Garth Brooks has revealed the final three weekends of his Garth Brooks/Plus ONE residency at The Colosseum at Caesars Palace in Las Vegas. The final shows will run from Feb. 21 through March 9, 2025.

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“I can’t believe it has come and gone, already,” Brooks said in a statement. “The Caesars gig has been my favorite so far. No setlist, no rules, just the music and the listener come first. I LOVE that! These last shows are going to be hard for me, emotionally, because I can’t stand the thought of this residency being over.”

The final nine show dates are slated for February 2025 (Feb. 21, 22, 23 and 28) and March 2025 (March 1, 2, 7, 8 and 9).

Brooks’ Plus ONE residency puts the Country Music Hall of Famer, known for selling out numerous stadiums multiple times over the years, into an intimate, personal performance setting, with the combination of songs, instruments, onstage banter and occasional special guests varying, essentially making each performance a one-night-only show. Each show features a mix of Brooks’s hits including high-flying anthems as “Rodeo” and “Tearin’ it Up (And Burnin’ It Down),” tear-jerker ballads such as “The River” and unexpected covers of many of Brooks’ favorite songs from artists including James Taylor and Bob Seger.

“What I love about the residencies is you can see every individual and see what’s going on with them,” Brooks previously told Billboard. “Lock into them because they’ll get you through a song. If you’re sitting there going, ‘Why am I straying so much in my head right now?’ Boom! You’ll find that person that this is their favorite song. And then it becomes your favorite song to sing right there in the moment. That’s what I really love.”

Tickets for the final nine shows go on sale to the general public beginning Thursday, Sept. 19, at 10 a.m. PT on Ticketmaster’s website. Citi is the official card of the residency, with Citi cardmembers having access to presale tickets starting Sept. 16 at 10 a.m. PT through Sept. 18 at 10 p.m. PT through the Citi Entertainment program. Past ticket purchasers will have access to a presale starting Sept. 17 at 10 a.m. PT, while Caesars Rewards members and Live Nation customers will have access to a pre-sale starting Sept. 18 at 10 a.m. PT. All presales will end Sept. 18 at 10 p.m. PT.

Brooks’s upcoming 2024 Plus ONE shows at The Colosseum at Caesars Palace will run from Sept. 26-Oct. 13, and Dec. 5-22, 2024.

Jack Antonoff is opening his ears to the criticism — sike. After some fans slammed the producer online for what they perceived as him wearing earbuds to block out performances at the 2024 MTV Video Music Awards — specifically Katy Perry‘s — the producer cleared the air with a series of satirical tweets written in the form of an apology Thursday (Sept. 12).

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“i would like to tell you directly from me that i did in fact use earplugs the other night,” he began in his joking confession on social media. “they were blue ‘hearos’ brand and im mortified to admit that i’ve been using them for a long time as well as buying them in bulk.”

“that i do not only use them when in 100 plus DB environments,” he continued of his VMAs ear-wear. “it is humiliating to admit that i use them on planes and every night while sleep. there is nothing left to do but apologize … i’m sorry to those i let down and today i will not [be] going to work and instead thinking about my earplug use and everyone that has been affected by it.”

The Bleachers frontman added, “the band and i have decided to keep all dates as scheduled.”

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The posts seemingly come in response to viewers accusing Antonoff of wearing Apple Airpods during Perry’s Video Vanguard Award medley performance, as captured by the VMAs’ live audience cam that was trained for long periods of time on the producer’s seat partner, Taylor Swift, with Antonoff in frame. One person on X called him “disrespectful” for wearing the plugs, while another fan tweeted, “jack antonoff putting on airpods during katy’s performance… what a disgusting man.”

Speaking of the “Anti-Hero” singer, Swift was dancing up a storm throughout the former American Idol judge’s performance, and sang every word to “Teenage Dream.” The Eras Tour headliner ended the night with seven new Moon People, including video of the year for “Fortnight,” which Antonoff produced.

Perry’s performance also had many more noteworthy moments beyond who did or did not wear earplugs during her time on stage. In addition to performing a slew of the songs that solidified her as Billboard‘s No. 25 greatest pop star of the 21st century — including “Dark Horse,” “Roar” and “ET” — the vocalist was also joined by Doechii to give their new single “I’m His, He’s Mine” a jaw-dropping live debut.

See Antonoff’s faux apology below.

As they plot their massive reunion next year, Oasis will be looking for support bands to join the bill on their run of 17 U.K. and Ireland stadium tour dates, but Fontaines D.C. will probably not be one of them.

