Merlin, which negotiates digital licenses for a coalition of more than 30,000 independent labels around the world, told its members in a letter on Friday (Sept. 27) that TikTok “walked away” from talks to renew their TikTok license “before negotiations even began.”

“[TikTok] informed us that they do not want to renew our deal,” the letter, obtained by Billboard, states. “They informed us that… they intend to license some of our members directly.” The current Merlin-TikTok license is set to expire on Oct. 31.

“Their approach [to pursue direct deals with Merlin members] suggests that [TikTok] believe[s] their objectives can be better served by fragmenting the Merlin membership, in order, we believe, to minimize their pay out,” states the letter. “As you know, Merlin was founded to stand up for and champion its members. We will not support an approach that devalues our community.”

Related

A TikTok spokesperson says that “TikTok would like to offer all of the world’s music to our users. We are committed to working with the independent sector as well as the major labels and publishers. We know that our community of over a billion music fans value the diversity and richness that independent music brings to our platform. We are committed to entering into direct deals with Merlin members in order to keep their music on TikTok.”

Founded in 2008, Merlin represents 15% of the global recorded music market, and it uses that collective market power to negotiate with digital partners on behalf of its members on a similar footing as the bigger major labels. The end of its license with TikTok would mean that top songs from artists like Coolio, Diplo, Faye Webster, J Dilla, The Lumineers, Mac Demarco, Madlib, Mitski, Nirvana, Phoebe Bridgers, Thundercat, Wet Leg and more will leave the platform after Halloween, unless their respective labels are able to reach agreements with TikTok. Each label individually would have to agree to terms with the platform, negotiating with a much smaller market footprint than they would have collectively.

Merlin is the third music organization this year, after Universal Music Group and National Music Publishers’ Association (NMPA), to express challenges in renewing music licenses with TikTok. In February, UMG’s failure to reach a deal with TikTok led to the removal of its entire catalog of hits from TikTok for about three months. In April, after publicly supporting UMG’s position against TikTok, the NMPA allowed its TikTok license, which was used by a number of indie publishers, to lapse as well. It has not been renewed.

“We believe the most likely reason that TikTok did this is that TikTok does not want to pay a fair rate for the music that powers their platform,” Merlin’s letter to members continues. “If this is right, then TikTok does not value independent music, the independent labels and distributors who support that music, nor the diverse artists who create it. They are unlike every other partner that Merlin works with.”

Along with negotiating digital deals for indie labels on TikTok, Merlin also licenses members’ catalogs to 40 services around the world, including platforms like YouTube, Meta, Spotify, Apple Music, Amazon Music, Tidal, SoundCloud, Deezer and more.

Related

Separately, Billboard obtained an email TikTok sent out to some Merlin members, stating that the short-form video app “decided not to renew [its] license agreements with Merlin” and that TikTok “may be able to do direct deals” with the labels, provided that they agree to sign a non-disclosure agreement (NDA). “The purpose of the NDA is to enable us to discuss direct licensing agreements with you.” The deadline to sign and return the NDA is Oct. 4. A source familiar with TikTok said, however, that any Merlin label that wishes to stay on TikTok after Oct. 31 can review and sign the TikTok and CapCut agreements anytime before Oct. 25.

Merlin told its members that it is doing “all [it] can to re-engage with TikTok… we have already made it clear to them that we are ready to hold an actual negotiation and address any concerns they may have.”

While Merlin believes TikTok’s move is an attempt to keep the price tag for indie music lower than it would like, the organization’s letter to members also says that TikTok has “suggested” they are walking away “because of concerns about ‘fraud.’” “As we have told them on numerous occasions, we are incredibly proactive on this issue,” the letter states.

“TikTok’s refusal to negotiate a deal with Merlin isn’t just a setback — it’s a threat to the whole music ecosystem,” Dr. Richard Burgess, president of the American Association of Independent Music (A2IM), says of the situation. “This isn’t just about Merlin; it’s about properly recognizing the value of artists and their music.”

Related

Merlin declined Billboard’s request for comment. In an interview with Billboard published last week, Merlin CEO Jeremy Sirota discussed his approach to renewing partnerships with platforms such as Meta and YouTube, with which Merlin has struck new deals of late. “We don’t think of it as, ‘Let’s come back and kick the tires every few years,’” Sirota said. “We want to help shape their thinking about music and their understanding of what independents need at an operational level. We want to do the same thing with our partners to create this continual feedback loop and conversation.”

Merlin’s membership includes, but is not limited to, independent labels like 4AD, Brain Feeder, Captured Tracks, Domino, Dualtone, Empire, Higher Ground, Matador, Ninja Tune, Secretly Group, Stones Throw, Subpop, Tommy Boy, XL and thousands more.

Read Merlin’s letter to members below in full:

Dear Merlin Member,

On August 5th, we informed you that we expected a difficult negotiation with TikTok.

