Spotify subscribers in 97 countries will no longer have to leave the app to watch their favorite artists’ music videos, the company announced on Tuesday (Oct. 15).

The beta test, which started earlier this year in around a dozen countries — including the U.K., Germany, Brazil and Colombia — will also expand to South Korea soon. It has already been used by artists like LISA, Charli XCX, Fireboy DML and Fontaines D.C.

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The feature is not currently available in the U.S. or Canada.

In a world hooked on bite-sized clips from TikTok, Instagram Reels, and YouTube Shorts, music videos don’t have as much oomph as they used to. But Spotify’s announcement claimed that music videos on the app have helped bring listeners back for more.

“On average, listeners who discover a track with a music video on Spotify are 34% more likely to stream it again the following week,” the company wrote. “Plus, music videos inspire action — on average, tracks with videos are 24% more likely to be saved or shared.”

In recent years, Spotify has pushed to add visual components to its listening experience, in part to compete with longstanding rivals like YouTube as well as newer ones like TikTok. The platform added a swipe-able vertical feed in 2023 to make the app “feel alive,” as CEO Daniel Ek put it at Spotify’s Stream On event. 

At the same presentation, Spotify discussed the launch of Clips, which lets artists add 30-second videos to their profiles. “We built Clips to give artists a platform that inspires fandom and long-term success, not quick hits of content that just tap into the latest meme,” the company explained in a video. “Clips… help drive metrics that really matter to your career, like saves, follows, and streams.”

Halsey is a Jersey girl at heart!

As the star gears up to release their album, The Great Impersonator, later this month, she took to Instagram to reveal that leading up to the drop, she’ll be “impersonating a different icon every day and teasing a snippet of the song they inspired.”

The latest superstar they took inspiration from is The Boss himself, Bruce Springsteen. In the photo set, Halsey rocks a short, jet-black hairdo, sideburns and a pair of blue jeans as she flawlessly captures a photo from Springsteen’s “Born in the U.S.A.” photo shoot, in which he’s seen jumping in the air before strumming his brown electric guitar.

Per Halsey, Springsteen inspired the eighth track on The Great Impersonator, titled “Letter to God (1983),” writing, “This one requires no explanation, I’m a Jersey girl :)” Halsey grew up in Edison, New Jersey, while Springsteen hails from Freehold.

The Springsteen impersonation follows a series of other icons Halsey has channeled this month on social media, including Stevie Nicks, Dolores O’Riordan, Amy Lee, David Bowie, Cher, Kate Bush, PJ Harvey and Dolly Parton.

Arriving Oct. 25, The Great Impersonator will mark Halsey’s fifth studio album. It follows 2021’s If I Can’t Have Love, I Want Power, which reached No. 2 on the Billboard 200. The album also features previously released singles “The End,” “Lucky” and “Lonely Is the Muse.” 

Halsey previously confirmed that the album will traverse different decades and musical styles, with the “Closer” singer revealing multiple variants of The Great Impersonator‘s cover inspired by different time periods through a fan scavenger hunt earlier this month.

A documentary chronicling Chief Keef’s rise as one of the pioneers of Chicago’s seminal drill music scene is in the works.

Lyrical Lemonade‘s Cole Bennett is set to direct the untitled doc. Variety was first to report the news on Tuesday (Oct. 15). Through his Khalabo Ink Society, Black-ish creator Kenya Barris is onboard as a producer alongside Jeremy Allen.

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In addition to exploring Sosa’s meteoric rise from the South Side of Chicago to viral fame, the documentary is slated to delve further into his exile from the city and eventual return to Chicago.

The doc will also examine how his turbulent upbringing influenced his art, which led to him leaving an indelible mark on Chi-Town for years to come.

An Apple Music documentary surrounding Chief Keef — born Keith Cozart — was in the works in 2017, but The Story of Sosa: The Movie never saw the light of day.

Bennett will make his debut behind the lens in the film space. “My first film, the chief keef documentary,” he announced on Instagram earlier Tuesday.

The Lyrical Lemonade founder has been a staple in the Chicago music scene throughout his decorated career, as he’s worked with the late Juice WRLD, Vic Mensa, King Louie and more directing music videos.

Chief Keef finally delivered his long-awaited and much-delayed Almighty So 2 album in May. The sequel project featured Quavo, Tierra Whack, G Herbo, Sexyy Red and more and peaked at No. 30 on the Billboard 200.

Sphere Entertainment Co. has reached an agreement with the Abu Dhabi Department of Culture and Tourism to create a second Sphere in the United Arab Emirates (UAE) capital city.