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Speaking to Studio Brussel the Irish band, who recently released their superb fourth album Romance on XL Records, had their say on the reunion. “I couldn’t really give a sh-t, to be honest,” guitarist Carlos O’Connell said.

Bassist Conor Deegan III added: “I’m not excited about it, either, to be honest. I feel like we get caught in the last era – like the ’10s – and into such a nostalgic thing that we’re forgetting to make new things.”

“I feel like what we were wanting to do with this record [Romance] anyway was to look into the future and make new things,” Deegan continued. “So for Oasis to reform at this moment for us is really annoying.” Watch the clip below.

An active user on X, Oasis frontman Liam Gallagher responded to the band in an interaction with a fan. “F–k them little spunkbubbles I’ve seen better dressed ROADIES,” he wrote in one tweet. “They look like a sh-t EMF,” said another, comparing the band to the ‘90s alternative rock band.

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Fans had hoped that Fontaines D.C. might be enlisted as a support act for the shows, and debunked line-up posters even suggested they could be in the frame. Frontman Grian Chatten hoped to cool tensions in a comment on NME’s Instagram, saying “I love Oasis. This is not my opinion.”

Recent reports suggest that Oasis are looking for “established” acts to join the Gallagher brothers on the 2025 dates, their first in over 15 years. Noel and Liam announced their reunion in August, following their acrimonious 2009 split.

The band have been teasing international dates in the U.S. and recently shot down the rumours of a return to Knebworth House in 2026. The sale for the initial run of shows, which saw over 10 million fans from 158 countries attempting to cop tickets, came under fire for the use of Ticketmaster’s controversial “in-demand” pricing.

Fontaines D.C., meanwhile, are set to play their biggest ever show at London’s Finsbury Park next summer on July 4, the same date Oasis kick off their reunion tour at Cardiff’s Principality Stadium.

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

Chencho Corleone, SOLO (Cero/Sony Music Latin)

The wait is over: Chencho Corleone has dropped his debut album SOLO, five years after parting ways from popular early 2000s reggaetón duo Plan B. “I know many doubted and bet against me, what will they say now, I wonder?/ My people didn’t bend, they trusted me, and now we are relaxing,” he opens up in the 37-second intro “Tirao Pa Tra” powered by dramatic violins. Home to 18 songs, the set stays faithful to Chencho’s sound, notably with a handful of futuristic perreos such as “Menta,” “Good Times” and “District.” The Puerto Rican artist also experimented with cumbia in “Lo Caro y Lo Bueno” and electronic music in the closing track “Himalaya.” 

“It took me many nights working without looking at the clock to finish this album that I’m sure will be one of your favorites,” he expressed in an Instagram post. “Thanks to all the artists and producers who collaborated with me, thank you!!! Thankful to all my fans for waiting that finally… the day has come !!! Enjoy SOLO just as I enjoyed creating it for you.” SOLO — which includes the previously-released single “Un Cigarrillo,” Chencho’s first solo No. 1 hit on the Billboard Latin Airplay chart — also includes star-studded collaborations with Peso Pluma, DJ Snake, Rauw Alejandro, Jowell & Randy, Bryant Myers and Jay Wheeler, the latter on the focus track “Cinco Estrellas.” — JESSICA ROIZ

Maria Becerra, “AGORA” (Warner Music Latina)

In “AGORA,” María Becerra, “La Nena de Argentina” (“Argentine babe”), takes a bold step by including Portuguese in her repertoire, fusing genres such as bossa nova and rap. With a delicate and seductive performance, Becerra explores the deep regret of a failed relationship, while searching for a second chance through her melodic singing in Portuguese and rap verses in Spanish. The black-and-white music video presents Becerra as a sensual and dangerous siren, with an elegant and mysterious visual aesthetic that perfectly complements the emotional duality of the song. — LUISA CALLE

Kim Loaiza, X Amor II (Space Music/Warner Music Latina)

In her latest release, X Amor II, Kim Loaiza ambitiously builds upon the foundations laid by her 2023 debut, X Amor. The Mexican singer and social media influencer keenly demonstrates her evolving artistry through an eclectic mix of genres ranging from reggaetón to música mexicana, peppered with other unexpected styles. The opener “5 Babys” is a powerhouse introduction to the expanding urbano movement, featuring an all-female lineup with Spanish MC Ptazeta, Mexican reggaetonera Bellakath, Argentine lyricist Yami Safdie, and Colombian rapper Fariana. Together, they set a bold tone with assertive, debaucherous lyrics (“Ando con cinco babys, y todas están duras,” who are “Todas están encendidas para el descontrol“).

