Jody Gerson, chairman/CEO of Universal Music Publishing Group (UMPG), is set to receive the 2025 Grammy Salute to Industry Icons honor at The Recording Academy and Clive Davis‘ annual Pre-Grammy Gala, which will be held on Saturday, Feb. 1, the night before the 67th Annual Grammy Awards. This is the 50th anniversary of the high-profile event.

Gerson is just the third woman to receive the honor, following Debra L. Lee (2017), then-chairman/CEO of BET Networks, and Julie Greenwald (2023), then-Atlantic Music Group chairman/CEO, who received the award in tandem with Craig Kallman, Atlantic Records chairman/CEO.

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“Jody is an inspirational leader who champions integrity and inclusivity in everything she does and is a revolutionary executive,” Harvey Mason jr., CEO of the Recording Academy, said in a statement. “She has opened doors for and propelled the careers of many of the world’s greatest songwriters, while simultaneously serving as one of the biggest advocates for women in music. We are thrilled to host an extraordinary evening that not only celebrates her remarkable impact but also marks the gala’s incredible 50-year milestone.”

“Jody Gerson is one of the music industry’s most illustrious leaders and I am thrilled that she will be this year’s Salute to Industry Icons honoree,” added Davis. “Jody’s longtime trailblazing commitment to supporting songwriters across the music spectrum as well as her tireless dedication to advocacy, diversity and equality in the music business are exemplary. Artists and the industry at large are fortunate to have a leader with such tremendous insight and passion at the helm.”

Davis originated the pre-Grammy Gala in 1976 when he was looking for a way to celebrate the success of Barry Manilow’s “Mandy,” Arista Records’ first No. 1 hit on the Billboard Hot 100 (and its first Grammy record of the year nominee).

Since joining UMPG in 2015, Gerson has transformed the company into a global powerhouse that owns and administers more than five million copyrights. She leads a global company with 48 offices in 40 countries and more than 850 employees. She made history as the first female chairman of a global music company and the first woman to be named CEO of a major music publisher.

Gerson is a member of Universal Music Group’s (UMG’s) executive management board.

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Gerson ranked No. 14 on Billboard’s 2024 Power 100 list. Kristin Robinson, Billboard’s senior writer (publishing), led her essay about Gerson by saying, “As UMPG’s CEO, a National Music Publishers’ Association board member and co-founder of She Is the Music, an organization committed to empowering female creators, Gerson is one of the most trusted voices in music publishing.”

That was backed up with hard facts. From 2013 to 2023, UMPG’s U.S. revenue grew from $900 million to more than $1.9 billion. In that same time frame, the company narrowed the revenue gap between it and market leader Sony Music Publishing from $400 million to $188.5 million.

Gerson received a Primetime Emmy nod in 2021 as an executive producer of HBO’s The Bee Gees: How Can You Mend a Broken Heart, which was nominated for outstanding documentary or nonfiction special. A year ago, she received a Grammy nod as one of the video producers for 2Pac’s Dear Mama, which was nominated for best music film.

Gerson has signed and works with many of the world’s biggest music stars, including Adele, Bee Gees, Bad Bunny, Justin Bieber, Sabrina Carpenter, Lana Del Rey, Ariana Grande, Coldplay, Drake, Billie Eilish, H.E.R., Elton John, Alicia Keys, Steve Lacy, Kendrick Lamar, Post Malone, Maren Morris, the Prince estate, Rosalia, Harry Styles, Taylor Swift, SZA and The Weeknd. She also led UMPG’s acquisitions of the hit-studded catalogs of Bob Dylan, Neil Diamond and Sting, among others.

As a champion for women in music and an advocate for education, Gerson co-founded the global nonprofit She Is The Music. She also serves on boards for the USC Annenberg Inclusion Initiative, The Rock & Roll Hall of Fame, the National Music Publishers Association, New Roads School and Project Healthy Minds.

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Gerson jointly oversees Polygram Entertainment, a film and TV development and production division of UMG that produces feature-length films and music-centric series. In 2024 alone, she served as executive producer on a broad array of projects, including Music Box: Yacht Rock: A DOCKumentary; The Beach Boys; STAX: Soulsville, U.S.A.; and Billy Preston: That’s The Way God Planned It. Other recent projects that Gerson executive produced include the aforementioned The Bee Gees: How to Mend a Broken Heart and HBO’s Music Box series. Among her and Polygram’s many projects in development are documentaries on Bernie Taupin and Prince.