“The vision for Sphere has always included a global network of venues, and today’s announcement is a significant milestone toward that goal,” said James L. Dolan, executive chairman/CEO of Sphere Entertainment who oversaw the construction of the Las Vegas Sphere in late 2023. Sphere Entertainment is a spinoff of Madison Square Garden Entertainment and is headquartered in L.A., where a small staff develops the audio and visual components for Sphere’s massive internal video screen.

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The long-term success of Sphere has always been contingent on Dolan’s ability to scale the business model and build additional Sphere facilities to amortize the costs of producing content for the uniquely shaped arena. According to sources, video produced to accompany the 10-bout Noche UFC match in Las Vegas cost last month cost upwards of $20 million.

A second Sphere location would provide Dolan and crew a chance to recoup some of their production costs from a new audience via projects like Postcard from Earth, a multi-sensory film directed by Darren Aronofsky that helped generate more than $1 million in average daily ticket sales on the days it ran during the company’s most recent fiscal quarter, according to a shareholders report.

There’s also an opportunity to save on production costs by staging concerts at both the Vegas and Abu Dhabi venues, although it’s unclear how much demand there would be in the Middle East for Western concerts. Since the end of the pandemic, only a handful of concerts from American artists performing in the UAE have been reported to Billboard Boxscore.

“We are excited to bring Sphere to Abu Dhabi in partnership with Sphere Entertainment, providing our residents and visitors with an extraordinary new form of entertainment,” said H.E. Mohamed Khalifa Al Mubarak, chairman of DCT Abu Dhabi, in a statement. “Sphere Abu Dhabi will seamlessly integrate advanced technology with captivating storytelling, creating unforgettable memories for everyone who visits. This partnership aligns with our Tourism Strategy 2030, further establishing Abu Dhabi as a vibrant hub for culture and innovation. By embracing cutting-edge entertainment like Sphere, we’re not only elevating our global profile but also setting new standards in immersive experiences and cultural offerings.”

Under the terms of the partnership, which is subject to the finalization of definitive agreements, DCT Abu Dhabi will pay Sphere Entertainment a franchise initiation fee for the right to build the venue, utilizing Sphere Entertainment’s proprietary designs, technology and intellectual property. Construction will be funded by DCT Abu Dhabi, with Sphere Entertainment’s team of experts providing services related to development, construction and pre-opening of the venue.

Following the venue’s opening, Sphere Entertainment plans to maintain ongoing arrangements with DCT Abu Dhabi that are expected to include annual fees for creative and artistic content licensed by Sphere Entertainment, such as Sphere Experiences; use of Sphere’s brand, patents, proprietary technology and intellectual property; and operational services related to venue operations and technology, as well as commercial and strategic advisory support.

Diddy broke his social media silence on Tuesday (Oct. 15) when he returned to Instagram to wish his daughter Love Sean Combs a happy birthday.

Love Combs turned 2 on Tuesday, and Diddy’s account posted a slideshow of photos for the occasion, including from a photo shoot eating cake and hanging with her dad in the ocean.

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“Happy Birthday to you! Happy Birthday to you! Happy Birthday baby Love! Happy Birthday to you!! Happy Birthday @loveseancombs daddy loves you,” he captioned the post.

Comments under the Instagram post are turned off and it’s still unclear how the post went up with Diddy currently behind bars.

Billboard has reached out to Diddy’s reps for comment.

Diddy and Dana Tran welcomed Love Combs in October 2022 — the youngest of his seven children. He also wished their daughter a happy 1st birthday last year on social media. “Happy Birthday Baby Love! @loveseancombs I LOVE YOU WITH ALL MY HEART! Love DaDa,” he wrote to Instagram, per Vibe.

Sean “Diddy” Combs was arrested in New York on Sept. 16 on federal racketeering and sex trafficking charges. Diddy pleaded not guilty and his attorney, Marc Agnifilo, has maintained his client’s innocence.

Last week, Diddy’s legal team made a court filing demanding an investigation into whether the federal authorities leaked evidence of the case to the media, including the surveillance video of Combs physically assaulting his then-girlfriend Cassie inside a Los Angeles hotel in 2016.

The embattled Bad Boy mogul has repeatedly been denied bond and will remain behind bars until his trial begins in May 2025.

Benson Boone is not only a dynamic vocalist, but an equally powerful onstage performer. The 22-year-old singer has been blowing fans away during his performances with his wild, off-the-piano backflips.

The Freddie Mercury-esque stage presence has helped catapult Boone into pop stardom, following the release of his Billboard Hot 100 No. 2 hit, “Beautiful Things.”

“I think I knew after I heard the chorus with production that this could be a really big song,” he previously told Billboard of the enduring hit. “With teasing on social media, and with promoting your music, you never really know what’s gonna go. All I can do is try my best to push it. But I was really hoping this one would go, because I do love this song. And outside of any TikTok video, it just feels like a big change for me — a change in the right direction, that’s more like my other music that will be coming out.”