Experiments with diverse genres are evident in tracks like “Perro” and “Se Mi Gato,” which display EDM tendencies while maintaining an undercurrent of Latin infectiousness. “QuesoXte,” an already-released single featuring Codiciado, offers a seamless transition into rowdy corridos. Meanwhile, “Antes de Dormir” and “Hentai” reverberate with the core sounds of reggaetón. In a different vein, “Me Dolió” presents an emotionally resonant strain of bachata-urbano, while “Los Besos Que Te Di” merges grupera and cumbia, illustrating her facility with traditional sounds wrapped in contemporary flair. Across 14 tracks, the Mexicali star does more than explore romantic narratives but encapsulates themes of empowerment, resilience and authenticity. With X Amor II, Loaiza solidifies her multifaceted ability to push expectations in Latin music. — ISABELA RAYGOZA

Arthur Hanlon, Yotuel & Darell, “Repetimos” (Sony Music Latin)

“Repetimos” is the new single by well-known pianist Arthur Hanlon in collaboration with Cuban rapper Yotuel and Puerto Rican urban artist Darrel. The saucy melting pot of rhythms fuses mambo, reggaetón, and a funky tumbao, all backed by Hanlon’s smooth and exquisite piano struts. Yotuel brings sensuality to the tune with his flavorful vocals, while Darell contributes with his raspier tones and hard-hitting rap bars. Lyrically, “Repetimos” (“let’s repeat”) is about reliving the fun moments of romance and excitement, emphasizing the idea that some experiences are always worth repeating.— INGRID FAJARDO

MARI, “Tonada Del Callejero” (AP Global Music)

Emerging artist MARI “La Carajita” offers a hypnotizing fusion of urban music and Venezuelan llanero music, subtly transporting us to the countryside through sustained falsetto verses like “the street is calling me,” and bringing us back to the city with forceful drum rhythms, rap and cuatro. “The street is calling me because I think she likes me/And that doesn’t bother me so much because I liked her too,” she sings in this exciting experiment. Within a wave of Venezuelan talent that has achieved international recognition in the last few years, MARI stands out for her originality and her mastery. — SIGAL RATNER-ARIAS

Listen to more editors’ Latin recommendations in the playlist below:

Playboi Carti season appears to be on the horizon. After releasing his first song on streaming services since 2020 with “All Red” on Friday (Sept. 13), Carti has further opened up about I Am Music while revealing Ye’s (formerly Kanye West) involvement.

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The Atlanta rapper took to his Instagram Story to shout out Ye, and said they have been in the lab working on his album together.

“@Ye KANT WAIT 2 SHOW THE WORLD WHAT WE BEEN WORKIN ON WIT DIS ALBUM WE DA REAL 5L NO DOUBT,” he wrote in his caption over a photo of the “All Red” cover art.

Carti’s next IG Story showcased his DMs — one of which featured a message from Ye appearing to lend his cosign to his latest single. “Love this,” West replied.

It remains to be seen if that means West has collaborations on the album, production or is in more of an executive producer role. Carti also alluded to Mike Dean’s involvement behind the boards. “@therealmikedean WENT CRAZY AS USUAL GENIUS S–T,” he wrote in one Story.

Ye and PBC have a rich collaborative history over the years. Carti made multiple appearances on Vultures and Vultures 2, including earning his first Billboard Hot 100 No. 1 hit with “Carnival.” West guested on Carti’s Whole Lotta Red cut “Go2DaMoon” in 2020.

With the arrival of “All Red” and an official I Am Music announcement, it’s finally looking like Carti’s first album in four years could be arriving soon.

He posted vinyl covers for the project to his Instagram and directed fans to visit his website, where Carti’s webstore is selling digital albums along with merchandise bundles, but there’s no release date and it’s only promised to arrive before October 2025.

As for Ye, he’s been busy this year releasing a pair of Vultures projects with Ty Dolla $ign, which are his first since he was condemned for his repeated hate speech. He’s now off to China for a solo concert slated for Haikou on Sept. 15.

See Playboi Carti’s IG Story about Ye below.

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Charli XCX may have said goodbye to Brat summer, but Amazon Music wants the aesthetic to live forever with the launch of an official Charli XCX store featuring exclusive Brat merchandise.