In January 2020, Gerson became the first woman and first music publishing executive to be named Billboard’s executive of the year on its annual Power 100 list. She is the recipient of numerous other honors, including Billboard‘s Power Players’ Choice Award; Variety’s Hitmakers Executive of the Year; Billboard‘s 2015 Executive of the Year for its Women in Music issue; Rolling Stone’s “Future 25”; Variety’s Power of Women L.A.; and the 2016 March of Dimes Inspiring Woman of the Year.

The invitation-only Pre-Grammy Gala is sponsored by Hilton, Mastercard and IBM.

Jon Platt, Sony Music Publishing chairman/CEO, was last year’s Grammy Salute to Industry Icons honoree.

Here’s a complete list of previous honorees at the pre-Grammy Gala.

2005: Ahmet Ertegun

2006: Mo Ostin

2007: Herb Alpert & Jerry Moss

2008: Berry Gordy

2009: Clive Davis

2010: David Geffen

2011: Doug Morris

2012: Sir Richard Branson

2013: Antonio “L.A.” Reid

2014: Sir Lucian Grainge

2015: Martin Bandier

2016: Irving Azoff

2017: Debra L. Lee

2018: Shawn “JAY-Z” Carter

2019: Clarence Avant

2020: Sean “Diddy” Combs

2022: Rob Stringer

2023: Julie Greenwald & Craig Kallman

2024: Jon Platt

Billie Eilish celebrated her 23rd birthday a day early on Tuesday (Dec. 17) at the Kia Forum in Los Angeles when she invited Charli XCX up on stage for a surprise collaboration on their “Guess” remix.

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The singers paired up to perform the Grammy-nominated, high-energy song from Charli’s remix album, Brat and It’s the Same but There’s Three More Songs So It’s Not for the first time live at last night’s show. And, in a Brat-appropriate touch, the Forum was bathed in the album’s signature lime green palette as sour apple-hued lights lit up the stage and green lasers blasted out all around.

The audience shouted along to every word as Billie sang, “Don’t have to guess the color of your underwear/ Already know what you’ve got goin’ on down there/ It’s that lacy black pair with the little bows/ The ones I picked out for you in Tokyo,” while Charlie danced and pumped her arms to the song’s sapphic storyline.

The two women then went bananas as the track’s booming beat revved up, hopping around the stage and amping the crowd up even more. It was wild, and clearly Charli had a blast, as evidenced by a video she posted of the moment with the caption “love u billieeeeee and hbd!!! <3”; Eilish turns 23 on Wednesday (Dec. 18).

Eilish’s Hit Me Hard and Soft album is nominated for seven Grammys next year, including album of the year and best pop vocal album. Charli is also up for seven awards, including record of the year (“360”), album of the year and best pop duo/group performance for “Guess.”

Eilish has two more sold-out nights at the Kia Forum on Friday (Dec. 20) and Saturday (Dec. 21) before she heads down to Australia in February and early March, followed by spring/summer 2025 dates across Europe.

Check out footage from the surprise collab below.

Rihanna was just a regular ol’ member of the Lambily on Tuesday night (Dec. 17) when she was spotted freaking out during Mariah Carey‘s final Christmas Time tour show at Barclays Center in Brooklyn. The “Love on the Brain” singer was filmed having the time of her life at the gig where MC returned to the stage after missing a trio of holiday gigs while battling the flu.

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The two had a mid-show superstar summit when Carey came down off stage to greet Rih Rih, who, naturally, invited Mariah to sign her breast with a marker. “I need a signature, who has a sharpie?” Rihanna asked as Carey — dressed in a glittering silver gown — made her way over and asked if she could have, or buy, Rih’s stylish black sunglasses. “What do you want me to write?,” Carey asked, as Rihanna pulled down her white top to make room for the autograph. “Mariah,” Rihanna responded. “What the f–k do you think? Whatever you want. Wow, this iconic.”

As if the whole surreal spectacle wasn’t hard enough to believe, Rihanna then grabbed MC’s sparkly microphone and narrated the scene, informing the sold-out crowd: “Mariah Carey is signing my t-t y’all. This s–t is f–king epic!… Look at that s–t y’all!” The unexpected moment ended with Rihanna expressing her love for Mariah and the two women hugging it out to wild cheers from the arena crowd.

In another video of the moment, Rihanna said that her longtime love, rapper A$AP Rocky, suggested she make her way to the front of the arena floor. “Should I have her sign my shirt or my t-t?” she asked her friend as Carey slowly made her way over.

