Perry Farrell is taking a step back from music to “heal” following his violent outburst during a Jane’s Addiction concert.

On Saturday (Sept. 21), the 65-year-old singer’s wife, Etty Lau Farrell, shared an update on her husband following his onstage altercation with guitarist Dave Navarro during the rock band’s concert in Boston on Sept. 13.

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“As you know, Perry is the gentlest of souls. We are equally astonished at Perry’s physical outburst as you are – but you must know that Perry must had been pushed to his absolute limit.. to that end we apologize,” Etty Lau wrote on Instagram. “We are taking a bit of time to ourselves, to reflect and to heal. Perry already has appointments with a otolaryngologist and a neurologist. If you know and love Perry well, you know there’s no need for me to address the other false narratives. Our souls know.”

A day after the onstage meltdown, Etty Lau attempted to provide context and background on what precipitated the incident.

“Clearly there had been a lot of tension and animosity between the members.. the magic that made the band so dynamic. Well, the dynamite was lit,” she wrote on Instagram. “Perry’s frustration had been mounting, night after night, he felt that the stage volume had been extremely loud and his voice was being drowned out by the band. Perry had been suffering from tinnitus and a sore throat every night. But when the audience in the first row, started complaining up to Perry cussing at him that the band was planning too loud and that they couldn’t hear him, Perry lost it.”

Following the shocking incident, Navarro and Jane’s Addiction drummer Stephen Perkins and bassist Eric Avery issued a joint statement apologizing to fans for the disturbing scene that led to the cancellation of the reunited lineup’s first tour in 14 years as well as the announcement of an indefinite hiatus.

“Due to a continuing pattern of behavior and the mental health difficulties of our singer Perry Farrell, we have come to the conclusion that we have no choice but to discontinue the current US tour,” the trio wrote on Instagram.

Farrell also apologized to his bandmates in a statement first shared with Billboard.

“This weekend has been incredibly difficult and after having the time and space to reflect, it is only right that I apologize to my bandmates, especially Dave Navarro, fans, family and friends for my actions during Friday’s show,” Farrell said. “Unfortunately, my breaking point resulted in inexcusable behavior, and I take full accountability for how I chose to handle the situation.”

In fan video of the moment, an agitated Farrell is seen lunging at Navarro and throwing a shoulder into his bandmate, then punching the shocked-looking guitarist in the chest before the men are separated and Farrell is dragged off stage.

See Etty Lau Farrell’s post on Instagram below.

One early autumn day, nearly four decades ago, at a stadium concert in the heartland of America, Willie Nelson made a pledge to help embattled family farmers who grow the nation’s food. 

On Saturday (Sept. 21), Nelson and friends renewed that promise as the annual Farm Aid festival — the longest-running concert for a cause — drew some 21,000 fans to the Saratoga Performing Arts Center in Saratoga Springs, New York, for a day of celebration, activism and song.

Nelson was joined by his fellow Farm Aid board members — Neil Young, John Mellencamp, Dave Matthews and Margo Price — on a bill with Mavis Staples, Nathaniel Rateliff & the Night Sweats, Lukas Nelson with the Travelin’ McCourys, Charley Crockett, Joy Oladokun, Southern Avenue, Cassandra Lewis, Jesse Welles and others.

The first Farm Aid concert — inspired by an impromptu call for support for America’s farmers from Bob Dylan during the Live Aid mega benefit in 1985 — was, improbably, staged weeks later that same year, on Sept. 22 in Champaign, Illinois. 

Since then, Farm Aid has raised nearly $80 million to promote a strong and resilient family farm system of agriculture, while also building connections in the battles against climate change and social injustice.

New York State Gov. Kathy Hochul gave welcoming remarks before two indigenous acts — the ensemble known as Kontiwennenhá:W, from the Akwesasne community of northern New York, and the Wisdom Indian Dancers, who have performed at every Farm Aid since 1990 — began the joyous hours of music. 

This was the third time Farm Aid has been staged in New York State, following a 2007 event at Randall’s Island in New York City, and a previous 2013 festival in Saratoga (during which surprise guest Pete Seeger gave his last major performance). Between 2017 and 2022, New York State lost 3,000 of 33,000 farms, according to a U.S. Department of Agriculture Census, as farms across the nation suffer from rising production and labor costs, consolidation and climate change.

Here are the 12 best takeaways from the 39th annual Farm Aid.