The 32-year-old is gearing up for a busy end of year starting with co-headlining the Sweat tour with friend and fellow artist Troye Sivan. Fans have been debuting their best Brat-inspired outfits featuring ’90s and grunge-themed styles.

Whether or not you have tickets to see Charli XCX live in person, Amazon’s official store is stocking you up on T-shirts and accessories that you’ll be able to use 365 days a year. You can choose from a mix of T-shirts that were inspired by the album cover and deluxe edition with graphics in the famous all lowercase and slightly blurred text. The collection also includes an exclusive Amazon-only style that says “I ride for you Charli” that’s only $35.

In addition to apparel, the official store offers phones cases that dress up your tech in a Brat album green shade.

Prices range from $20 to $35, and all of the T-shirts come in an oversized, vintage aesthetic.

Keep reading to shop some of ShopBillboard‘s favorite pieces.

model wearing black t-shirt with green brat text and jeans

Charli XCX ‘Brat’ Oversized Vintage T-Shirt

Go full on brat in this simple top that’s available in either a black or white base. The front center features the album name in the iconic lime green shade and features a cozy cotton material that’s lightweight and airy.


model wearing black and white brat top with jeans

Charli XCX It’s the Same But It’s Not Oversized Vintage T-Shirt

Fans of the deluxe version of Brat can pick up the album-inspired top that comes in white and black, with the album cover across the front. You can relax into the 100% cotton material that’ll provide a soft feel for comfortable all-day wear.


model wearing black and white "i ride for you charli" t-shirt with jeans

Charli XCX I Ride For You Charli Oversized Vintage T-Shirt

You can show your devotion to the “Apple” singer in this oversized black tee that reads “I ride for you Charli” in all lowercase script. Featuring a more relaxed fit, you can easily pair the top with jeans or your comfiest biker shorts.


green and black brat phone case

iPhone 15 Charli XCX “Brat” Case

Give your phone a bold makeover with this lime green phone case featuring the Brat logo. The design is compatible with iPhones (version 12-15 Pro Max) and has a separate design for Samsung Galaxy models that’ll keep your smart device protected in style.


Amazon has continued to lean into offering fans a one-stop destination to shop their favorite artists’ official merch and exclusive tour gear, with Charli XCX being the latest addition. Alongside the “Talk Talk” singer, other musician merch includes Beyoncé’s Renaissance tour apparel, ATEEZ’s official store, Dua Lipa’s Radical Optimism gear, Megan Thee Stallion’s shop and Doja Cat’s Scarlet Red tour merch.

For more product recommendations, check out ShopBillboard‘s roundups of the best music posters, female musician memoirs and vinyl record player accessories.

Justin Timberlake pleaded guilty to impaired driving in New York’s Sag Harbor Village Court Friday (Sept. 13).

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According to the Associated Press, Timberlake was sentenced to a $500 fine with a $260 surcharge as well as 25 hours of community service at a nonprofit of his choosing. He’s also required to make a public safety announcement, the appropriateness of which concerned Judge Carl Irace, who, according to the AP, expressed disappointment with the prosecutors’ proposed plea deal. In Irace’s opinion, Timberlake’s intention to make the statement shortly after court proceedings would not give the *NSYNC alum enough time to reflect on his actions, which is why the judge added on community service requirements to the sentence.

Billboard has reached out to Timberlake’s rep and lawyer, Ed Burke, for comment.

Shortly after the hearing, Timberlake addressed media outside the courthouse with a statement about the dangers of impaired driving. The hearing comes three months after the “SexyBack” singer was arrested on suspicion of driving a vehicle while intoxicated in the Hamptons, displaying behavior that “did not live up to the standards that I try to hold for myself,” he told the court Friday.

“I should’ve had better judgment,” he also told the judge, AP reported. “ I understand the seriousness of this.”

Timberlake and his legal team had originally pleaded not guilty to a misdemeanor drunken driving charge during an August virtual court appearance, where his driving privileges were suspended by Irace. CNN also reported at the time that the judge had admonished his attorney for making comments about the case to the media ahead of the arraignment.

It was first reported that Timberlake had reached a plea deal two days prior to Friday’s hearing.

Warner Chappell Music has signed a global publishing agreement with hitmaking songwriter John Ryan. With six writing and production credits on Sabrina Carpenter’s Short n’ Sweet and cuts with Thomas Rhett, Teddy Swims, Harry Styles, Benson Boone, Maren Morris, Maroon 5, Niall Horan and more, WCM president of North America, Ryan Press, calls Ryan “a pop powerhouse.”

