SYDNEY, Australia — Playbill Group, the venue management business that operates the Hordern Pavilion, a Sydney landmark, has struck a partnership with AEG Presents and Frontier Touring, part of the Mushroom Group.

Going forward, Michael Nebenzahl continues as managing director of Playbill, in a “business as usual” arrangement, reads a joint statement.

Playbill and Frontier, both Australian, family-founded companies proving competitive on the global stage, have much in common, Frontier Touring CEO Dion Brant tells Billboard. “When we met Michael and his team it became obvious that the similarities didn’t stop there. We think very similarly, we have similar values and a similar culture. Both companies care deeply and go the extra mile for their clients, be it a theatrical production, a sporting team, or a music artist. Both go out of their way to treat fans well. And both focus on hiring and developing talented people, care about their people and trust them to deliver day in day out.”

He adds, “with all the things the companies have in common the partnership feels natural for both.”  

Formed in 1958 by Brian and Jocelyn Nebenzahl, Playbill’s interests include management of the Hordern Pavilion, which this year celebrates its 100th anniversary, and will host the ARIA Awards this November for the third-successive year.

From its grand opening in 1924 until 1983 (when the now demolished Sydney Entertainment Centre first opened its doors), the Hordern, with its 5,500-capacity, was the largest indoor venue in the country’s biggest city. Over time, the room has hosted concerts by a who’s who of global superstars, from Frank Sinatra to Coldplay, Foo Fighters, Nirvana, David Bowie, Queen and the Jackson Five.

Playbill also merchandises for theatrical productions including musicals, national theatre and music companies in 12 countries worldwide, and partners with major sporting teams and operates venue concessions across the country and in Asia.

Playbill’s merchandise division has “been a mainstay” of the theater scene in Australia for over 60 years, notes Brant, “and is now a major force” on the world stage. ​ ​ 

“I am delighted to be partnering with AEG Presents and Frontier Touring in this next phase of the Playbill journey,” comments Nebenzahl in a statement. “We have always prided ourselves on serving our customers, whether in musical theatre, sport or as a venue through the Hordern Pavilion. In AEG, we have found a like-minded partner to continue to honor the legacy my parents created when they founded the business.”

Frontier Touring and AEG Presents, the live-entertainment division of Los Angeles-based AEG, struck a strategic joint venture in 2019, formalizing a successful 12-year arrangement on tours into these parts. With that agreement, the award-winning Australian concerts specialist stepped into a global family whose portfolio includes venues around the globe, many at the arena-and-stadium level.

AEG has a long-established presence here through its then-named AEG Ogden joint venture, the largest venue management company in Asia Pacific. In 2019, AEG Facilities, the venue management subsidiary of AEG, announced a merger with SMG to create a new management empire called ASM Global, which would collect more than 300 facilities worldwide under a single banner.

“The Hordern and Frontier have a long-standing relationship bringing the best live music to Sydney,” comments Anthony Dunsford, GM Playbill Venues. “We look forward to continuing our role to bring iconic acts to the fans.”

The race for the Official U.K. Singles Chart top spot is heating this week up as English electronic music duo Chase & Status, composed of Saul Milton (Chase) and Will Kennard (Status), hold on to the No. 1 position with their Stormzy collaboration “BACKBONE.”

Despite their strong showing, Chappell Roan is hot on their heels, aiming to secure her first-ever No. 1 with “Good Luck, Babe,” which is currently sitting at No. 2 and just under 1,000 chart units behind. The competition between these two powerhouse tracks is expected to continue throughout the week, making for a nail-biting finish.

Further down the chart, dance music collective BL3SS, alongside CamrinWatsin and bbyclose, are on track to break into the Top 5 for the first time with their breakthrough hit “Kisses,” which has climbed up one spot to No. 5. The track has been gaining momentum over the past few weeks and is expected to be a strong contender as we approach the weekend.

In terms of new entries, all eyes are on Lady Gaga and Bruno Mars, who are set to make a significant impact with their new collaboration “Die With A Smile.”

The track is projected to debut at No. 7, marking Gaga’s 15th U.K. Top 10 hit and Bruno’s 11th. Their combined star power is sure to keep this song in the spotlight for weeks to come.

The midweek update also suggests significant movement for Sonny Fodera, Jazzy, and D.O.D., whose track “Somedays” could jump up eight places to No. 11, putting it within striking distance of the Top 10 by the week’s end. Additionally, Teddy Swims is poised to break into the Top 20 for the first time with “The Door,” currently at No. 19, and Post Malone and Luke Combs could see their collaboration “Guy For That” climb to No. 20.

