This week’s crop of new music features Chase Rice honoring his late father through his new music, while Benjamin Tod teams up with reigning Americana Music Honors & Awards entertainer of the year winner Sierra Ferrell. Meanwhile, “A Lot More Free” hitmaker Max McNown, Ian Munsick, Anna Vaus and more offer new tunes.

Check out all of these and more in Billboard‘s roundup of the best country songs of the week below.

Chase Rice, “You in ‘85”

Chase Rice may be known for writing and recording bro-country hits such as co-writing Florida Georgia Line’s RIAA-Diamond certified hit “Cruise,” but over his most recent projects, he’s made it clear that bro-country sound represents his past, not his present — as his new music leans toward rootsier, raw-rock driven sounds, trading party anthems for introspective lyrical themes. His newly released album Go Down Singin’ continues to evince his matured songwriting, particularly on “You in ’85,” a song that pays homage to Rice’s late father, serving as both a catalog of memories he has of his father, while also acknowledging the mannerisms they share. “You always said I was gonna look just like you/ Now this man in the mirror’s the proof,” he sings, as his voice conveys a crackling warmth of self-reflection and an easy-going comfortableness with his new sound.

Benjamin Tod feat. Sierra Ferrell, “One Last Time”

As singer-songwriter Tod, the former frontman for the Lost Dog Street Band, gears up for his new solo album Shooting Star (out Oct. 18 on Thirty Tigers), he welcomes reigning Americana Music Honors & Awards winner Sierra Ferrell on this sparse piano arrangement, with gospel music-inflected background harmonies and swaths of steel guitar lending a rustic, elegant aura. “I’m a fool for the darkness and a fiend for the light/ Could you blame me one last time,” they sing, their voices blending sumptuously, while wrapping their distinct drawls around each lyric, drawing out the song’s tension and longing with every vocal inflection. On Shooting Star, Tod dabbles in country music from a span of decades, proving the deep-seated influence of Nashville-area hometown.

Anna Vaus, “Happy Trails”

Southern California native Anna Vaus has put in the work in Music City over the past several years, inking a publishing deal with Big Machine Music and penning songs recorded by Keith Urban, Carly Pearce and others (Vaus also performed with Urban at the 2024 CMT Music Awards). With “Happy Trails,” she issues the lead single from her own debut album, one steeped in the sounds of ’70s Laurel Canyon with a Nashville sense of lyrical detail.

Vaus’ own “Happy Trails” embodies much the same sentiment of the Dale Evans-written, Roy Rogers-performed 1952 classic of the same name, though here, Vaus sings a story close to her own, of wishing the best to a friend who is setting off on a jet plane to chase their dreams in Music City. She employs a classical country construction, detailing simple well-wishes such as warm coffee and flowers growing in a yard, before digging deeper on lines such as “I hope you learn to love the parts of you you hate/ And the things you cannot change ’cause therein liеs the heart.” A solid, promising start from this established songcrafter.

Max McNown, “Snowman”

McNown’s “A Lot More Free” has escalated up the viral charts, and he’s followed with the just-released EP Willfully Blind. “Snowman,” featured on the EP, captures his longing over a once-blazing romance that transformed into the chilliest of receptions whenever he sees his ex. Over polished acoustic production, he considers, “You said goodbye and I said see you round/ Cuz a boy don’t close a book/ Until he knows a story’s done.” McNown wrote “Snowman” with Paul Duncan, Cory Asbury, Paul Mabry and Michael Farren.

Ian Munsick, “Western Woman”

Wyoming-born Munsick earned an RIAA Gold-certified song with his Cody Johnson collaboration “Long Live Cowgirls,” and he reprises that theme on his new solo track, “Western Woman,” which Munsick wrote with Billy Montana and Randy Montana. In his new song, he acknowledges the appeal of the way of life from the coasts, but sings that ultimately, “My kinda darling is grounded as a fence post/ She got wild in her smile, dust on her jeans.” Mandolin playing from Charlie Worsham and fiddle work from Tim Hayes serve to further heighten the song’s Western sound.