Primary Wave has partnered with the estate of Ric Ocasek on the late Cars songwriter’s publishing catalog as well as his name, image and likeness rights. The terms of the deal will see the publishing company work with all the songs from his time with the “Magic” band and his songs as a solo artist.

Audius, a decentralized music streaming service and community platform, has signed a global licensing agreement with Kobalt. The deal provides a new revenue stream for Kobalt’s roster of songwriters, and it creates a pathway for the music fans who use Audius to support their favorite artists with direct U.S. dollar payments. This is the latest in a string of deals Audius has made this year with the music business establishment to ensure proper licenses are in place and that musicians can get paid from the platform. This includes new agreements with ASCAP, BMI, SESAC and GMR.

UMPG UK has signed producer and writer James Ford to a global publishing administration deal. Though he is best known as a creative collaborator of top acts like Arctic Monkeys, Depeche Mode via Foals, Florence and The Machine, Haim, Gorillaz and Jessie Ware, Ford also recently launched his own solo project with the 2023 album The Hum.

Savan Kotecha, renowned for his work with The Weeknd, Ariana Grande and One Direction, has joined forces with major Indian talent management company REPRESENT to launch Outwrite, India’s first incubator for songwriters. With Outwrite, Kotecha hopes to start a global hub for songwriters, producers, musicians, and engineers, offering end-to-end solutions for everything related to music creation and supervision, and to bring more Indian musical talent into the top writing rooms.

Big Yellow Dog Music has signed Trent Tomlinson to a global music publishing deal. Tomlinson is best known for penning hits like “Damn Strait” by Scotty McCreery and “In Case You Didn’t Know” by Brett Young as well as other artists like Lainey Wilson, George Strait, Chris Young, and Sara Evans.

Sony Music Publishing has signed an exclusive worldwide co-publishing agreement with hit songwriter and producer Jeremy Stover, covering his future works. As part of the deal, Sony has also acquired several of Stover’s songs, including hits by Tim McGraw and Justin Moore, underscoring its ongoing creative partnership with RED Creative Group. Stover, known for his current singles like Justin Moore’s “This Is My Dirt” and Ashley McBryde’s “The Devil I Know,” continues to work with major artists such as Luke Combs, Priscilla Block, and Travis Denning.

Position Music has signed Erik Ron to a worldwide publishing deal. A go-to collaborator in the rock and alternative space, Ron has worked with the likes of jxdn, Bad Omens, Huddy, Ellise, Charlotte Sands, Maggie Lindemann, Loveless, Jack Harris, MOD SUN, Emei, Sueco, Neoni, grandson, nothing,nowhere., Papa Roach and more.

Position Music has signed Fabio Aguilar to a global publishing deal in collaboration with Grammy-winning producer Keanu Beats. The news arrives on the heels of Auilar’s BMI Hip Hop Award win for co-producing “HOTEL LOBBY (Unc & Phew)” by Quavo and Takeoff. Just 22, Aguilar is a producer, loop specialist, beatmaker, and instrumentalist, he is also known for working with the likes of Lil Baby, Jack Harlow, NLE Choppa, Roddy Ricch, Denzel Curry and Logic.

Downtown Music Publishing (DMP) today announces a global music publishing deal with PDU, the record label and publishing company from iconic Italian singer Mina. Under this new agreement, DMP will provide global publishing administration and sync services for Mina’s prestigious catalog.

Campbell Connelly, part of Wise Music Group, has signed an exclusive songwriter agreement with Josephine Stephenson. The deal further cements Stephenson’s relationship with Wise Music Group. (Her concert repertoire is published by Leduc through Wise’s offices in Paris.) A composer, arranger, and performer, Stephenson has worked as an arranger or performer with Damon Albarn, Radiohead, Arctic Monkeys and Daughter.

ESMAA, an Abu Dhabi-based rights management entity representing global music stakeholders in the Gulf and Middle East, and Anghami, a top music streaming platform in the Middle East and North Africa region, have agreed on a new music licensing agreement on behalf of independent music publishers. The deal marks the resolution of a legal dispute between ESMAA (representing PopArabia and Reservoir) and Anghami.

Linkin Park’s “The Emptiness Machine” vaults to the top of Billboard’s Rock & Alternative Airplay chart, soaring from No. 24, where it debuted a week ago, to No. 1 on the Sept. 21-dated survey.