With these chart battles underway, it’s shaping up to be an exciting week on the Official U.K. Singles Chart. Stay tuned!

Blink-182 are set to take their fans on another wild ride with the release of One More Time… Part-2, dropping on Sept. 6. The San Diego rockers Are set to take their fans on another journey with the release of One More Time… Part-2, dropping on Sept. 6.

Adding to the excitement, the band is set to share the first single from the expanded album, “All In My Head,” this Friday, Aug. 23.

The legendary pop-punk trio, who have been at the forefront of the genre since their mainstream breakthrough with 1999’s Enema of the State, is expanding their 2023 Billboard 200 No. 1 album One More Time… with eight fresh tracks.

One More Time… marked a significant moment for the band, as it was their first album with guitarist/vocalist Tom DeLonge since his return to the band.

DeLonge’s return was spurred by bassist/vocalist Mark Hoppus’s battle with cancer, leading to a reconnection that resulted in the creation of the album. The project, which debuted at No. 1 on the Billboard 200, became their third career No. 1 album, furthering their legacy in the pop-punk genre.

The album’s singles saw major success on the Billboard charts, with “Edging” and “One More Time” both topping the Alternative Airplay chart, the latter setting a record with 20 consecutive weeks at No. 1.

The buzz around Part-2 has been building ever since drummer Travis Barker teased fans with a cryptic tweet on July 22, asking, “Who’s ready for One More Time Part-2?” The anticipation reached a peak on Aug. 18 when Barker confirmed that the album was “mixed and mastered” and ready for fans.

One More Time… Part-2 features eight brand-new tracks that will be available in multiple physical formats, including a 2 LP Complete Deluxe Edition on Blue Balls Colored Vinyl and a 1 LP Deluxe Tracks Only variant on Red Rocket Colored Vinyl.

You can pre-order and pre-save One More Time… Part-2 here, while the first single from the album, “All In My Head,” will drop on Aug. 23.

After fully embracing Charli XCX’s Brat summer, Vice President Kamala Harris’ campaign for president has taken Harris’ connection to the pop singer one step further by sponsoring Spotify’s official “This is Charli XCX” playlist. 

Listeners on Spotify’s free, ad-supposed tier will now see an ad running on the playlist stating that the content is presented by the Harris/Walz campaign — effectively promoting the campaign for Harris and her running mate, Minnesota governor Tim Walz. Spotify’s free users will see the ad on both mobile and desktop versions of the Spotify app.

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The two-and-a-half hour, career-spanning playlist boasts some of Charli XCX’s best-known songs, including “Guess” featuring Billie Eilish, “Speed Drive” from the Barbie soundtrack and “Boom Clap” from 2014’s sucker.

This Is Charli XCX Spotify playlist

According to Spotify’s advertising policy, the streaming service sells political ads in the U.S., U.K. and India only and has done so for a number of years. 

The fine print states that ads are limited to those placed by candidates; political parties; political committees; any entity registered or reporting under any federal, state or local campaign finance law; or other entities sponsoring ads on behalf of any of the above-listed categories. The ads may feature a candidate for elected office; a current elected officeholder; or a ballot measure, proposition or initiative. It adds that the title sponsor (in this case, the Harris/Walz campaign) is not the only sponsor and other ads may be heard during a listening session. 

The Harris/Walz ad began running at midnight on Monday (Aug. 19) and is slated to end on Sunday night (Aug. 25). Spotify did not respond to a question asking whether Charli XCX had to sign off on the ad.

Other U.S. political campaigns that have run ads on Spotify this year include those of Sherrod Brown, Eric Hovde, Sandy Pensler, Rick Scott, Elissa Slotkin and Tim Sheehy.

Though Charli XCX has not commented on the ad buy, the singer has previously declared her support for Harris. On July 21, the day President Joe Biden dropped out of the 2024 presidential race and endorsed Harris, the pop star posted “kamala IS brat” on X (formerly Twitter). The KamalaHQ X page has also leaned in, with the home page displaying “kamala hq” in the Brat album’s signature lime green color. 

The 2024 Democratic National Convention kicked off Monday night at Chicago’s United Center with performances from artists including Jason Isbell, Mickey Guyton and James Taylor.