Hunter Hayes, “In a Song (Lost & Found)”

Hunter Hayes revisits to his previously-released “In a Song,” originally featured on the Encore edition of his 2011 self-titled album. The new version retains the largely pop sonics, but showcases his matured vocal while still giving the song a youthful, refreshed patina. The song is one of three remixed and remastered renditions of his previously-released songs on his upcoming EP Lost & Found.

As Elliot Grainge prepares to take over as the new CEO of Atlantic Music Group on Oct. 1, he unveiled his new leadership team today (Sept. 23).

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Craig Kallman, the longtime co-chairman/CEO of Atlantic Records, will now take on the title of chief music officer for Atlantic Music Group. Additionally, Zach Friedman and Tony Talamo, the former co-presidents of 10K Projects, which Grainge founded and sold to Warner Music Group last year, will become AMG’s chief operating officer and general manager, respectively. Erica Bellarosa will be general counsel, and former Republic chief creative officer Dave Rocco has been named president of creative.

At Atlantic Records, Lanre Gaba has been promoted to president of hip-hop, R&B and global music; Lu Mota has been named head of A&R for hip-hop, R&B and global music; and Marsha St. Hubert has been named head of marketing for hip-hop, R&B and global music. Kevin Weaver will retain his title as president of the West Coast, while Brandon Davis and Jeff Levin will be executive vps and co-heads of A&R for pop and rock. Marisa Aron will now take over as head of marketing for pop and rock.

Rayna Bass and Selim Bouab will remain as co-presidents of 300 Entertainment, while Nicholas Ziangas and Molly McLachlan have been promoted to co-presidents of 10K Projects. The announcement says that more announcements will be made shortly, and does not include leadership for Elektra Records, except to say that former president Gregg Nadel will be moving to a new role within the Warner Music Group.

“Atlantic Music Group is home to the most extraordinary artists and executives in the world,” Grainge said in a statement. “This great label has moved through a meaningful transition, and emerged with a world-class team, made up of ambitious innovators and veteran visionaries. We have a plan to build on the extraordinary achievements of the last twenty years, honor the independent DNA of our labels, and collaborate with artists to pioneer a future filled with opportunity. To all our artists, managers, and partners, we are committed to a single principle — maximum impact for original artists. We’re looking forward to doing big, bold, brave things together.”

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The announcement of the new structure follows an announcement last week about a reorganization of the Atlantic Music Group, through which several key leaders at Atlantic, 300 and Elektra departed the company, with layoffs of some 150-175 employees. That process is said to have been completed last week. Additionally, today’s announcement confirmed that 10K will continue as a standalone label under AMG, while Elektra, Fueled By Ramen and Roadrunner will continue as imprints.

“AMG will be lean, agile, fiercely creative, and deeply passionate about artists and their fans,” Warner Music Group CEO Robert Kyncl said in a statement. “We’re opening an exciting new chapter in the story of an iconic label. Elliot’s thoughtfully chosen a team that combines a wealth of experience, a diversity of expertise, and a commitment to excellence.”

If that guy on stage at Dino’s Lounge in Las Vegas singing karaoke sounded a bit better than the average drunk piker from Minnesota, it’s because he did. Coldplay singer Chris Martin took a break from his band’s Music of the Spheres global juggernaut tour to have some fun in Sin City this weekend when he went incognito as a schlumpy business man on a bender while filming the video for the group’s next Moon Music single, “All My Love.”

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In town for a special set on night two of the 2024 iHeartRadio Music Festival, Martin ducked into the beloved karoake bar for an post-show bit of business casual fun. Dressed in a too-big, boxy suit, bad copper wig and nerdy glasses, Martin took the stage holding a single balloon on a string to sing the swoony ballad from the band’s upcoming 10th studio album, due out on Oct. 4.

