The late, disgraced Australian entertainer Rolf Harris is the subject of a new two-part documentary, commissioned by the Australian Broadcasting Corporation.

The film, Rolf Harris: Primetime Predator, will debut Tuesday, June 9, and will feature interviews with survivors who’ve never before spoken publicly of his crimes. The series is said to capture the full story of Harris’ double life, charting his rise from suburban Perth, Australia to the heights of fame and influence in the United Kingdom, while revealing the pattern of abuse that unfolded behind the scenes for decades.

Prior to his downfall, Harris was a popular figure on TV, the airwaves, and charts across the U.K., the U.S. (“Tie Me Kangaroo Down, Sport” hit No. 3 on the Billboard Hot 100 in 1963) and his homeland, Australia. In the mid-2000s, he was once commissioned to paint Queen Elizabeth II, a sitting that was turned into a documentary.

His U.K. chart hits included “Two Little Boys” (Columbia), which has the distinction of being the very last No. 1 in that market in the 1960s. “Tie Me Kangaroo Down, Sport” reached No. 9 in the U.K. back in 1960, and he had a No. 3 hit with “Sun Arise” in 1962. Decades later, in 1993, he enjoyed another U.K. top 10 appearance, when his cover of “Stairway to Heaven,” a spin-off from the Australian TV show Money or the Gun, reached No. 7.

Harris’ spectacular fall from grace began in 2013, when he was questioned and arrested police under Operation Yewtree, the investigation into sexual abuse among members of the English media elite, including the late Jimmy Savile. Following a trial in 2014, Harris was found guilty of various indecent assaults on women and young girls between 1968 and 1986, and was sentenced to five years and nine months in prison. He was released in 2017, but denied any wrongdoing and never issued an apology to his victims.

He died in 2023 at the age of 93. “In the years since, the silence that once protected him has begun to lift,” reads a statement from the ABC, announcing the new series, which “gives voice to those who were previously unable to, as they share their experience on their own terms.” Harris’ death “has finally lifted a veil of fear once cast by this powerful figure, and survivors who long feared retribution are at last able to speak.”

Prior to the Yewtree investigation, Harris moved within the highest circles in Britain, his adopted home. Along the way, he was named as Officer of the Order of the British Empire (OBE), a Member of the Order of the British Empire (MBE) and a Commander of the Order of the British Empire (CBE).

It was a similar scenario in his country of his birth, where Harris was appointed an Officer of the Order of Australia (AO) and was inducted into the ARIA Hall of Fame. ARIA has since scratched his name from the record books.

Rolf Harris: Primetime Predator will air 8.30pm AEST on ABC TV, with both episodes available to stream on ABC iView.

BRISBANE, Australia — GYRO.Group gears up for its next phase of growth with several leadership appointments, led by experienced digital distribution executive Henry Compton.

Announced Wednesday, May 13, Compton joins as head of APAC for DistroDirect, GYRO.Group’s white-label distribution platform.

Compton boasts more than two decades’ experience across business development, marketing and client relations, most recently serving in senior roles at The Orchard and FUGA, where he spearheaded business development, go-to-market strategy and client acquisition and retention across its Australia and New Zealand activities.

According to the Brisbane-based group, DistroDirect continues to expand its footprint across South-East Asia, having recently signed a number of leading independent music businesses in the Philippines.

Compton is “exactly the caliber of executive we’ve been building towards bringing into the DistroDirect fold,” comments group chief commercial officer Matthew Rogers. “His track record of building and scaling operations in this market is second to none. Having Henry lead that charge in APAC gives us enormous confidence about what’s ahead — both for the partners we serve in those markets and for the Australian artists we want to bring with us.”

In addition, several executives are promoted from within the business. Adrian Burke adds duties as executive vice president of artist services and A&R, having led GYRO.Group’s artist services arm GROUP SPEED since its inception, and working closely with the likes of Dom Dolla, Mariah Carey and Swedish House Mafia.