This past Wednesday, with no warning, TikTok walked away before negotiations even began. They informed us that (1) they do not want to renew our deal, which expires on October 31st, and (2) they intend to license some of our members directly. To be even more clear, unfortunately, as of now, there will not be a Merlin-TikTok deal after October 31st.

We believe the most likely reason that TikTok did this is that TikTok does not want to pay a fair rate for the music that powers their platform. If this is right, then TikTok does not value independent music, the independent labels and distributors who support that music, nor the diverse artists who create it. They are unlike every other partner that Merlin works with.

TikTok pays substantially less for your music than other services, apparently relying on the perception that artists cannot afford to have their music unavailable on the platform. We made a good faith proposal to narrow this gap, but rather than negotiate, TikTok chose to simply walk away.

Given that TikTok refused to negotiate with us, our view is that they must see the obligation to pay fair royalties as a nuisance. They must view Merlin – with its mission to protect and maximize the value of our members’ music – as too strong a negotiating partner for their liking. Their approach suggests that they believe their objectives can be better served by fragmenting the Merlin membership, in order, we believe, to minimize their pay out.

TikTok has asked us for an “orderly transition” to do direct deals with those members they deem worthy. As you know, Merlin was founded to stand up for and champion its members. We will not support an approach that devalues our community.

The Merlin team remains dedicated to forging meaningful relationships between our members and partners, as well as driving value into every partnership. This includes dedicated teams to answer member inquiries across every aspect of our partnerships, operational support, best practices guides, partner-led and Merlin-led webinars, consolidated pitch forms, and so much more.

We are doing all we can to re-engage with TikTok to secure a renewal agreement for our members. We have already made it clear to them that we are ready to hold an actual negotiation and address any concerns they may have. TikTok has also suggested that they are walking away because of concerns about “fraud,” but as we have told them on numerous occasions, we are incredibly pro-active on this issue.

We recognized early on, and communicated with TikTok, the concerning growth and impact of stream manipulation and fraudulent content both on TikTok and across the marketplace. We have worked productively and collaboratively with TikTok on this issue, and until now, no concerns have been raised about the approach Merlin is taking. We have implemented measures to address illegitimate activity and content; automated systems to detect suspicious activity; and a dedicated team to address issues and impose sanctions, including ultimately, termination of membership for bad actors.

Members must, as ever, make their own decisions on how to deal with TikTok. For our part, we will never stop fighting for the value that our members bring, regardless of how this situation resolves itself.

We will follow-up by separate email with whatever answers we might have on your operational questions.

In honor of Hispanic Heritage Month and to celebrate Carlos Vives‘ 30 years in music, the Colombian star is getting his own limited-run radio channel on SiriusXM.

Hosted and curated by the “Fruta Fresca” singer himself, Carlos Vives Radio will “showcase the impact” he’s had on the industry and air hits from his extensive music catalog over the years. “Listeners will hear the icon give a retrospective on his celebrated career and share insights on his memorable collaborations and life moments,” according to a press statement.

Throughout the programming, themed guest-hosted shows like “Nuestro Rock” will give a look into Vives’ journey, which will highlight some of his rock favorites, from Charly García to Juanes and The Rolling Stones. “Vallenatos Desesperados” will spotlight his favorite vallenatos by Diomedes Díaz, Los Inquietos del Vallenato and others. Plus, “Mis Colaboraciones Memorables” is set to include songs from his most memorable collaborations with Marc Anthony, Ricky Martin, Shakira and more.

Related

Vives is set to be honored in November as the Latin Recording Academy’s 2024 Person of the Year. The winner of 18 Latin Grammy Awards, two Grammy Awards and a Billboard Latin Music Awards Hall of Fame inductee, he redefined the traditional Colombian vallenato by incorporating pop and rock sounds. Overall, he’s placed nine top 10 LPs on Billboard‘s Top Latin Albums chart and 14 top 10 tracks on the Hot Latin Songs ranking. Five of those hit No. 1, including “Volví a Nacer” and “Luna Nueva”

Carlos Vives Radio is available to listeners on channel 79 until Oct. 11 and on the SiriusXM app until Oct. 31.

Carlos Vives
Carlos Vives

Rascal Flatts are hitting the road in 2025, five years after announcing, and then cancelling, their final tour due to the pandemic.

The multi-platinum country trio’s 21-date Life is a Highway tour kicks off Feb. 13 at the Ford Center in Evansville, Indiana. Lauren Alaina and Chris Lane are the opening acts.

“In 2020, we announced the farewell tour after being on the road extensively for 20 years,” the band said in a statement. “To put it simply, we needed a break. Then COVID hit and our plans came to a screeching halt, like the rest of the world.  Since then, we’ve been able to revisit our unique and special experience as a band and we’re ready to get out on the road again.  It’s hard to believe that next year will be the 25th anniversary of Rascal Flatts, and that felt like the perfect time to get back in front of the fans who have given us so much.”

