As Morgan Wallen gears up to launch his own SiriusXM channel, Morgan Wallen Radio, on April 7, the stadium headliner celebrated by bringing his slate of hits to an intimate performance at Nashville venue The Pinnacle on Thursday night (April 2) for “SiriusXM Presents Morgan Wallen Live at The Pinnacle in Nashville,” where he did an underplay for a crowd of 4,000 SiriusXM subscribers.

The audience was packed and primed for a night of fun and music, as Wallen launched the show by playing his current single “Don’t We,” kicking off a 16-song setlist that mixed brand-new hits with classic Wallen songs. Commanding the stage and greeting fans both in the main standing-room-only level and in the balconies, Wallen, backed by his ace band, performed songs including “I Got Better,” “I’m the Problem,” “20 Cigarettes” and “Chasin’ You” (“I haven’t played this one in a couple of years,” Wallen said. “We gotta bring it back — this is one of the first songs I wrote.”). In the process, he proved that his stadium-filling hits are just as powerful in a smaller venue. Throughout the evening, he continuously made his way to the edges of the stage, smiling and waving at fans, sometimes kneeling and shaking hands, and making the most of the opportunity to be close to his fans.

“I haven’t played a show in a few months,” he told crowd at one point. “I’ve been hanging out with my family, hanging out in the woods a little bit, making some new music. Every time I get on stage after a few months off, I think to myself, ‘Man, why did I take so much time off?’ because I always enjoy being up here. I appreciate you guys showing up everywhere I play.”

He also thanked SiriusXM for their work in launching the new channel, saying, “I remember the first time I ever heard my song on the radio was on SiriusXM. I didn’t even know that artists had their own radio stations at that point when I was listening to it. So, to fast forward 10 years from that to be able to say that they’re letting me have a radio station that’s going to be on 24 hours, 7 days a week. It’s an honor and a privilege for me, for my team. It wouldn’t be possible without every single one of you here tonight. I just want to say thank you for all the milestones that you’ve given me during my career so far.”

He also welcomed a very special guest at one point in the evening, sending the crowd into a frenzy, and ended the evening with his 2018 hit “Whiskey Glasses” — and then stayed to give fans one more memorable moment.

The performance is just a taste of what fans can expect when Wallen launches his 23-date Still the Problem Tour on April 10.

Below, Billboard highlights five of the evening’s top moments:
 
 


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Brandon Lake has been rolling out a slate of country collaborations, and he just released his new song with two-time CMA entertainer of the year winner Lainey Wilson, titled “The Jesus I Know Now.”

On Instagram, Lake wrote of the song, “I hope it reminds you that, like my Momma used to tell me, ‘Jesus doesn’t just love you – He likes you.’”

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Wilson replied to Lake’s post by commenting, “So excited to have this out.”

Written by Wilson, Lake, Luke Laird and Emily Weisband, the song chronicles a maturation of faith over the years. “I found a friend who hangs with the misfits/ Listens, forgives and then forgives again,” they sing.

In January, Lake teased that he had been writing new music with several country artists, among them Wilson, Bailey Zimmerman, Thomas Rhett, HARDY and Dan+Shay. At the time, Lake revealed he had assembled 25 country music artists and/or songwriters, as well as many of Lake’s friends in faith-based music, for a series of writing sessions that had resulted in nearly 50 songs.

His collaboration with Wilson marks the latest country-Christian music hybrid from Lake, who previously released the Cody Johnson collaboration “When a Cowboy Prays” and collaborated with Bailey Zimmerman on “Just Believe.” Lake’s collaboration with Jelly Roll, “Hard Fought Hallelujah,” garnered a Grammy for best contemporary Christian music performance/song and GMA Dove Awards for song of the year and bluegrass/country/roots recorded song of the year. The song also earned a CMA Award nomination for musical event of the year.

Watch the lyric video for “The Jesus I Know Now” below:

Cardi B‘s sold-out show streak has been preserved.

This week (March 31), the Bronx rapper performed at the newly renovated TD Coliseum — to a sold-out crowd. It comes a couple of weeks after Cardi B posted a video to social media sharing that the gig was the only show on her Little Miss Drama tour that had yet to sell out.

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“It’s like 80% sold out. And I’m letting you Canadians know: if y’all break my sold out streak, I’m going to…” she joked. “Y’all better go buy them tickets. Y’all not breaking my perfectly sold-out streak. I’m not playing with y’all Banadians.”

