Hell” about herself after reaching her weight loss goals — or “weight release” goals, as she gently calls it. The singer shared some new selfies on Saturday (Jan. 25), showing off her figure and stats on her lowered BMI and body fat percentage.

“I did it,” Lizzo wrote in a post on Instagram, where she’s been uploading fitness-related updates amid posts marketing her size-inclusive shapewear/athleisure brand Yitty. “Today when I stepped on my scale, I reached my weight release goal. I haven’t seen this number since 2014! Let this be a reminder you can do anything you put your mind to. Time for new goals!”

In an Instagram Story, she briefly commented on her weight transformation with a video in which she’d predicted, “I’m not going to be considered thin by any means. I will still be considered morbidly obese on the BMI and little bros on the internet are still gonna call me ‘big-backed.’ But I will be happy.” The clip shifted to current footage of Lizzo, glowing and dancing while confirming, “And I am happy! I did it.”

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“Told you I was gonna bump like this,” she sang in the celebratory clip, referencing Kelly Rowland’s 2007 single “Like This” featuring Eve. “Ya’ll didn’t know that I could bump like this.”

In 2024, Lizzo played into jokes she’d been hearing from people who speculated she was using weight-loss drugs as a tool in her health journey. She even dressed up as “LizzOzempic,” a Halloween costume inspired by a South Park episode from May that parodied Lizzo’s well-known body positivity with a new medication: “Ask about the power of not giving a f— — with Lizzo,” the animated show aired in a commercial sketch that claimed, “FDA-approved Lizzo makes you feel good about your weight, and it costs 90% less than Ozempic.” Lizzo showed a sense of humor in reacting to the episode, noting, “I just feel like, damn, I’m really that b—-. I showed the world how to love yourself, and now these men in Colorado know who the f— I am, and put it in their cartoon that’s been around for 25 years.” She promised, “I’m gonna keep on showing you how to not give a f—.”

In October, the singer — whose most recent studio album, 2022’s Special, peaked at No. 2 on the Billboard 200 — also participated in Fortune’s Most Powerful Women Summit, where she spoke about being in the public eye amid a change in appearance.

“One inevitability we all have to face is that our bodies will change … it’s a beautiful thing,” Lizzo said at the event. “My body is nobody’s business, other than me, my doctor, my trainer and my man.”

See Lizzo’s new selfies below, and check out her celebratory message on Instagram Stories.

Just days after announcing her debut solo album, Jennie has released the music video for her new song “Zen.”

On Friday (Jan. 24), the 29-year-old BLACKPINK star surprised fans with the visually stunning video, directed by Cho Gi-Seok. The three-and-a-half-minute clip follows Jennie as she journeys through cosmic landscapes, showcasing a range of looks that are both elegant and futuristic.

“Nobody gon’ move my soul, gon’ move my aura, my matter/ Nobody gon’ move my life, gon’ touch my goal, my matter/ Nobody gon’, all this power make them scattеr/ No, nobody gon’ touch my soul, gon’ match my flow, like damn,” Jennie sings on the track.

Earlier this week, Jennie announced that her first solo album, Ruby, will be released on March 7. The project features an impressive roster of collaborators, including Childish Gambino, Dua Lipa, Doechii, Dominic Fike, FKJ and Kali Uchis.

Ruby will contain 15 tracks, including her October 2024 single “Mantra,” which hit No. 2 on the Billboard Global Excl. U.S. chart and No. 3 on the Billboard Global 200.

In a recent interview with Billboard, Jennie reflected on the deeply personal journey of creating Ruby.

“It’s not nice to be someone who’s always like, ‘I’m sorry, I can’t say anything,’ ” she said of the project she began in early 2024. “I want to say I’m almost there.” Acknowledging the challenges she faced along the way, she added, “I’m just going to say, ‘I don’t do well with time.’”

But “Zen” wasn’t the only surprise Jennie dropped on Friday. She also announced that she’ll be embarking on a three-city tour to celebrate the release of Ruby. The Ruby Experience will visit Los Angeles (March 6), New York City (March 10) and Seoul (March 15).

“Intense and intimate as I like it,” Jennie captioned the announcement on Instagram.

Check out Jennie’s music video for “Zen” below on YouTube.

Paul McCartney is speaking out against proposed changes to copyright laws, warning that artificial intelligence could harm artists.