Meanwhile, Alison Bremner moves into the post of general manager – marketing, with strategic leadership of brand development across the full GYRO.Group portfolio globally; Harry Young is named head of A&R for AU/NZ, after joining in late 2025; Alexandria Thomson is elevated to artist marketing lead for Australasia; Claire Hirayama-Kaarsberg rises to a partner relations manager role within DistroDirect; Alyssa d’Artenay shifts into pitching and artist services management; and Kriza Canzon takes on the expanded role as artist support and compliance.

“The wider team changes,” explains Vivienne Mellish, CMO and co-founder of GYRO.Group, “are a reflection of the growth and ambition of the people in our corner and we couldn’t be prouder to have them with us on the journey.”

With the arrival of Compton, GYRO.Group’s global team numbers more than 70. This year, the label services and digital distribution specialist has bagged five ARIA No. 1 albums, including Keli Holiday’s Capital Fiction and Tom Busby’s Rockhampton Hangover.

“We are doubling down on our investment in Australian artists and in the people and platforms it takes to get them heard globally,” comments Andy Irvine, CEO and co-founder of GYRO.Group. “Our goal is to be the biggest net exporter of Australian music, and every decision we are making right now — who we hire, where we expand, what technology we build — is pointed directly at that.”

The changes closely follow the opening of GYRO.Group’s Latin American office, in Brazil, which opened Friday, March 27, and is led by Samuel Fernandes.

Last year, the group tapped veteran independent music executive Matthew Rogers as CCO, with responsibility for DistroDirect globally. Also last year, a rebranding that saw GYRO.Group gather its music distribution and artist services brands including G.Y.R.O., DistroDirect, GROUP SPEED, Soothe Sounds, and more.

U2 is back on the streets, this time in Mexico City where the legendary Irish rock band is shooting a new music video.

Bono, The Edge, Adam Clayton and Larry Mullen Jr. were snapped in the Mexican capital where they’re shooting a music video for the new track, “Street of Dreams,” lifted from their yet-to-be announced next studio album, due for release later in 2026.

The Rock Hall-inducted band was spotted Tuesday, May 12, rocking out on top of a school bus, graffitied by local artist Chavis Mármol, with hundreds of fans gathered for the special event.

It’s not the first time U2 has brought the streets to a standstill. In the late ’80s, the group famously recaptured the spirit of the Beatles’ “Get Back” with a performance on a rooftop in downtown Los Angeles, footage of which appears in Meiert Avis’ music video for “Where the Streets Have No Name.” The clip went on to win the Grammy Award for best performance music video at the 31st Annual Grammy Awards, and its parent album, 1987’s The Joshua Tree, was a monster, confirming U2 as a hitmaker, a stadium act and, without argument, the biggest band of its time.

This week also sees Mexico City host the 2026 Street Child World Cup, with 30 teams from across the globe in town for this year’s tournament that kicked off May 6, and wraps up this Thursday, May 14. “It’s a little NGO with a big kick for kids with all of the talent and none of the access,” chimes in U2 drummer Mullen. “Our band are proud supporters.”

U2’s next album is the followup to 2023’s Songs of Surrender, which debuted at No. 5 on the Billboard 200 and No. 1 on the Official U.K. Albums Chart.

The group has been notably active of late, and with the release in April of the Easter Lily EP, Bono shared an update on that next record. “We are in the studio, still working towards a noisy, messy, ‘unreasonably colourful’ album to play LIVE… which is where U2 lives. We still look to vivid rock n roll as an act of resistance against all this awfulness on our small screens. These are for sure ‘wilderness years’ for so many of us looking at the mayhem out there in the world,” the singer explained in a written statement.

The Dublin fourpiece “will attempt hoopla and fanfare at a later date to remind the rest of the world we exist but in the meantime,” Bono continued, “this is between you and us.”

U2 has landed 34 songs on the Billboard Hot 100, including two leaders, along with eight No. 1s on the Billboard 200 chart. Induction into the Rock And Roll Hall of Fame came in 2005. U2 had the honors of being the first band to play the Sphere in Las Vegas, which they inaugurated in September 2023 with the residency, U2:UV Achtung Baby Live at Sphere.

With her Eurovision performance fast approaching, Delta Goodrem is in a pure state of mind.

The superstar Australian pop singer this week announces the release of her next album Pure, her first through a new deal struck with Universal Music via Better Now Records/Electrola.