The rapper’s Hamilton fans heard her loud and clear, promptly selling out the venue.

During the show, Cardi B jokingly discussed the slow ticket sales. “This was the only city that was moving kind of slow with the tickets,” she quipped. “And I like ‘n——s don’t got no money? They don’t got no money in Canada?’”

She continued her speech, thanking the audience for making it to the show despite the massive rainstorm. “Y’all sold this b—h out!” she exclaimed, doing a little cheer, which garnered praise from the crowd.

While it took the longest to sell out, concertgoers proved that Hamilton was the right city for the “WAP” rapper to make her final Canadian stop.

“I went to three cities in Canada,” she shared with the crowd. In February, she performed at Vancouver’s Rogers Arena — which received a similar threat before selling out — and later headed to Toronto’s Scotiabank Arena on March 30. “Hamilton is the winner of Canada’s crowds!” she revealed.

The feat makes Cardi B the first female artist to sell out and headline the stadium and is the highest-grossing rap concert at the recently upgraded venue. 

This doesn’t include earlier incarnations of the venue (the long-running Copps Coliseum/FirstOntario Centre), so it’s a small sample size, but it marks some big early records for TD Coliseum, which opened its doors in November 2025 after 18 months of renovation by new owner Oak View Group Canada.

Read more here. — Heather Taylor-Singh

Cirkut Becomes the Second-Ever Canadian to Win Juno and Grammy Awards for Producer of the Year in the Same Year

Cirkut has been one of the most quietly influential sonic architects in the music industry for nearly two decades, and now he’s being recognized on both sides of the border.

At this last weekend’s 2026 Juno Awards, the Halifax native took home the Jack Richardson producer of the year award, just months after winning producer of the year at the 2026 Grammy Awards.

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The producer, born Henry Walter, became just the second producer ever to receive both awards in the same year and first since David Foster in 1985. Cirkut is a big admirer of the Canadian legend, who produced hits like Whitney Houston’s “I Will Always Love You,” Celine Dion’s “The Power of Love,” Toni Braxton’s “Un-Break My Heart” and many more. Now, he gets to sit next to him in the record books.

“It’s mind-blowing,” he tells Billboard Canada. “It’s amazing to be in the same sentence as someone like David Foster, who I look up to and respect so much.”

Since getting his start in electronic trio Let’s Go To War and co-founding Dream House Studios in Toronto in the late 2000s, Cirkut has had one of the most impeccable production resumes in music.

From working on The Weeknd’s House of Balloons to Katy Perry’s “Roar” to several tracks on Charli scx’s Brat, he’s left his fingerprint on several tracks and records that have redefined the modern pop landscape in the past two decades.

After landing an early placement on Britney Spears’ Circus in 2008, the Canadian producer crafted a handful of chart-topping hits in the 2010s, including Katy Perry’s “Dark Horse” and Miley Cyrus’ internet-breaking “Wrecking Ball” in 2013.

Now, he remains a pop mainstay and is being lauded for some of his most prolific work to date, much of which made 2025’s biggest music moments. Along with being one of the main producers on Lady Gaga’s No. 1 album Mayhem (2025), Cirkut produced the viral Bruno Mars and ROSÉ collaboration “APT.,” a chart juggernaut that topped the Canadian Hot 100 for several weeks and finished at No. 3 on the 2025 Year-End Canadian Hot 100 Songs chart.

Soft-spoken and modest, Cirkut might not be a household name in the same way as producers like Max Martin or Jack Antonoff, but his impact is undeniable. He’s No. 4 on Billboard’s list of Top Producers of the 21st Century and remains a go-to for artists all over the spectrum, from pop auteurs like Gaga and The Weeknd to K-pop stars like Jung Kook.

Asked to define his signature sound, he demurs, saying it’s more of a quality: “trust.” Artists know they can trust him with their vision, their sounds and their collaboration.

Cirkut took a break from a studio session in Los Angeles to talk to Billboard Canada about the recognition.

Read the full interview here. — Richard Trapunski


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Nothing’s new Headphone (a) model has gone viral on TikTok following its March release, and it’s pretty easy to see why.

I was intrigued by the tech’s virality because it’s not often people are shocked by drops that aren’t from major headphone brands such as Beats or Apple. An underdog of sorts, Nothing is a British consumer electronics company based in London. The brand is pretty new, cofounded in 2020 by Carl Pei, and has a primary focus on everyday tech, from earbuds and headphones to even a phone.