Following the success of his debut album, Fireworks & Rollerblades, Boone has recently expanded his world tour — which launched in the spring — with additional U.S. dates. He has one week left touring across the nation, before he heads to Europe, Asia, and Australia in 2025. Boone’s September 2024 shows in Australia and New Zealand have been rescheduled to January 2025 due to a scheduling conflict, with upgraded venues to meet demand.

With so many exciting opportunities to see Boone flip on stage in the coming months, we’ve compiled some epic photos of his high-flying backflips at recent shows. Check out the gallery below.

Brandon Lake earns his fourth leader on Billboard’s Hot Christian Songs chart as “That’s Who I Praise” ascends to No. 1 on the survey dated Oct. 19.

Lake, from Charleston, S.C., co-authored the single with Steven Furtick, Benjamin William Hastings, Zac Lawson and Micah Nichols, the lattermost of whom also produced it.

“To hear the news about the reach of this song just blows my mind of how good God is,” Lake tells Billboard. “For me, it’s not about records or status. It’s the fact that God is moving through this song. I hope this song reminds people of who our God is: A mountain moving, body raising, breaker of chains … ‘That’s who I praise.’”

Lake dethrones himself atop Hot Christian Songs, replacing Elevation Worship’s “Praise,” on which he and Chris Brown are featured. The track dips to No. 2 following a 31-week domination.

Such a handoff also happened on the March 16 chart when “Praise” first reigned, swapping out for Lake’s solo hit “Gratitude,” which had logged a 28-week stay at No. 1.

Lake’s other leader is also a feature with Elevation Worship, “Graves Into Gardens,” which dominated for two frames in April 2021.

“That’s Who I Praise” crowns Hot Christian Songs with 3.2 million official U.S streams and 1,000 sold Oct. 4-10, according to Luminate. On Christian Airplay, the track rises 11-7 with 3.9 million in reach (up 24%), marking Lake’s sixth top 10.

Layton & Brown Break ‘Through’

Speaking of Christian Airplay, Tasha Layton nets her third chart-topper as “Worship Through It,” featuring Chris Brown, rises 3-1 (5.8 million, up 14%).

Layton, from Pauline, S.C., co-penned the single, which follows her “How Far,” which led for two weeks in October 2022, and “Look What You’ve Done,” a one-week No. 1 in December 2021.

Brown adds his second Christian Airplay leader,  after Elevation Worship’s “Praise,” on which he’s featured with Brandon Lake and Chandler Moore, began a 10-week command in May.

Four Latin creatives — Kike Baez (fashion designer), Omar Courtz (artist), Saiko (artist), and Yudy Arias (celebrity coach) — gathered at 2024 Billboard Latin Music Week on Tuesday (Oct. 15) to discuss how they are actively using their platforms to uplift and inspire their community and future generations with their art. 

Below, check out memorable quotes from each speaker at the “Deja Tu Huella: Inspire Who’s Next” panel, moderated by Billboard Español’s Isabela Raygoza. 

Omar Courtz: “Daddy Yankee gave me the opportunity to collaborate with him and he performed at my first massive concert. He has been a great inspiration to me since I was a kid. That’s how I leave my mark, because I want my fans to identify with me. It was important to have my idol with me so I could also inspire other artists like me.”

Yudy Arias: “As a family, we managed to come from scratch to achieve great things, we always work without expectations. Work with love because the most important moments have been with family. There are crazy moments in fame but that’s not all. Everything comes, everything goes and everything changes but family is always there and be happy with that.”

Saiko: “When I started making music, I didn’t have any goals. This year I released an album, I’ve done stadiums and at the end of the day, I know I’m a normal kid and maybe I can inspire other artists. I’m excited to be heard in Chile, Mexico, and other countries, but there’s nothing like being crowned and being a prophet in your own city… and for me that’s the greatest thing there is.”

Kike Baez: I remained very true to my beliefs. It was going to cost me twice as much, but I wanted to achieve it in Tijuana so that a kid like me could see that it was possible. For me, it is very important to inspire, create culture, and continue creating.

Over the past 35 years, Latin Music Week has become the one, steady foundation of Latin music in this country, becoming the single most important — and biggest — gathering of Latin artists and industry executives in the world. Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.

Fat Joe has lost nearly 200 pounds in recent years, and he’s shedding some light into how he transformed his body.

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Speaking to Us Weekly at the 2024 BET Hip Hop Awards, Joey Crack credited Ozempic along with dietary changes for his much slimmer figure.

