In addition to being one of the most accomplished artists on the planet, Taylor Swift is Travis Kelce‘s wifey — regardless of whether they’ve made it legal yet.
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On the latest episode of the New Heights podcast posted Wednesday (April 1), the Kansas City Chiefs tight end and brother Jason Kelce chatted with Jerrod Calhoun — head coach for the University of Cincinnati basketball team — about college sports. At one point, Travis told the show’s guest, “Man, you’re getting me fired up right now, coach.”
“I think I got like one semester left of eligibility, coach,” continued the athlete, who played both football and basketball when he was an Ohio high schooler.
“Hey, we’ll get you a good NIL deal,” Calhoun quipped in response. “You gotta ask your wife.”
Travis didn’t skip a beat. “Exactly, yeah,” he said before pretending to call out to Swift off camera. ‘Sweetie, I’m going back to school!”
The 14-time Grammy winner and Grotesquerie star have been engaged since August. At the time, the pair shared photos from the proposal — for which Travis secretly set up an enchanted rose garden right outside their home — and wrote, “Your English teacher and your gym teacher are getting married.”
Ever since, Swift and Travis have been tight-lipped about the details of their wedding, prompting fans online to regularly speculate on whether the pair have already tied the knot privately. But there are at least a couple of things we know about their big day, with the Eras Tour headliner previously revealing that she plans on having a massive guest list and that Ed Sheeran will probably want to perform at the reception.
Watch Travis react to Swift being called his “wife” below.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 16:35:352026-04-02 16:35:35Here’s How Travis Kelce Reacted When Someone Referred to Taylor Swift as His ‘Wife’
This week, Billboard is publishing a series of lists and articles celebrating the music of 20 years ago. Our 2006 Week continues here with our list of the year’s best deep cuts — our staff’s favorite ’06 album tracks that were never released as official U.S. singles. (See our picks for the 100 best singles of the year here.)
After a couple years that had been defined by massive album releases from the likes of Usher, Kelly Clarkson, Green Day, Kanye West, Mariah Carey and 50 Cent — albums that sold millions, contended for Grammys and spawned more than a few hit singles — 2006 took things a little slower on the blockbuster front. There were certainly a couple notable ones: Justin Timberlake ruled over the year with his FutureSex/LoveSounds, and while its singles rollout didn’t go quite as smoothly as its predecessor, Beyoncé’s solo sophomore set B’Day would ultimately generate its own fair share of hits. But they were more the exception in a year where the biggest singles were a little more all over the place, rather than being concentrated to a handful of bountiful LPs.
Instead, the most important album releases of 2006 tended to tell us a little more about where music was going next. Even though their respective stateside breakthrough hits wouldn’t come until 2007, U.K. singer-songwriter phenoms Lily Allen and Amy Winehouse got on pop fans’ (and pop critics’) radars with a couple widely acclaimed projects. My Chemical Romance and TV on the Radio would bring greater ambition and wider scope to emo and indie rock, respectively, with big implications for both genres in the years to come. Clipse, Ghostface Killah and the sadly late J Dilla were shrinking the distance between hip-hop’s mainstream and underground. And down in Nashville, a rising country singer-songwriter by the name of Taylor Swift introduced herself to the rest of the world for the first time.
Find our preferred non-singles from all these artists and many more favorites from 20 years ago below, in Billboard‘s list of the 40 best deep cuts of 2006.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 16:26:302026-04-02 16:26:30The 40 Best Deep Cuts of 2006: Staff Picks
Olivia Rodrigo fans won’t be sad at all to hear this news: On Thursday (April 2), the singer announced that her highly anticipated third album, You Seem Pretty Sad for a Girl So in Love, is dropping this summer.
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Sharing the album’s dreamy cover — a photo of Rodrigo leaning backward on a swing, backdropped by a pale blue sky — the Grammy winner wrote on Instagram, “my third album ‘you seem pretty sad for a girl so in love’ is out June 12th.”
“I am so proud of this record and I can’t wait for you to hear it,” she continued. “available for preorder now!”
On her website, a number of various vinyls, CDs and cassettes of the album are available to purchase, as well as signed copies featuring a photo of Rodrigo frolicking through a grassy field at night while wearing a sheer pink dress.
