The Philly Specials’ charity album A Philly Special Christmas Party makes a festive debut across Billboard’s charts, opening at No. 1 on Independent Albums; in the top 10 on Top Album Sales (No. 2), Top Holiday Albums (No. 2), Vinyl Albums (No. 2); and at No. 16 on the all-genre Billboard 200 (all charts dated Dec. 7).

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It’s the third and final release in the charity series, presented by The Philly Specials (former Philadelphia Eagles football player Jason Kelce and his teammates Lane Johnson and Jordan Mailata).

Party arrives with the biggest sales week for any holiday album in four years, and the largest sales week for a holiday album on vinyl in the modern era (since Luminate began electronically tracking sales in 1991). A Philly Special Christmas Party sold 32,000 copies in its first week (ending Nov. 28), with 22,000 of that sum on vinyl. The album was commercially released on CD, vinyl and digital download on Nov. 22.

The last holiday set with a bigger sales week overall was when Carrie Underwood’s My Gift sold 33,000 nearly three months into its release, on the Dec. 19, 2020-dated charts. Previously, the biggest sales week in the modern era for a holiday set on vinyl was when Vince Guaraldi Trio’s A Charlie Brown Christmas soundtrack pushed through 20,000 copies in late 2022 (Dec. 31, 2022 chart date).

The new Party album boasts collaborations with the likes of Boyz II Men, Stevie Nicks, Mt. Joy and Jason’s brother (and Kansas City Chiefs tight end) Travis Kelce and includes covers of tunes like “Maybe This Christmas,” “Last Christmas” and “Please Come Home for Christmas.”

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units.

As for the rest of the top 10 of the latest Top Album Sales chart, the Wicked film soundtrack debuts at No. 1 (85,000), Kendrick Lamar’s GNX debuts at No. 3 (32,000), ATEEZ’s Golden Hour: Part.2 falls 1-4 in its second week (24,000; down 87%), Marilyn Manson’s One Assassination Under God: Chapter 1 debuts at No. 5 (20,000), Zach Bryan’s The Great American Bar Scene re-enters the chart at No. 6 (18,000; up 14,517% after it was issued on vinyl and CD for the first time), Sabrina Carpenter’s Short n’ Sweet is steady at No. 7 (16,000; up 9%), ENHYPEN’s chart-topping Romance: Untold falls 4-8 (15,000; down 70%), Ice Cube’s Man Down debuts at No. 9 (nearly 15,000) and Chappell Roan’s The Rise and Fall of a Midwest Princess rises 11-10 (13,000; up 16%).

Spotify continued its remarkable run this week by briefly surpassing a $100 billion market capitalization before falling slightly by the close of trading on Friday (Dec. 6). The company’s shares rose 4.5% to $498.63, marking the music streamer’s second-best closing price ever. The best closing price of $502.38 came on Wednesday (Dec. 4) when Spotify reached a new intraday high of $506.47, valuing the Swedish company at approximately $100.8 billion. 

The $100 billion threshold arrived the same day Spotify launched its 2024 Wrapped, the personalized, data-driven product that breaks down listeners’ streaming time and ranks their most popular artists and tracks. Wrapped, first launched in 2015, has become both a major media event and an immensely successful product that listeners share incessantly on social media. 

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At Friday’s closing price, Spotify has gained 165.4% in 2024, making it the only music company to have a triple-digit gain. This improvement is three times higher than that of Live Nation, which has risen 46.1% this year. Cloud Music is close behind with a 44.2% gain year-to-date. 

With a valuation of more than double the next-largest music company, Spotify is a major driver of the 20-stock Billboard Global Music Index, which rose 2.8% to an all-time high of 2,280.51. That brings its year-to-date gain to 48.7%. Ten of the 20 stocks were gainers while nine lost ground and one was unchanged. Radio companies, buoyed by iHeartMedia’s 14% gain, led the way with an average gain of 5.9%. Streaming companies posted a 4.4% average gain. Live music companies were essentially flat. Multi-format companies (record labels, music publishers) fell 2.1% on average.

