Temperatures rose at the 2024 CMA Awards when Jelly Roll stepped out onstage for his second performance of the night, joined by Keith Urban for a rousing performance of “Liar.”
Backdropped by bursts of flames and rhythmic balls of sparks, the two musicians brought the heat, with the “Son of a Sinner” singer passionately belting out his lyrics while the Australian-American country star shredded on guitar next to him. “You ain’t nothin’ but a liar/ Yeah, I walk right out the fire,” Jelly sang, with his wife — podcaster Bunnie XO — mouthing along to the lyrics in the audience. “Yeah, you try to keep me down/ Try to put me underground/ But I’m only going higher.”
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Jelly was up for numerous awards at the 2024 CMA Awards, including entertainer of the year, which an absent Morgan Wallen won at the very end of the night. He was also in the running for album of the year with 2023’s Whitsitt Chapel and male vocalist of the year, but the prizes went to Cody Johnson’s Leather and Chris Stapleton, respectively.
Earlier that night, the “Need a Favor” musician took the stage for the first time, performing a religious rendition of his collaboration with Brooks & Dunn “Believe.” The three-hour show was hosted by Peyton Manning, Luke Bryan and Lainey Wilson and took place at the Bridgestone Arena in Nashville.
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Going into Wednesday’s (Nov. 20) ceremony at Nashville’s Bridgestone Arena, Morgan Wallen was the leading nominee, racking up seven nods, and he ended up taking home the night’s top prize of entertainer of the year. Chris Stapleton also had an excellent night, winning three of the five prizes he was up for, including male vocalist of the year.
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Who else won big? Find the full winners list below.
Entertainer of the year
Luke Combs
Jelly Roll
Chris Stapleton
WINNER: Morgan Wallen
Lainey Wilson
Single of the year
Award goes to artist(s), producer(s) and mix engineer(s)
“A Bar Song (Tipsy)” – Shaboozey; Producers: Sean Cook, Nevin Sastry; Mix Engineer: Raul Lopez
Whitsitt Chapel – Jelly Roll; Producers: Andrew Baylis, Brock Berryhill, Zach Crowell, Jesse Frasure, David Garcia, Kevin “Thrasher” Gruft, Austin Nivarel, David Ray Stevens; Mix Engineers: Jeff Braun, Jim Cooley
Song of the year
Award goes to songwriter(s)
“Burn It Down”; Songwriters: Hillary Lindsey, Parker McCollum, Lori McKenna, Liz Rose
“Dirt Cheap”; Songwriter: Josh Phillips
“I Had Some Help”; Songwriters: Louis Bell, Ashley Gorley, Charlie Handsome, Hoskins, Austin Post, Ernest Keith Smith, Morgan Wallen, Chandler Paul Walters
“The Painter”; Songwriters: Benjy Davis, Kat Higgins, Ryan Larkins
WINNER: “White Horse”; Songwriters: Chris Stapleton, Dan Wilson
“I Had Some Help” – Post Malone (Feat. Morgan Wallen); Director: Chris Villa
“I’m Not Pretty” – Megan Moroney; Directors: Jeff Johnson, Megan Moroney
“The Painter” – Cody Johnson; Director: Dustin Haney
WINNER: “Wildflowers and Wild Horses” – Lainey Wilson; Director: Patrick Tracy
New artist of the year
WINNER: Megan Moroney
Shaboozey
Nate Smith
Mitchell Tenpenny
Zach Top
Bailey Zimmerman
2024 CMA Broadcast Awards
Broadcast personality of the year (by market size)
Weekly national
“American Country Countdown” (Kix Brooks) – Cumulus/Westwood One
“Country Gold with Terri Clark” (Terri Clark) – Westwood One
WINNER: “Crook & Chase Countdown” (Lorianne Crook and Charlie Chase) – Jim Owens Entertainment
“Highway Hot 30 with Buzz Brainard” (Buzz Brainard) – SiriusXM
“Honky Tonkin’ with Tracy Lawrence” (Tracy Lawrence and Patrick Thomas) – Silverfish Media
Daily national
WINNER: “The Bobby Bones Show” (Bobby Bones, Amy Brown, “Lunchbox” Dan Chappell, Eddie Garcia, Morgan Huelsman, “SZN Raymundo” Ray Slater, “Mike D” Rodriguez, Abby Anderson, “Kick Off Kevin” O’Connell, and Stephen “Scuba Steve” Spradlin) – iHeartMedia
“Michael J On Air” (Michael J. Stuehler) – iHeartMedia
“Nights with Elaina” (Elaina Smith) – Westwood One / Cumulus Media
“PickleJar Up All Night with Patrick Thomas” (Patrick Thomas) – PickleJar / Cumulus Media
“Steve Harmon Show” (Steve Harmon) – Westwood One / Cumulus Media
Major market
“The Andie Summers Show” (Andie Summers, Jeff Kurkjian, Donnie Black, and Shannon Boyle) – WXTU, Philadelphia, Pa.