Pure is slated to drop Nov. 6, and will also mark the first LP released through her independent label ATLED Records (that’s “Delta” spelled backwards), which she unveiled in 2023, drawing curtains on a decades-long partnership with Sony Music.

“I am so excited to be stepping into this new chapter and joining forces with Universal Music,” she explains in a statement. “It marks the beginning of a powerful new home for ATLED Records – something I am incredibly proud of – and I can’t wait to share what we create together.”

Pure is the followup to the Sydney singer and songwriter’s 2021 collection, Bridge Over Troubled Dreams (via Sony Music), her fifth leader on the ARIA Albums Chart, after her 23-times platinum-certified blockbuster debut Innocent Eyes (March 2003), Mistaken Identity (November 2004), Delta (October 2007) and Wings Of The Wild (July 2016). 

“Pure is an album I’ve been creating and living through over the past few years, and it truly feels like a return to myself and the heart of who I am as an artist,” she explains. “It holds some of my biggest singalongs, my most vulnerable moments, and brings in all the elements I love most in music – from intimate classical piano pieces to uplifting cinematic anthems. I cannot wait for everyone to step into the world of Pure and make these songs part of their own story too.”

The album houses the single “Eclipse,” which Delta will perform live later this week at the 2026 Eurovision Song Contest in Vienna, Austria, where she will take the stage for the first time as Australia’s representative.

“Eclipse” was written by Delta, Ferras Alqaisi, Jonas Myrin and Michael Fatkin, who also produced the single.

In her homeland, Goodrem is arguably the most successful pop artist to emerge this century. A soapie star who signed her first record deal at age 15, Delta’s collection of silverware includes 12 ARIA Awards and five No. 1 albums including 2003’s Innocent Eyes, which logged a whopping 29 weeks at No. 1 on the ARIA Albums Chart, making it the highest-selling debut album in Australian recorded music history. The album won seven ARIA Awards, was the highest selling album in Australia for two successive years, and yielded five of her nine career No. 1 singles. Sales across her albums catalog is close to 10 million.

A classically trained pianist, Delta incorporates the harp and piano into her performance for this year’s 70th edition of Eurovision. “Performing on the Eurovision stage is something I feel so deeply in my heart, carrying Australia with me in every note and every moment,” she says in a separate statement.

Delta will perform “Eclipse” during at the Wiener Stadthalle for Semi-Final 2 on Thursday, May 14 at 3pm ET (Friday, May 15, at 5:00am AEST).

Björn Bauer has been named CFO of the newly combined BMG and Concord, it was announced on Tuesday (May 12). Based in Nashville, Bauer will report to Bob Valentine, who has been designated CEO of the combined entity.

Bauer joins from entertainment company RTL Group, which is majority-owned by BMG parent company Bertelsmann. At RTL, where he’s been CFO since 2019, he serves as an executive director and member of the executive committee. In his role there, Bauer “has played a key part in advancing RTL Group’s transformation, including focusing the Group’s portfolio on its largest business units, diversifying its global content business Fremantle and building a profitable streaming business,” according to a press release. He has been involved in RTL deals including its acquisition of Sky Deutschland (GSA) and the sale of RTL Netherlands.

Related

Before joining RTL Group, Bauer had held senior leadership roles at Bertelsmann since 2007, including as executive vp of corporate controlling and strategy and CFO of Relias, Bertelsmann’s U.S.-based online learning provider.

Until the BMG-Concord transaction closes, current BMG CFO Mathis Wolter will continue in his role at the Berlin-based company and support the integration with Concord before moving to a new role within Bertelsmann. Current Concord CFO Kent Hoskins will also continue serving in his role there until the close of the deal, at which point he’s expected to take on another senior leadership position at the combined company.

“Björn brings a wealth of experience and a proven track record of delivering strong results through operational excellence and disciplined financial management,” said Thomas Coesfeld, designated chairman of the combined BMG and Concord, in a statement. “We are delighted that he is expected to join the combined company following completion of the transaction and look forward to the impact he will have as we continue to strengthen and grow the business. At the same time, I would like to thank Mathis for playing an instrumental role in shaping BMG’s strategic transformation, and for being a trusted partner to me and the executive team over the past three years.”