Most other streaming companies were gainers this week. Tencent Music Entertainment rose 10% to $11.54. Cloud Music increased 9.7% to 129.40 HKD ($16.63). LiveOne jumped 6% to $0.88. Deezer improved 2.9% to 1.37 euros ($1.45). Abu Dhabi-based Anghami fell 6.8% to $0.73. 

On the live front, MSG Entertainment improved 1.6% to $36.26 this week. The company announced on Tuesday (Dec. 3) that it spent $25 million repurchasing its Class A common shares due to their price “relative to the company’s long-term growth potential.” Elsewhere, Live Nation fell 1.1% to $140.26 while Sphere Entertainment Co., which announced additional Dead & Company dates this week, fell 5.1% to $40.27. 

In other noteworthy stock moves this week, HYBE dropped 3.2% to 214,000 won ($150.15) after news broke that South Korean authorities are investigating chairman Bang Si-hyuk for possible violations of the country’s Capital Markets Act. The move came after a report claimed Bang had a secret agreement with shareholders prior to HYBE’s initial public stock offering that gave him a $285 million profit when the company went public in 2020. HYBE shares fell 6.7% over the two trading days following the news report but recovered more than half its losses later in the week. Other K-pop stocks fell in unison with HYBE. JYP Entertainment dropped 5.2%, YG Entertainment lost 5.8% and SM Entertainment sank 7.5%. 

Elsewhere, stocks were mostly up globally. In the United States, the Nasdaq composite rose 3.3% and the S&P 500 gained 1%. In the United Kingdom, the FTSE 100 improved 0.3%. China’s Shanghai Composite Index grew 2.4%. Dragged down by political turmoil, South Korea’s KOSPI composite dropped 1.1%. 

As we build toward the 2024 Billboard Music Awards on Dec. 12 and Billboard’s Year-End Charts reveal on Dec. 13, check out our editorial list of staff picks for the best K-pop songs of the year.

As more and more K-pop artists break the genre and cultural barriers that can divide listeners, the Korean music industry grew its visibility and expanded its experimental nature this past year, resulting in greater opportunities for the scene at large while gifting global audiences some undeniably special singles.

In line with trends since the start of the decade, girl groups continued to dominate the singles space as (G)I-DLE, fromis_9, aespa, NewJeans and ILLIT delivered inescapable hits, alongside beloved troupes like Red Velvet, ITZY, Dreamcatcher and Kep1er, who delivered some of the best songs of their career.

K-divas BIBI, Lee Young Ji and K-pop’s standout rookie boy band TWS delivered singles that became mainstays on the charts and across social media. Elsewhere, Lim Young Woong, PENTAGON’s Hui, ATEEZ, Loossemble and ARTMS all stepped up to new moments of musical greatness with creative curveballs that defied expectations but delighted all kinds of audiences.

From the nostalgic reunion of BIGBANG’s leader G-Dragon enlisting his bandmates Taeyang and Daesung for “Home Sweet Home” to the rookie girl group that made Billboard Hot 100 history this year, not to mention a track that samples Afrika Bambaataa and the Afrobeat-infused flair of KISS OF LIFE’s “Sticky,” this year’s best K-pop songs boast some of the most eclectic, exciting tunes in recent history.

While the Korean music industry continues to expand its global reach, with many of its artists releasing English singles or tracks explicitly aimed at the Western pop market, this list focuses on the songs released with Korean lyrics or with core K-pop audiences in mind (as much as we loved bops from the likes of Jimin, AleXa, BABYMONSTER, the BLACKPINK members and many, many more).

With some of the best boy bands, greatest girl groups, specially selected soloists, plus one dynamic duo, dive into the complete list to experience the finest K-pop songs of 2024. And check out our list of the 25 Best K-Pop Albums of 2024, too.

BTS’ V is in the holiday spirit as he dropped his rendition of “White Christmas” with Bing Crosby. Keep watching to hear a snippet of his version and to see what other BTS members have done for the holiday season! 