Moms in Music recently saluted the empowering and inspirational balancing act that comes with the dual demands of motherhood and career at its second annual brunch. This year’s quintet of honorees included Grammy winners Melanie Fiona (the Essence Award) and Makeba Riddick-Woods (Visionary Award), Freebandz COO Dr. Stephanie Jester (Leading Lady Award), MBK Entertainment president Jeanine McLean (Breaking Ground Award) and wardrobe stylist-author Tameka Foster Raymond (Perseverance Award).

Moms in Music founder Brittney King Brock, who hosted the event on Sept. 13 at The Buckhead Club in Atlanta, noted, “We are honored to recognize these extraordinary women who have not only excelled in their careers, but have also served as examples for the future generation of moms navigating the complexities of the music industry. Their stories reflect the perseverance, creativity and heart that define our community.” 

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“Success isn’t just measured by what you achieve, but by how you give back and uplift others along the way,” said honoree Jester, who is also the business manager and mother of Grammy-winning hip-hop star Future. “As a mother, I’ve learned that true fulfillment comes from nurturing the next generation and empowering other women to rise, thrive, and find their own purpose and passion. That’s the legacy I’m most proud of.” 

While accepting her award, singer-songwriter Fiona commented, “I’ve been blessed to receive many awards in my career, but this one means the most to me — being honored as a mom. There’s nothing more rewarding than this role, and it’s one of the greatest achievements of my life.”

Fellow singer-songwriter Riddick-Woods said of her own balancing act, “Songwriting isn’t only about creating hits — it’s about telling stories that resonate with people’s hearts. I’ve learned the importance of balancing creativity with nurturing, and how powerful it is to lead by example for the next generation. Being a mom has deepened my purpose, and I’m committed to using my voice to inspire and empower women, both in music and in life.”

Moms in Music welcomed more than 125 attendees to its brunch, sponsored by Amazon Music with Billboard as a media partner. On behalf of Amazon Music, the division’s head of culture amplification, Ida Kay, said of supporting inclusive spaces within the industry, “We believe in the power of amplifying diverse voices, and the Moms in Music Brunch reflects that commitment. It’s inspiring to see how these honorees continue to push boundaries and create meaningful art while balancing the demands of motherhood.” 

Janet Jackson questioned Kamala Harris’ race in an interview published by The Guardian on Saturday (Sept. 21).

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The interview touched upon the singer’s Together Again Tour, how she’s recorded “a lot of music that’s just sitting on the shelf,” and being a parent. It also shifted to the topic of the upcoming U.S. election, with the reporter noting Americans could elect their first Black, female president: democratic nominee Harris.

“Well, you know what they supposedly said?” Jackson chimed in. “She’s not Black — that’s what I heard, that she’s Indian.”

Added Jackson, “Her father’s white, that’s what I was told. I mean, I haven’t watched the news in a few days. I was told that they discovered her father was white.”

She didn’t elaborate on where she’d heard this information, which is false.

Harris is both Black and Indian. Her father, Donald J. Harris, came to the U.S. from Jamaica. Her mother, the late Shyamala Gopalan, came to the U.S. from India. They both moved to the U.S. to study at the University of California, Berkeley, which is where they met in 1962.

The Guardian approached the topic again with Jackson, asking if she thought America was ready for a president who is a woman of color.

“I don’t know,” Jackson said. “Honestly, I don’t want to answer that because I really truthfully don’t know. I think either way it goes is going to be mayhem.”

The singer’s quotes about Harris trended on social media, where many fans expressed disappointment in one of their idols repeating misinformation.

“You had the chance to stand with a Black woman loud and proud and you didn’t. This is hard for a lifelong fan,” says a top comment on Jackson’s most recent Instagram post, which was taken over with reactions to what Jackson said about Harris.

On X, formerly Twitter, a post read, “Janet Jackson is one of the most influential people in music history. It was simply irresponsible of her to repeat something she ‘heard’ regarding the very thing that they use against Kamala! Her own race. We are less than 50 days away from the election. We gotta talk smarter!”

In July, Donald Trump brought up Harris’ racial identity at the National Association of Black Journalists convention in Chicago, where he claimed, “I didn’t know she was Black until a number of years ago when she happened to turn Black and now she wants to be known as Black. So, I don’t know, is she Indian or is she Black?”

At the Sept. 10 presidential debate, Trump said, “All I can say is I read where she was not Black … And then I read that she was Black, and that’s OK. Either one was OK with me. That’s up to her.”

Harris later responded, “Honestly, I think it’s a tragedy that we have someone who wants to be president, who has consistently, over the course of his career, attempted to use race to divide the American people.”

