Ariana Grande hosted SNL for a second time and starred in seven sketches that made it to air Saturday night (Oct. 12) in an episode that seemed made for the skilled impressionist.
Grande’s list of roles on SNL this weekend: an aggressive mother, Celine Dion, a bridesmaid wrecking a wedding with “Espresso,” a tween, one of several Jennifer Coolidges, a dame entangled with a hotel detective, and a little Italian renaissance boy with an unfortunate bowl cut, whose falsetto developed in an unfortunate way. Needless to say, she had a shot at showing some range as a performer. (Audience reports say she was also set to reprise her portrayal of Judy Garland in a “Cinema Classics” segment. It was cut for time but performed during dress rehearsal.)
After a musical monologue that was not meant to be musical — yet had the singer-actress sneaking in spot-on Britney and Miley impersonations, while singing a song about how she wasn’t supposed to be singing — Grande got on with the show, which welcomed Stevie Nicks as the actual musical guest.
Grande’s Saturday Night Live sketches were a mix of live and pre-taped, and live-show nerves didn’t rattle her. She giggled once; she fumbled only one line, in a charades-gone-psycho skit. She caught herself so quickly most wouldn’t think twice of it.
More memorable was how well she catered her dialect to each character, from the iconic Dion to the female lead of a film noir riddled with ridiculously rapid dialogue.
While the Eternal Sunshine hitmaker has hosted SNL twice now, she’s actually acted in four different episodes — since she was also written into sketches both times she was booked as musical guest only. (Remember that surprise Moulin Rouge spoof earlier this year?)
But for now, let’s focus on recapping Grande’s performance during her latest turn as host.
Here’s a ranking of every sketch Grande was in Saturday night, when SNL‘s Oct. 12 episode aired. Watch all seven sketches below.
JENNIE‘s “Mantra” tops this week’s new music poll.
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Music fans voted in a poll published Friday (Oct. 11) on Billboard, choosing the BLACKPINK singer’s new solo single as their favorite new music release of the past week.
Despite going up against several hot new releases, JENNIE’s song won the vote by a landslide, coming in at over 81% by the time the poll closed on Sunday. Voters this week chose “Mantra” over new music releases from Charli XCX, Halsey, Tyla, Jelly Roll, Becky G, GloRilla and Rod Wave.
BLACKPINK fans have a new pop anthem with JENNIE’s “Mantra,” the singer’s first release since signing as a solo artist with Columbia Records in partnership with her label ODDATELIER in September.
With its confident hook and beat, the tune is one to turn up while getting ready for a night out dancing. Sing it loud with JENNIE: “This that pretty-girl mantra, this that flaunt ya, just touched down in L.A./ Pretty girls don’t do drama ‘less we wanna, it’ll be depending on the day/ Pretty girls packed in a Defender, know I’ma defend her, never let her catch no stray/ This that pretty-girl mantra, she’s that stunna, make you wanna swing both ways.”
Among the new releases trailing behind “Mantra” on this week’s poll are Charli XCX’s Brat and it’s completely different but also still brat album, with 7% of the vote, and Halsey’s song “I Never Loved You,” with 4% of the vote.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-13 22:04:332024-10-13 22:04:33Fans Choose JENNIE’s ‘Mantra’ as This Week’s Favorite New Music
Liam Gallagher isn’t amused by Saturday Night Live‘s take on his feud with brother Noel.
The long-feuding Oasis siblings were portrayed by SNL cast members James Austin Johnson (Noel) and Sarah Sherman (Liam) during the “Weekend Update” segment of the long-running NBC sketch comedy show’s episode on Oct. 12.
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In the sketch, host Colin Jost interviews the brothers about the North American leg of their 2025 Oasis reunion tour and whether they’ll break up before the launch.
“I’m cool if he’s cool,” Johnson’s Noel responds. “I’m cool, I’m cool, I’m cooler than you are,” Sherman’s Liam hits back. Unconvinced, Jost says, “Great. So, that’s a no.”
The skit continues with Noel and Liam mostly bickering and answering questions with the lyrics of “Wonderwall,” while only agreeing on topics like cartoon characters, their favorite Sex in the City boyfriend, and the best Will Smith film.