Tetris Kelly:

One of our favorite crooners is bringing the Christmas spirit. We’re discussing V’s new holiday track and some of the times BTS has brought the cheer. Just today, the new rendition of “White Christmas” dropped including Bing Crosby, V’s favorite jazz singer growing up. We love it. Our boys love this time of year. V previously released “Christmas Tree.” And who could forget the holiday version of their Hot 100 No.1 “Dynamite.” Jimin released “Christmas Love” and Jung Kook joined him for Christmas Day. For more on V’s new track and BTS holiday tracks… head to Billboard.com.

As we build toward the 2024 Billboard Music Awards on Dec. 12 and Billboard’s Year-End Charts reveal on Dec. 13, check out our editorial list of staff picks for the best K-pop albums of the year.

As is seemingly tradition, the K-pop industry has plenty to celebrate when reflecting on the year’s album milestones. 2024 featured record-breaking achievements, inventive breakthroughs and a wealth of impactful projects to solidify K-pop’s ever-growing global presence as a commercial and creative force.

Stray Kids, ATEEZ and TWICE dominated the Billboard 200, earning their fifth, second and first No. 1 albums in America, respectively. Their successes contributed to a historic moment when three K-pop acts—BTS’ Jin, ENHYPEN and ATEEZ—simultaneously ranked in the top 10. Elsewhere, celebrated projects led several artists to their first-ever appearances on the Billboard 200, while rising, next-generation stars P1Harmony and BOYNEXTDOOR climbed to new peaks.

But 2024 wasn’t just about breaking records, but also a year when artists pulled listeners deeper into their worlds. Beloved solo stars like ONEW, Baekhyun, Yves and D.O released their first projects under new labels, showcasing their individuality after departing longtime agencies.

Meanwhile, superstars like IU, RM, DAY6, SEVENTEEN and tripleS delivered some of their most ambitious work yet, blending innovative concepts with personal storytelling.

From K-pop icons to promising rookie acts, R&B wunderkinds and even one virtual boy band, check out our full list of the best K-pop album below — and be sure to check for our top K-pop songs of 2024 list, too.

The West Coast rapper is enjoying the looks he’s had this year.

First, AzChike was featured on ScHoolboy’s Q‘s critically acclaimed album Blue Lips, which essentially worked as a solo track/interlude on the song “Movie”. Chike then made another scene-stealing appearance on Kendrick Lamar‘s GNX on the song “peekaboo”.

During a recent interview with Brown Bag Mornings on Power 106, he talked about how his guest feature on Dot’s surprise project where he revealed that not only did he lay down verses that didn’t end up on this song, but that the Compton rapper already had him in mind when he first made the song.

“’Peekaboo’ was a lot longer than that, but I think he was just doing it just to have more to work with… When he played it, his parts were already on there and the parts I was supposed to be on, he was mumbling how I rap,” he revealed. “He was like, ‘That’s you right there.” […] He told me, like, ‘Rap, bro. Just rap… When they hear this, they wanna ask, who the f—k is this?”

Chike then recalled that he was originally on the hook, but he wasn’t having a hard time getting the cadence right. “They had me do the hook by itself but that sh—t is a tongue-twister,” he said. “I told ‘em even when I heard it the first time. Before I even knew they wanted me to do the hook by myself like that, I was like, ‘Damn. He saying this sh—t fast as f—k!’ And when I told him he was like, ‘Bro, I just did so many takes. I just kept doing it.’ So when I went to go do it the first time, I couldn’t do it by myself. I had to hear him say it. It had to play while I said it.”

AzChike dropped three projects this year and recently released a new song in “Love Yo Weapons.” Make to go stream that.

You can watch the interview below.

Watch Mustard share his start in music and how collaboration brings together greatness, exclusively for Billboard and Honda Stage.

Mustard:
The music is collaborative, you know, like, how I think is one way and how the next person may think is another way. And you put two great minds together, you know, you come out with something great every time. When did I discover my love for music? When I started DJing at 11. Uncle was a DJ. I always wanted to be like him, and I DJed a party. Well, he left me at a party. When I first came across Amirah, I just really was drawn into her voice, like her voice, how she sound. But then I I looked at her, like her other socials, and I was just like, “Oh, she has personality.” But if you ever meet her, you’ll be like, “Oh, she’s like, an interesting person.” When I’m working with Amirah, sir, you know, anything like that, I gotta already first believe in you, I think already have some type of level of respect before I’m even walking in the studio with anybody big or small.