“Chris Carr & Company” (Chris Carr, Kia Becht, and Sam Sansevere) – KEEY, Minneapolis-St. Paul, Minn.
WINNER: “Frito & Katy” (Tucker “Frito” Young and Katy Dempsey) – KCYY, San Antonio, Texas
“The Morning Wolfpack with Matt McAllister” (Matt McAllister, Gabe Mercer, and “Captain Ron” Koons) – KKWF, Seattle, Wash.
“The Most Fun Afternoons With Scotty Kay” (Scotty Kay) – WUSN, Chicago, Ill.
Large market
“Dale Carter Morning Show” (Dale Carter) – KFKF, Kansas City, Mo.
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Paul Simon might be responsible for writing some of music’s most revered songs, but as he’s revealed previously, he’s progressively becoming unable to hear them.
Last year, Simon explained to British paper The Times that he began to experience hearing loss in his left ear while recording his 2023 song cycle, Seven Psalms. “Quite suddenly, I lost most of the hearing in my left ear, and nobody has an explanation for it,” he explained. “So everything became more difficult.”
Now in a new interview with CBS Mornings, Simon spoke to reporter Anthony Mason about his journey with hearing loss and his search for ways to manage it.
“It was incredibly frustrating. I was very angry at first that this had happened,” Simon admitted, noting his greatest fear is the possibility or no longer writing or composing. “I guess what I’m most apprehensive about would be if I can’t hear well enough to really enjoy the act of making music,” he added.
Though Simon wrapped up his final tour in 2018, he’s still making sporadic appearances here and there. Most recently, he performed a surprise set at New York City’s Irish Arts Centre, and weeks prior, he performed for The SoHo Sessions as part of a fundraiser for the Stanford Initiative to Cure Hearing Loss
“I’m going through my repertoire and reducing a lot of the choices that I make to acoustic versions. It’s all much quieter,” he explained. “It’s not ‘You Can Call Me Al.’ That’s gone. I can’t do that one.”
As part of his CBS Mornings interview, Simon visited with the Stanford Initiative to Cure Hearing Loss at their Palo Alto, California facilities, discussing how the likes of zebrafish, mice, and other animals are a point of focus for research. While zebrafish have had hearing benefits thanks to a drug which been approved by the FDA, mice are being used as part of gene therapy in an effort to regenerate damaged hair cells.
Per Simon’s own admission though, he tells CBS that his desire to create hasn’t been affected despite his ability to perfectly hear the fruits of his labor.
“You know Matisse, when he was suffering at the end of his life, when he was in bed, he envisioned all these cut-outs and had a great creative period,” he noted. “So I don’t think creativity stops with disability. So far, I haven’t experienced that. And I hope not to.”
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With a whopping 44 chart-toppers on Billboard’s Hot Country Songs list, George Strait is a bona fide legend in the genre and beyond. And at the 2024 CMA Awards at Nashville’s Bridgestone Arena on Wednesday (Nov. 20), Strait made a rare public appearance to accept the Willie Nelson lifetime achievement award from the Country Music Association.
The tribute opened with a fiery-eyed, ferocious Jamey Johnson performing Strait’s 2006 single “Give It Away,” a Hot Country Songs No. 1 hit that Johnson co-wrote. (Johnson made headlines just days ago after being arrested in Tennessee on Sunday and charged with speeding and drug possession; Johnson has spoken about his sobriety journey before but acknowledges that he sometimes smokes “a joint”).
Miranda Lambert and Parker McCollum followed with Strait’s 2008 single “Troubadour,” a fitting enough song for the 72-year-old legend given that it’s a meditation on music, aging and legacy (“I was a young troubadour / When I rode in on a song / And I’ll be an old troubadour when I’m gone”).
After that, Strait himself proved he’s far from done, taking the stage with Chris Stapleton for a full-throated duet on “Honky Tonk Hall of Fame” from his recent album Cowboys and Dreamers while his wife, Norma Strait, bopped along from the crowd.
“First of all I want to thank my lord and savior Jesus Christ,” Strait said after wrapping his performance and receiving a standing ovation from the crowd (including Luke Combs, who mimed bowing down to Strait). “I want to thank the CMAs for adding my name to the incredible artists on this small list of recipients, hearing the name of the icon Willie Nelson.”
He also thanked “these great artists” who performed his songs on the CMA Awards stage. “It’s amazing to hear y’all do them – I’m so glad I got to ‘em before you,” he said, laughing, and adding, “Not you, Jamey.”
After paying homage to some of his departed associates over the years, Strait paid tribute to his closest companion for more than half a century. “I want to thank my family who are all here tonight. My wife Norma, my son Bubba, his wife Tamara, my grandkids Harvey and Jillian,” Strait said. “Especially Norma who has supported me for just shy of 53 years – it’s been an amazing 53 years.”