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The British government is currently considering a policy that would allow tech companies to use creators’ works to train AI models unless creators specifically opt out. In an interview with the BBC, set to air on Sunday (Jan. 26), the 82-year-old former Beatle cautioned that the proposal could “rip off” artists and lead to a “loss of creativity.”

“You get young guys, girls, coming up, and they write a beautiful song, and they don’t own it, and they don’t have anything to do with it. And anyone who wants can just rip it off,” McCartney said. “The truth is, the money’s going somewhere… Somebody’s getting paid, so why shouldn’t it be the guy who sat down and wrote ‘Yesterday’?”

The U.K. Labour Party government has expressed its ambition to make Britain a global leader in AI. In December 2024, the government launched a consultation to explore how copyright law can “enable creators and right holders to exercise control over, and seek remuneration for, the use of their works for AI training” while also ensuring “AI developers have easy access to a broad range of high-quality creative content,” according to the Associated Press.

“We’re the people, you’re the government. You’re supposed to protect us. That’s your job,” McCartney told the BBC. “So you know, if you’re putting through a bill, make sure you protect the creative thinkers, the creative artists, or you’re not going to have them.”

The Beatles’ final song, “Now and Then,” released in 2023, utilized a form of AI called “stem separation” to help surviving members McCartney and Ringo Starr clean up a 60-year-old, low-fidelity demo recorded by John Lennon, making it suitable for a finished master recording.

As AI becomes more prevalent in entertainment, music and daily life, the debate around its impact continues to grow. In April 2024, Billie Eilish, Pearl Jam and Nicki Minaj were among 200 signatories of an open letter directed at tech companies, digital service providers and AI developers. The letter criticized irresponsible AI practices, calling it an “assault on human creativity” that “must be stopped.”

From career milestones to new music releases to major announcements and those little important moments, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

Feid Launches Sixdo Collection

On Thursday (Jan. 23), Feid hosted the first pop-up for his brand “Sixdo” in Miami. A fan experience, the one-day event featured a room that resembles the artist’s personal closet. Fans also had the opportunity to sit down with Ferxxo for a roundtable discussion, where they could ask him questions. The pop-up showcased the initial development of his clothing brand “Sixdo,” which included a closet with green neon lights and a painting that represented his sold-out shows in Latin America, among other elements. Ferxxo has been hinting at the clothing brand during his concerts, in music videos, and even on album covers (starting with FERXXO Vol. 1 M.O.R.), leading up to the grand reveal this week. The goal is to continue developing this brand throughout 2025.

Feid
Feid

A Wholesome Moment with Shak

Shakira surprised a young fan named Zoe, who’s currently undergoing cancer treatment. Dance studio Hip Hop Kidz and Sunrise Day Camp shared the wholesome moment on Instagram, capturing the moment the Colombian artist and her sweet fan met for the first time, opened presents, and even did the “Waka Waka (This Time For Africa)” dance together. 

“Despite the tough battle she’s been facing, Zoe’s spirits soared when the international star took time out of her busy schedule to spend time with her,” read the post’s caption. “Shakira, known for her charitable work and deep empathy, shared some quality time with Zoe, encouraging her to stay strong and never give up.”

Billboard’s Latin Artists to Watch 2025

This week, Billboard unveiled its carefully curated Latin Artists to Watch list, highlighting 22 acts who caught our attention in 2024, and who we believe will go on to have a breakout year. The list includes artists who cracked the Billboard charts in 2024, such as Tito Double P, who earned his first No. 1 on Top Latin Albums with his debut set. Artists who’ve been showered with critical acclaim, like Latin Grammy winner Ela Taubert, and those newcomers who first built a fandom on social media before kicking off a music career – like reggaetón mexa pioneer Bellakath, who quickly went from viral sensation to bona fide hitmaker. See the complete list, here.

Tito Double P, Yailin La Más Viral and Kapo
Tito Double P, Yailin La Más Viral & Kapo

Celebrating una Reina

A children’s book celebrating Selena’s legacy is officially available this week. Selena: A Little Golden Book Biography, by Maria Correa and illustrated by Paula Zamudio, chronicles the Queen of Tejano’s journey to superstardom and illustrates her timeless impact on music, fashion, and beauty. “Nearly 30 years after her death, Selena’s influence endures, and her accomplishments continue to inspire legions of fans to follow their dreams. This is an inspiring read-aloud for young children and the perfect gift for fans of all ages,” read a press statement. The book can be purchased here, and a Spanish-language version will be published on February 4. 