In fan video of the moment, Martin sways nervously on stage as people chatter in the background and occasionally whoop at the singer’s performance. At one point, he calls a woman up on stage, hugs her and hands over the balloon so he can power through the rest of the song unencumbered.

Dino’s posted a clip from the surprise performance — which ends with Martin ripping off his wig to wild cheers from the fans in the room — writing on Instagram, “THANK YOU CHRIS MARTIN @coldplay FOR CHOOSING US TO RECORD YOUR MUSIC VIDEO WITH 🤯 SUCH A VIRAL MOMENT. BIGGEST SURPRISE OF THE YEAR. Thank you again for being such a cool dude. Good luck on the new album & we hope to see you in the future.”

Moon Music, the follow-up to 2021’s From Earth With Love, has been previewed so far with the singles “Feels Like I’m Falling in Love” and “We Pray” featuring Little Simz, Burna Boy, Elyanna and Tini.

Check out Martin’s costume below.

Call it the “Three Faces of Bey.” Beyoncé tries on a trio of distinctive looks in a new promo video for her SirDavis American Whisky brand. The nearly two-minute ad cued to Betty Davis’ 1974 soul funk classic “They Say I’m Different” opens with the singer in a long platinum wig and black cocktail dress posing on a white table as fans blow her hair around just so, a glass of the premium brown close at hand, of course.

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That portion is dubbed “The Muse,” and it includes footage of Bey shooting herself in the mirror using an old handheld 8MM movie camera as someone works on her hair and makeup. There are the obligatory hero shots of SirDavis being poured into a cocktail glass, followed by Queen Bey busting through a set of swinging bar doors — this time boasting a shorter, shoulder-length platinum ‘do — and making a series of hand gestures toward camera.

In “The Founder” section, Bey’s long hair is back and she slips off her high-heeled shoes and relaxes her look by undoing the top few buttons on her black shirt. In the final bit, Beyoncé chills on a couch in a white robe, drinking SirDavis in what looks like a very chill meeting.

In her final role, as “The Woman, Bey lets her hair down, hops on a private jet in her Cowboy Carter-appropriate jeans, black tank top, black bolero hate and fringed jacket as she heads down to the arty Texas town of Marfa for a desert photo shoot.

You can watch the full commercial here.

It was the Boss set you were kicking yourself for missing. After a world tour in which they largely hewed to a familiar set list, Bruce Springsteen & the E Street Band ripped up the playbook last weekend during their Sept. 15 headlining slot at the Sea.Hear.Now Festival in Springsteen’s old Asbury Park stomping grounds in his native New Jersey.

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At his final scheduled show in the U.S. for now, Springsteen looked out at the huge crowd spread out along the beach and ripped off an instant-classic three-hour-plus show full of hometown stories and some of the beloved (and deep cut) tracks fans yearn for. Now, whether you were there and can’t stop thinking about it, or couldn’t make it, the whole set is available on CD and as a stream via nugs.net.

According to the show notes, the Sea.Hear set included the tour premieres of the songs “Blinded By the Light,” “Does This Bus Stop at 82nd Street?,” “Thundercrack,” “4th of July, Asbury Park (Sandy)” and “Meeting Across the River,” as well as the returns of “Local Hero,” “Jungleland” and “Jersey Girl.” The set also marked the return of backup singer Patti Scialfa during “Tougher Than the Rest” after she’d sat out a number of shows over the past year while battling the blood cancer multiple myeloma; Scialfa revealed her diagnosis in the recent documentary Road Diary: Bruce Springsteen and the E Street Band.

Springsteen posted a video recap of the Sea. Hear set on his Instagram over the weekend with highlights from the triumphant gig.

