Early on in their Thursday night (Dec. 5) performance at the Kings Theater in Brooklyn, NY, drag stars Jinkx Monsoon and BenDeLaCreme told their crowd of a few thousand fans that they intended to do things a little differently this year.

The pair have been performing together in various iterations of their annual Jinkx & DeLa Holiday Show for the last seven years, with each successive variety performance becoming more involved, plot-driven and deeply meta than the last. Their 2023 show, as they point out during this year’s production, revolved around their show itself turning on and trying to kill them.

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So for 2024, the dynamic duo told their audience that they just wanted to keep things straightforward — some lighthearted fun, some good laughs, and that winning parody combination of “a pop song you heard on the radio all year, plus Christmas,” as DeLa put it. Nothing fancy, just an easy, simple holiday show.

What ensued, while it was of course not at all what the duo described at the outset of their performance, proved exactly why these Drag Race alumni make such a perfect pair on the stage. Across two acts and two hours, Jinkx and DeLa managed to not only encapsulate the manic brilliance of their now-historic run together, but to also deftly (and often bluntly) address and audience still reeling from the political chaos of the last month.

Fans of the The Jinkx & DeLa Holiday Show will have plenty to celebrate with this year’s iteration, as the pair keep on the tradition of building a loose narrative around a Christmas-themed concept. This time around, Jinkx delightfully informs the audience that they’re doing a Nutcracker riff (or “nut-gobbler,” as DeLa accidentally calls it), as the pair get shrunk down to toy-size and participate in the well-loved Christmas ballet. It’s a welcome shift, seeing the usually-grinchy Jinkx getting excited for the holdiays, while the often-optimistic DeLa gets her opportunity to make fun of the centuries-old ballet at every given opportunity.

The song parodies are also back, and arguably better than ever. Jinkx and DeLa once again meld their own original songs with new versions of holiday classics, American standards and a heaping helping of 2024 pop hits. A now Broadway-minted Monsoon flexes both her musical and comedic chops on the early standout performance of “Secular” (to the tune of Wicked‘s “Popular”) as she delights in leaving the more Judeo-Christian aspects of the season behind. Meanwhile DeLa stuns with a rendition of Beyoncé’s “Texas Hold ‘Em” that sees the star crooning about missing snow in a globally warmed winter of unseasonably warm weather — although, when it happens this much, we really shouldn’t call it “unseasonable,” as DeLa points out.

The standout running gag from the show, though, comes in the form of the pair desperately trying to find an appropriately funny (and Christmas-y) Chappell Roan parody. DeLa tries her best early on — conjuring up clunky visions of a “Red Reindeer Place” and attempting to incite a “Femininomenon” in the city of Bethlehem — before Jinkx tells her to just give it up. But the pair finally triumph with their own, double-meta version of Roan’s breakout hit “Hot to Go,” this time singing about the difficulty of coming up with a Chappell parody before settling on spelling out “Hot Coco.”

While the show certainly has plenty of fun songs and hilarious jokes — Jinkx’s ongoing infatuation with and seduction by The Nutcracker had the Brooklyn audience in stitches — the show’s core comes into full focus during it’s second act, when both Jinkx and DeLa partially drop the facade of the show to look at the context they’re performing it in.

In an interview with Billboard back in October, both Jinkx and DeLa expressed their desire to get to the core of our current system of political division, and how those divisions have made the holidays and even harder time of year for everyone, especially in the LGBTQ+ community. “At a hard time of year, a bunch of people get to come together and look at some beautiful visuals, outfits, props and performances from our brilliant cast,” DeLa said at the time.

While I won’t give away the show’s clever plot, I can say that the Act II breakdown from Jinkx & DeLa landed exactly where they wanted it to. As the pair use the structure of their show itself to process Donald Trump’s re-election in November, they dig even deeper to get to the emotional crux that the audience at the Kings Theater was feeling. When Jinkx woefully declared that she — like many of us — was “so tired of caring,” DeLa delivered the needed reality check: “I’m tired of people not caring.”