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The 2024 CMA Awards took over Nashville’s Bridgestone Arena on Wednesday night (Nov. 20) to honor country’s brightest stars, from fresh talent like new artist of the year winner Megan Moroney to CMA Willie Nelson Lifetime Achievement Award honoree George Strait.
The awards show — hosted by Luke Bryan, Lainey Wilson and Peyton Manning — was packed with performances, from Shaboozey playing his 18-week Billboard Hot 100 No. 1 “A Bar Song (Tipsy)” alongside his single “Highway” to Brooks & Dunn joining forces with Jelly Roll for a come-to-Jesus performance of “Believe.”
Post Malone pulled double duty, kicking off the show with Chris Stapleton for the F-1 Trillion standout “California Sober” and then showing his sensitive side with the song “Yours,” inspired by his 2-year-old daughter. Stapleton has also hit the stage a few times — with his 2023 single “White Horse” picking up two early awards (not to mention a win for male vocalist of the year) and joining wife Morgane Stapleton for a gloriously harmonized performance of “What Am I Gonna Do.”
Stapleton was also part of the musical tribute to Strait, performing “Honky Tonk Hall of Fame” alongside the Lifetime Achievement Award recipient. Their duet was preceded by tribute performances from Wilson, Miranda Lambert and Parker McCollum.
The winners on Wednesday night included Cody Johnson’s Leather taking home album of the year; Old Dominion winning vocal group of the year for a seventh time; Brooks & Dunn taking home vocal duo of the year for a 15th time; Ella Langley and Riley Green winning musical event of the year for “you look like you love me”; and Wilson’s “Wildflowers and Wild Horses” being named video of the year.
Below, find the best photos from the 2024 CMA Awards, from performances to crowd shots to the night’s biggest winners.
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Post Malone didn’t have much time to chill in his Bridgestone Arena seat at the 2024 Country Music Association Awards in Nashville Wednesday night (Nov. 20). After opening the show 90 minutes earlier with a run through “California Sober” with multiple CMA-winner Chris Stapleton, Posty was back all by his lonesome later in the broadcast for a moving performance of his daddy-daughter dedication song “Yours.”
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The sweet closing track from the singer’s debut country album, F-1 Trillion, brought a hush over the star-studded crowd of luminaries in the house as Malone crooned the lyrics about a father’s stern, but gentle warning to the man in his daughter’s life about who will always come first.
“I don’t know who you are/ But one day, I’m goin’ to/ And it’s gonna break my heart/ When she gives hers to you,” he sang with an ache in his voice as he closed his eyes tight and emoted over gentle accompaniment from an acoustic guitar and fiddle. Wearing jeans, cowboy boots, a blue Nudie-style jacket and cowboy hat, Posty leaned into the heartbreak chorus, “And she might be wearin’ white/ But her first dress, it was pink/ She might be your better half/ Yeah, but she’s my everything/ We’ll both love her forever/ But I loved her long before.”
His voice rising to a cracked crescendo by the end, Malone followed the final “buddy that don’t mean she’s yours” with a seeming shout-out to his 2-year-old daughter, “We love you, DD”; People reported in 2022 that the “DDP” tattoo across the singer’s forehead are his baby girl’s initials. The musician also told the magazine when he released the “Yours” music video in July that the song was inspired by his thoughts about daughter’s future wedding, calling the track “very special to me.”
Malone went into Wednesday night’s event with four nominations — his first ever at the CMAs — including song of the year, single of the year, music video of the year and musical event of the year for his Morgan Wallen collaboration “I Had Some Help.”
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For a couple minutes there, Jelly Roll and Brooks & Dunn turned the Bridgestone Arena in Nashville into a church with a spiritual performance of “Believe” at the 2024 Country Music Association Awards Wednesday (Nov. 20).
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With Kix Brooks on piano and Ronnie Dunn sharing lead vocals with the “Son of a Sinner” singer, the trio took the stage in front of a full orchestra to perform their version of the track, which appears on the “Ain’t Nothing ‘Bout You” duo’s 2024 LP, Reboot II. With the emotional density of the track increasing in tandem with the power of Dunn and Jelly’s raw voices, the musicians’ peers in the audience started raising their hands and wiping away tears as the spirit took over the room.
“I can’t quote the book/ Don’t know the chapter or the verse,” Jelly sang, trading lines with Dunn on the song’s bridge.
“You can’t tell me this all ends/ In a slow ride in a hearse,” jumped in Dunn.
As the song faded away, the “Need a Favor” musician — who pointed up at the sky — said into the microphone, “I love you, Lord.”
Hosted this year by Peyton Manning, Luke Bryan and Lainey Wilson, the CMAs are back to honor some of the biggest names, songs and moments in country music over the past year. Both Jelly and Brooks & Dunn scored nominations in 2024, with the former competing for entertainer of the year and male vocalist of the year, and the latter up for vocal duo of the year.
Jelly was also in the running for album of the year thanks to his 2023 breakout LP, Whitsitt Chapel. The prize ended up going to Cody Johnson’s Leather.
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