Tyler, the Creator scores his third No. 1 album on the Billboard 200 chart as his new studio effort, CHROMAKOPIA, arrives atop the tally (dated Nov. 9). The set launches with 299,500 equivalent album units earned in the U.S. in the week ending Oct. 31, his best week ever in terms of units. Its starting sum — the sixth-largest debut of 2024 — is also notable because the album arrived on an off-cycle Monday (Oct. 28), and thus had only four days of activity in its first tracking week. (Most albums are released on a Friday, giving them a full seven days of activity in their opening chart week.)

The album was announced on Oct. 17, slightly more than 10 days before its release on Oct. 28.

CHROMAKOPIA also claims Tyler, the Creator’s biggest streaming week ever for an album, and largest sales week ever — again, after only four days of availability. Streams and sales were so strong for the set, it would have been No. 1 off streams alone, or solely on sales.

He previously hit No. 1 on the chart with his last two releases, Call Me If You Get Lost (in 2021) and Igor (in 2019). In total, CHROMAKOPIA marks his seventh top 10-charting set on the Billboard 200 — the entirety of his charting efforts.

Also in the top 10 of the new Billboard 200, Halsey logs her fifth top two-charting set as The Great Impersonator debuts at No. 2, Kelsea Ballerini achieves her highest-charting album ever as Patterns opens at No. 4 and Eminem’s chart-topping The Death of Slim Shady (Coup de Grâce) vaults 44-6 after its vinyl release.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 9, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday, Nov. 5. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of CHROMAKOPIA’s 299,500 equivalent album units earned, SEA units comprise 157,000 (equaling 212.55 million on-demand official streams of the 14 songs on the streaming edition of the album, his best streaming week ever; it debuts at No. 1 on Top Streaming Albums chart), album sales comprise 142,000 (his best sales week ever; it debuts at No. 1 on the Top Album Sales chart) and TEA units comprise 500 units. Vinyl sales accounted for 66,000 of the album’s first-week number, which is Tyler, the Creator’s best week ever on vinyl, and the third-biggest debut week on vinyl for a rap album since Luminate began tracking sales in 1991.

CHROMAKOPIA was issued as an 11-song standard digital download album, a 14-song album on CD and vinyl, and a 14-song digital deluxe and streaming album. (The two 14-song editions each had three additional songs versus the standard 11-song album. The 14-song CD and vinyl added “Mother,” “Sticky” (featuring Sexyy Red and Lil Wayne) and “Thought I Was Dead” (featuring Santigold). The 14-song digital and streaming edition added “Balloon” (featuring Doechii), “Sticky” (featuring GloRilla, Lil Wayne and Sexyy Red) and “Thought I Was Dead” (featuring ScHoolboy Q and Santigold).

Album sales were bolstered by the set’s availability across six deluxe collectible CD boxed sets (each containing a CD, poster and another branded merch item) and a green-colored vinyl pressing. The boxed sets and vinyl were exclusively sold via the artist’s official webstore. A stand-alone CD was available to pre-order, exclusively, in the same store, but has yet to be shipped to customers. All physical editions of the album are only available via the artist’s webstore.

The standard 11-song digital download album, as well as the 14-song deluxe digital edition, was widely available through the iTunes Store and similar services (but were not sold on the artist’s webstore).

At No. 2 on the Billboard 200, Halsey’s The Great Impersonator debuts with 93,000 equivalent album units earned. Of that sum, album sales comprise 81,000, SEA units comprise 12,000 (equaling 16.05 million on-demand streams of the songs on the streaming edition of the album) and TEA units comprise a negligible sum. The Great Impersonator is the fifth top 10-charting set for Halsey, all of which have debuted in the top two positions of the list.

The album’s first-week sales were aided by its availability across many permutations: a dozen deluxe collectible CD boxed sets (each containing a CD and branded merchandise), a standard CD, a standard signed CD, four alternative cover CDs (each signed) and eight vinyl variants (including one signed edition). Most of the offerings were exclusively sold in Halsey’s official webstore. The album was also released as a standard digital album, and via seven alternative digital download albums (each with one to three exclusive bonus tracks unique to each of the seven editions) — all of which sold for a discounted $4.99.