Rodrigo last dropped an album in 2023, topping the Billboard 200 with Guts. The album spawned Billboard Hot 100-topping lead single “Vampire” and served as the basis for the artist’s Guts World Tour. The majority of the trek ran from February through October 2024, with Rodrigo also playing shows throughout the first half of 2025.
Before Guts came Sour, the debut album that launched Rodrigo into superstar status. The project also topped the Billboard 200 and spawned a number of Hot 100 hits, including No. 1s “Drivers License” and “Good 4 U.”
The High School Musical: The Musical: The Series alum has been teasing OR3 for some time, revealing some of the juiciest details in a British Vogue cover story. She told the publication at the time of the interview that the LP is full of “sad love songs” based on her realization that all of her “favorite romantic love songs were beautiful because they had a tinge of fear or yearning in them.”
“[I thought] that the second I’m in a really great relationship, I’m gonna start feeling good about myself, and this stuff is going to fall into place,” added Rodrigo, who was most recently linked to actor Louis Partridge, at the time. “But it just doesn’t work like that.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 16:26:292026-04-02 16:26:29Olivia Rodrigo Announces Third Album ‘You Seem Pretty Sad for a Girl So in Love’ & Release Date
With BTS’ ARIRANG, the K-pop cornerstone act’s first studio album of new music since 2020, the group further imprinted its stamp in Billboard’s chart record books.
The set stormed the Billboard 200 dated April 4, becoming BTS’ seventh No. 1, with the largest week for an album by equivalent album units earned among duos or groups: 641,000 in the United States March 20-26, according to Luminate. (The chart began ranking titles by equivalent album units in December 2014.) Vinyl sales of ARIRANG accounted for 208,000 — the largest sales week for an album by a duo or group since Luminate began electronically tracking sales in 1991.
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The LP’s lead focus track, “Swim,” concurrently lapped the competition on the Billboard Hot 100, launching at No. 1. It likewise became BTS’ seventh leader on the chart and sixth to debut on top, the most such entrances among duos or groups.
Thanks to those starts, BTS became the first group to debut an album and song atop the Billboard 200 and Hot 100 simultaneously multiple times, with ARIRANG and “Swim” joining Be and “Life Goes On” in 2020.
On the Billboard Global Excl. U.S. chart, BTS became the first act to claim the entire top 10 (and top 13) simultaneously, thanks to ARIRANG’s songs, led by “Swim.”
Plus, “Swim” extended BTS’ mark for the most No. 1s, 13, on the Digital Song Sales Chart among duos or groups. On World Digital Song Sales, “Aliens” invaded the top spot, becoming the group’s record-extending 43rd No. 1; no other act has a double-digit total. The septet adds three entries on the survey, upping its total to a leading 161 appearances overall.
In honor of BTS’ chart-topping return, below is a rundown of each of OT7’s career No. 1s on the Billboard 200 and Hot 100.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 16:13:022026-04-02 16:13:02Here Are All of BTS’ No. 1s on the Billboard 200 & Hot 100
Billboard can exclusively reveal that the singer-songwriter is a cast member of the upcoming stage production of Girl, Interrupted at The Public Theater in New York City. This will be the artist’s theatrical debut.
Previously adapted into a 1999 film of the same name starring Winona Ryder and Angelina Jolie (the role for which she won the best supporting actress Oscar), Girl, Interrupted is author Susanna Kaysen’s bestselling 1993 memoir. Girl, Interrupted follows Kaysen during an 18-month stint in a psychiatric hospital as she navigates her new life among the other patients and the doctors on staff. The stage production’s book is penned by Pulitzer Prize-winning playwright Martyna Majok and will feature original music by two-time Grammy winner Aimee Mann. King Princess will play Lisa, a fellow patient at the psychiatric hospital. Jo Bonney directs with choreography by Sonya Tayeh.
The complete cast of Girl, Interrupted at the Public Theatre is Leela Bassuk (Understudy), Ta’Rea Campbell (Valerie), Gabi Campo (Tori), Juliana Canfield (Susanna), Eileen Doan (Understudy), Mano Felciano (Man/Musician), King Princess (Lisa), Gunnar Manchester (Understudy), Mia Pak (Grace), Katherine Reis (Daisy), Anna Roman (Understudy), Sally Shaw (Polly), Emily Skinner (Dr. Wick), Rachel Stern (Understudy) and Lauren Jeanne Thomas (Judy/Musician).