Jackson, according to the reporter behind the The Guardian article, was not feeling well on the day of the interview. She had a cold.

Chappell Roan says she’s been diagnosed with severe depression, but she hasn’t been feeling sad.

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The “Good Luck, Babe!” singer-songwriter, just named best new artist at the MTV VMAs, tells The Guardian she’s “in therapy twice a week” while on the road for her Midwest Princess Tour. The trek currently has her in London (Sept. 21), with a stop in Berlin next (Sept. 23) before she returns to the U.S. for a handful of concerts, beginning with the All Things Go Festival in New York City on Sept. 28.

“I went to a psychiatrist last week because I was like, I don’t know what’s going on,” Roan shared with the publication for a profile released on Saturday.

“She diagnosed me with severe depression — which I didn’t think I had because I’m not actually sad,” she said. “But I have every symptom of someone who’s severely depressed.”

Roan’s symptoms have included brain frog, forgetfulness, poor focus and “a very lackluster viewpoint.”

“I think it’s because my whole life has changed,” she said of her current symptoms. “Everything that I really love to do now comes with baggage. If I want to go thrifting, I have to book security and prepare myself that this is not going to be normal. Going to the park, pilates, yoga — how do I do this in a safe way where I’m not going to be stalked or harassed?”

Later in the article, she said that “every time I walk through my front door, it just comes out of me … I can’t even help it, I just start sobbing and either being so angry at myself for choosing this path, or grieving how the curiosity and pure wonder I had about the world is somewhat taken away from me.”

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The upside of fame: the opportunity it brings. “I get to feel the energy of other people. It’s so cool to have shows so packed and have so much joy in the room,” she said. 

Roan — whose debut album, The Rise and Fall of a Midwest Princess, reached No. 2 on the Billboard 200, and who has seen seven songs chart on the Hot 100 in just the past five months — isn’t alone in experiencing complex feelings about fame (“I was warned that it’s going to feel like going through puberty again,” she told The Guardian. “My body does feel different. It’s holding tension in a very different way: I have all these new emotions and I’m really confused”). She’s bonded with peers in the industry over the pressure that comes with such a sudden rise, meeting up with Sabrina Carpenter and texting Lorde for advice.

“We’re both going through something so f—ing hard,” said Roan of Carpenter in a recent Rolling Stone cover story, sharing that the “Espresso” hitmaker “feels like everything is flying, and she’s just barely hanging on.”

Roan has been open about how she’s feeling with fans, too. In August, she penned a statement on Instagram about setting boundaries with those engaging in “predatory behavior (disguised as ‘superfan’ behavior) that has become normalized because of the way women who are well-known have been treated in the past.”

“I embrace the success of the project, the love I feel, and the gratitude I have. What I do not accept are creepy people, being touched, and being followed,” she wrote.

The singer-songwriter, now 26, has also been candid about pre-fame mental health struggles. Roan was diagnosed with bipolar II disorder at age 22.

She described her childhood experience in an interview last year with the University of Southern California’s Daily Trojan: “Being bipolar, I was so depressed as a little kid and so angry. You just think you’re such a bad person, and don’t realize that you’re really sick and need help, and our parents don’t know how to deal with it. I think it’s like rewiring my brain to be like, ‘Actually, you’re a good person, and you’re creating a safe space and music for people to dance to.’”

In 2022, she posted on Instagram about her bipolar II disorder, telling fans “it’s pretty hard to keep it together” and balance work and fan commitments with her therapy schedule. She noted, “I don’t really talk about it much, but it affects me daily and is a pretty big part of my music.” In 2023, she wrote about it again on Instagram: “i am very fortunate and grateful to have my dream job,” she said, but added, “This job is very difficult for me to process and maintain a healthy life & mindset. I already have difficulty regulating my emotions because I have bipolar 2 disorder.”

Read Roan’s latest conversation with The Guardian here. Roan’s upcoming tour dates can be found on her official website.

Celebrities swarmed Milan Fashion Week on the last big day of runway shows on Saturday (Sept. 21), sending crowds of adoring fans from venue to venue. Designers previewed mostly womenswear for next spring and summer.

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Madonna sat in a front-row seat at Dolce & Gabbana, along with Naomi Campbell and Victoria De Angelis of Maneskin. Her bandmate, Maneskin frontman Damiano David, showed up at Diesel, one of the season’s hottest tickets, across town.