The fabulous costume design and gifted background performers helped elevate 2024’s Jinkx & DeLa Holiday Show to new heights, that’s for certain. But the thing that always made this zany show work is what worked best for the 150th time on Thursday night; a pair of best friends and talented performers who know exactly how to balance the real with the delightfully absurd.

Doechii is blossoming into a star. The Top Dawg Entertainment rapper checked off another box within her ascension on Friday (Dec. 6) by making her Tiny Desk concert debut at NPR’s headquarters.

The Swamp Princess didn’t disappoint with her set either, as she brought the Black Girl magic and some friends along for the magic carpet ride. The all-female band boasted a nine-person arrangement of horns, and vocalists rocking braids with beads styled to match Doechii’s for the jazz-tinged concert.

Most of the setlist stuck with Doechii’s acclaimed Alligator Bites Never Heal mixtape as the 26-year-old burgeoning rapper ran through the smooth “Boom Bap,” “Boiled Peanuts,” “Denial Is a River,” “Catfish” and fan-favorite “Nissan Altima” before moving into “Bullfrog” and “Hide n Seek.”

Prior to closing out her electric set with Oh the Places You’ll Go‘s “Black Girl Memoir,” Doechii glanced at the Black women in the room and delivered a poignant message.

“I decided to perform this record because I think there’s been a lot of heightened emotions with the current state of our country, and I wrote this song specifically for Black women. As a dark-skinned woman, there’s a very unique experience I’m trying to internalize,” she said ahead of the 2020 track. “This is a song I think other dark-skinned women will relate to. So this is dedicated to all the beautiful Black women in the room.”

It’s been a special year for Doechii, who is coming off the release of her Alligator Bites Never Heal mixtape, which came in at No. 10 on Billboard‘s Best Albums of 2024 List.

The Florida native’s rise also resulted in her jumping to No. 6 on the Hottest Female Rappers list for 2024 after not appearing on the first iteration earlier this year.

Watch her performance below.

On today’s (Dec. 6) episode of the Greatest Pop Stars of the 21st Century podcast, we’re finally out of new rankings and pop stars to discuss — so we take a look back at the top 10, and the entire Greatest Pop Stars project, with some help from AJ Marks, moderator of Reddit’s r/Popheads forum and host of the stellar Main Pod Girl podcast. (AJ previously joined the podcast to talk about the list’s first half, find his previous podcast appearance here.)

Host Andrew Unterberger talks with Marks about his big-picture takeaways from our rankings — what parts of the ordering did or didn’t make sense to him, and if he feels like he has a better understanding of the Billboard editorial staff’s definition of pop star greatness than he did when the project started. We also of course talk a little Taylor Swift and Beyoncé — and about the r/Popheads reaction to the entire rollout of the top 10, leading up to our No. 1 reveal — and look forward a little to our upcoming 2024 Greatest Pop Stars rankings, with AJ offering his predictions for some of the most likely artists to be in the mix for the top spot.

We close with AJ by asking him the questions we’ve asked for every pop star on this list so far — making him choose between the total pool of choices for all 25 artists. Then, Andrew closes by offering some much-deserved thanks to the dozens of folks on staff who helped make this entire list possible.

Check it out above, find all our past episodes here, and be sure to subscribe to Billboard‘s Greatest Pop Stars of the 21st Century series wherever you get your podcasts! (And definitely remember to check back next week as we begin the rollout for our Greatest Pop Stars of 2024.)

Majo Aguilar finishes the lyrics to some of her biggest hits, which include “No Voy a Llorar,” “Cuéntame” and more!

Majo Aguilar:
How are you? I’m Majo Aguilar, and I am going to Finish the Lyrics of my own songs here with Billboard

It’s unclear to me/ Remember that you said/ You would never do me no hard.