That being said, Nothing also offers tech accessories, watches and even clothing. These are active noise-canceling headphones that are over-the-ear rather than on-ear. They currently retail for $199. Tech-savvy consumers have likened it to Apple’s AirPod Max headphones.

Style/Fit

Nothing excited me as a consumer obsessed with fashion because their offerings are actually stylish as well as functional, something that isn’t as common in the world of audio accessories/tech. Headphones, in particular, are a big part of the problem, focusing more on capabilities while boasting a sterile color scheme and a lackluster design. Nothing’s Headphone (a) silhouette features vibrant hues from baby pinks (my personal favorite) to bright yellows akin to fresh citrus, along with more palatable white and black hues.

Now its TikTok fame started to make sense. Thousands poured over videos, amassing up to 156K views. Thousands of videos were posted under the headphone’s hashtag. All of these people flocked to the new offering because of how cool and unique they looked, and I was one of them. The ear cups are square rather than your standard round shape. The style is futuristic and modern, but not brutalist in nature. It’s playful and doesn’t take itself too seriously. Even the buttons are interactive and tactile, creating an experience for the user.

These sit nicely on my head, with a padded headband and equally cushy ear cups. I never felt like my head was being squeezed upon wearing it, even after hours of wear. They are lightweight and don’t gap around the ears, creating a perfect seal so sound won’t leak out.

Our review on Nothing Headphone (a).

Nothing Headphone (a) Adaptive Active Noise Cancelling Headphones

New headphones from Nothing. The style comes in four colorways and retails for $199, less than Nothing’s OG headphones at $299.


Sound Quality ANC and Transparancy Mode

Beyond its obvious aesthetic wins, these headphones offer great sound. While playing my usual K-pop hits or R&B tracks, I noticed that the bass was punchy and the audio was clear with expressive highs. This just means the high-frequency sounds, which are typically around 2,000Hz to 20,000Hz, were nice and detailed since they can sometimes get lost or muddied in your listening experience.

That crispness is translated into the instruments we hear or the clarity of vocal consonants. These headphones offer ANC that is adaptive, which means these headphones will cancel out superfluous noise and adapt that cancellation to your surroundings. You’ve also got transparency mode, which uses external microphones, of which there are three on this model, to pick up ambient sound and play it through the speakers.

This allows you to hear your surroundings without having to take off your headphones. Both of these modes make these headphones ideal for commuters or people who work in an office who want to tune out the noise of a busy space or subway ride, but want to be aware of their surroundings from time to time. I found these modes extremely helpful when I was trying to focus on writing at the office, or when I was heading home on the busy New York subway and needed a break from all the noise.

Affordability

Compared to Nothing’s Headphones (1) that retail for $300, the Headphones (a) model is more affordable at $199. That alone is a win in my book, given that pricing for headphones has only increased over the years. I want quality, style and affordability out of my headphones, and Nothing delivers.

iHeartMedia has appointed Ann Marie Licata as CEO of the company’s multiplatform group, which is iHeart’s largest operating segment. The other two operating segments will continue to be led by current CEOs Donal Byrne (digital audio group) and Mark Gray (audio and media services group).

The multiplatform group includes the iHeartMedia markets group, which operates the company’s more than 860 local broadcast radio stations; iHeart live events and sponsorship; the radio networks businesses, including Premiere and TTWN; the enterprise business development group; and data targeting and attribution products for broadcast radio. Licata previously served as president of the markets group & sales operations at iHeart. Julie Donohue, president of the enterprise development group, and Julie Talbott, president of Premiere Networks, will report to Licata under the new configuration.

In addition to Licata, Bernie Weiss was promoted to president of the markets group. He will oversee the operations of iHeart’s 160 markets. He was previously COO of the markets group.

“We couldn’t be more pleased that Ann Marie will be leading the growth and innovation efforts for our company’s largest segment,” said Bob Pittman, chairman and CEO of iHeartMedia, in a statement. “In addition to helping businesses and brands grow effectively and efficiently, the Multiplatform Group has been an important engine to develop our own important new businesses — including podcasting and the iHeartRadio digital service — as well as our iconic live music events and awards shows. We look forward to the additional growth that will come as we move broadcast radio into the digital buying world through our data services and programmatic platforms.”