Sherman’s Liam also claims their feud began at London’s Wembley Stadium in 1993 when Noel told the Spice Girls that his brother had a “crooked knob — you said me knob bended like Beckham!”
As expected, the real Liam Gallagher didn’t take too kindly to SNL‘s interpretation of his relationship with Noel. “Are they meant to be comedians,” he commented on X (formerly Twitter) early Sunday under a post linked to the skit on X (formerly Twitter).
Oasis announced their long-awaited reunion tour in late August. The global trek is scheduled to launch in September 2025 with multiple dates in the United Kingdom, followed by performances in North America, Europe, and Australia.
Oasis split in 2009 after years of massive chart success and tabloid headlines in the U.K. tied to the Gallagher siblings’ fierce rivalry, with main songwriter older brother Noel quitting the band after a backstage fight with Liam at a show near Paris that year. The brothers haven’t performed live since then, though they often play Oasis songs during their solo gigs and with their side bands and, until the reunion announcement, continued to snipe at each other online and in the press.
Watch SNL‘s “Weekend Update” with Oasis sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
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It’s a stormy night in Miami on Saturday (Oct. 12), but the atmosphere inside Factory Town was sweltering as the Red Bull Batalla USA National Final 2024 touched down. This celebrated annual event has grown to be a cultural phenomenon, bringing together 16 of the illest, most clever improvisational wordsmiths in the country — all hailing from different Latin American backgrounds — to compete for the best lyrical face-off.
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Now in its final round to determine this year’s national winner, it was up to Freites, originally from Venezuela, and Venezuelan-Dominican rapper AdonysX to take the trophy. With the crowd growing thicker, and the atmosphere turning electric, each lyricist ratcheted up the intensity, spitting bars that echoed through the charged air. The spectators, gripped by each piercing line and sharp retort, were witnesses to an epic cultural clash that transcended just words.
Ultimately, AdonysX claimed the title of the best Spanish-language freestyler in the nation. The stage also featured prominent competitors including last year’s National Final runner-up, Zazowan, Miami’s Colombian sensation Nico B, seasoned Mexican rapper Jordi, New York City’s regional champion AdonYS (distinct from the national winner AdonysX), and more
“The atmosphere of a battle can vary; it might be charged with energy or more [subdued], but either way, it remains intense,” says AdonysX, speaking a few weeks after winning the regional event in his native New York. “At every moment, the energy can [fluctuate], but overall, the environment demands a lot from you.”
The evening was also highlighted by a performance from Akapellah, one of the best Spanish-language rappers of all time, who additionally took a seat at the judges’ table for the event alongside Reverse, Dilema, and Snow QLQ.
“The pioneer that started it all was Red Bull Batalla. It has been a launching pad for many, including myself,” Akapellah tells Billboard Español, who assumed the role of judge this year for the USA National Final. “I believe that 80% of the biggest artists in Latin hip-hop and Spanish-speaking music, we all come from battling, we all grew up watching Red Bull Batallas. It was our influence, it was our bridge to jump into the world of the music industry.”
Originally known as Red Bull Batalla de los Gallos, the stateside competition was established in 2019, though the entire franchise was created in 2005, following the success of the Eminem-starring blockbuster, 8 Mile. It’s now approaching its 17th installment, which will take place in Madrid, Spain on November 30. Every year, the international competition takes place in a different Spanish-speaking country.
“We all grew up watching those battles. For me, it’s incredible that today I am a judge after when I was a kid, the first time I tried to do it compete I was underage. I didn’t have a passport and they let me participate in the regional competition in my city at that time, but just for fun,” says the Venezuelan rap titan, who mentions he won but wasn’t able to advance to the next level due to visa constraints.
Over the past three years, the Red Bull Batalla U.S. championship trophy has been claimed by residents of the state with notable wins from Oner and last year’s champion Reverse, who, after his victory, became a U.S. double champion — like Puerto Rican MC, Yartzi, who won in 2019 and 2020.
“The first time there was a Red Bull Batalla in the USA, it was something historic. It was the last location to be added to the battle circuit. And the inclusion of the United States, giving the opportunity to all immigrants and all Latinos in the United States, was really significant,” Yartzi tells Billboard Español. “Every year more talents, more personalities, and more MCs are added. Each year the competition becomes more intense in terms of retaining that title.”