And no matter how much you try/ What we had is dead/ And there’s no turning back. 

That I’m not going to cry/ If you want to leave/ Well, I’m not going to stop your dreams/ Of flying to a happier world with crystal clouds. 

He cries because the love of his life has married/ It’s sad to see a train leaving/ Taking the best of his life with it. 

I want a love that/ Understands everything I feel/ Finally leaving behind/ Finally leaving behind heartaches and laments.

How much you could have spared me/ Before I fell in love.

In partnership with Billboard and Johnnie Walker, Ovy on the Drums sat down with rising star PapiKaiser to offer industry advice, listen to music and share a toast as part of the Voces del Futuro video series.

Ovy On The Drums:

I am who I am today obviously thanks to my talent and my effort, but behind that there’s a mountain of people that have contributed to what I am today. The truth is that it never crossed my mind, my dreams of being a producer, my dreams of being an artist. Never. Ovy on the Drums here. I’m with Billboard and Johnnie Walker Blended Scotch Whiskey celebrating and advising the voices of the future. For me, it’s obviously an honor to share all that I’ve learned with these new artists.

PapiKaiser:

Hey, PapiKaiser here. I’m very excited to meet Ovy. I’ve listened to a lot of his songs. So, for me, it’s a pleasure to meet him. Ovy!

Ovy On The Drums:

PapiKaiser, my brother. A pleasure to meet you.

PapiKaiser:

How is everything? It’s a pleasure to finally meet you.

Ovy On The Drums:

The pleasure is all mine, little brother.

PapiKaiser:

Yes, yes. How’s the process going? Does the music still fascinate you?

Ovy On The Drums:

Well, the truth is every day is like the first day that I discovered my love for music.

PapiKaiser:

At what age did you discover you wanted to be a music producer?

Ovy On The Drums:

Around 20 years old. I discovered that i was born for this. What year did you begin making songs?

PapiKaiser:

I began in 2019. I release my first song title “Cura” in Spanish. Well, Ovy, I brought you this song here that’s cooking up in the pot right now and I want to share it with you. Let’s listen.

Keep watching for more!

It’s Kendrick Lamar Week for Billboard Unfiltered following the Thanksgiving break. Lamar unleashed his GNX album without any sort of warning on Nov. 22, and the LP debuted atop the Billboard 200 with 319,000 equivalent units earned.

Dot also took up a ton of real estate on this week’s Billboard Hot 100, with seven out of the top 10 and the entire top five. He even announced an accompanying 2025 North American stadium trek called the Grand National Tour, on which his “Luther” collaborator and former Top Dawg Entertainment running mate SZA will be joining him.

There was a clean sweep of approval from the quartet of co-hosts, with GNX launching Lamar into the album of the year conversation and stamping his banner year of rap domination.

Deputy Director of R&B/Hip-Hop Carl Lamarre believes K. Dot’s ’24 rivals some of the great years rap’s seen in the last 25 years. “Him being able to land three No. 1s this year on the Hot 100 … Him announcing this tour, him having a No. 1 album,” he said. “I think his run this year is probably comparable to what we’ve seen from an ’08 [Lil] Wayne, an ’03 50 [Cent], a 2018 Drake with what he’s been able to do.”

Editorial Director Damien Scott credited Lamar with “blanketing the culture” and compared GNX to Jay-Z’s The Blueprint with how direct and to the point the project is while releasing digestible hit records. “To me, this album feels like a Jay-Z album. It feels like The Blueprint. It’s very direct, it’s very to the point. Here’s Jay at the height of his powers being like, ‘I run this s–t. F–k all of you.’ Just like Kendrick is on the opening track,” Scott opined. “First it was f–k this one guy, now it’s f–k all of you … It’s an amazing rap record.”