Selena Quintanilla
Selena Quintanilla at the 36th Annual Grammy Awards at Radio City Music Hall March 1, 1994 in New York, NY.

Chappell Roan has well and truly made her presence felt in Australia, with her sleeper hit “Good Luck, Babe!” effortlessly topping triple j’s Hottest 100 poll for 2024.

When Roan was announced as the winning song on the evening of Saturday, Jan. 25, the 26-year-old became only the third solo female artist to top the countdown (after Billie Eilish in 2019 and Doja Cat in 2023), and achieved the feat with most votes ever cast for a song in the No. 1 spot.

The result is hardly surprising, of course. It’s become a massive hit for Roan on a global scale, earning her six nominations at this year’s Grammy Awards, including Best Pop Solo Performance, Record of the Year, and Song of the Year for the track, alongside the coveted Best New Artist trophy. Meanwhile, it peaked atop Billboard’s Pop Airplay chart, and reached No. 4 on the Hot 100. In Australia, it matched that feat, and currently sits at No. 12 – one placing higher than its appearance on ARIA’s 2024 End of Year chart.

Roan’s impressive result was followed by Australia’s own Royel Otis, who achieved the silver medal position thanks to their cover of Sophie Ellis-Bextor’s “Murder on the Dancefloor”, performed as part of triple j’s own Like a Version cover series. The performance has truly helped put the Sydney duo on the map, with the track reaching No. 35 in Australia, and topping Billboard’s Alternative Airplay chart – the first Like a Version cover to do so.

Billie Eilish finished in third position with “Birds of a Feather”, taking out a new record in the process. Eilish, along with fellow pop icon Charli XCX, both managed a record-breaking eight appearances in the countdown, including their own collaboration as part of Charli XCX’s “Guess” remix at No. 6. The new record comes only one year after Australia’s G Flip broke the record in 2023, with their seven songs overtaking an 18-year record set by Wolfmother in 2005, and matched by Spacey Jane in 2022.

Eilish’s strong showing also sees her become the artist with the most historical appearances in the annual poll, with 25 songs since her debut in 2017. She steals the crown from Adelaide hip-hop favorites Hilltop Hoods, whose 24 all-time entries have been achieved between 2003 and 2023.

The top five was rounded out by Lola Young’s “Messy” at No. 4, and Gracie Abrams’ “That’s So True” at No. 5. Meanwhile, Billie Eilish and Charli XCX’s “Guess” at No. 6, while Dom Dolla’s “Girls”, Kendrick Lamar’s “Not Like Us”, G Flip’s Like a Version cover of Taylor Swift’s “Cruel Summer”, and Fred again.. and Baby Keem’s “leavemealone” capped off this year’s top ten.

Despite her ubiquitous appearance within the world of popular music, the perennial Swift also made her own debut appearance in the countdown this year, showing up as a featured artist on Abrams’ “Us.” at No. 71. Famously, Swift had been barred from the countdown in 2014 after a BuzzFeed-led campaign to get “Shake it Off” in the poll was supported by KFC, with triple j saying it was “not legit for other media to try and troll the poll”. The station later said “Shake it Off” would have reached No. 12 had it not been dropped, ultimately leading to unconfirmed rumors Swift had been banned from ever appearing in the countdown.

The 2024 edition of triple j’s Hottest 100 also left a sour taste in the mouth of Australian music-lovers, with the full countdown featuring the lowest number of homegrown artists in almost three decades. With only 29 Australian artists appearing across the full list of songs, it’s the worst showing for Aussies since the 1996 countdown. Only the debut poll in 1993 and its 1994 follow-up are worse, with 24 and 26 Australian artists, respectively.

This year’s countdown was the result of almost 2.5 million votes cast by the listeners of the station, making it an increase on last year’s 2.335 million showing, but far less than 2019’s record of 3.21 million responses.

All told, 26 artists made their triple j Hottest 100 debuts over the weekend, including Abrams, Shaboozey, Doechii, BABYMETAL, and Tommy Richman.

Read more here.