Outside of the freestyle scene, Yartzi today leverages his highly touted lyrical skills to compose for some of the biggest names in Latin music. He’s collaborated with producers such as Jorge Miliano, DJ Blass and Major Lazer as well as reggaetón superstars like Anuel AA, Wisin y Yandel, Nicky Jam, Ozuna, Lunay, Tainy and more.
As all national finalists from the Americas and Spain turn their focus to the global stage, Akapellah also offers a reminder: “Freestyle has developed its own siginficant identity and somewhat diverged from traditional hip-hop, which is a delicate topic. There are incredibly talented artists who would benefit immensely from a broader vocabulary to enrich their rhymes,” he offers, citing the ingestion of more literature.
Echoing the broader benefits of participating in Red Bull Batalla, AdonYS emphasizing its role beyond merely providing a stage. “It gives you a lot of connections, countless opportunities and doors that can open to a wider world of music and the industry,” he says. “The idea is to continue helping the guys that are coming up in any way we can. The idea is that we all come up together so freestyle continues to grow.”
“As the saying goes, and not to sound cliché, but it truly gives you wings because it exposes your talent to the world in a way you might not achieve on your own,” says Yartzi, reflecting on the transformative power of the platform. “As an independent artist, it helps to propel you and captures the global spotlight. Participating as a rapper from Puerto Rico also drew attention from reggaeton artists, my compatriots, leading to many relationships formed through this achievement.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-13 19:26:592024-10-13 19:26:59Inside Miami’s Heated Showdown at Red Bull Batalla USA National Final
Coldplay captures its fifth No. 1 album on the Billboard 200 chart, and first in over a decade, as Moon Music debuts atop the list (dated Oct. 19). The set launches with 120,000 equivalent album units earned, of which 106,000 are in traditional album sales. Both figures represent the biggest week, by units and album sales, for the group since 2015.
Overall, Moon Music marks the 10th top 10-charting effort for the band. The act previously led the list with Ghost Stories (2014), Mylo Xyloto (2011), Viva La Vida or Death and All His Friends (2008) and X&Y (2005).
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Oct. 19, 2024-dated chart will be posted in full on Billboard‘s website on Tuesday (Oct. 15). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Of Moon Music’s first-week units of 120,000, album sales comprise 106,000 (it’s the top-selling album of the week at No. 1 on Top Album Sales), SEA units comprise 13,000 (equaling 16.71 million on-demand official streams of the set’s songs) and TEA units comprise 1,000. The group last garnered a larger week, in either overall units or album sales, with the debut frame of 2015’s A Head Full of Dreams, which bowed with 210,000 units, of which 195,000 were in traditional album sales.
The new album’s opening-week sales were bolstered by its availability across at least eight vinyl variants (including two signed editions, and a Target edition with three bonus tracks) and in six CD variants (including a signed edition, and a “notebook edition” in collectible packaging with bonus voice notes) — all of which were manufactured with eco-friendly initiatives. The set was also available in at least four digital download variants. Of the digital editions, there were two versions that each included 10 bonus tracks each. Coldplay’s official webstore offered the download editions at a discount during release week.
The album’s vinyl sales total 29,000 for the week — Coldplay’s best sales week on vinyl ever.
The new album was preceded by the single “feelslikeimfallinginlove,” which reached No. 81 on the all-genre Billboard Hot 100 chart in July. It also reached the top 10 on Alternative Airplay and Adult Pop Airplay, the act’s 15th and 12th top 10 on those tallies, respectively.
The new album’s Oct. 4 release was ushered in with a flurry of media looks, including appearances and/or performances by the band or its frontman Chris Martin on CBS’ Sunday Morning (Sept. 29), QVC (Oct. 2), NBC’s The Tonight Show Starring Jimmy Fallon (Oct. 3), NBC’s Saturday Night Live (Oct. 5) and NBC’s Today (Oct. 8).
Notably, among British groups, Coldplay ties for the fourth-most No. 1 albums on the Billboard 200. Leading the pack are The Beatles, with 19 leaders. The Rolling Stones are second, with nine, while Led Zeppelin is third, with seven No. 1s. Coldplay, Pink Floyd and Wings (counting albums billed to either Wings, or Paul McCartney and Wings) are tied with five No. 1s each.