Rascal Flatts—vocalist Gary LeVox, multi-instrumentalist Jay DeMarcus and guitarist Joe Don Rooney—got fans buzzing Monday (Sept. 30) when they posted a video to their Instagram account featuring the three individually walking through stage doors as if headed to rehearsal with the message, “Life’s a road that you travel on.”

Rascal Flatts, Tour

The group originally announced the Rascal Flatts Farewell: Life Is a Highway Tour during an appearance in January 2020 on CBS This Morning, saying it was the perfect way to celebrate their then 20th anniversary.

“We make music and that’s what we do,” Jay DeMarcus told CBS This Morning in 2020. “We may do it again someday collectively. We’re not going to sign some pact that says we’re never going to tour again … we all still do love each other, but we do make music, and we will probably make some music individually, collectively.”

Founded in 2000, the band scored such hits as “Prayin’ for Daylight,” “Bless the Broken Road” and “What Hurts the Most,” landing 14 No. 1s on Billboard’s Country Airplay chart. They won the CMA Awards’ vocal group of the year award six years in a row from 2003 to 2008.

No word on if the band plans to record new music or extend the tour beyond the initial 21 dates.

Tickets go on sale Friday (Oct. 4) at 10 AM local time.

LIFE IS A HIGHWAY TOUR Official Dates:

Feb. 13 Evansville, IN- Ford Center

Feb. 14 Charleston, WV- Charleston Coliseum

Feb. 15 Grand Rapids, MI- Van Andel Arena

Feb. 22 Durant, OK- Choctaw Grand Theater

Feb. 27 Sioux Falls, SD- Denny Sanford Premier Center

Feb. 28 Green Bay, WI- Resch Center

March 1 Moline, IL- Vibrant Arena

March 6 Columbus, OH- Nationwide Arena

March 7 Toledo, OH- Huntington Center

March 8 Youngstown, OH- Covelli Centre

March 13 Manchester, NH- SNHU Arena

March 14 Uncasville, CT- Mohegan Sun Arena

March 15 Allentown, PA- PPL Center

March 20 Huntsville, AL- Von Braun Center Propst Arena*

March 22 Savannah, GA- Enmarket Arena

March 27 Ft. Worth, TX- Dickies Arena

March 28 Lafayette, LA- CAJUNDOME

March 29 Little Rock, AR- Simmons Bank Arena

April 3 Estero, FL- Hertz Arena

April 4 Orlando, FL- Kia Center

April 5 Jacksonville, FL- Vystar Veterans Memorial Arena

Lady Gaga is smitten. During a red carpet chat at Monday’s (Sept. 30) Los Angeles premiere of  Joker: Folie à Deux the singer could not stop gushing about her fiancé, tech entrepreneur Michael Polansky, with whom she collaborated on her just-released Joker companion album, Harlequin.

Related

“It’s just the first time that we decided to fully just go into it and do it. It just felt right,” she told People magazine of Polansky serving as the co-executive producer of the LP that features a mix of jazzy standards and two new songs. “We were both so excited. We were all warmed up and ready to go.” Polansky also has co-writing credits on a few songs on Harlequin, including “Good Morning,” “Get Happy,” “Oh, When the Saints” and “If My Friends Could See Me Now,” standards that the pair gave lyrical and musical refreshers.

Gaga and Polansky were first spotted kissing at a 2020 New Year’s Eve party before making their relationship Instagram official with a post that February from the Super Bowl in Miami. The singer made it super official by referring to Polansky as “the love of my life” in an interview later that year. Their engagement was revealed, by accident it seems, at this summer’s Paris Olympics when the French Prime Minister’s office leaked the news.

“I just love my fiancé so much,” she told People. “He’s my best friend. He’s my partner, and I just feel like when you are with your best friend, everything changes.” In a recent interview, Gaga also credited Polansky with helping to inspire her upcoming, as-yet-untitled seventh studio album, saying that he was the one who convinced her to make a full-on pop album. “He was like, ‘Babe, I love you. You need to make pop music,” she said of the record due out in February.

Gaga also did a bit of manifesting recently in an interview promoting the sequel that is due out on Friday (Oct. 4) when she said, “I’m so happy to be in love, and I’m so excited to have a family. That’s definitely number one, but also, I really believe in the ability to grow as a person. That feeling can give everybody hope. I just want to keep growing.”

Watch the red carpet interview below.

Jelly Roll capped off an epic weekend with a stirring performance of his collaborative single with MGK, “Lonely Road,” on The Tonight Show on Monday night (Sept. 30). After headlining Madison Square Garden, then performing on Saturday Night Live‘s 50th season opener and headlining the Global Citizen Festival, Jelly put a button on a career quadfecta by teaming up with Machine Gun and the song’s producer, Travis Barker, for an inspired run through the song that interpolates John Denver’s beloved 1971 “Take Me Home, Country Roads” single.