The Debbie Deb-sampling “Squabble Up” launched at No. 1 on the Hot 100, and Senior Charts Analyst Trevor Anderson didn’t expect to hear a hit record like that. “Coming off ‘Squabble Up,’ I was up there looking like Jonathan Majors in my apartment doing the little civil rights dance,” he joked. “One thing we missed with Mr. Morale was a clean Kendrick hit.”

Elsewhere during Billboard Unfiltered, the staff discussed Drake making a pair of legal filings against Universal Music Group in November, alleging that his record label artificially inflated the popularity of Lamar’s “Not Like Us.”

Staff Writer Kyle Denis was confused initially by the 6 God’s legal actions, but believes the first pre-filing has a chance to be a landmark case if it indeed heads to trial and there’s a ruling in Drake’s favor that shakes up streaming’s landscape. “If this does end up going to trial and we get a decision that actually impacts the very model of streaming, this would be an important case,” he stated. “All of that is still colored by the timing of it all, and this arriving during GNX week. It’s a little bit pathetic … It just feels a little bit ‘Let me do what I can to muddy up this guy’s release week any way that I can.’”

Watch the full episode above.

Solana season appears to be on the horizon. After promising a pair of albums, SZA has teased the deluxe edition of her record-breaking SOS album.

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The Grammy-winning singer posted a photo to her Instagram Story on Friday (Dec. 6) featuring a whiteboard that appeared to have a tracklist for the upcoming deluxe, but SZA made sure to cover up most of the potential song names.

“Do not erase. Deluxe,” the board is titled with every track blurred out except for “Saturn.” SZA looks ready to protect Gotham as she’s rocking a Spider-Man suit in the studio.

“SHE GOT BACK IN THE STUDIO,” an excited fan replied on X.

In November, SZA revealed she had plans to release two albums, one being the SOS deluxe and the other being her anticipated Lana project.

“I think I am making music from a more beautiful place. From a more possible place versus a more angsty place,” she told British Vogue. “I’m not identifying with my brokenness. It’s not my identity. It’s s–t that happened to me. Yeah, I experienced cruelty. I have to put it down at some point. Piece by piece, my music is shifting because of that, the lighter I get.”

SOS arrived in December 2022 and debuted at No. 1 on the Billboard 200 with 318,000 equivalent album units – the third-highest debut week of the year. The album went on to sped 10 total weeks atop the chart.

SZA will be hitting the road in 2025 as part of Kendrick Lamar’s Grand National Tour, which will be invading stadiums across North America next summer.

This week in dance music: Lightning In a Bottle announced its 2025 lineup featuring John Summit, Jamie xx and Khruangbin, and Electric Forest dropped a 2025 lineup featuring Justice, Sara Landry and Tiësto. Meanwhile, we spoke with jungle boss Nia Archives, EMPIRE signed Palestinian American DJ Habibeats, Depeche Mode said they’re not currently focused on making new music, we went backstage at Portola to see the festival’s hybrid battery system that saved the use of a whopping 6,053 gallons of diesel fuel.

But that’s not all: Charli XCX revealed that she’s frequently in “a lot of pain” due to nerve damage, we spoke with Charli’s Club Sweat tour partner Troye Sivan, electronic pioneers Kraftwerk announced a 2025 North American tour, and Burning Man art car Titanic’s End announced the launch of a new record label, Titanic’s End Records.

And as we see the end of the year in the headlights, these are the best new tracks of the third-from-last Friday of 2024. (And watch this space for our best of the year dance lists, unrolling right here next week.)

Rebecca Black, “Sugar Water Cyanide”

After a buzzy Boiler Room set in October and standout performances at Portola in September, Rebecca Black is further establishing herself as our new favorite Brat-lite club queen with “Sugar Water Cyanide.” The track is pop on its face via Black’s silken-voiced verses, but ultimately it’s club-coded in its pitched-up vocals laid over a hyper-pop-tinged house production. Coming from Black’s album Salvation, out January 17, the song is one Black says is “like if my drug of choice were a person. This is one of those songs that feels as though it’s been inside of me my whole life and was waiting for the right day and time to be ready for it to pour out. I wanted to make THAT song you could only really hear on 100% volume in your car or busting through the bass in the club.”