Sabrina Carpenter’s Short n’ Sweet falls a spot to No. 2 (with 93,000 equivalent album units; down 8%) after four nonconsecutive weeks atop the list. It’s No. 1 on the Top Streaming Albums chart for a sixth nonconsecutive week. Chappell Roan’s The Rise and Fall of a Midwest Princess dips 2-3 on the Billboard 200 (56,000; down 12%), Morgan Wallen’s chart-topping One Thing at a Time is a non-mover at No. 4 (50,000; down less than 1%), and Billie Eilish’s Hit Me Hard and Soft is stationary at No. 5 (50,000; up 1%).
Three former leaders are up next, with Taylor Swift’s The Tortured Poets Department rising one spot to No. 6 (45,000 equivalent album units; up 1%), Post Malone’s F-1 Trillion dips 6-7 (43,000; down 8%) and Future’s Mixtape Pluto falls 3-8 (40,000; down 28%).
Rounding out the top 10 are Noah Kahan’s Stick Season, descending 8-9 (37,000 equivalent album units; down 2%), and Wallen’s former No. 1 Dangerous: The Double Album, holding steady at No. 10 (32,000; down 2%).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-13 19:06:102024-10-13 19:06:10Coldplay Lands Fifth No. 1 Album on Billboard 200 With ‘Moon Music’
Ariana Grande was full of impressions during her latest hosting gig on Saturday Night Live.
In addition to taking on Britney Spears, Miley Cyrus and Gwen Stefani during her hilarious opening monologue on Oct. 12, the Wicked star also did a spot-on impersonation of Celine Dion during a spoof of her promotional spot for the NFL’s Sunday Night Football.
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In a pre-taped sketch titled “Celine Dion Sports Promo,” Grande brilliantly portrayed Dion in a follow-up to the iconic Canadian singer’s appearance in a promo on Oct. 6 for the grudge match between the Dallas Cowboys and Pittsburgh Steelers. In the the clip, Dion sings about her love of football to the tune of her 1996 hit “It’s All Coming Back to Me Now.”
“Football, it is a sport that connects who we are to who we were,” Grande’s Dion says in a French Canadian accent. “That is why last week, I, Celine Dion, made a promo for Sunday Night Football, OK? But football isn’t the only sport that connects us to our past.”
Grande’s Dion further explains that “there is another sport whose timeless emotions ignite the bittersweet memories that live inside my soul and in the octagon,” before breaking into a new UFC-themed version of “It’s All Coming Back to Me Now.” This time around, the song incorporates such violent imagery as the “breaking of bones” and “knees to the balls.”
Elsewhere during the episode, Stevie Nicksreturned to SNL for the first time as musical guest since 1983, delivering powerful performances of her new Roe v. Wade-inspired song “The Lighthouse” and her classic hit “Edge of Seventeen.”
Watch Grande in SNL‘s “Celine Dion Sports Promo” sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
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Stevie Nicks has made her triumphant return to Saturday Night Live.
The iconic Fleetwood Mac frontwoman performed on the long-running NBC sketch comedy show for the first time in 41 years during the Ariana Grande-hosted episode on Oct. 12.
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Dressed in her usual all-black ensemble, the 76-year-old singer-songwriter opened with a powerful performance of her new song “The Lighthouse,” which was inspired by the overturning of Roe v. Wade. With the backing of a full band, Nicks delivered the intense track amid a darkly draped background with crackling lightning effects.
“I have my scars, you have yours/ Don’t let them take your power,” she sang with skilled restraint, with verses leading up to a dynamic chorus that urges listeners to “see the future and get mad.”
Nicks followed with an equally impressive delivery of her classic hit “Edge of Seventeen,” the third single from her 1981 debut solo album, Bella Donna. Again with the help of her band and backup singers, the legendary artist gave a rousing performance of the song, which peaked at No. 11 on the Billboard Hot 100 chart. Bella Donna, meanwhile, topped the Billboard 200, spending an astounding 143 weeks on the chart.
Nicks returned as the SNL musical guest for the first time since her one-and-only performance on the show in 1983. Her band Fleetwood Mac has never performed on the comedy show.
The next SNL episode on Oct. 19 will be hosted by Michael Keaton with returning musical guest Billie Eilish.