Though this is King Princess’ theatrical debut, this is not her first time acting. The Brooklyn-based musician made her screen acting debut as a series regular on the second season of Hulu’s Nine Perfect Strangers and appeared alongside leads Hugh Jackman and Kate Hudson in the Oscar-nominated 2025 film Song Sung Blue. King Princess will next appear alongside Julia Fox, Este Haim and Maya Hawke in the upcoming romantic comedy One Night Only, written and directed by Will Gluck (Easy A, Friends With Benefits).
The stage production of Girl, Interrupted will begin performances in The Public’s Martinson Hall on Wednesday, May 13. The show will officially open on Thursday, June 4 and run through Sunday, June 21. Tickets are available for purchase now on The Public’s website. The National Alliance on Mental Illness of New York City (NAMI-NYC) will join forces with The Public Theater in support of this production, including a post-show talkback during June.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 16:00:332026-04-02 16:00:33King Princess to Make Theatrical Debut in ‘Girl, Interrupted’ Stage Production Featuring Original Aimee Mann Music
Donald Trump is continuing with his campaign against Bruce Springsteen, who recently kicked off his tour in Minneapolis and tore into the American government on stage, leading the twice-impeached POTUS to unleash yet another fiery post on Truth Social.
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On Thursday (April 2), Trump wrote, “Bad, and very boring singer, Bruce Springsteen, who looks like a dried up prune who has suffered greatly from the work of a really bad plastic surgeon, has long had a horrible and incurable case of Trump Derangement Syndrome.”
“The guy is a total loser who spews hate against a President who won a Landslide Election, including the popular vote, all Seven Swing States, and 86% of the Counties across America,” he continued. “Under Sleepy Joe and the Dems, our Country was DEAD, and now we have the ‘hottest’ Country, by far, anywhere in the World. MAGA SHOULD BOYCOTT HIS OVERPRICED CONCERTS, WHICH SUCK. SAVE YOUR HARD EARNED MONEY.”
Billboard has reached out to Springsteen’s rep for comment.
The Boss played his first Land of Hope and Dreams American Tour show in the Minnesota city on Tuesday (March 31). He made was sure to address the importance of the night’s setting during the show, reminding the crowd how federal troops had “brought death and terror to the streets of Minneapolis” in reference to how ICE officers shot and killed civilians Renee Good and Alex Pretti in January.
“Their bravery, their sacrifice and their names will not be forgotten,” Springsteen said on stage.
Elsewhere in the show, the rocker reportedly condemned Trump’s “corrupt, incompetent, racist, reckless, and treasonous” administration.
This isn’t the first time the president has gone on a tirade against Springsteen. The White House similarly called the E Street Band leader a “loser” with “Trump Derangement Syndrome” in February after Springsteen dropped a song protesting ICE called “Streets of Minneapolis.” Trump has also personally gone after Springsteen on Truth Social a number of times during his first year back in office.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 15:57:482026-04-02 15:57:48Donald Trump Tells MAGA to Boycott ‘Total Loser’ Bruce Springsteen After Rocker Slams ICE
The choreographer behind *NSYNC‘s famous “Bye Bye Bye” dance is suing Sony Music after it appeared in the Marvel movie Deadpool & Wolverine, claiming the label had no right to sell access to his iconic routine.
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Darrin Henson, who won the MTV Video Music Award for best choreography in 2000 for the “Bye Bye Bye” music video, says in his lawsuit that he owns copyrights to the choreography, but that Sony has wrongfully “held themselves out as the owners of the work.”
The dispute was sparked by the 2024 Deadpool movie, in which the title character dances to “Bye Bye Bye” in the opening sequence. The scene was heavily memed on TikTok and other social media platforms, causing a streaming boom for *NSYNC’s track.
As a result, Henson claims that his decades-old dance moves are now “unjustly affiliated with Marvel”— all because Sony granted a license for a piece of intellectual property that it didn’t own.