The vinyl sales added up to just over 26,000 copies — Halsey’s best week on vinyl ever.

Sabrina Carpenter’s former leader Short n’ Sweet falls 2-3 on the new Billboard 200 with 74,000 equivalent album units earned (down 5%).

Kelsea Ballerini’s Patterns bows at No. 4 on the Billboard 200, marking her highest-charting album ever and second top 10-charting set. It arrives with 54,000 equivalent album units earned — her best week by units. Of that sum, album sales comprise 35,000 (her second-largest sales week), SEA units comprise 19,000 and TEA units comprise a negligible sum.

Ballerini had previously gone as high as No. 7 on the Billboard 200 with Unapologetically in 2017.

The new album was preceded by the song “Cowboys Cry Too,” with Noah Kahan, which reached the top 20 on the Hot Country Songs chart in July.

The set’s first-week sales were encouraged by its availability across eight vinyl variants (including one signed edition), three digital download editions (a standard set, one with bonus commentary tracks and one with two bonus song tracks), and two CDs (including one signed variant). Her vinyl sales totaled 12,000 for the week — Ballerini’s best week ever on vinyl.

Rod Wave’s Last Lap dips 4-5 on the Billboard 200 with 51,000 equivalent album units earned (down 24%), while Eminem’s The Death of Slim Shady (Coup de Grâce) jumps 44-6 with 49,000 units (up 193%) after its release on vinyl and cassette. The latter was issued across five vinyl editions (mostly color variants) which combined to sell 31,000 copies in the tracking week — Eminem’s best week ever on vinyl.

Rounding out the rest of the top 10 on the new Billboard 200: Gracie Abrams’ The Secret of Us rises 8-7 (49,000 equivalent album units earned; down less than 1%), Morgan Wallen’s chart-topping One Thing at a Time falls 6-8 (46,000; down 9%), Billie Eilish’s Hit Me Hard and Soft is steady at No. 9 (nearly 46,000; down 5%) and GloRilla’s Glorious falls 7-10 (45,000; down 11%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

The Weeknd and Anitta‘s collaboration “São Paulo” has taken the top spot in this week’s new music poll, showcasing a variety of genres.

In a poll published on Friday (Nov. 1) by Billboard, music fans voted the superstar collab as their favorite new release, with “São Paulo” garnering nearly 66% of the votes. This impressive margin placed it ahead of new music from Shawn Mendes (“Heart of Gold”), The Cure (Songs of a Lost World), Ethel Cain (“Punish”) and Megan Moroney (Blue Christmas… Duh), among others.

The electrifying track will be featured on The Weeknd’s upcoming album, Hurry Up Tomorrow. A release date for the project has not yet been announced. The pair debuted “São Paulo” at a special one-night-only event in Estádio MorumBIS in São Paulo on Sept. 7, which was livestreamed for fans.

“We knew it was too special to just play on stage. We saw great potential in the song and found the beat, which is the heart of the show,” The Weeknd previously told Billboard Brazil.

The “São Paulo” music video features a surreal visual of Anitta with an exaggerated baby bump, where her belly appears to sing The Weeknd’s parts, with lips emerging from her belly button. The eerie clip concludes with the word “Phantasm,” leaving fans speculating whether it relates to an album or song title.

In addition to “São Paulo,” The Weeknd has released two other tracks from Hurry Up Tomorrow: “Dancing in the Flames” and “Timeless,” featuring Playboi Carti. “Dancing in the Flames” reached No. 14 on the Billboard Hot 100 chart, while “Timeless” peaked at No. 3.

In this week’s poll, Shawn Mendes’ “Heart of Gold” trailed significantly, capturing nearly 30% of the vote. The song is written in memory of a childhood friend who passed away from a drug overdose.

Check out the final results of this week’s poll below and visit Billboard‘s Friday Music Guide for more must-hear releases.