“We are pleased that Björn is expected to join the combined company as CFO. His deep financial expertise will be invaluable as the company continues to focus on sustainable growth and long-term value creation after the transaction closes,” added Valentine.

For his part, Bauer said: “As the global music industry evolves, the combination of BMG and Concord will be uniquely positioned to capture new opportunities through its talent focus, entrepreneurial spirit and global scale, supported by continued investments in catalogs and talent. I am excited to join the combined company upon closing of the transaction, a pivotal moment in its growth journey. I look forward to partnering with the teams to drive the combined company’s next phase of growth and support its long-term strategic ambitions.”


Billboard VIP Pass

Kacey Musgraves’ new album Middle of Nowhere debuts in the top 10 across seven Billboard charts (dated May 16), including a trio of No. 1 bows. The singer-songwriter’s sixth studio release arrives on Top Album Sales (No. 1), Vinyl Albums (No. 1), Indie Store Album Sales (No. 1), Top Country Albums (No. 2), Americana/Folk Albums (No. 2), Billboard 200 (No. 3) and Top Streaming Albums (No. 10).

The project launches with 100,000 equivalent album units earned in the United States in the week ending May 7, marking Musgraves’ best week ever by units. Of that sum, vinyl purchases comprise a little more than 37,000 — her best sales week ever on vinyl.

Middle of Nowhere is Musgrave’s sixth studio album and was announced in early March. The project — which features collaborations with Gregory Alan Isakov, Miranda Lambert, Willie Nelson and Billy Strings — was led by the single “Dry Spell” (peaking at No. 15 on Hot Country Songs in March) and released on May 1. Musgraves’ Middle of Nowhere arena tour launches on Aug. 21 in Chicago and continues through the end of October.

On Top Album Sales, Middle of Nowhere is Musgraves’ third No. 1, all earned consecutively. She also topped the tally with Deeper Well (in 2024) and Star-Crossed (2021).

Musgraves leads a busy top 10 on the latest Top Album Sales ranking, where five more albums debut in the top 10: ILLIT’s MAMIHLAPINATAPAI (No. 3), The Black Keys’ PEACHES! (No. 6), Isaiah Rashad’s It’s Been Awful (No. 7), Billie Eilish’s Hit Me Hard and Soft: The Tour (Live) (No. 9) and Tori Amos’ In Times of Dragons (No. 10). Meanwhile, Noah Kahan’s The Great Divide falls to No. 2 after debuting at No. 1 a week ago, BTS’ former leader ARIRANG is steady at No. 4, and Michael Jackson’s Thriller and Number Ones both jump, climbing 7-5 and 12-8, respectively.

We’ll be having the time of our lives when this movie comes out.

Inaugural Entertainment announced Tuesday (May 12) that its Green Day-inspired comedy NIMRODS —named after the band’s 1997 Billboard 200 top 10 album Nimrod — will hit theaters this summer. Alongside the release date, Inaugural Entertainment also shared that it is partnering with with Legion M, the world’s first fan-owned entertainment company.

Directed by Lee Kirk, NIMRODS is a coming-of-age film that follows a group of three friends who embark on a cross-country road trip to Los Angeles after mistakenly believing that their band is opening up for Green Day at a New Year’s Eve show. The misadventures of the trio are inspired by Green Day’s years of living in a tour van.

The NIMRODS cast includes teen stars Mason Thames (The Black Phone; How to Train Your Dragon), Mckenna Grace (Scream 7; Regretting You), and comedian Fred Armisen. Rounding out the cast is Kylr Coffman, Ryan Foust, Ignacio Diaz- Silverio, Keen Ruffalo, Jenna Fischer, Angela Kinsey, Bobby Lee and Sean Gunn.

Green Day’s Billie Joe Armstrong, Mike Dirnt and Tre Cool are slated to produce the film along with Ryan Kroft and Michael Rapino Live Nation Entertainment, Tim Perell for Process and Jonathan Daniel.