50 Cent and Jay-Z still have beef? Fif discussed his theory that Jay-Z tried to keep him from performing at the 2022 Super Bowl halftime show with Dr. Dre and Snoop. Keep watching to see what 50 Cent has to say about their issues.

50 Cent:

Our culture’s competitive, but I think when it goes past the music itself to blocking things in business, then I don’t understand that.

Tetris Kelly:

50 Cent and Jay-Z still got beef? Always known to speak his mind, the legendary Queens rapper discusses his theory that Jay-Z tried to keep him from performing at the 2022 Super Bowl halftime show with Dr. Dre and Snoop. While appearing on Cam’ron’s new interview podcast, ‘Talk to Flee,’ the conversation turns to 50’s longtime rival Jay-Z. Cam’ron asks 50 to address the rumors of Jay-Z going to Dre and Em to get 50 off the show.

50 Cent:

Our culture’s competitive, but I think when it goes past the music itself to blocking things in business, then I don’t understand that. Right now, he’s not even competing for a slot. He doesn’t have a new song out that he wants to be top 10 and he’s still competing. It doesn’t make sense. What are we competing for? What’s the goal?

Tetris Kelly:

At the time of making this video, Jay-Z has yet to respond to 50’s comments. Can’t we all just get along? Here’s to hoping these rap icons squash this decades-old beef. Keep it locked here at Billboard for more hip-hop news.

ROSÉ has finally dropped her highly anticipated solo debut album ‘rosie.’ Keep watching for a breakdown of her newest work!

Tetris Kelly:

Her and Bruno have had us all singing “APT” and now ROSÉ has arrived with her full project. We break it down in this week’s Music You Should Know: ‘rosie.’ “APT” with Bruno Mars became ROSÉ’s first solo Hot 100 top 10 song and after a hot Mama Awards performance, we couldn’t wait to see what she delivered next. She’s taken a break from her BLACKPINK sisters for 12 tracks, including fan favorite “number one girl.” And just today with rosie’s fresh release, she dropped a new single and video for ‘toxic till the end.’ We’re obsessed. And to be honest, we have been since “On the Ground,” a certified bop. Do you have a favorite track on ‘rosie’ yet? Let us know in the comments. It’s out now.

It looks like Britney Spears is staying put — for now. After telling fans that she was moving out of the United States to Mexico to escape “cruel” paparazzi, The Hollywood Reporter has confirmed that the pop star actually isn’t taking the leap, according to a source.

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Spears had told fans in an Instagram video Tuesday (Dec. 3) that she was moving because “they’ve always been incredibly cruel to me, the paparazzi and pictures, and the way they’ve illustrated me to be in some of it.”

“I know I’m not perfect at all, by any means, but some of it is extremely mean and cruel, and that’s why I’ve moved to Mexico,” she added in the clip, posted one day after her 43rd birthday.

Two days later, the “Toxic” singer shared a video of herself modeling an icy blue cocktail dress and wrote, “I’m so blessed !!! I’m house hunting and this place is insanely beautiful !!! Thank you Jesus for a place so far away from America !!!”

It’s unclear whether Spears is simply trolling her audience or not. The posts come just after a California court declared her legally separated from ex-husband Sam Asghari, with whom she split in August 2023.

The pop star is currently in the midst of having her life adapted into a biopic directed by Wicked filmmaker Jon M. Chu, with Universal Pictures landing the rights to her bestselling memoir The Woman in Me in August. In a recent interview, Chu said that — despite not having a script in place yet — the project will be “about how we treat people, young people, stars that we think we own, women, mothers.”

“The project I might be doing isn’t a biopic story … it’s a fictional musical where I play an extremely intelligent character !!!,” Spears wrote on Instagram in September. “It’s flattering to be in such good company like Jon Chu !!!”