RL Grime & Knock2, “Come Aliv3”

Hitting hard with waves of 2012-era mainstage nostalgia, the latest collab from San Diego wunderkind Knock2 and bass icon RL Grime hits as hard as you want it to, with the pair shifting from a throwback progressive sound to oversized, ride-that-rail trap fare that is both their specialities. “come aliv3” is third single from Knock2’s forthcoming debut album, nolimit, coming on 88rising, on a date that’s yet to be announced. The 25-year-old producer will tour behind on the album on a run of more than two dozens dates that starts in February and wraps in April all the way over in Australia. This release comes after a three-show residency from Knock2 and his pal ISOxo (performing as ISOknock) at the Bill Graham Auditorium in San Francisco, where special guests included genre titans Hudson Mohawke, Baauer and 100 gecs’ Dylan Brady.

Tokimonsta, “For You”

After pushing the release date for her forthcoming album back in September due to a personal matter, Tokimonsta is back with a new single and a revised schedule. A collaboration with multi-instrumentalist and producer Kaelin Ellis, album single “For You” is a softly gorgeous and soothing but still swiftly moving production that puts crisp, complex polyrhythms at the fore and layers it up with bass and other instruments that create something with genuine soul. “After taking necessary time off to prioritize caring for a loved one, I’ve realized that creating and sharing my art remains my deepest purpose,” the Los Angeles-based producer says. “‘For You’ is a reflection of my journey forward, embracing joy and connection through music. It’s a gift from my heart to the world, and I hope it resonates with everyone who listens.” Tokimonsta’s seventh album, Eternal Reverie, is now coming in 2025 via her own Young Art label. The project will feature collaborations with Cakes da Killa, Anderson .Paak and more.

Bubble Love, “Original Mix”

Bubble Love is a side project from longstanding U.K. producer Ross From Friends, with the artist saying that this alter-ego gives him the ability to harness the wilder and more experimental energy of his clubs sets without feeling pressure to change his de facto sound. It’s a welcome addition to his oeuvre, with the fusion of rap and two-step on his Cameo Lush colla “Close Your Eyes” giving a good indication of the overall sound and spirit of the 10-track eponymous LP.

Storken, “Totoish”

Swedish producer Storken absolutely outdoes himself on the seven-and-a-half-minute nu-disco opus “Totoish.” Weaving in bits of Moroder, Vangelis, Todd Terje and ’80s power pop, this multi-movement production — made in collaboration with fellow Swedish producer Gusteau — melds piano, hand drums and a shimmering, chord-changing synth at the center. “Enjoy this Swedish baked assemblance of the rock n roll hall of fame legacies, a try to unite a lot of bands that never saw daylight,” Storken says of the independently released single.

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

Sech, Tranki, Todo Pasa (Rimas Entertainment)

After a three-year hiatus and following his 2021 set 42, Sech officially makes his comeback with fifth studio album Tranki, Todo Pasa. Musically, the Panamanian artist delivers edgy reggaetón fusions with electronic music and his signature sultry reggae plena melodies. Lyrically, he’s a changed man: The opening track, “Toy Perdio,” explains why he went missing in action, and all signs lead to a heartbreak. “Tarde” further cements that analysis: “That crazy woman did so much harm to me […] the weight you left behind I can’t even carry in the gym,” he sings.