“Green Day wouldn’t exist without the fans, and we’re excited to give those fans the opportunity to own a stake in the film as we work with the incredibly talented teams at Inaugural, Live Nation and Green Day to bring it to audiences,” said Legion M co-founders Jeff Annison and Paul Scanlan in the press statement announcing the film.

NIMRODS originally premiered at the 2025 Toronto International Film Festival under its original title New Year’s Rev. The film is set to hit theaters on Aug. 14.

A jury says Ye (formerly Kanye West) must pay a six-figure damages award for failing to clear a sample included in an early version of the Grammy-winning song “Hurricane” from his chart-topping album Donda.

The Tuesday (May 12) verdict, which followed a weeklong trial, held Ye and his companies liable for infringing the copyrighted instrumental track “MSD PT2” on an early demo of “Hurricane,” which the rapper played to a stadium of fans at a pre-release Donda listening party in 2021. Jurors said Ye must share a cut of his profits from that listening party, held in Atlanta and streamed live on Apple Music, with the sample’s owners.

Related

The final amount of those damages was not immediately clear. According to Rolling Stone, jurors held Ye personally liable for $176,153 and awarded damages of $176,153, $41,625 and $44,627 against three of the rapper’s companies. If combined, this would make for a total verdict of $438,558.

However, Ye’s team insists that the corporate damages will be folded into Ye’s own liability for a total award of $176,153.

“This is a failed shakedown,” said a Yeezy spokesperson in a statement to Billboard. “Six months ago, they wanted $30 million out of Ye. They got 0.5% of that today.”

The Yeezy spokesperson said the plaintiffs spent millions of dollars in legal fees for this outcome. “The moral of the story? There is a cost attached to thinking you can take advantage of Ye,” added the spokesperson.

A rep for the plaintiffs did not immediately return a request for comment on the verdict.

The lawsuit dates back to 2024, when the producers of “MSD PT2” — DJ Khalil (Khalil Abdul-Rahman), Sam Barsh, Dan Seeff and Josh Mease — sued Ye through a business entity called Artist Revenue Advocates LLC. Initially, they were seeking royalties from the commercially successful final versions of both “Hurricane” and fellow Donda track “Moon,” alleging that both songs interpolated “MSD PT2″ without approval.

However, a judge dismissed the bulk of the lawsuit in February after determining that Artist Revenue Advocates owns only the “MSD PT2” master recording rights, not the composition rights. This means that while the company can sue over a sample, it does not have any standing to bring claims over an interpolation.

The judge, therefore, allowed a narrow trial to go forward only on the early “Hurricane” demo, which did include a direct sample, but not the far more lucrative final songs, which only included interpolations. Artist Revenue Advocates plans to eventually appeal the decision in the hopes of restoring the full lawsuit — but in the meantime, the company sought $500,000 in damages from Ye’s listening party profits, encompassing a slice of ticket sales, merch and an Apple Music livestreaming deal.

During the trial, which began on May 4 in Los Angeles federal court, Ye’s lawyers argued that the case was meritless because his team tried to clear the “MSD PT2” sample, but that the four producers intentionally dragged their feet and refused to approve industry-standard splits. They also pointed out that the plaintiffs had already collected some royalties from various publishers.

Ye himself testified in court that he “went through the normal process” to clear the “MSD PT2” sample.” The rapper told jurors that he’s “very generous” about giving credit and royalties to collaborators when it’s due, but lamented, “I feel like a lot of people try to take advantage of me.”

The jury ultimately sided with Artist Revenue Advocates and against Ye. Jurors did not give an explanation for their verdict, as is typical.

This was far from the only copyright lawsuit Ye has faced throughout his career; the rapper has been sued dozens of times over the years for allegedly using unlicensed samples and interpolations in his music. This was, however, the first time he’d taken a legal battle all the way to trial, as he’s historically opted to settle the majority of claims.


Billboard VIP Pass

Stephen Colbert brought the band back together on Monday night (May 11), welcoming fellow late-night hosts Jimmy Kimmel, Jimmy Fallon, John Oliver and Seth Meyers to The Late Show for a reunion ahead of the show’s May 21 series finale.