Related

KellyRoll (as the duo have dubbed themselves) began the performance singing the song’s aching refrain a cappella while standing on either side of a flaming garbage can backed by three soulful back-up singers. “Lonely road, take me home/ To the place that we went wrong/ Where’d you go now, it’s been a ghost town/ And I’m still here, all alone,” they sang in unison before Kelly called Barker to the stage and busted into his rap verse.

The Blink-182 drummer tapped out the song’s clip-clop rhythm on the lip of the can before scooting over to a proper drum kit as Jelly and Kelly meandered to host Jimmy Fallon’s desk set to make themselves comfortable. Seated in the guest spot on the couch, Jelly Roll crooned, “I use alcohol to fill that hole/ Will our home ever be the same?,” as MGK tapped out the rhythm on Fallon’s desk.

The performance ended with the two men standing on either side of Barker, with always humble Jelly thanking Fallon and the viewers at home for “allowing us into your living rooms tonight.”

Before the set, Jelly made his first visit to the Tonight Show couch, admitting that he was so nervous that he may have “tinkled” himself a bit. “I won’t know until I do a full assessment,” he joked. He then admitted that he likely “double-tinkled” himself being in a sketch on SNL, the sadly cut-for-time hilarious House of the Dragon spoof “Blonde Dragon People,” where he played Lord of the Rings‘ Samwise Gamgee to Andy Samberg’s Legolas, for some reason.

“I was more nervous for the sketch, obviously,” he told Fallon. “Because I’m already a fish out of water in the music business. And I’m a double-fish out of water when I was there… I’m just whaled out!” And, just days after Machine Gun addressed his former beef with Jelly at the 2024 People’s Choice Country Awards — where he said, “Jelly, I love you. We went from 10 years ago, hating each other, to elevating each other” — Jelly Roll told Fallon, “I just love him to death. We’ve known each other a long time and we started on rocky roads and made amends.”

Jelly Roll’s upcoming album, Beautifully Broken, is due out on Oct. 11.

Watch Jelly Roll on the Tonight Show below.

Narcís Rebollo has been appointed CEO and president of Global Talent Services, Universal Music Group’s full-service company for Latin artists spanning management, booking, live events, promotion and brand partnerships.

In line with Rebollo’s appointment, which was announced by Universal Music on Tuesday (Oct. 1) and is effective immediately, Global Talent Services (GTS) becomes a standalone company, with its management and operation now handled independently from UMG’s local music labels.

In the newly created role of GTS CEO and president, Rebollo — who is based in Madrid — will oversee the company’s operations in the U.S., Latin America, Spain and Portugal, reporting to Jesús López, chairman and CEO of Universal Music Latin America and Iberian Peninsula. Further details of leadership appointments within Universal Music Iberian Peninsula will follow shortly, said UMG in a statement announcing the structural changes.

Related

Launched in 2007, Global Talent Services provides a full suite of artist services for Latin artists and operates offices in eight countries, including the U.S., Spain, Portugal, Brazil, Mexico and Columbia.

Artists signed to GTS’ management roster in Spain include Antonio José, Salma, Natalia Lacunza and Mala Rodriguez with the company’s live events team booking over 500 shows in the country last year, according to Universal Music. 

Other markets where UMG says Global Talent Services is experiencing solid growth include Mexico, where it booked 175 shows for 25 artists in 2023; and Brazil, where the company has had strong success as a booking agency and managing partner for artists projects by Maneva, Leo Santana, Atitude 67, Felipe Araújo and Paula Fernandes.  

One of GTS’s biggest campaigns to date has been establishing Colombian band Morat as one of the leading Spanish-speaking pop-rock acts in the world with its “Si Ayer Fuera Hoy” 2023-2024 global tour — which included a sold-out show at New York City’s Madison Square Garden Theater in January — selling more than one million tickets across 125 concerts and over 15 countries, according to the company. GTS also operates the multi-date Universal Music Festival, which takes place every year in the Spanish capital city of Madrid.

Prior to today’s appointment, Rebollo served as president of Universal Music Iberian Peninsula since 2015, where he was responsible for UMG’s recorded music and GTS operations in Spain and Portugal. Under his leadership, the company grew its operations to include concert booking and promotion, festivals, touring and live events with GTS clients including Latin artists David Bisbal, David Bustamante, Pablo López, Lola Indigo, Aitana and Camila Fernández.

Related

Before joining Universal, Rebollo held senior roles at Spanish independent music company Divucsa, BMG, electronic dance music label Max Music and Spain’s biggest independent label, Vale Music, which Universal acquired in 2006.

“Narcís is one of the most experienced executives in Latin music,” said Jesús López in a statement. “His vision of the evolution of the business and the expansion of Latin music around the world in recent years, has led him to create a very successful team in Spain and Portugal in the areas of management, booking, promotion and brands.”