In “Chiste JAJA,” where he samples Rosalía and Tokischa’s “Linda”; in “Picasso,” where he samples La Oreja de Van Gogh’s “Rosas”; and in “Me Quedé Off,” he continues to vent about the former sour relationship. But beyond an album that’s about heartbreak, it’s a true reminder that “relax, everything passes.” The new Sech is — physically and emotionally — transformed, evolved, healed, and doing just fine, as he powerfully sings on the 14-track set, home to collaborations with Elena Rose, De La Rose, Beele and more.  — JESSICA ROIZ

Tini, “El Cielo” (Hollywood Records/5020)

Tini is precise with her lyrics in “El Cielo,” as she sings about closing a chapter of a love story that ultimately became just a short story. Mixing dance and pop with Afrobeat influences, Tini narrates the spiritual growth that comes from living life with no regrets and loving unconditionally, even if all roads lead to uncertainty. The new release follows her critically acclaimed un mechón de pelo, released in April. While the song alone is captivating, the music video is equally invigorating. Directed by Malu Boruchowicz and filmed in Buenos Aires, Tini is as free as ever dancing under the rain surrounded by her friends, expressing a joy that is almost infectious — perfectly capturing that transition from heartbreak to self-liberation. — GRISELDA FLORES

Xavi & Fuerza Regida, “STR” (Interscope Records)

Swagger and bravado pulse through “STR,” a sierreño that fires up with bold tololoche strings and commanding trumpets. As the rhythm thrums, Xavi and JOP lay out lyrical dominance and tales of empire, narrating a journey fuelled by non-believers turned to staunch supporters. The lyrics, flavored with streetwise grit and an unapologetic spirit, cruise through experiences of luxury and betrayal. “Y por eso ahorita me voy, me vale verga, ahorita yo soy el rey,” the duo asserts in the chorus, encapsulating the essence of self-made royalty. The song is a declaration of independence and unchecked power, perfect for blasting on a drive in an SRT. — ISABELA RAYGOZA

Carín León, Palabra de To’s (Socios Music LLC)

As if one song weren’t enough to channel heartbreak, Carín León presents Palabra de To’s, a 16-track album where heartbreak is the common thread in a wide range of emotions. From the heartbreaking drama of the lead single “El Amor de Mi Herida” to firm declarations like “De Su Vida Me Iré,” León creates a perfect project that demands us to sit down and listen to, sing to your heartbreak, or hang out with friends. The carefully crafted lyrics, in collaboration with 28 composers and curated by Edgar Barrera, highlight León’s style of weaving stories that sound like an intimate conversation without falling into repetitive verses.

Musically, strings predominate, played with simplicity and sensitivity, serving as a perfect canvas to highlight his voice. With just one collaboration, “Ocupo Una Limpia” with Luis Mexia, León reaffirms his ability to hold the weight of an entire solo album. On the other hand, the album cover, inspired by Da Vinci’s The Last Supper, underlines León’s intention to present this project as a banquet of emotions to share. All in all, an album so well-crafted that it is a pleasure to listen to from start to finish. — LUISA CALLE

Ryan Castro, Juanes & SOG “El Chucu Chucu” (AWOO Corp./Sony Music Latin)

Ryan Castro and his longtime producer SOG have a talent for creating the most “Parranda-style” anthems each year, making it a cherished tradition in true Ryan Castro fashion. This year is no exception and, on this occasion, he teams up with Colombian powerhouse Juanes to celebrate their shared heritage from Antioquia in Medellín. The song “El Chucu Chucu” serves as a vibrant tribute to the holiday traditions of Antioquia, seamlessly blending nostalgia with contemporary urban rhythms in a perfect mix of cumbia, plus the guitar riffs that embody Juanes’ distinctive sound. In this release, Castro adopts his alter ego ‘Richy,’ a character inspired by the rich cultural tapestry of his native Medellín, this year accompanied by his cousin Toño, portrayed by Juanes, to create a festive anthem that honors family, music, and their heritage. — INGRID FAJARDO

Los Rakas, La Raka Zaza (Raka Music)

After a five-year pause, Los Rakas burst back onto the scene with La Raka Zaza, a colorful mosaic of Afro-Latin and Afrobeat rhythms intertwined with soul-thrilling dancehall. This latest offering cousins Raka Dun and Raka Rich showcases their signature pulsating grooves and a penchant for reimagined classics, fueling an irresistible urge to thrust.