Madonna, attempting a semi-stealth entrance to Dolce & Gabbana, was draped in a black veil for a runway show referencing her ’90s style and celebrating the cone bra, which she debuted on tour in 1990.

Models in bleach-blonde wigs strutted in Domenico Dolce and Stefano Gabbana’s signature corsets and fitted jackets, each featuring the aggressively feminine cone bra, in a collection that notes said “pays homage to an iconic and powerful female figure.”

Madonna wasn’t cited specifically, but the stars of the Milan designers and pop star have been aligned ever since they made costumes for her 1993 tour The Girlie Show. The tour promoted Madonna’s Erotica album, which launched alongside her taboo-breaking coffee table book Sex.

The collection, dubbed “Italian Beauty,” perfectly captured that moment in time. Cone bras peeked out of cropped jackets with a pencil skirt, garters swung from corsets and coats sculpted the body. Floral prints returned in a color scheme of black, nude, red and white. Oversized cross earrings accented the looks. Heels were unapologetically high.

After taking their bows, the designers walked down the runway to greet their guest of honor. Madonna, still covered by the Chantilly long lace veil fastened by a gold and crystal crown, stood to embrace them both.

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Anthony Joshua and Daniel Dubois will go round for round in an IBF heavyweight championship fight airing live from London’s Wembley Stadium on Saturday (Sept. 21).

“I look at myself as a gladiator and I’m going to step into the arena tomorrow to perform for the people,” Joshua said a press conference on Friday, per the BBC.

The 34-year-old boxer’s record stands at 28-3 with 25 knockouts while Dubois, 27, has a 21-2 record with 20 knockouts.

“I’m ready to fight, just time to get in the ring and fight,” Dubois said according to ESPN. “I’m ready to go. A lot of work going into this, a lot of training. I win by any means necessary.”

The British boxers are expected to take the ring in front of a sold-out crowd of 96,000 fans.  

Keep reading for ways to watch online.

Where to Watch Joshua vs. Dubois Live from the U.S.

The Joshua vs. Dubois fight will be available to stream on PPV.com and DAZN for $19.99.

Live coverage starts at 11 a.m. ET for viewers in the U.S., but if you feel like sleeping in, the main event is scheduled to start at around 2 p.m. ET on Saturday. Ring walks will start at around 5 p.m. ET.

Besides the marquee fight, there are several other boxing matches on the undercard including Joshua Buatsi vs. Willy Hutchinson for the interim WBO light heavyweight title.

The fight card also features Tyler Denny vs. Hamzah Sheeraz in a bout for the European middleweight title, Anthony Cacace vs. Josh Warrington for the super featherweight title, Josh Kelly vs. Ishmael Davis in a middleweight fight and Josh Padley vs. Mark Chamberlain in a lightweight fight.

Kathryn Crosby, who appeared in such movies as The 7th Voyage of Sinbad, Anatomy of a Murder, and Operation Mad Ball before marrying famed singer and Oscar-winning actor Bing Crosby, has died. She was 90.

She died of natural causes Friday (Sept. 20) night at her home in the Northern California city of Hillsborough, a family spokesperson said Saturday.

Appearing under her stage name of Kathryn Grant, she appeared opposite Tony Curtis in Mister Cory in 1957 and Victor Mature in The Big Circus in 1959. She made five movies with film noir director Phil Karlson, including Tight Spot and The Phenix City Story, both in 1955.

Her other leading men included Jack Lemmon in Operation Mad Ball, James Darren in The Brothers Rico, and James Stewart in Anatomy of a Murder, directed by Otto Preminger.

Born Olive Kathryn Grandstaff on Nov. 25, 1933, in West Columbia, Texas, she graduated from the University of Texas with a degree in fine arts. She came to Hollywood and began her movie career in 1953.

She met Bing Crosby while doing interviews for a column she wrote about Hollywood for her hometown newspaper. They were married in 1957, when she was 23 and he was 54.

She curtailed her acting career after the wedding, although she appeared often with Crosby and their three children on his Christmas television specials and in Minute Maid orange juice commercials. She became a registered nurse in 1963.

In the 1970s, she hosted a morning talk show on KPIX-TV in Northern California.

After Crosby’s death at age 74 in 1977, from a heart attack after golfing in Spain, she appeared in stage productions of Same Time, Next Year and Charley’s Aunt. She co-starred with John Davidson and Andrea McArdle in the 1996 Broadway revival of State Fair.

For 16 years ending in 2001, she hosted the Crosby National golf tournament in Bermuda Run, North Carolina.