In addition to the above, the set also included: “Hungry Heart,” “Racing in the Street,” “Wrecking Ball,” “Thunder Road,” “Born to Run,” “Rosalita (Come Out Tonight)” and “Tenth Avenue Freeze-Out,” among others. The Sea.Hear set joins more than two dozen live album streams Nugs.net has available from the tour, including shows at Nationals Park in Washington, D.C., as well as gigs in Philadelphia, Pittsburgh, London, Stockholm, Helsinki and Barcelona, and many more.

Also, just in time for the sprint to the Nov. 5 presidential election, Springsteen released the 15-track live collection The Live Series: Songs of Conscience over the weekend. The collection of live performances recorded between 1981-2023 features songs that ask hard questions about where we are, where we’ve been and where we’re going, including “This Land Is Your Land,” “The Promised Land,” “Born in the U.S.A.,” “57 Channels (And Nothin’ On),” “Souls of the Departed,” “Long Walk Home,” “The Rising,” “Sun City” and “Last Man Standing,” among others.

Listen to Songs of Conscience here.

2024 has been a massive year for Fontaines D.C. In June they played a well-received set at Glastonbury and followed it up with another at Reading & Leeds Festival last month. Their fourth album Romance landed at No.2 on the Official Album Charts in the U.K. and was a critical smash.

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Now, they’ve got the thumbs up from Elton John who has shared his love for the band in a new interview on his Rocket Hour radio show on Apple Music.

Speaking to Fontaines D.C.’s frontman Grian Chatten, the icon was effusive with praise: “For me, you’re the best band out there at the moment,” he said when introducing his guest onto the show. You can watch the full clip below.

“Having watched you at Glastonbury, having heard the new album, you’ve just grown every album,” John told Chatten. “You seem to have found your feet with this album in such a big way… it’s a brilliant record.”

John, who has used his Rocket Hour show to spotlight emerging talent, continued: “I think this album takes you – and I’ve been around for a long time – to a different level, and it’s going to stay around for a long, long time. But what’s more important about it: the music is really, really, really special. Congratulations on everything, Grian. It’s bloody wonderful.”

The praise is at odds with Liam Gallagher’s feelings on the band, who clapped back at the band following an interview where Fontaines said that the Oasis reunion didn’t excite them. ““F–k them little spunkbubbles I’ve seen better dressed ROADIES,” Gallagher wrote in one tweet. “They look like a sh-t EMF,”

The Irish band have released four albums, Dogrel (2019), A Hero’s Death (2022), Skinty Fia (2022) and Romance (2024), all of which landed in the Top 10 of the U.K. Album Charts and in their native Ireland. Romance, released in August, was their first on their new label home of XL Records, whose roster includes Radiohead, The Prodigy and more.

Fontaines were recently forced to cancel a handful of gigs in the US due to vocal injury to Chatten. The band pulled shows in Portland, Seattle and Vancouver this past weekend, and the tour is scheduled to resume in San Francisco tomorrow evening (September 24).

They’ll then head to Europe and the U.K. and Ireland for some of their biggest gigs to date in October and November. Perhaps John will be down the front…

Jay-Z and Roc Nation teamed up with SL Green and Caesar Entertainment in late 2022 to launch a bid to open New York City’s first full-scale casino in Times Square.

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With a finite amount of licenses expected to be granted by New York State in 2025, Roc Nation is looking to improve their bid’s attractiveness with an unprecedented commitment to the community surrounding the potential Caesars Palace Times Square casino in Manhattan.

Roc Nation announced on Monday (Sept. 23) that the group will commit $15 million from the casino upon the bid’s approval to benefit the Hell’s Kitchen community. The initiative showcasing their commitment to the area comes as part of a $250 million benefit package.

“We are New Yorkers,” Jay-Z said in a statement. “Supporting and providing opportunities for our neighborhoods and community isn’t just a part of Roc Nation’s ethos; it’s our collective responsibility.”

Hov continued: “Any proposal that wins a gaming license will undoubtedly profit. Our vision is to give back to New York and ensure that the Broadway community, Hell’s Kitchen, and the surrounding businesses and areas all benefit. And not just for a minute, but for the long-term.” 