Kicking off with the sultry “Dinero Que Llueva,” their Auto-Tune-laced vocals weave hypnotic spells that set the tone for an album ripe with innovation and nostalgic nods. “Cámara Lenta,” in collaboration with Texas’ DJ/producer El Dusty, revitalizes Juvenile and Soulja Slim’s “Slow Motion” by intertwining robust dancehall elements. “Amigos Con Derecho,” featuring DJ Zaa and Mike Zuleta, flaunts melodic nylon strings alongside steamy vocals, crafting an atmosphere that’s both intimate and liberating.

The heat intensifies with “Candela,” where Nigerian artist Big Klef brings his Afrobeats genius, culminating in carefree lyricism aimed at simply having a good time. Meanwhile, “Tóxica” delivers reggae en español with a classically reverberating vocal stylings, and “Completa” alongside 2-EZ, merges dancehall with dembow. Each of the 13 tracks in La Raka Zaza contributes to a potent blend of styles and stories, marking a triumphant return for the dynamic Oakland-by-way-of-Panama duo. Los Rakas remain unapologetically themselves while crafting tracks that beckon the world to listen — and sway to the riddim. — I.R.

Yeison Jiménez & DFZM “El Tierno” (Yeison Jiménez)

Música popular Yeison Jiménez is taking a bold step into the realm of urban music alongside emerging young rapper DFZM. Their new collaboration, “El Tierno,” blends the traditional elements of Jiménez’s signature sound with contemporary, energetic beats that characterize rap. In “El Tierno,” Jiménez demonstrates that his music is capable of transcending genres, presenting a captivating sound that is both dynamic and infectious. — I.F.

Listen to more editors’ Latin recommendations in the playlist below:

A new documentary series chronicling the rise and fall of Ace of Base, one of the biggest Swedish pop band exports of all time, following in the tradition of fellow Billboard Hot 100 chart-toppers ABBA and Roxette, has arrived.

Featuring unseen home movie footage and new interviews with members of the band, their business team, music executives, artists and cultural critics, Ace of Base: All That She Wants is now available to stream in full on Viaplay, a streaming service that hosts Nordic and European TV series and films. You can subscribe to Viaplay via Amazon here.

The Swedish quartet — Ulf Ekberg and the siblings Jonas, Jenny and Malin Berggren — first saw success in America with “All That She Wants,” a No. 2 Hot 100 hit and Pop Airplay No. 1, but follow-up single “The Sign” rocketed them to the top of the Hot 100. It was a ubiquitous, era-defining, reggae-flavored dance-pop smash in the mid ‘90s, and remains the longest-leading No. 1 ever on the Pop Airplay chart (it dominated for 14 weeks in 1994).

Ace of Base scored seven top 40 Hot 100 hits throughout the decade, including “Don’t Turn Around” (another Pop Airplay topper) from their U.S. debut album, The Sign, a repackaging of their European debut Happy Nation that topped the Billboard 200 when released by Arista. Naturally, Arista founder and industry legend Clive Davis is one of the interviewees in this docu-series, which also features sit-downs with Wyclef Jean, Nigerian-Swedish singer Dr. Alban (“It’s My Life”), the group’s manager, lawyer, A&R, bodyguard and one of their backup dancers to provide the full picture of their “warts-and-all” story. Ace of Base: All That She Wants also includes an interview with Billboard executive digital director Joe Lynch, i.e., the person writing this article.

In addition to their own hits, Ace of Base helped crack open the door for Swedish artists such as Robyn and The Cardigans to make inroads in the States — not to mention pop producers Denniz Pop and Max Martin, who would permanently shift the direction of commercial pop in America via their work with Britney Spears, Backstreet Boys and *NSYNC.

You can check out the trailer below and the full three-part documentary on Viaplay now.