López went on to say that GTS was born “with the purpose of being a full-service agency for artists, and the time has come for it to become an independent business unit within UMG.” Rebollo, added López, is the “perfect leader” to lead the growth of GTS globally.

“Today more than ever, our artists need strategic support from a company that is both fully focused on management, but with the ability to deliver global services and support,”  said Rebollo in a statement. “With the explosion of interest and influence of live music, and music driving social engagement and conversation more than ever, I strongly believe that GTS is perfectly positioned to provide the best support for Latin artists around the world.”

Europe will get more of The Boss in 2025.

Announced early Tuesday, Oct. 1, Bruce Springsteen and The E Street Band adds eight new shows to their previously-rescheduled European jaunt – including concerts in England, France, Germany and Spain.

The newly-confirmed dates kick off May 17 with the first of two nights at Co-op Live in Manchester, England.

All told, Springsteen and Co. will play 12 dates on their 2025 run of the U.K. and Europe, including previously-rescheduled shows in Marseille, Prague and Milan, which were initially called off in May on doctor’s orders, as the rock legend recovered from “vocal issues.”

The announcement of new dates follow the world premiere of the Thom Zimny documentary Road Diary: Bruce Springsteen and the E Street Band, which arrives Oct. 25 on Hulu and Disney+.

After being sidelined for six years because of the global pandemic, and illness, including peptic ulcer issues, the road is calling to Springsteen. The Rock Hall-inducted artist and his band embarks on eight shows in Canada, beginning Oct. 31 in Montreal and running through Nov. 22 in Vancouver. That trek follows the completion of a U.S. tour with a Sept. 15 headlining spot at Sea.Hear.Now. festival in Springsteen’s old Asbury Park stomping grounds in his native New Jersey.

If his comments during a performance Aug. 23 at Citizens Bank Park in Philadelphia are anything to go by, Springsteen is just getting started. “We’ve been around for 50 f***ing years, and we ain’t quitting!” he declared. “We ain’t doing no farewell tour bullsh*t! Jesus Christ! No farewell tour for the E Street Band!”

He added, “Farewell to what? A thousand people screaming your name? Get the hell out. I ain’t going anywhere!”

In a review of Springsteen’s Pittsburgh show, Billboard noted Springsteen’s “earth-quaking exuberance” and the band’s ability to deliver “magic moments” night after night. The same energy was palpable in Philadelphia, where the band delivered a set that spanned decades of hits.

Bruce Springsteen And The E Street Band 2025 European Tour Dates

May 17 – Manchester, England – Co-op Live – On-sale: Oct. 11 at 10am BST (5 am ET) ticketmaster.co.uk

May 20 – Manchester, England – Co-op Live – On-sale: Oct. 11 at 10am BST (5 am ET) ticketmaster.co.uk

May 24 – Lille, France – Stade Pierre Mauroy – On-sale: Oct. 7 at 10am CEST (4am ET) gdp.fr/en

May 31 – Marseille, France – Orange Velodrome (rescheduled from May 25, 2024) gdp.fr/en

June 4 – Liverpool, England – Anfield Stadium – On-sale: Oct. 11 at 10am BST (5am ET) ticketmaster.co.uk

June 11 – Berlin, Germany – Olympiastadion – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de

June 15 – Prague, Czech Republic – Airport Letnany (rescheduled from May 28, 2024) ticketmaster.cz

June 18 – Frankfurt, Germany – Deutsche Bank Park – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de

June 21 – San Sebastian, Spain – Estadio Reale Arena (Anoeta) – On-sale: Oct. 8 at 10am CEST (4am ET) doctormusic.com entradas.com

June 27 – Gelsenkirchen, Germany – Veltins Arena – On-sale: Oct. 9 at 10am CEST (4am ET) ticketmaster.de

June 30 – Milan, Italy – San Siro Stadium (rescheduled from June 1, 2024) ticketmaster.it

July 3 – Milan, Italy – San Siro Stadium (rescheduled from June 3, 2024) ticketmaster.it

Jacob Collier and Swedish alt-pop artist Aurora recently boarded a ship to the arctic to perform amid the glaciers.

In video, premiering today (Oct. 1) the duo play a mash-up of their two songs, Collier’s “A Rock Somewhere” from his 2024 album Djesse Vol. 4 and Aurora’s 2019 song “The Seed,” with the performance intended to raise awareness for ocean and climate protection.

“The moment I heard about an opportunity to jump aboard one of the legendary Greenpeace ships, head to Arctic waters, and sing a song with one of my favorite artists next to a mighty glacier, I knew I was signing up for something special,” Collier says in a statement. “What I hadn’t foreseen was quite how transformative and moving the experience would be, and how much it would teach me – musically, energetically and environmentally.