Bruce Springsteen is hoping to inspire voters in a new advertisement for the Harris-Walz campaign.

On Friday (Nov. 1), just days before the 2024 U.S. presidential election, the Boss shared a minute-long video featuring his late October appearance during a rally for the vice president and Democratic presidential nominee at Temple University’s Liacouras Center in Philadelphia.

In the clip, titled “Hopes and Dreams” (a reference to his 2001 song “Land of Hope and Dreams”), Springsteen criticizes Donald Trump and explains why Americans should support Harris and Halz on Election Day this Tuesday.

“This election is about a group of folks who want to fundamentally undermine our American way of life. Donald Trump does not understand this country, its history, or what it means to be deeply American,” Springsteen tells the Pennsylvania crowd. “I want a president who reveres the Constitution, who wants to protect and guide our great democracy, who believes in the rule of law and the peaceful transfer of power, who will fight for women’s rights and a woman’s right to choose, and who wants to create a middle class economy that serves all our citizens.”

The iconic singer-songwriter adds, “There’s only one candidate who holds those principles dear, that’s Kamala Harris. At thats’ why on Nov. 5, I’m casting my vote for Kamala Harris and Tim Walz. I urge all of you who believe in the American way to join me.”

At the rally in Pennsylvania on Oct. 28, Springsteen shared the stage with fellow musician John Legend, Philadelphia Mayor Cherelle Parker, Pennsylvania Senator Bob Casey, and former President Barack Obama.

The E Street rocker launched his three-song acoustic set with a rendition of his 1978 single “The Promised Land,” followed by a performance of “Land of Hope and Dreams.” He closed the set with “Dancing in the Dark,” which peaked at No. 2 on the Billboard Hot 100 chart in 1984, making it the highest-charting song of his career.

The Boss’s appearance at the Philadelphia rally came just days after he joined Harris’s rally in Georgia, where he told supporters that while the current VP is “running to be the 47th president of the United States, Donald Trump is running to be an American tyrant.”

Watch Springsteen’s “Hopes and Dreams” Harris-Walz campaign ad below.

Justin Bieber and Hailey Bieber are celebrating their first Halloween with son Jack Blues.

On Friday (Nov. 1), the 30-year-old pop superstar shared the first photo with all three members of the Bieber family. The adorable gallery on Instagram finds Justin and his wife, Hailey, 27, portraying Ron and Kim Possible from the Disney show Kim Possible, with son Jack Blues dressed as Ron’s pet naked mole rat Rufus.

In the adorable picture, Justin is seen holding his two-month-old son, who’s dressed in a pink onside, while Hailey dons a red wig and places her hand on the baby. The couple’s matching costumes included black T-shirts and cargo pants with a utility belt.

In August, the couple welcomed their first child, Jack Blues Bieber, sharing the news in an Instagram post in which Hailey held her son’s tiny foot. The arrival came more than three months after Hailey shared the news on Instagram, confirming that she was then a little more than six months pregnant. Hailey then took fans along for her pregnancy, including opening up for a W magazine cover story. 

“I probably could have hid it until the end, but I didn’t enjoy the stress of not being able to enjoy my pregnancy outwardly,” she explained of announcing her pregnancy at the six-month mark. “I felt like I was hiding this big secret, and it didn’t feel good. I wanted the freedom to go out and live my life.”

She also admitted she was savoring the time with Bieber, 30, whom she married in 2018, before they expanded from a duo to a trio. “In the beginning [of pregnancy], it was super emotional for me,” she told W. “Like, ‘I love this human so much. How can I possibly bring someone else into this?’ I’m trying to soak in these days of it being Justin and me, just the two of us.”

While Justin continues to enjoy fatherhood, indie singer-songwriter Mk.gee recently revealed that he’s been in the studio with Bieber working on the singer’s first new album since 2021’s Justice album.

The “Baby” singer has been mostly off the musical radar since cancelling the 2023-2024 world tour in support of Justice after getting diagnosed with Ramsay Hunt syndrome, which resulted in “full paralysis” on one side of his face.