The special moment came as Carey wrapped up her Christmas Time tour after cancelling the previous three shows in Newark, N.J., Belmont Park, N.Y. and Pittsburgh due to a battle due to illness. Earlier this week, though, MC promised Lambs that she would close out the tour at Barclays. “Lambs, thank you for making my #Christmastime so special,” Carey wrote in a post on Monday (Dec. 16) featuring photos and videos from previous stops on the tour. “I’ve loved singing with you every night, and I can’t wait to see you all tomorrow in Brooklyn for the last show of the tour.”

Watch the whole signing scene below.

A crew of heavy hitters will be ringing in the new year on Apple Music, with Icelandic legend Björk, Swazi-born, South Africa-based DJ Uncle Waffles and British grime icon Skepta all set to play livestreamed New Year’s Eve events on the platform this New Year’s Eve.

To start, Apple Music Live: NYE will feature a rare DJ set by Björk, along with Apple Music’s Tim Sweeney and London-based DJ Naina. The performances were recorded at London’s The Cause, an arts and events space that boosts dance culture, local London nightlife, independent business and mental health initiatives.

Listeners can tune into the party starting at 1 p.m. PT on Dec. 31. via Apple Music 1 and Apple Music Club, a new live-hosted radio station launched by Apple Music earlier this month. Sweeney and Naina both serve as guides on the station, offering info on the scene-spanning mixes played on the channel.

Celebrations then continue immediately after with the second annual Apple Music Live: NYE video livestream featuring Uncle Waffles’ and Skepta’s performances at The Cause, starting at 3 p.m. PT on Dec. 31. on Apple Music, and on Apple Music Club and Apple Music 1.

All four mixes will be available to stream in spatial audio exclusively on Apple Music.

The offerings continue with a 24-hour radio takeover featuring exclusive sets from Justice, John Summit, Rüfüs Du Sol, and more, starting at 12 a.m. PT on December 31 on Apple Music Club and Apple Music 1.

This marks the second year Apple Music has offered marquee DJ livestreams to celebrate the new year, with Kaytranada, Peggy Gou and Honey Dijon playing the big show last year.

No performers have been announced yet, but if the Oscars come calling, Ariana Grande says she’ll be there. The singer, who recently received her first-ever Golden Globe nomination as best supporting actress in Wicked, is a frontrunner for the same category at the Oscars in March.

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Though the songs from Wicked are not eligible for the best original songs category at the Oscars, where all five nominees are typically performed during the show, The Hollywood Reporter asked the singer if she’d be up for performing at the March 2 awards with co-star Cynthia Erivo if they were invited.

“Of course, we love singing with each other,” Grande told THR at the Globes’ First-Time Nominee Celebration on Tuesday (Dec. 17) of her co-star, who is also a Globe nominee for her role as Elphaba in Wicked and generating Oscar buzz as well. “I’ll sing together absolutely anywhere anytime, especially in celebration of Wicked, and I love her, that’s my sister. Say the word and we’ll be there.”

Grande attended Tuesday’s luncheon in Beverly Hills with her mom, Joan Grande, where she spoke about the success of the biggest-ever Broadway musical adaptation and some of her most cherished reactions to the film.

“Imogen Heap, my musical idol since I was a young girl; hearing that she saw it with her daughter and loved it, that was very exciting,” Grande told the magazine. “We got to meet Steven Spielberg, that was also incredibly overwhelming and such an honor. And he was so kind, and it was just really exciting. You have these idols in music and film, and then to hear a kind thing said about your work is really extraordinarily special.”

The second part of the film, know titled Wicked: For Good, is due out on Nov. 21 of next year.

Fontaines D.C. frontman Grian Chatten joined The Pogues on stage to perform “Streams Of Whiskey” in Dublin, Ireland on Tuesday night (Dec. 17). Watch fan-filmed footage here.

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The Pogues played a one-off show at the city’s 3Arena yesterday to celebrate the 40th anniversary of their 1984 debut LP, Red Roses For Me. The gig featured a wealth of special guests, including Nadine Shah, members of Lankum, rapper Kojaque and John Francis Flynn, among others. Fontaines D.C. drummer Tom Coll also performed as part of the live band.

Following the death of singer Shane MacGowan last year, the current Pogues line-up consists of singer Spider Stacy, and founding members Jem Finer and James Fearnley. The band recently announced their first headline tour in 13 years – and first since MacGowan’s passing – to mark the 40th anniversary of their second album, Rum Sodomy & The Lash

Scheduled for May 2025, the upcoming trek will include dates in London, Leeds, Birmingham, Glasgow, Manchester, and Newcastle. Further details and ticketing information can be found via The Pogues’ official website

Chatten paid tribute to MacGowan after he died aged 65 last November. “So long North Star,” he wrote on Instagram. “I will love you forever.” Speaking to Billboard earlier this year, he explained the impact that the songwriter’s passing had on the recording process for Fontaines D.C.’s fourth LP, Romance.