“I was bowled over at the sheer magnitude of the Arctic – and also its deep fragility,” Collier continues. “We’ve lost two thirds of all the Arctic summer ice in the last forty years. It’s a shadow of its former self – yet it’s not too late for us to help.

“We compete with each other as nations but we forget the one thing we all have in common,” adds Aurora. “If we keep interfering with the few untouched areas of this Earth, there will be no future. We have to stop deep sea mining. I hope our Prime Minister and the other world leaders will do what is right. Not for them, but for the children of the children.”

Greenpeace notes that millions of people around the world have signed Greenpeace’s petition calling for ocean protection. 32 countries currently support a deep sea mining moratorium, precautionary pause or ban on deep sea mining in the international seabed, which covers more than half of Earth. Greenpeace adds that 58 leading electric vehicle and technology companies have publicly committed to not source minerals mined from the deep sea, with this list including Google, Samsung, Apple, Volvo and BMW.

“We won a historic Global Ocean Treaty last year, which keeps our goal of protecting 30 percent of the world’s oceans by 2030 alive,” Dr. Laura Meller of Greenpeace Nordic says in a statement. “But governments now want to mine the deep. We won’t let that happen. We hope this collaboration will inspire millions of people around the world to join our mission to protect the oceans for future generations. We still have time, but governments must act now. They must protect 30% of the world’s oceans by 2030 and introduce a moratorium on deep sea mining.”

Shed Seven‘s Liquid Gold shines brightly in the race for the U.K. Official Albums Chart crown this week, but the alt-rockers could face a battle with Bring Me The Horizon‘s POST HUMAN: NeX GEn for the No. 1 spot.

At the midweek mark on the latest Chart Blast, Shed Seven are currently leading with their seventh studio album and first new release of 2024. If it holds, this will be the band’s second No. 1 album in the U.K., following A Matter of Time earlier this year.

With their debut album being released 29 years ago, they still hold the U.K. Official Charts record for the longest time between a band’s debut and their first No. 1.

But Bring Me The Horizon are creeping up behind them. Their album POST HUMAN: NeX GEn, which was initially released in May, floats from No. 5 to No. 2 in the latest blast, thanks to its physical release, and is currently sitting at No. 2. With just 600 chart units separating the two, Oli Sykes and company are within striking distance of their third U.K. No. 1.

At No. 3, Nines’ latest album Quit While You’re Ahead looks to debut strong. This marks his sixth studio release and potentially his second U.K. No. 1 album, following Crabs In A Bucket in 2020.

Meanwhile, Sabrina Carpenter’s Short N’ Sweet slips one spot to No. 4 after peaking at No. 1 six weeks ago. Ed Sheeran’s new + – = ÷ x (Tour Collection) is set to debut at No. 5, continuing his chart dominance following his recent tour.

Ezra Collective’s Dance, No One’s Watching eyes a No. 6 debut, marking their highest to date, while Pale Waves’ Smitten is likely to land at No. 7, which would mark their fourth consecutive Top 10 album in the U.K.

Indie darling Chappell Roan sees The Rise and Fall of a Midwest Princess slip from No. 2 to No. 8, while Maximo Park’s Stream of Life debuts at No. 9. Oasis’s Time Flies… 1994-2009 continues its record-setting run at No. 10, holding steady after peaking at No. 2 for its 704th week in the Top 40.

Further down the chart, In a touching posthumous debut, SOPHIE’s self-titled album is set to enter the chart at No. 24, marking the first time the visionary producer has appeared on the Chart. Lady Gaga’s Harlequin, the surprise soundtrack album for the new Joker film and digital-only release, is expected to debut at No. 25, and Michael Bublé’s The Best of Bublé is poised to enter the chart at No. 28, marking his 13th Top 40 album.

With only a few days left in the chart week, it’s still a close race for the top, and the final results could shift dramatically before Friday’s reveal.

In one of the many unprecedented turn of events in K-pop this decade, the beloved girl group LOONA experienced an emotional split after terminating contracts with their label before each of the 12 members landed safely to pursue new K-pop paths. Alongside Chuu and Yves‘ new starts as soloists, to five members reconfiguring as Loossemble, the final step of these re-debuts came in ARTMS, consisting of LOONA stars HaSeul, HeeJin, Kim Lip, Choerry, and JinSoul coming together to rebrand themselves, reimagine their artistry and remember their roots as a new quintet.

After releasing a series of solo and unit singles, the group launched their debut full-length album, DALL, to return the girls to the Billboard charts (main single “Virtual Angel” cracked the Top 10 on the World Digital Song Sales chart, while DALL itself landed in the Top 10 of World Albums), and to the delight of fans and critics alike (even earning a spot on Billboard critics’ Best K-Pop Albums of 2024 So Far list).

Riding the exciting comeback success, the group is embarking on their ARTMS World Tour ‘Moonshot,’ which has already wrapped its North and South American legs. As they prepare to conquer Europe, Australia, and Asia this fall and winter, ARTMS is eager to reflect on their journey from LOONA to their current iteration.