“The reality is that the work belongs to Henson, and to obtain full acknowledgement of his ownership and a complete transfer of all monies earned by SME and its licensees, the plaintiff must seek declaratory relief from the court,” his lawyers write in their March 27 complaint, which was obtained by Billboard.
Henson says Sony also wrongfully licensed the choreography to Epic Games for use in the video game Fortnite as an “emote” — a move that gamers can purchase as an add-on downloadable content for the game.
The lawsuit claims Henson attempted to resolve the dispute “amicably,” but that Sony has refused to budge. The label allegedly told him that, because it owns the copyrights to the “Bye Bye Bye” music video, it was entitled to license out the use of dance to Marvel Studios and Epic.
A rep for Sony Music declined to comment on Thursday (April 2). Marvel and Epic are not named as defendants in the lawsuit nor accused of any wrongdoing.
Henson’s case is just the latest court fight over choreography. Last year, a dancer who worked with Usher and Jennifer Lopez sued over allegations that Fortnitestole his moves from a recent Rauw Alejandro music video. Before that, the TikTok user who says she created the viral “Apple dance” to a Charli xcx song sued Roblox for selling it.
For years, such cases faced skeptical judges, who questioned whether simple dance moves were even covered by copyright law, which historically covered only more elaborate choreography such as ballets. But in 2023, a federal appeals court issued a first-of-its-kind ruling reviving such a lawsuit against Epic, saying there was “no reason to treat choreography differently” from longer dance routines.
The music video for “Bye Bye Bye,” released in January 2000 as the lead single from the band’s No Strings Attached, is a legendary piece of 2000s pop culture, featuring the boy band members hung from puppeteer’s strings before breaking into dance. The video spent 25 consecutive days at No. 1 on MTV’s then-ubiquitous Total Request Live countdown, and was ranked at No. 21 on Billboard’s 100 Greatest Music Videos of the 21st Century.
In his lawsuit, Henson says he was recruited by the band’s manager to create the sequence for the group in October 1999. And when he did so, he says he never signed any kind of agreement handing over the rights to anyone.
“Henson did not sign a work made for hire agreement prior to the creation of the work, and as such by its creation alone, became the sole owner of the work,” his lawyers write. “To date, he has not transferred said ownership to any third party.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 15:43:202026-04-02 15:43:20*NSYNC ‘Bye Bye Bye’ Dance Creator Sues Sony Music Over Viral ‘Deadpool’ Movie Scene
You might remember Teddybears’ “Cobraystle” from 2006 alt rock radio, but it’s more likely you remember the song from the many other places it existed that year, and for years thereafter.
A synch juggernaut of late ’00s, the Swedish trio’s dancehall meets indietronica ass-shaker was used in commercials for everything from KFC to Volvo and in a long list of movies, television shows and videogames — including, but not limited to Date Night, Grey’s Anatomy and FIFA 06.
“It was a snowball effect,” Teddybears’ Joakim Åhlund tells Billboard. “Once it happened once, it started happening more. In some cases I’m sure it was our manager or someone at our record or publishing company pulling strings to get our songs that attention, but I haven’t really done anything except make the actual music.”
Whoever was pulling strings on behalf of Åhlund had been doing commendable work. The “Cobrastyle” phenomenon happened not long after “Jerk It Out” by Caesers, a band then known as Caesars Palace and also featuring Joakim Åhlund, was also widely synched in ads for Coca Cola, Nivea, and iPod Shuffle, with the silhouetted ad it soundtracked for the latter becoming synonymous with the famous ad campaign. Then, 25 years after it’s original release, Teddybears’ 2006 Iggy Pop collab “Punkrocker” was also used in last year’s Superman, a synch that gave it an 18,468% streaming surge last summer.
“When the Superman thing happened and we started hearing that song again, I was like ‘This is actually a really good song still,’” beams Åhlund.
Teddybears – brothers Joakim and Klas Åhlund and Patrik Arve – formed as a hardcore band in Stockholm in the early ‘90s, releasing its debut album in 1993. “Cobrastyle” first came out on the band’s fourth album, 2004’s Fresh, and in 2006 music from that album and 2000’s Rock ‘n’ Roll High School was amalgamated into the band’s first album released in the U.S., Soft Machine. The project contained two new tracks along with 12 older songs, including “Punkrocker” and “Cobrastyle.” The latter song gained further ubiquity when Robyn released a cover of it in 2007. “We’ve been good friends with Robyn for a long time,” says Åhlund. “[The cover] was kind of a natural thing for her to do, because it’s kind of a family thing.”