“We have a diversified business at iHeart, with our Multiplatform Group, the Digital Audio Group and the Audio and Media Services Group, and we’re very pleased that Ann Marie has taken on the responsibility for the Multiplatform Group at such an important time for the company,” added Rich Bressler, president and COO of iHeartMedia. — Chris Eggertsen

See below for more of this week’s executive moves.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

In spring 2026, English indie rock band Florence + The Machine goes on the Everybody Scream Tour throughout the United States, with dates going until Wednesday, April 8, at Target Center in Minneapolis. Meanwhile, throughout the tour, there’s a rotating lineup of recording artists supporting as openers, including including Rachel Chinouriri, Sofia Isella, CMAT and Mannequin Pussy.

Tickets to the tour first went on sale through Live Nation and Ticketmaster, as the retailer’s Face Value Exchange program is an option for fans to resell tickets.

However, many of the dates have either sold out, or are very close to selling out, so one of the best ways to find Florence + The Machine tickets online is through third-party sites, including StubHub, Vivid Seats, SeatGeek, Event Tickets Center, Gametime and others. All online retailers guarantee authentic tickets in time for your concert.

In addition, Billboard likes that tickets are all delivered digitally, so you can get them sent instantly to your smartphone or email. Prices may also be above or below face value at times.

Where to Find Florence + The Machine’s Everybody Scream Tour Tickets Online

Looking for cheap seats to see Florence + The Machine live? Here’s where to find tickets still available and on sale online.

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Find Florence + The Machine Tickets at StubHub

If your event is canceled and not rescheduled, you’ll receive 120% in credit or be given the option of a full refund.


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You can find Florence + The Machine tickets online at Vivid Seats, which lets you search by price, location and “Super Sellers,” which denotes reputable sellers with the best deals on tickets. Vivid Seats is great for group tickets: the site has a rewards program that gives you your eleventh ticket free (in the form of a credit) after you buy 10 tickets online.

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Find Florence + The Machine Tickets at SeatGeek

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One of the lowest prices we’re seeing for Florence + The Machine tickets is at SeatGeek, which has stubs from $50 and up.

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Florence + The Machine’s Everybody Scream Tour 2026 Dates

  • Apr. 8: Target Center in Minneapolis, MN (Buy tickets online here)
  • Apr. 10: Allstate Arena in Chicago, IL (Buy tickets online here)
  • Apr. 13: Little Caesars Arena in Detroit, MI (Buy tickets online here)
  • Apr. 18: Capital One Arena in Washington, D.C. (Buy tickets online here)
  • Apr. 19: TD Garden in Boston, MA (Buy tickets online here)
  • Apr. 21: Madison Square Garden in New York, NY (Buy tickets online here)
  • Apr. 24: Barclays Center in Brooklyn, NY (Buy tickets online here)
  • Apr. 25: Xfinity Mobile Arena in Philadelphia, PA (Buy tickets online here)
  • Apr. 28: Benchmark International Arena in Tampa, FL (Buy tickets online here)
  • Apr. 29: Kaseya Center in Miami, FL (Buy tickets online here)
  • May 1: State Farm Arena in Atlanta, GA (Buy tickets online here)
  • May 2: Bridgestone Arena in Nashville, TN (Buy tickets online here)
  • May 4: Moody Center in Austin, TX (Buy tickets online here)
  • May 5: Toyota Center in Houston, TX (Buy tickets online here)
  • May 7: Dickies Arena in Fort Worth, TX (Buy tickets online here)
  • May 9: Desert Diamond Arena in Glendale, AZ (Buy tickets online here)
  • May 12: Climate Pledge Arena in Seattle, WA (Buy tickets online here)
  • May 13: Moda Center in Portland, OR (Buy tickets online here)
  • May 15: Chase Center in San Francisco, CA (Buy tickets online here)
  • May 19: Kia Forum in Inglewood, CA (Buy tickets online here)
  • May 20: Kia Forum in Inglewood, CA (Buy tickets online here)

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Good 4 u, Olivia Rodrigo fans: After a three-year wait, the pop star announced that she is finally releasing her third studio album in 2026.

Rodrigo announced on the second day of April that her next LP will be titled You Seem Pretty Sad for a Girl So in Love, formally kicking off her next album era. Sharing the project’s dreamy artwork, Rodrigo wrote, “I am so proud of this record and I can’t wait for you to hear it.”