Sitting down with Billboard at the New York office of The Orchard, ARTMS shine with a sense of unity, growth, and playfulness. HaSeul, more confident than ever in English, jokes about accidentally spoiling upcoming tour surprises, while HeeJin candidly confesses her hair is mostly extensions, JinSoul speaks about immersing herself into the A&R process, Choerry balances the group’s past with an exciting future, as Kim Lip looks ahead to what’s next for the group’s personal and professional lives.

Despite the challenges faced, ARTMS beam with a sense of pride over their collective growth and how they’ve taken control of their music and artistic direction. Here, the five idols discuss their creative evolution, navigating the K-pop industry post-LOONA, and their deep connection to the fans who have supported them every step of the way. Read on for more below alongside exclusive photos provided for Billboard.

I’m so proud to see ARTMS here in New York. Kim Lip, JinSoul, and Choerry toured as ODD EYE CIRCLE, but all five of you are here now. How do you feel about ARMTS’ first shows outside Asia?

HaSeul: I’m so excited and a little nervous too because it’s ARTMS’ first concert and tour.

HeeJin: Of course it feels great, and we have lots of thoughts on starting off strong as New York, a big city, is our first stop for this tour.

Congratulations on your first album, DALL, which got such great reactions. Was it a relief to get such a positive response?

Kim Lip: Since we’re releasing an album as ARTMS instead of LOONA, I was worried yet excited about how the public would react to our music. But we’re getting on the charts and receiving lots of attention, so we felt at ease, and I’m so happy to go on tour and meet with our fans.

ARTMS
HaSeul

How did you five come together and decide to move forward as ARTMS?

HaSeul: I was the last member to join ARTMS, but all five of us are very passionate about music. I think the members who came together and gathered [here] had the biggest will to bring ARTMS to life. When producing this album, I felt how sincere we all were about music…we had many solo and unit albums when we were promoting as LOONA, and you can see it as us continuing that identity. In a way, [ARTMS] can be seen as us taking back our identity. And since our skills are outstanding, we released solo, unit, and group albums.

It seems like you have more ownership and responsibility this time. There must have been pressure, but did it feel like you could share something more personal under ARTMS?

HeeJin: Usually, the company tells us what to do, but now, since we’re active players and debuting again, we wanted to work on the identity of ARTMS. We gave a lot of input in the songs and concepts. Our company took them positively and reflected them in our work, so I’d say it’s an album we produced all together. 

I imagine reuniting with LOONA’s original producer, Jaden Jeong, must have been special. Was it fun to return to this production style?

JinSoul: We have had a storyline in our group [LOONA] and the fans like this aspect. We further developed the storyline by working again with Jaden Jeong, who [first] created this storyline — and it’s great to add ARTMS to it as well. While adding ARTMS’ colors, everything became more diverse. We maintained a bit of tradition for the fans, and it’s great to show more sides of us and go deeper.

HeeJin: I think fans love it the most that we’re going with the storylines and expanding onto it.

ARTMS
JinSoul

While we know about LOONA’s contract story, I’m more interested in how all 12 of you found strength and came out of it together?

JinSoul: The members share lots of conversations together. But during that time, we looked into what we could do and thought of methods to use to go through with it. 

Kim Lip: The members cooperate well together, so we tend to respect each other’s opinions since we’re like a family. I think that’s how we came to a conclusion.

HeeJin: It’s also meaningless if we don’t do it together. So, we did it all together.

HaSeul: We are a family.

Putting the past to rest, if there are fans — whether they’re Orbits or OURII — who are still worried about you or want to check in, what words would you share with them?

HeeJin: We’re always simultaneously thankful and sorry to the fans. It took a lot of time for ARTMS to debut. Despite that, I’d like to thank the fans for waiting for us. There are also fans who became our fans as ARTMS debuted. We’ll promote more from now on, so please be at ease and keep an eye on us. Don’t worry…

Looking ahead, what are some of the special aspects of the Moonshot tour?

HaSeul: During our concerts in South Korea and Japan, we performed TWS’ “Plot Twist.” But for the USA, we prepared a different song to perform — “Cruel Summer” by Taylor Swift. I look forward to performing that song the most. 

JinSoul: When we performed in Korea and Japan, we changed the choreography of “Sparkle” and “Flower Rhythm” for the concert version. Many fans looked forward to it after seeing the choreography video. We also do different ad-libs at different times, so I’m always looking forward to the various ad-libs we’ll do.

HeeJin: The setlists will be similar, but there are always impromptu changes during our concerts, so the fans can really look forward to it. In Japan, there was a moment we performed the same song twice and a time we’d suddenly go off-stage. I look forward to those kinds of impromptu moments. And, of course, I brought my guitar.