“We were in the middle of recording the album when Shane died,” he said. “And I had to f–king take a break. I was really, deeply affected by it. Partly because he enhanced my relationship with my family! You know, he connected me to my Irishness maybe in a way that I wouldn’t have been able to do without him.” 

In 2020, Fontaines D.C. shared a cover of “I’m A Man You Don’t Meet Every Day,” a traditional Irish song made famous by The Pogues, for SiriusXM.

Kygo‘s work has long been the musical equivalent of a waterfront resort, and now he in his team have created the real thing.

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Palm Tree Club is a hotel and restaurant project by Palm Tree Crew, the sprawling company created by the Norwegian producer and his manager Myles Shear. Set to open in Miami on Dec. 21, the property is in the former Shuckers Waterfront Bar & Grill, a 150-room hotel that’s been entirely remodeled to reflect Kygo and Palm Tree Crew’s laid-back, tropical aesthetic.

Built in the 1970s, the building reflects the Miami Modern (or MiMo) style of architecture common in the city and South Florida at large in the post World War II era. The hotel also embraces Art Deco with rooms styled in the aesthetic and also features a restaurant, a 24-hour fitness center, a 20-ship marina (so guests can cruise up in their boat for dinner) and other amenities.

See exclusive images of the property below.

“Hospitality has always been at the heart of the live experiences produced by Palm Tree Crew,” Shear tells Billboard. “We’re thrilled to extend this ethos to a Palm Tree Crew venue, offering a curated year-round experience that combines exceptional hotel, dining and entertainment. Having grown up visiting Shuckers, I’m excited to honor its legacy while creating an elevated experience for both the local community and visitors.”

The resort opening also marks a new expansion the Palm Tree Crew empire, which also includes its ongoing Palm Tree Festival (which takes place in luxe locations like the Hamptons and Aspen), along with an artist management division, a record label and other food and beverage projects.

A resort has long been part of the plan, with Kygo and Shear telling Billboard in 2022 that they’ve taken inspiration from the late great Jimmy Buffett’s Margaritaville empire of music, resorts, restaurants, events and other lifestyle offerings.

“He created so many areas where [his fans] can come together — it doesn’t even need to be at his shows. It can be at his hotel or a Margaritaville bar,” Kygo said in 2022. “That’s what we’re trying to create: something that’s bigger than the music. A community, a movement.”

Palm Tree Club Miami is a collaboration between Palm Tree Crew, Miami-based management firm Think Hospitality and the Miami and New York City-based real estate development firm Continuum Company.

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Elton John has teased the possibility of new music, revealing during his Dec. 18 appearance on The Late Show with Stephen Colbert that his creative drive remains as strong as ever.

Reflecting on his recent projects and the time he’s taken since retiring from touring, Elton confirmed, “You will be getting some more [Elton John music].”

“The juices have never dried up. They never want to dry up because I’m always looking to create things. It’s just having the space now to do it at my own time. Of course there will be new Elton John music,” he added to cheers from the crowd.

Reflecting on his Apple Music show Rocket Hour, John spoke passionately about supporting emerging artists like Chappell Roan. “When I first heard [her], I think I was the first person to play ‘Pink Pony Club.’ I interviewed her, and then we became friends. These young artists have so much energy, they’re so good, and if I can help them in any way get a foot on a ladder, I will.”

Brandi Carlile, Elton’s collaborator on the theme song for Never Too Late, joined him during the interview. The two shared stories about their friendship and creative process, including how Brandi’s heartfelt letter to Elton sparked their relationship.

Elton described their bond, saying, “I was doing a residency in Vegas at the time, so I asked her to come to Vegas and I played and sang on the record and as soon as I saw her, I became friends with her. It was like I’d known her all my life.”

This revelation follows the release of Never Too Late, the theme song for his Disney+ documentary of the same name.

Elsewhere in the interview, Elton reminisced about the artists who shaped his career. “Ray Charles touched my heart. Little Richard touched my heart. Elvis Presley changed my life with ‘Heartbreak Hotel.’ When I first heard that record, I knew I wanted to do this.”

Watch Elton John and Brandi Carlile’s appearance on The Late Show with Stephen Colbert here.

Billie Eilish recently reflected on the powerful connection she feels when performing her song “The Greatest” during her ongoing Hit Me Hard and Soft tour.