Watch Nicks’ SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
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Make room in your budget, Target just dropped new Wicked merch! The Stanley x Wicked collection of limited-edition Stanley Quenchers inspired by characters Elphaba and Glinda were released exclusively at Target on Sunday (Oct. 13).
The collection features two cups, available in glossy pink and green colorways representing Glinda and Elphaba. The tumblers are available in 40-ounce ($55) and 20-ounce ($$20) sizes. Stanley cups are known to sell out quickly, and the Wicked collection will be no exception. The collection is currently available in limited supply online and in Target stores.
Wicked x Stanley 40 oz Stainless Steel H.20 FlowState Quencher Tumbler
“Like so many people, the Target team can’t wait for ‘Wicked’ to hit theaters, and we have everything you need to embrace your inner Elphaba or Glinda,” said Jill Sando, Target’s executive vice president and chief merchandising officer of apparel and accessories, home and hardlines. “When it comes to big cultural moments like this, there’s no place like Target. With a captivating shopping experience and the largest assortment of retailer-exclusive products, this is Target at our best and I’m so excited for families to celebrate ‘Wicked’ with us.”
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Ariana Grande brought her spot-on celebrity impressions to Saturday Night Live.
The Wicked star returned to the long-running NBC sketch comedy show as host on Oct. 12, where she reprised some of her hilarious pop star impressions during the opening monologue. Donning a beautiful pink gown, the 31-year-old superstar opened the episode by making it crystal clear that she was just hosting and not serving as the evening’s musical guest.
“I’m not going to make this about me,” Grande told the Studio 8H audience. “I’m just going to have fun, take it easy and keep it low key.”
Moments later, she was subtly handed a microphone and began to break out into song, which included her favorite musical notes “C, D, B, A or G” and, of course, the opening line of Britney Spears‘ 1998 smash hit “…Baby One More Time.” She then belted out more impressive (and hilarious) impersonations of Miley Cyrus and Gwen Stefani.
Grande’s song shifted to a more Broadway-style performance where she bumped into SNL cast member Bowen Yang, who was dressed as her Wicked character Glinda. “Bowen, didn’t anyone tell you? We cut the Wicked sketch!” she said to a disappointed Yang.
The “We Can’t Be Friends” singer once again confirmed that she wouldn’t be performing any of her music on the show. “I’m not going to do a duet tonight, so please don’t bring out Stevie Nicks,” she sang, referencing the night’s musical guest. “Worth a shot!”
Grande will appear in the upcoming live action adaptation of the Broadway musical Wicked, in which she’ll play Glinda opposite Cynthia Erivo’s Elphaba. Yang will play the role of Pfannee in the Jon M. Chu-directed film. The movie hits theaters on Nov. 22.
This weekend’s stint marked Grande’s second time helming SNL, following her hosting debut in 2016. After the release of her Billboard 200-topping album Eternal Sunshine earlier this year, the Grammy winner served as musical guest on a Josh Brolin-hosted episode of the show in March, and participated in a couple sketches, including a Moulin Rouge parody with Yang.
The next SNL episode on Oct. 19 will be hosted by Michael Keaton with returning musical guest Billie Eilish.
Watch Grande’s SNL monologue below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.
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Jackmaster, the Scottish DJ and producer Jack Revill who co-founded the Glasgow record label and club night Numbers, has died, his family has confirmed. He was 38.
The news of Jackmaster’s death was posted in a message from his family that was shared on the DJ’s verified Instagram account.
He died on Saturday, Oct. 12, in Ibiza after suffering a head injury, according to the statement.
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“It is with profound sorrow that we confirm the untimely passing of Jack Revill, known to many as Jackmaster,” his family wrote. “Jack tragically died in Ibiza on the morning of 12th October, following complications arising from an accidental head injury.”
“His family — Kate, Sean, and Johnny — are utterly heartbroken. While deeply touched by the overwhelming support from friends, colleagues, and fans, the family kindly requests privacy as they navigate the immense grief of this devastating loss,” the statement said.