In addition to the newly-announced $15 million, NYC residents will also receive regular grants consisting of 0.5 percent of the casino’s total profits, which will be well into the millions of dollars.

SL Green EVP Brett Herschenfeld added: “We partnered with Roc Nation for a reason, and are thrilled to support any Roc Nation-led community initiative that extends the benefits of this project to more New Yorkers.”

Jay and Roc Nation’s proposal will build a casino to replace an existing building on Broadway and bring a limited number of hotel and restaurant attraction options to the area.

The Roc Nation mogul’s competing against bidding groups led by billionaires such as New York Mets owner Steve Cohen, Miami Dolphins owner Stephen Ross, developer Stefan Soloviev and grocery store tycoon John Catsimatidis.

Jay-Z has been busy on the gambling side extending his empire. A Fanatics Sportsbook — which Jay’s the co-owner of — opened its doors inside the Ocean Casino Resort in Atlantic City earlier in September. Jay celebrated the launch with a ribbon-cutting ceremony and hosted a $250,000 blackjack tournament alongside Fanatics CEO Michael Rubin.

The long drought is over for Snow Patrol, as the alternative rock act nabs the U.K. No. 1 with The Forest Is The Path (via Polydor).

The Northern Irish-Scottish band, comprised of Gary Lightbody, Johnny McDaid and Nathan Connolly, previously led the Official Chart with 2006’s Eyes Open – almost two decades ago.

The leader at the midweek stage, The Forest Is The Path is Snow Patrol’s eighth studio album, and eighth top 10 appearance.

“We are absolutely over the moon, it’s our first Number 1 album in 18 years and we’re overjoyed,” reads a statement from Snow Patrol to the Official Charts Company. “Thank you so much to everybody who bought it and streamed it, and everybody that helped us make it, and everybody that’s helped us over these last 30 years.”

Also new to the chart is London Grammar’s fourth studio album The Greatest Love (Ministry of Sound), new at No. 3. It’s the best-seller on wax this week. The Greatest Love is London Grammar’s fourth top 10 appearance, a tally that includes two leaders (2017’s Truth Is a Beautiful Thing and 2021’s Californian Soil).

Meanwhile, Eminem’s former leader The Death of Slim Shady (Coup de Grace) roars back into the top 5 following the release of an “Expanded Mourner’s Edition.”

Over on the Official U.K. Singles Chart, published Friday, Sept. 20, Sabrina Carpenter completes a fourth week at No. 1 with “Taste” (Island).

It’s the third U.K. chart leader this year for Carpenter, lifting her total weeks at No. 1 in 2024 to 16, the OCC reports. With that effort, she becomes the solo female artist with most combined weeks at No. 1 in a calendar year.

Olivia Newton-John also clocked up 16 weeks in 1978, by way of duets with John Travolta on “You’re The One That I Want” (nine weeks) and “Summer Nights” (six weeks).

Finally, after her performance at last week’s VMAs, Chappell Roan’s “Good Luck, Babe!” (Island) rebounds 3-2, its peak position. Also, the U.S. pop artist’s “HOT TO GO!” improves 11-9, a new peak, and “Pink Pony Club” makes its Official Chart debut at No. 21, for Roan’s fourth U.K. top 40 appearance (“Red Wine Supernova” hit No. 31).

Sabrina Carpenter enjoys a sweet return to No. 1 in Australia, and another chart double.

The U.S. pop singer and actor’s hit album Short n’ Sweet rebounds 2-1 on the ARIA Chart, published Friday, Sept. 20, for its third non-consecutive week at the summit.

Meanwhile, Eminem’s The Death of Slim Shady (Coup de Grâce) blasts 48-2, following the release of the “Expanded Mourner’s” edition, featuring two new tracks and a new cut of “Fuel.” The LP logged two weeks at No. 1 in July.