Leading up to the big news, anticipation for fresh material from Rodrigo had been at an all-time high. There had been whispers that she was gearing up to drop something when a pink mural wall in Los Angeles — which fans linked back to the Grammy winner — popped up, displaying the phrase that would end up being the album’s title in curly-cue writing. But even before that, fans had been jonesing for new tunes, as Rodrigo hasn’t released a full-length since 2023. Her last album, sophomore effort Guts, opened atop the Billboard 200 and spawned Billboard Hot 100 No. 1 single “Vampire.” Two years prior, her chart-topping debut LP, Sour propelled Rodrigo to global superstardom, boosted by No. 1 hits “Drivers License” and “Good 4 U.”

Now, she’s got a batch of new future hits coming our way — and as the days count down to OR3, Billboard is keeping an updating list of everything we know so far. From the release date to its cover art, track count, lyrical themes and more, check out all there is to know about about You Seem Pretty Sad for a Girl So in Love below.


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As the world observes Holy Week 2026, Billboard Español has prepared a special selection of 35 new Christian songs in Spanish for the season. The list is comprised of established and emerging artists, encompassing the diversity of Latin Christian music in sound and message.

The lyrics of these songs explore themes such as love, family and everyday life from the perspective of faith, thus providing an enriching experience for those who want to approach faith through music.

Among the highlights are a variety of popular genres, from worship songs such as Presencia Viva Worship debut single “Espíritu Santo (Bienvenido),” “40CM” by the singer-songwriter CRYS together with Genock Gabriel and the ballad “Vuelvo” by Marcela Gándara, produced by Julio Reyes Copello, which invites listeners to get closer to God in the most challenging moments. In addition, we included “Tu Presencia Me Llamó,” the Spanish version of the popular song “Me Atraiu” by the Brazilian Gabriela Rocha with the Guatemalan band Miel San Marcos. With this anthem, Rocha became the first woman in gospel music worldwide to reach 3.3 billion views on YouTube, according to Billboard Brasil.

Within the field of Christian urban music, songs such as Daddy Yankee’s “Sonríele,” which hit No. 1 on Billboard’s Latin Airplay chart last October; “Flow Celeste” by Barajas and Alex Zurdo; “Te Siento” by Indiomar; and “Locura” by Jay Kalyl stand out. While in Latin pop, there are gems such as Gilberto Daza’s pop vallenato “Seguir Vale la Pena” and “Capulí,” which united the Ecuadorian Vaes with the Colombian band Alkilados.

In addition, the list includes “Confía” by Farruko and Dalex, “Who Who” by Nino Freestyle and Emanuel Lara and “Chica de Altar” by the latter, all part of the compilation album Transition, released in 2024 under Farruko’s former label Carbon Fiber Music, featuring diverse emerging artists both Christian and non-Christian.

Listen to our playlist of new Latin Christian songs for Easter 2026 below:

Justin Moore earns his 11th No. 1 on Billboard’s Country Airplay chart as “Time’s Ticking” rises two spots to the top of the list dated April 11, delivering 29.9 million audience impressions (up 14%) March 27-April 2, according to Luminate.

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True to its title, the song completes a record 67-week climb to the summit, underscoring the kind of sustained, week-by-week growth that has long defined Moore’s success at country radio.

Written by Moore, Will Bundy, Randy Montana and Jeremy Stover, the new leader (with Dierks Bentley guesting on its album version) marks Moore’s first since “With a Woman You Love” in September 2022. With 11 No. 1s, he continues one of the most durable runs at country radio over the past two decades. Nearly 70% of his 23 charted singles have reached the top 10, and almost 70% of those 16 titles have in turn risen to the lead position. He has averaged a new No. 1 roughly every 20 months dating to his August 2008 chart debut.

“Justin Moore is a consistent country radio hitmaker, and this song is no exception,” Blue Highway svp of promotion and digital Ashley Sidoti tells Billboard. “His music stays true to the core, no matter where the genre is swaying. We are incredibly proud to be celebrating his 11th Billboard No. 1 single and the very first No. 1 single for Blue Highway Records!”

“Time’s Ticking” surpasses Michael Ray’s “Whiskey and Rain” and Travis Denning’s “After a Few,” each of which took a 65-week trip to the top. The next longest ascents: Scotty McCreery’s “In Between” (63 weeks), Dylan Scott’s “Can’t Have Mine” (62) and Chayce Beckham’s “23” (60).