The Soft Machine release in conjunction with the Robyn cover and all the “Cobrastyle” synchs (along with general acclaim for the album) made Teddybears a presence in the U.S., where the group toured, played Coachella in 2007, appeared on Jimmy Kimmel Live! and played “Cobrastyle” with Robyn on The Late Show with David Letterman.
“We were big in the very small country of Sweden,” says Åhlund. “We sang our music in English, and we were always thinking about an international audience. So it was good to reach out beyond the Swedish borders, which we did with Soft Machine. It was fun to be on Jimmy Kimmel’s show and have people in the U.S. and the whole world know about us.”
But by design, the world only ever knew Teddybears to a certain extent, given that its three members always performed and appeared in promotional materials wearing giant teddy bear heads. “We didn’t want to be famous,” says Åhlund. “And it was great, because even at peak Teddybears, I could still just ride the subway with my kids and nobody knew who I was.”
Naturally, the Iggy Pop association helped raise the band’s visibility, with the “Punkrocker” collab coming about after the band’s manager did more string-pulling.
“Sooner or later, we found someone who knew someone who knew him, and we just got in touch” says Åhlund. “We were like, shocked and of course overjoyed and surprised when he answered at all, and that he answered that he wanted to do it was crazy.”
Klas Åhlund and Arve recorded the song with Pop in Miami, and weeks later all three Teddybears filmed the music video with him in New York. “He was such a gentleman,” Joakim Åhlund recalls of the shoot “He had a bad boy rumor, perhaps not entirely undeserved at the time — and I didn’t expect him to be an animal or something, but he was a very dignified and at that time an already little bit elderly gentleman who was so eloquent, well-spoken, soft spoken and nice to everybody on the set.
While “Punkrocker” wasn’t written with Pop in mind, “it’s almost like it was,” says Åhlund. “It’s a song that’s perfect to be sung by him. He does it with this soulful voice with these echoes of experience in it. There’s not many in this world that could deliver it with such dignity and credibility.”
25 years after the song’s release, the song’s Superman synch was, as Åhlund tells it, a fluke that happened after the film’s music supervisor saw it on their Spotify dashboard. “He just liked it. It was a complete coincidence.”
Ten years after the last Teddybears album, 2016’s Rock On!, Åhlund and his bandmates see each other frequently in Stockholm, but have no current plans to record another album together. “I don’t feel like the world’s waiting for one, to be honest.” The bear masks are tucked away at a Stockholm storage facility, coming out for the occasional live gig.
Joakim Åhlund
Dan Kendall
Meanwhile, Åhlund is currently touring with his band Les Big Byrd, which is on the road supporting Brian Jonestown Massacre. Åhlund also plays free jazz and runs a small record label. The band’s members have also worked with myriad pop royalty, with Joakim Åhlund producing Charli xcx‘s 2013 “You (Ha Ha Ha)” (with Charli later interpolating “Cobrastyle” for her 2023 song “Speed Drive”) and Klas Åhlund producing music for stars including Britney Spears, Madonna, The Weeknd and Robyn, including much of her newly released album Sexistential. Åhlund reports that Arve “has like 15 different bands and projects.”
Looking back at the Teddybears’ era-defining mid-’00 run, Åhlund is satisfied. “We didn’t sound like anybody else or try to sound like anybody else, and to me it still sounds good today.
And while he jokes that the Superman synch helped him buy “a couple more Lamborghinis,” the reality is that despite all the success and the synchs, his lifestyle has always been pretty lowkey. “I live in an apartment in Stockholm city. I don’t even have a driver’s license. I ride a bicycle.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 15:13:222026-04-02 15:13:22How Teddybears Helped Define 2006 With Its Music & Countless Commercial Synchs: ‘It Was a Snowball Effect’
For artists, executives and fans, the second Thursday in April is all about arriving in Indio, California. This year, Billboard will again be providing a soft landing to select musicians and industry leaders with The Arrival, an invite-only gathering happening before the first weekend of Coachella 2026.