Closing out the top three on the latest ARIA Chart is Billie Eilish’s Hit Me Hard And Soft, up 4-3, ahead of collections by Chappell Roan and the Weeknd, respectively.

The top debut on the latest frame belongs to Keshi, the Asian American artist and former oncology nurse, as Requiem, his sophomore album, opens at No. 14. That’s a significant improvement on the No. 72 peak for his debut album from 2022, Gabriel.

Aussie alternative rock newcomers Surf Trash ride the wave to No. 17 with their debut album The Only Place I Know, the best-placed homegrown LP on the chart. Hailing from Lake Macquarie, New South Wales, the band is led by Andrew Scott (drums/ lead vocals), Lachlan Jackson (guitar), Patrick Russell (guitar) and Nick Scott (bass). U.K. and Europe tour dates will kick off in February 2025.

Over on the ARIA Singles Chart, Carpenter’s “Taste” retains top spot for a fourth consecutive week, ahead of Lady Gaga and Bruno Mars’ “Die With A Smile” and Billie Eilish’s “Birds Of A Feather,” respectively.

According to ARIA, female artists have claimed No. 1 on the tally for seven straight weeks.

The top debut belongs to Canadian singer and songwriter Tate McRae with “It’s OK, I’m OK,” new at No. 14. McRae has landed top 10 hits in Australia with “You Broke Me First,” which hit No. 7 in 2020, and with 2023’s “Greedy,” which climbed as high as No. 2.

Finally, the Weeknd fires up with “Dancing In The Flames,” new at No. 19. “Dancing,” lifted from his forthcoming album, Hurry Up Tomorrow, is one of his 36 top 50 hits on the ARIA Chart, a tally that includes “Blinding Lights,” which reigned for 11 weeks in 2020 and finished the year as the best-selling single. The Canadian artist will embark on a stadium tour of Australia this October; his After Hours Til Dawn trek will visit Melbourne’s Marvel Stadium for two shows, and Sydney’s Accor Stadium for a pair of concerts.

Nicki Nicole kicked off her Alma Tour USA — her first in the United States — and the Argentine singer-songwriter and rapper is performing all her fan-favorite songs, from “Bzrp Music Sessions, Vol. 13” to “Dispara,” “8 AM,” “Qué Le Pasa Conmigo?” and more.

The first concert of the tour took place Sunday (Sept. 22) at Irving Plaza in New York City, a venue with a capacity of 1,200, and it was sold out. Accompanied by bassist and musical director Juan Kuj, drummer K2, and keyboardist Benja Rampoldi — and dressed in white mini shorts and crop top with triangular cutouts at the torso and blue platform boots — Nicki opened the set with her 2019 collaboration with Bizarrap, immediately setting the mood for a fun, energetic night.

Throughout an hour-and-a-half, she kept a mostly young audience eating from the palm of her hand, singing not only songs from her latest album, Alma, but also hits from her previous LP, Parte De Mí, as well as collaborations with other artists (which played on recordings while Nicki sang live) and more recent singles like “Ojos Verdes.”

She also received gifts from her fans — flags, flowers, and others — and pleased a small group of fans who asked to come on stage to take photos with her in a handwritten sign she managed to read among the audience.

“Thank you all so much for being here. I can’t believe it,” said Nicki evidently excited to be there, amid cheers from the crowd. “I truly love you. Thank you so much.”

Nicki Nicole’s seven-date U.S. tour continues on Wednesday (Sept. 25) in Houston, followed by stops in Dallas, Miami, Chicago, and San Diego, before ending on Oct. 4 in Los Angeles. After this, the Argentine star will travel to Mexico to perform at the capital’s iconic National Auditorium on Oct. 8, and on Oct. 12 at Fundidora Park in the city of Monterrey. (For tickets and details, click here)

Below, the complete setlist from the first show of Nicki Nicole’s Alma Tour USA. The song list is subject to changes in each city.