In an interview with Apple Music, where she was celebrated as Artist of the Year, Eilish shared how hearing fans sing the track back to her has been an unforgettable experience.

“When I did the first show of my tour that I’m on right now, specifically, ‘The Greatest’ just has a lot of—it’s just a special one to us,” she said. “But I did ‘The Greatest’ and I took one of my in-ears out and I just like, heard this giant arena filled with people singing it. They were singing every other song too, but something about hearing that song that has this meaning for me and this memory for me, and also like the memory of us making it and what it gave us in our kind of creative spirit.”

She continued, “And just hearing that crowd sing it, it really made me like, have, you know, in front of me proof. I could see it with my eyes, I could hear it with my ears. And that is something that I hold so close to me. And every time I get a chance to really see how what I do or whatever impacts people in real time, that’s the stuff.”

“The Greatest,” which debuted live on The Late Show With Stephen Colbert in June 2024, has become a highlight of her setlist. The song’s reflective lyrics include the chorus, “Man, am I the greatest/ My congratulations/ All my love and patience/ All my admiration,” have led fans to speculate whether it’s about a romantic relationship or her complex relationship with fame—something Eilish has spoken openly about throughout her career.

Eilish also touched on the emotional weight the song carries for her. “I love that song so much. It’s really, really special to me. I literally performed it the other day and cried after,” she said during a previous interview on BBC Radio 1’s New Music Show with Jack Saunders.

The live acoustic set, filmed in Los Angeles with her brother and longtime collaborator Finneas, featured a Q&A as well as renditions of hits from Eilish’s third studio album, Hit Me Hard & Soft, including “The Greatest” and “Birds of a Feather.”

Eilish’s Hit Me Hard and Soft tour has been a global phenomenon, with sold-out dates and critical acclaim. Upon release, the album soared to No. 1 on Apple Music’s all-genre albums chart in 138 countries worldwide. The project also hit No. 2 on the all-genre Billboard 200 albums chart.

Going into 2025, she’s nominated for seven Grammys. Hit Me Hard and Soft is up for album of the year and best pop vocal album, while “Birds of a Feather” snagged nominations for record of the year, song of the year and best pop solo performance. The “Over Now Extended Edit” of “L’Amour De Ma Vie” is nominated for best dance pop recording, while her Charli XCX “Guess” collaboration received a nod for best pop duo/group performance.

Fans can watch the Apple Music Artist of the Year performance, which aired live on Dec. 17, now available on demand for subscribers.

Fans of indie rock icons Pavement are readying themselves for the first piece of new music from the band in a quarter of a century.

The California band were initially active from 1989 until 1999, releasing a total of five albums, including 1992’s Slanted and Enchanted, 1994’s Crooked Rain, Crooked Rain, and 1997’s Brighten the Corners, which gave the group their highest-charting U.S. release when it hit No. 70 on the Billboard 200.

The group initially split in November 1999, with the previous month’s Major Leagues EP serving as their final piece of original material. Since then, the band’s members have been intensely active on other projects, including a run of reissues that complemented their original albums with a myriad unreleased and rare tracks.

While Pavement reconvened for a reunion tour in 2010, another hiatus occurred before announcing their second reunion in 2019. These dates were delayed until 2022, with the band’s most recent (and ostensibly final) performance taking place in October of this year as part of the New York premiere of Alex Ross Perry’s experimental biopic/documentary, Pavements.

Initially premiering at the Venice International Film Festival in September, Pavements is readying itself for a wider release with a movie soundtrack also set to accompany its arrival.

In an interview with the Kreative Kontrol podcast, Pavement’s Scott ‘Spiral Stairs’ Kannberg spoke to host Vish Khanna alongside Perry and producer/editor Robert Greene about the film before turning his attention to the upcoming soundtrack. When asked about current Pavement activity and the band’s future, Kannberg explained that a new track from the band will also be featured.

“There will be a new Pavement song on the soundtrack, that’s all I’m going to give you,” he explained. “I just heard a mix of it today, and it’s pretty good. It’s not a big deal, it’s just cool because it’s something different and it’s a song that we all kind of loved playing.”

According to Kannberg, the as-yet-unnamed track began life during reharsals of the band’s recent reunion, though previous setlists indicate it didn’t receive a performance during any of those shows.

Currently, the official status of Pavement is unclear, with their recent New York performance seeing percussionist/vocalist Bob Nastanovich telling the crowd it would be their “last show for a long time”. That same month, vocalist and guitarist Stephen Malkmus began live performances as one quarter of the indie supergroup The Hard Quartet alongside members of Chavez and the Dirty Three.