Their words paid tribute to the eclectic DJ’s creative and professional accomplishments, and his role in the electronic music community: “Jack’s passion for music and his relentless drive to push creative boundaries through his work at the Numbers label and Rubadub Records in Glasgow, including discovering countless innovative artists, made him a beloved and pioneering figure in the electronic music community both in front of and behind the scenes. His talent for blending genres and delivering electrifying DJs sets and productions earned him the respect and admiration of peers and fans across the globe. His legacy will continue to inspire, and his impact on the world of dance music will remain indelible.”
Born in 1986, Revill worked at Glasgow record shop Rubadub and was an aspiring DJ as a teen, and adopted the nickname, and later stage name, Jackmaster in reference to the freestyle dance term from the Chicago house scene in the 1980s.
“I never worked for money,” he said in 2012 interview with Resident Advisor. “It was always just like, you would take a record per hour, so an import from Detroit or Chicago or New York was £7.50, which I guess you could say was quite a good wage.”
“I used to love it, even like the smell of the place, I was just obsessed with that shop,” Revill recalled of Rubadub, where he’d get his hands on new promo records and get to borrow them for gigs, access that he noted was “invaluable.” It was there that he built early industry connections and broadened his exposure to every subgenre.
In an interview with Billboard in 2017, Revill credited his 2011 FabricLive.57 mix, which contained foundational Detroit records (Model 500, Inner City, Underground Resistance) and surprises from mainstream pop (Sia, Radiohead, Skepta) as the mix that “catapulted me into being a DJ who has gigs every Friday and every Saturday, and it’s been that way ever since.”
Of the sheer variety of music in his sets, he told Billboard, “It just goes everywhere, then back again. Even I don’t know what’s coming next most of the time. My sets at their most eclectic would include everything I like: house, techno, disco, Italo, dubstep, grime, ’80s pop and everything in between.”
With Jackmaster’s name on the lineup at well-known clubs and festivals, he landed a BBC Radio 1 Essential Mix residency in 2014. Among his achievements, in 2016 he was awarded the Sub Club Electronic Music Award at the Scottish Music Awards, and in 2017 he received the Tennents’ Golden Can Award for his contributions to Scottish culture.
Over the years his record label Numbers — which merged his early label Wireblock with Dress 2 Sweat and Stuff — has released dozens of records, with early work from Jessie Ware, Jamie xx and the late Sophie among the label’s discography.
Amid all his successes, in 2018 he was the subject of brief controversy after being accused of sexual harassment at that year’s Love Saves the Day Festival in Bristol, U.K., where he said he was on GHB. In 2019 he spoke with Vice of his experience with GHB and his ongoing remorse over the blackout incident — after which he’d personally met with those identifying as victims, publicly apologized, and taken “an extended period out” to address his substance abuse through therapy and AA. “There’s no handbook for this,” he said of the situation.
But those affected by his conduct at the festival issued a statement supporting his return to music, writing: “He’s taken time out to work on himself and undertaken to never repeat this behaviour towards anyone else in future. He has our staff and the festival’s support in working towards these aims and his own future happiness.”
Post-pandemic he was actively back to gig life and creating mixes, and in 2022 released his Vizor/Early Experiments digital and vinyl set, which was his first full EP.
In an interview with Electronic Groove in March 2024 surrounding his single “Nitro” featuring Kid Enigma, Revill said, “I am building a new studio as a priority, getting back into buying vinyl, and collecting Celtic memorabilia, all healthy addictions for me, except for my bank balance.”
“I’ve been touring worldwide for 15 years. I’m obsessed with DJing. Can’t stop, won’t stop,” Revill told EG when asked about future plans.
Revill’s time on the road in 2024 was often documented by the DJ on Instagram, with a trip to the U.S. being a recent highlight. “Big up everyone who turned up!” he wrote. “Every time I come over to see you guys it seems to get better.”
He last posted two weeks ago about his September gig at the club Hï Ibiza, where he said the “vibe was wicked.” Last month he also proudly shared one of his earliest tunes was being featured in an Apple ad.
“You can’t explain it. It’s a rush from the tip of your toes right up to your head, manifested in a great big grin on your face, for me anyway. I try to let it be known when I’m enjoying myself on the decks,” Revill told Billboard in 2018, speaking of what it’s like to feel the buzz from the crowd.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-10-13 04:37:162024-10-13 04:37:16Jackmaster, Scottish DJ Jack Revill, Dies at 38