Back in the Know

Luke Bryan ties for his third-highest Country Airplay debut with “Country and She Knows It” at No. 21 (8.1 million). The song is his 49th career entry and joins his collaboration with George Birge, “Ride, Ride, Ride,” which holds at its No. 25 high (6.6 million, up 5%).


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Jeanine McLean, formerly president/managing partner of MBK Entertainment, is now helming her own ship. Launched just over six months ago, New Jersey-based Castlight Media & Management Group collaborates with a roster that includes Grammy-nominated R&B/pop artist Omarion and his reunited group B2K, R&B artist Tone Stith and country artist Brittney Spencer. While at MBK, McLean worked with R&B/pop stars Alicia Keys, H.E.R. and Elle Varner, among others.

“Castlight is about casting positive energy and motion in highlighting an artist’s talent,” says founder/CEO McLean, one of whose guiding lights is depicted in the company’s logo: “It’s a silhouette of my grandfather, who was a professional stand-up bass player.”

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A nationwide spotlight is currently being cast by the Boys 4 Life tour, which features co-headliners Bow Wow and B2K — the latter a 25th anniversary reunion with fellow founding member Omarion. Having kicked off Feb. 12 in Columbia, S.C., the Black Promoters Collective-produced tour — whose performer lineup includes Pretty Ricky, Waka Flocka Flame, Amerie and B5 — has already swung through Washington, D.C., Houston, Las Vegas and Los Angeles. Its final stop will be Memphis on April 26.

“The excitement for this tour has been electric,” says McLean of Boys 4 Lif, the latest in a string of recent nostalgia-vibed tours such as Brandy & Monica’s The Boy Is Mine and this summer’s upcoming It’s Iconic run with TLC, Salt-N-Pepa and En Vogue. “Their fans, now in their late 30s, are showing up and showing out; singing, dancing and bringing old posters and other memorabilia to the meet & greets. Some are also bringing their kids to watch who their parents’ fan idols were. People want to gravitate back to feel-good moments in their lives.”

Concurrently behind the scenes, McLean has secured a new record deal for Omarion, whose solo catalog boasts the multiplatinum “Post to Be” with Chris Brown and Jhené Aiko and gold-certified “Ice Box.“ Under the Create Music Group banner, Omarion has already released his latest single, “Fantasy.” His next solo album, O2 — a nod to his 2005 debut album O — arrives June 30.

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“We’re calling this Omarion’s O2 era,” explains McLean, “because the energy is very reminiscent of his past success. Together, we’re building out several other business verticals for him as well.”

RCA Records singer-songwriter Stith is also doing his own vertical moves. His latest single “Fly” landed at No. 10 on Billboard’s Adult Airplay chart for the week of April 4, and his next album, The Edge, is slated for a May 15 release. Also in the pipeline: a new EP from B2K via BPC Music, distributed by Vydia. McLean serves as the lead manager for the group as a whole, while each member has his own manager.

Asked about R&B’s strong momentum of late, McLean says, “It’s returning to some of the basics like the bridge coming back. We love that. We love the visuals coming back. But in particular, the sound is going back to being more organically soulful. People are taking their time with lyrics; singing about love and feelings again. That is what’s been missing. It’s just this lovely resurgence that’s standing out in the crowd of so much music that’s out there.”

Also on the Castlight docket is producer-musician Kenneth “KP” Paige (Toosii, Honey Bxby, Omarion, Girlfriend), who co-produced Stith’s “Fly.” As is Spencer (Cowboy Carter), who has upcoming performances with Maren Morris and Sheryl Crow, plus a new MNRK Music label deal with an album and two major tour announcements coming soon. Rounding out the Castlight roster are Native American singer-songwriter-pianist M’Lynn, also signed to MNRK; Torae Carr, SiriusXM host (The Tor Guide on Hip-Hop Nation; That Raw on Rock The Bells Radio) and songwriter (Cardi B; Migos); British-American singer/actress Aiyana Lee and Tina aka Hoodcelebrityy.

In addition to overseeing these various music projects, McLean — a Billboard Women in Music and R&B/Hip-Hop Power Players honoree — says her firm is casting a wider net as well, as she is currently in conversations with investors about two film projects. Declining to reveal more at this time, she adds that “there will be more film and TV projects happening soon, as these are multi-talented artists who can work in all facets of entertainment. Honestly, this is so much fun right now because we’re going to do it all.”


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