ARTMS
Kim Lip

How has it been reuniting with fans in the States?

Kim Lip: We just had a fansigning today. It was fascinating to hold new events like this fansign during this tour. There was one moment that I remember when one fan started to sing in front of us — the fans are very, how do I say this, open when it comes to expressing their feelings. They’re different from the fans in Korea. I really felt the way they so enthusiastically express their feelings this morning, and it makes me really look forward to our concerts. 

HeeJin: That’s why I love it. Even if the fans in Korea really want to express themselves, they are very reserved. But on the other hand, fans in the U.S. openly show their support, so it excites us and gives us lots of strength.

Whether it’s your concerts or album production, what is ARTMS’ creative process nowadays?

HeeJin: We’ve been deeply participating in the process, but shall we start off with an answer from the main A&R member?

JinSoul: Jaden Jeong usually brings forward a lot of the music, but we look into the smallest details of the production. For example, we direct the vocals for each other or select the photos to be included in the album. We also selected the album cover design, hair colors, and styling. We participated in lyric writing this time, too. The company works on big tasks and we give our detailed inputs to showcase the best of us. 

ARTMS
HeeJin

What are you really proud of to say you’ve worked on?

Kim Lip: We can proudly say that we wrote the lyrics for “Sparkle.” And the light stick!

HeeJin: We got ideas for the light stick and sent over drafts. The final design was our idea. And personally, during the “Virtual Angel” promotions, I wanted to dye my hair white because I thought an angel had a very white, bright image. So, even though I had to sacrifice my hair, I wanted to do it. I discussed it with my company and went on with it.

You’ve never been blonde; your hair looks great!

HeeJin: This is not my hair. [All Laugh] It’s extensions, my hair looks bad.

I’m sure your hair looks great. But from watching K-pop, it feels like the fans can give artists new chances today. Do you think the industry has changed from when you debuted to today?

Choerry: I definitely wouldn’t have expected this back then. We were very young. The situation the 12 of us went through was saddening, but I’m very satisfied with ARTMS right now. I’m happy to have released great songs with the members, my sisters. I also believe we have lots of time to spend with fans, so I hope we can have fun and come to them with better sides.

HaSeul: I’d say we were able to stand on stage again 100% because the fans were waiting for us. And it was made possible because we have fans. The reason why we look forward to the concerts on tour as the time went by is because we want to show a great performance to the fans who’ve been waiting for two years. We’re really looking forward to this tour. 

ARTMS
Choerry

I loved HeeJin’s interview with InternetsNathan when she ranked every LOONA song. To give everyone the opportunity, I’d love for you to choose your “favOriTe” song released from LOONA solo days to ARTMS today.

HaSeul: I think “Virtual Angel.” Since the title song [single] is the song you listen to the most due to promotions, there are times you can get sick of it, but I like the song so much that I can listen to it in the car every day.

Kim Lip: “Hi High”? We had lots of solo and unit songs, but we went a long way to release the “Hi High” album. I think it was a relieving album for the members, staff, and fans who were waiting for a long time. I think it’s the most meaningful album; fans still love this song. I can call this my favorite. 

HeeJin: I’m going to choose “Butterfly Effect” because ARTMS is starting anew with Jaden Jeong and he told us the story behind this song. It was one of the songs he wanted to release when we were LOONA. He held onto this song for six years and finally got it on the tracklist for DALL. The song feels like a continuation of LOONA to ARTMS. Some lyrics make you think of the past, so it became a song I love. 

Choerry: I choose “Singing in the Rain. It’s my favorite song because, during concerts, it has a bursting beat and the sound is full and harmonious. And JinSoul’s vocals suit the song so it’s a song that I always wanted. It’s so good that I want to do a collab stage.

HeeJin: I want to do a collab stage for it too!

JinSoul: I choose “Butterfly.” I think this song really shows LOONA’s identity. When I look at past performances, there were times I looked shy, but I think this song was one I was most proud of. The choreography was amazing. It’ll be difficult for me to perform it again, but I think it was a synergy only we could show during that time. 

Others: We can do it again! We can do it!

What can we look forward to from ARTMS from here, the tour, what’s next?

Kim Lip: ARTMS is…

All: Vacation! After tour…

Kim Lip: This is a secret, but I think we’ll prepare for the next ARTMS album after the tour. We don’t know the details, but I think it’ll be an album to really look forward to. But it’s not confirmed…

Both of those are important! Any last messages to fans if they couldn’t see you on tour this time? 

HeeJin: Thank you so so much for waiting for us. Fans who attended our concerts will know, but even though we’re fewer members as ARTMS, you’ll be able to see perfect performances. We’ve become very experienced performers. Thank you so much for loving us and coming to see us. I hope the members stay healthy throughout the tour because we wish to promote the group to many people.

ARTMS
HeeJin, Kim Lip, HaSeul, JinSoul and Choerry of ARTMS