She is survived by children Harry, Mary, an actor best known for the TV show Dallas, and Nathaniel, a successful amateur golfer. She was married to Maurice Sullivan for 10 years before he was killed in a 2010 car accident that seriously injured Crosby.

Questlove has revealed that he will direct an upcoming documentary about Earth, Wind & Fire.

The Roots drummer, whose also been working on a Sly Stone doc, fittingly made the announcement on Saturday (Sept. 21) through his Instagram account, noting that the EWF project is slated for 2025 and will be the “definitive story” of the iconic R&B band.

“The story of how a band led by a genius from Chicago changed our way of thinking, our minds and our hearts,” Questlove wrote alongside a teaser clip. “Having been baptized in the afrocentric joy river of this powerhouse unit, I’ve learned about them, I’ve learned about us & more importantly I’ve learned about and rediscovered myself in the process.”

The Grammy- and Oscar-winning filmmaker added, “I’m so excited to be directing a documentary preserving their positive but VERY vulnerable and real story of Soul, Self & Struggle. This is the story of joy, persistence, love, pain, magic and self discovery. This is Earth, Wind & Fire.”

Questlove’s Earth, Wind & Fire doc will also include exclusive access to the group’s archives of visual, audio and written material, along with the approval of the estate of Maurice White and the band, according to a press release (per The Hollywood Reporter).

Earth, Wind & Fire’s Philip Bailey, Verdine White and Ralph Johnson said in a joint statement, “We look forward to this in-depth journey of our band, and are so excited to have Questlove directing the documentary.”

With classics including “Shining Star,” “Let’s Groove,” “Reasons” and “September,” the Rock & Roll Hall of Fame inductees have topped Billboard‘s Hot R&B/Hip-Hop Songs chart eight times, earned seven top 10 hits on the Billboard Hot 100 chart, and sold more than 90 million albums around the globe.

Questlove took home an Oscar for best documentary feature in 2022 for Summer of Soul (…Or, When the Revolution Could Not Be Televised), which he directed and executive produced.

See Questlove’s announcement on Instagram below.

Metallica gave its first concert in Mexico City in seven years on Friday (Sept. 20), and the band’s bassist, Robert Trujillo, took the opportunity to pay tribute to his Mexican roots by performing a peculiar song: “La Chona,” by famous corrido group Los Tucanes de Tijuana.

“This is a great party,” Trujillo said in Spanish to the 65,000 people who packed the GNP Seguros Stadium, according to figures from promoter Ocesa. “It is an honor to be here with all of you, with the spirit of 72 Seasons. Kirk [Hammett] and I are going to play something for all of you. We are very nervous, so if you know this song, please help us by singing it.”

Immediately, they started playing the first chords of the classic by Los Tucanes de Tijuana, included in their 1995 album, Me Robaste El Corazón, which has transcended several generations in Mexico and the U.S.

The long hair of Metallica’s fans swung to the northern rhythm, while Trujillo and Hammett, Metallica’s guitarist, swayed to the surprise and applause of much of the audience. The bassist, who on several occasions during the night wore a traditional mariachi hat, took charge of the vocals.

The moment was quickly trending on social media, where users celebrated the rock band’s gesture to its Mexican fans. “La Chona is national heritage and Metallica knows it,” wrote user @virian_avaa on her X account. “The most surreal thing, Metallica playing La Chona,” added user @Amackdiel. Both posted videos of the moment.

Metallica is giving four performances in Mexico City as part of its M72 World Tour, in support of their 2023 album 72 Seasons. The next shows at the GNP Seguros Stadium are scheduled for Sunday (Sept. 22), and Sept. 27 and 29.

Metallica’s history with Mexico began three decades ago with the tour of their Black Album (1991), which included five dates at the Palacio de los Deportes in 1993. Since then, the band has maintained a very close relationship with the country, where they recorded their live DVD Orgullo, Pasión y Gloria (2009), which portrays three spectacular nights at the Foro Sol (today GNP Seguros Stadium) in June 2009.

Metallica’s production team filmed the entire show on Friday and, according to the Mexican newspaper Reforma, next week it will make special shots at tourist spots such as Teotihuacán, the Historic Center, Chapultepec, Coyoacán, and San Ángel.

Watch Trujillo and Hammett play “La Chona” below.

Billboard Latin Music Week is returning to Miami Beach on Oct. 14-18, with confirmed superstars including Gloria Estefan, Alejandro Sanz and Peso Pluma, among many others. For tickets and more details, visit BillboardLatinMusicWeek.com.