The gathering marked a significant moment for the group, who previously united in 2023 during the writers’ strike to launch a limited-run podcast called Strike Force Five, which raised money for their out-of-work staffs. In a similar spirit, the five hosts announced a new video episode dropping Wednesday, May 13, which will again benefit nonprofit World Central Kitchen, which provides meals for humanitarian, climate and community crises globally.

The conversation touched on the impending end of The Late Show, the future of late-night television, and the current political climate.

When Colbert asked the group whether they’d ever imagined having a job that the president of the United States would have strong feelings about, Kimmel interjected: “You know what’s even weirder? We’re doing a job that his wife has strong feelings about.” Meyers deadpanned: “Most of us have avoided that part.”

Colbert also put to the group a question he said he’d fielded repeatedly in recent months — whether they could make the case for late-night television to continue to exist. Kimmel pushed back on the premise entirely: “Why should you have to defend late night? Ryan Seacrest doesn’t get asked that question about Wheel of Fortune or whatever the hell he’s hosting.” Oliver added that he was “gonna be leaning forward” waiting for Seacrest’s answer.

The show closed with a round of “How Well Do You Know Your Fellow Late-Night Hosts?”, featuring questions written by Late Show writers. Colbert claimed the title of most-likely-to-have-made-out-with-the-most-guests, name-dropping Helen Mirren, Sally Field and Andrew Garfield among others. Fallon admitted to receiving “full tongue” from Martin Short during an SNL skit — “more than I’ve ever made out with anyone in high school.”

Colbert noted that all four of his guests had been hosting their respective shows longer than he had been at The Late Show, and that they would all continue after his departure. “You’re like the candy shell, I’m the nougat filling — and then somebody came along and just sucked it out,” he said. Kimmel offered a characteristically blunt eulogy: “It’s like when your young wife dies. It’s such a tragedy. It is ‘gone too soon.’”

CBS announced last July that The Late Show with Stephen Colbert would end after its current season in what the network described as “a purely financial” decision. The series finale airs May 21 on CBS at 11:35 p.m. ET/PT.

Lamb of God and Trivium are heading to Australia this October for a five-city co-headline arena tour, presented by Destroy All Lines. Scottish metalcore outfit Bleed From Within will serve as special guests across all dates.

The run opens at Perth HPC on Oct. 2, followed by AEC Theatre in Adelaide on Oct. 4, John Cain Arena in Melbourne on Oct. 6, Hordern Pavilion in Sydney on Oct. 9, and Riverstage in Brisbane on Oct. 11. Artist early bird presale tickets go on sale Friday, May 15 at 9 a.m. local. Multiple presales open Tuesday, May 19, including Destroy All Lines, venue and My Ticketek early bird presales, followed by a Spotify early bird presale on Wednesday, May 20. General tickets go on sale Thursday, May 21 at 9 a.m. local via destroyalllines.com.

For Lamb of God, the tour marks their first full headline Australian run in nearly a decade. The Richmond, Virginia band — Grammy-nominated five times over — last performed for Australian crowds in 2024 as part of Knotfest Australia.

Formed in the mid-1990s, the band have built one of heavy metal’s most enduring legacies, with fan favorites including “Laid to Rest,” “Redneck,” “Walk With Me in Hell” and “Now You’ve Got Something to Die For” serving as cornerstones of the genre. Their latest studio album, Into Oblivion, arrived earlier this year.

Trivium, formed in Orlando, Florida in 1999, have spent over two decades building a reputation as one of modern metal’s most technically accomplished and restlessly creative live acts. The band’s catalog spans thrash, progressive, melodic death and groove metal, and their 2017 single “Betrayer” earned them a Grammy nomination.

They have also scored multiple top 20 debuts on the Billboard 200 and multiple No. 1 entries on the Billboard Hard Rock Albums chart. Trivium were last in Australia in 2023 for the inaugural Knotfest Australia, with their Brisbane sideshow drawing significant critical praise. Their latest release is the 2024 EP Struck Dead, following their 2021 album In the Court of the Dragon.

Glasgow’s Bleed From Within bring 20 years of metalcore to the support slot, having recently released their seventh studio album Zenith in 2025. The band have shared stages with Slipknot, Bullet for My Valentine and Megadeth throughout their career.