“Ozempic says you may only have two pieces of your favorite stuff,” he said of maintaining his weight loss. “We just try to eat everything with the least carbs as possible. So we try to stay away from the bread, the pasta, the rice. That’s the smartest way to eat.”

Joe continued: “Like, this morning I ate breakfast, I had this toast. I cut the corner off, ate it and kept it moving. Normally I would’ve ate the whole thing. But you know, that’s what we do. We cut carbs and try to be smarter.”

Ozempic is typically a medication used to treat individuals diagnosed with Type 2 diabetes, but has also found success off label as an anti-obesity drug.

Fat Joe clarified to TMZ that he was diagnosed with diabetes as was a teenager, and that he used Ozempic along with exercise and proper dieting to achieve his weight loss goals.

Ozempic has been a topic of conversation around several Hollywood stars and their figures as some artists such as Ice Spice have shut down rumors of taking the diabetes drug.

Fat Joe will take the stage at the 2024 BET Hip Hop Awards and play host for the night when the award show airs on BET on Tuesday (Oct. 15) at 8 p.m. ET.

Five figures from the música urbana and música mexicana landscape — including singer-songwriters, producers, and rappers — shared insights into their creative processes and the paths they have navigated within the music industry during Billboard Latin Music Week.

The panel How I Wrote That Song: The Urban and Música Mexicana Edition, presented by BMI, took place on Tuesday (Oct. 15), and was moderated by Jesús González, vp of creative, Latin at BMI. González was joined by corridos singer-songwriter Armenta, producer Caleb Calloway, Puerto Rican rapper/singer Álvaro Díaz, singer-songwriter Alexis Fierro “Chachito”  and producer Albert Hype.

Below, find some of the best quotes from the panel:

Álvaro Díaz on his creative process: “Sayonara has really been a great blessing. I fell in love with the sound, especially in Puerto Rico. Pursuing projects that have their own identity, sounding like Álvaro Díaz and not like anyone else, is crucial. At the end of the day, the artists who stand out are those who dare. Things are always changing. I always prefer to be alone, I like to enter the studio and flow with what we are feeling. Having the privilege to work with someone like Yandel or someone like Rauw, who started from scratch with us, makes it more challenging to compose by oneself. The trick should always be to continuously learn, never assume you know everything.”

Caleb Calloway on his first album Hayabusa: “It’s exciting. It’s been a process. I’ve always looked up to many people in the industry, and having my own label The New Wave Group, we did it all ourselves. I always had the vision. Be yourself. With the money we have, we need to support these artists. She [Young Miko] is now a superstar (who Calloway produces for since her foundations). Having an identity takes time. Keep pitching, keep searching for your identity; it will take you to another level.”

Chachito on his beginnings to becoming a hitmaker: “At the age of 13 or 14, when I was a soccer player, I realized that I could write songs and decided to learn to play the guitar. It became my passion; day and night, I couldn’t put the guitar down. I work with Oscar Maydon, he gives me ideas and I execute them. What I enjoy the most is starting from scratch with artists and watching them grow. In my work routine, I have a formula: at night, I clear my mind and start writing titles. Out of about 30, I choose two. For me, the important thing is the experiences; for example, the first time I saw a bottle of Dom Pérignon in a club with the words ‘Lady Gaga’ on it inspired me to write ‘Lady Gaga’ [by Peso Pluma].”

Armenta on his creative process: “Since I was 11 years old, I have been immersed in corridos, Mexican music influenced by figures like Juan Gabriel, Joan Sebastian, and Los Tucanes [de Tijuana]. Transitioning to a songwriter meant adapting to global styles. It’s important to decide the space you want to be in; the intention of the melody, whether it’s sad or happy, is crucial, although studying musical theory can be a bit boring. But you need to understand it; major tones make a melody constitute 70% of a song’s impact. Catchy hooks are essential. You have to accept that you won’t always be the best, but life gives you talent and, with dedication and hard work, you can [stand out].”

Albert Hype on connecting regional and urbano music: “I started making beats in 2015 after playing in a bunch of punk bands. A lot of my style came from playing in rock bands, and now I’m doing the Latin scene, trying to incorporate rock into it. I met Ivan [Cornejo] at a Billboard [event]; he was already on my radar. The Mexican regional genre is massive now, reminiscent of reggaetón in 2019 when there was a massive renaissance. That’s what’s happening with regional; helping push that genre forward. I feel we’re bridging the gaps that used to exist between regional and urbano.”

Latin Music Week coincides with the 2024 Billboard Latin Music Awards set to air at 9 p.m. ET on Sunday, Oct. 20, on Telemundo. It will simultaneously be available on Universo, Peacock and the Telemundo app, and in Latin America and the Caribbean through Telemundo Internacional.