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The song reigns with 9.1 million rock radio audience impressions Sept. 6-12 – its first full week of tracking – according to Luminate. The single premiered at 6 p.m. ET on Sept. 5 and debuted on the Sept. 14-dated chart with 1.1 million in rock radio reach.

In the history of Rock & Alternative Airplay, which began in 2009, 14 songs — now including “The Emptiness Machine” — have reached No. 1 in just one or two weeks. Linkin Park had last achieved the feat when “Friendly Fire,” released on the band’s best-of set Papercuts after originally being recorded for the sessions for 2017’s One More Light, launched at No. 1 this March.

In fact, of those 14 songs, five are by Linkin Park. “Friendly Fire,” “Lost” (2023) and “The Catalyst” (2010) all debuted at No. 1, while “New Divide” (2009) reached the top spot in its second week, like “The Emptiness Machine.”

The quick coronation for “The Emptiness Machine” is supported by its debuts at Nos. 4 and 5 on Mainstream Rock Airplay and Alternative Airplay, respectively. The song’s No. 4 start on Mainstream Rock Airplay is the best since December 2022, when Metallica’s “Lux Æterna” debuted at No. 2. Those two songs represent the only arrivals in the top four since 2008; before then, the last to make such a grand entrance was Linkin Park’s “What I’ve Done” (No. 3, April 2007).

As for Alternative Airplay, No. 5 marks the best beginning since Linkin Park’s “Lost” (No. 4, February 2023). In the last decade, only three songs have premiered that high, with the two Linkin Park songs joined by Mumford & Sons’ “Believe” (No. 5, March 2015).

More chart activity for “The Emptiness Machine” will show once all Sept. 21-dated rankings refresh on Billboard.com Tuesday, Sept. 17. On the Sept. 14-dated Hot Hard Rock Songs chart, the track started at No. 7 from its first few hours of tracking; along with 1.1 million audience impressions, it drew 690,000 official U.S. streams and sold 1,000 downloads in that span.

“The Emptiness Machine” is the lead single from From Zero, Linkin Park’s eighth studio album, due Nov. 15. It’s the band’s first full-length since the death of co-frontman Chester Bennington in 2017 and the departure of drummer Rob Bourdon. Singer Emily Armstrong and drummer Colin Brittain take over those duties on the new LP.

If you’re still wiping the steam off your screen from Katy Perry‘s NSFW debut performance of “I’m His, He’s Mine” with Doechii during her career-spanning medley at this week’s 2024 VMAs, buckle up because the official video is just as provocative.

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The TORSO-directed clip for the third single from Perry’s upcoming 143 album (due out on Sept. 20) dropped on Friday morning (Sept. 13) and it combines some hair-raising green-screen stunts with a racy tabletop dance atop a speeding muscle car. The clip opens with Perry elegantly tumbling through the atmosphere in free fall as she makes out with a hunky dude who looks a bit like her daredevil skydiving fiancé actor Orlando Bloom.

“I’m his queen, I’m his freak/ I’m every woman he wants and needs,” Perry sings as she cradles the man’s head while they hurtle toward the ground, before the camera cuts to a bikini-wearing Doechii dancing in an elevator while delivering her her own alluring come on: “I’m his boss, I’m that b–ch/ I’m every woman he knows exists.”

After Perry and her cloud ranger love interest’s clothes peel off during their mid-air make out sesh — with no parachutes in sight, we might add — the scene shifts to the singer splayed out on the hood of a gleaming chrome Corvette cruising down a suburban Barcelona street. Wearing a complex, skin-revealing metallic harness black monokini, Perry does the splits and slithers on the windshield as she sings about “creepin’ in his DMs” and “sleepin’ in his sweatpants.”

Perry then gets tossed from her moving automotive dance platform, falling into the arms of her hunky love interest, clad in nothing but skimpy white underwear. The two women finally team up on a soundstage where they crawl around each other on the floor before Doechii takes to the air for a drone-assisted sky dance.

“I’m His” prominently samples Crystal Waters’ beloved 1991 house single “Gypsy Woman (She’s Homeless),” which features the hypnotic refrain “la da dee, la dee da.” It follows on the heels of Perry’s first 143 single, “Woman’s World” — which sparked criticism over Dr. Luke’s involvement  — and second focus track, “Lifetimes.”

As provocative as the visual is, it’s PG-13 compared to the the performance at the VMAs, during which the two singers twisted themselves into sapphic pretzels and kissed in a moment that made Taylor Swift’s jaw drop.

Watch the “I’m His, He’s Mine” video below.