Taking place at a luxe private estate in Indio, the event will feature performances by a choice collection of electronic artists, with beloved duo Louis The Child, British phenom Jonas Blue and rising dance star Arlo all set to perform.
Louis The Child will weave both their era-defining hits like “It’s Strange” and “Better Not,” along with new unreleased music into their set, with the Chicago duo set to release their second studio album later this year. Meanwhile, global powerhouse Jonas Blue will play a set made of his signature groovy house, including the 2025 smash “Edge of Desire.” Several yet-to-be-announced artists will also play throughout the evening.
During it all, drinks will flow and a custom menu of offerings from Jimmy John’s Dream Rotation menu will be on offer. Additionally, white hot supper club Mary Lou’s, which has hosted locations in Palm Beach, Miami, Montauk and Aspen and beyond, will offer myriad VIP experiences.
The Arrival is designed as a setting to create connections among media, music and entertainment tastemakers ahead of three globally notable days in the desert. Previous editions of The Arrival have welcomed guests including Charli xcx, Sydney Sweeney, Saweetie, Halsey, Patrick Schwarzenegger, Paris Jackson, G-Eazy, Victoria Justice and other A-listers.
Further sponsorship and support for The Arrival have been generously provided by Skechers U.S.A., Inc, FanUp, Buldak Ramen, Bandero Tequila, Adobe, Blind Lemon Hard Lemonade, The Beast, Haku Vodka, 196 Vodka Seltzer, Voss Water and Monster Energy. Additionally, a beauty pit stop is offered in coordination with ESW Beauty, PanicPanties, Fazit, and Clutch Glue.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 15:00:532026-04-02 15:00:53Billboard Returns to the Desert With The Arrival Featuring Louis The Child, Jonas Blue, Arlo & More
The gala is set for May 19 in NYC at Cipriani 42nd Street, and tickets are available, starting at $2,500. Proceeds from the evening will benefit the next generation of creatives through educational programming, fellowships, scholarships and prizes courtesy of The Gordon Parks Foundation.
“To be recognized in a space honoring Gordon Parks and Muhammad Ali is humbling. They told the truth through their work, and that’s always been the goal of mine too,” Chance tells Billboard. “The tribute to Ali is really about honoring that spirit and showing gratitude to his legacy.”
Chance is also among the list of honorees for the night, which includes Elizabeth Alexander, John Legend, Henry Taylor and Lonnie Ali (representing Muhammad Ali).
“It is an honor to work with The Gordon Parks Foundation because Parks truly understood the psyche of the musician,” Jason Moran adds to Billboard. “His sensitivity, not only with his camera, but with his ear. He knows exactly when to snap the shutter, which informs the way he composes his music as well. For Parks, the eye is also the ear, and the ear informs his eye.”
Former NFL star and activitst Colin Kaepernick will be a presenter alongside Darren Walker, Hank Willis Thomas, New York Times critic Salamishah Tillet and artist/photographer Deana Lawson.
It’s a star-studded group of co-chairs for the event that includes Swizz Beatz and Alicia Keys, Spike and Tonya Lee, Ben Stiller and Christine Taylor, Anderson Cooper, Malcolm Jenkins, as well as Crystal McCrary and Raymond McGuire.
The 2026 gala marks 20 years of celebrating the visionary photographer, Gordon Parks, through The Gordon Parks Foundation.
“Music played such an important role in Gordon’s life — he was a musician and celebrated composer as well as a photographer and filmmaker,” The Gordon Parks Foundation’s executive director Peter W. Kunhardt Jr. said in a statement. “To celebrate our 20th anniversary, we are thrilled that Chance The Rapper and our inaugural Gordon Parks Foundation Music Fellow Jason Moran will each pay tribute to the legacies of Gordon Parks and Muhammad Ali by performing on May 19. They both embody Gordon Parks’ belief that art can change the world.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2026-04-02 15:00:532026-04-02 15:00:53Chance The Rapper, Jason Moran to Perform at Gordon Parks Foundation Annual Awards Dinner & Auction Honoring Muhammad Ali