It was a music-packed first night at the 2024 Democratic National Convention, with Jason Isbell, Mickey Guyton and James Taylor all performing at Chicago’s United Center in support of presidential hopeful Kamala Harris.

Isbell and Guyton both made their DNC debuts on Monday night (Aug. 19), while Taylor was playing his fifth straight convention in support of the Democratic Party. In an interview with CNN ahead of Monday’s performance, Guyton explained the importance of supporting Harris in her bid for the presidency. “For me, this is beyond a genre of music,” the country singer reflected. “This is about humanity. This is about the culture. This is about our country and I feel honored to be able to witness history.”

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Watch the trio of performances below (we will add Taylor’s performance video once it’s live):

Jason Isbell

Jason Isbell performs on the first day of the Democratic National Convention at the United Center in Chicago, Illinois, on August 19, 2024.
Jason Isbell performs on the first day of the Democratic National Convention at the United Center in Chicago, Illinois, on August 19, 2024.

Six-time Grammy-winning Americana singer/songwriter Jason Isbell took the stage to perform “Something More Than Free,” which is the title track from his 2015 album. The poignant song speaks to the working man’s dilemma of toiling so hard for an unclear reward. “My back is numb, my hands are freezing/ What I’m working for is something more than free.”

Mickey Guyton

Grammy-nominated country artist Mickey Guyton played her song “All American,” which she co-wrote with Victoria Banks for her 2021 album Remember Her Name. The unifying chorus was a perfect fit for the DNC: “Ain’t we all, ain’t we all all American?”

James Taylor

James Taylor rehearses during the first day of the Democratic National Convention at the United Center on August 19, 2024 in Chicago, Illinois.
James Taylor rehearses during the first day of the Democratic National Convention at the United Center on August 19, 2024 in Chicago, Illinois.

James Taylor is set to finish the night with his 1971 Billboard Hot 100 No. 1 “You’ve Got a Friend” (his lone chart-topper), marking his fifth consecutive DNC performance.

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Emily in Paris is back in the City of Light with a full serving of relationships and drama. But it’s not just love shenanigans that keep fans tuning coming back for more.

The Netflix series, starring Lily Collins as Emily Cooper, a Chicago native who moves to Paris after ending a long-term relationship, is as much about love and friendship as it is about fashion.

From top to bottom, Emily in Paris is a smorgasbord of couture, luxury and affordable fashion paired with trendy accessories such as Kate Spade‘s Manhattan Gingham Tweed Small Tote ($280).

The bag made its Emily in Paris debut in the first portion of season 4, which premiered with five episodes on Aug. 15. The tiny tote is currently out of stock but that doesn’t mean it’ll be gone forever (fingers crossed).

Not to worry if you didn’t get your hands one one: We’ve found a few Kate Spade tote bags that channel the same vibe — including the Sam Icon Mini Pochette shoulder bag in the same color combination as the tweed mini tote. 

‘Emily in Paris’ Features Kate Spade Manhattan Tote: Shop the Look

Kate Spade Bleecker Sunshine Dot Medium Crossbody Tote

$174 $248 30% off

Buy Now at kate spade

A traditional tote with versatility. The Bleecker Sunshine Dot Medium Crossbody Tote has a removable crossbody strap and an interior zipper compartment.


‘Emily in Paris’ Features Kate Spade Manhattan Tote: Shop the Look

Kate Spade x Sam Icon Gingham Field Mini Pochette

$111 $158 30% off

Buy Now at kate spade

Shopping for a mini shoulder bag? Kate Spade’s Sam Icon Gingham Field Mini tote has an interior zip pocket and top closure, and it’s big enough to fit an iPhone Max.


‘Emily in Paris’ Features Kate Spade Manhattan Tote: Shop the Look

Kate Spade Bleecker Gingham Medium Crossbody Tote, Berry Cream

The Berry Cream Bleecker Street Tote stands up to the competition. This lovely tote includes a crossbody strap and it has a zipper closure (with an interior pocket).


What other bags are featured in the new season of Emily in Paris? W Magazine spotted a bunch of handbags, clothes, and shoes from the new season including the Alpha Maxi Handbag and the sold-out Delvuax Box Mini Calfskin Brilliant Satchel.

Google and Netflix have partnered up to make it easier to shop looks inspired by Emily in Paris using Google Lens.

The second part of Season 4 will premiere on Sept. 12.

Big Loud artists Morgan Wallen, HARDY and Ernest are set to celebrate Big Loud partner/CEO Seth England, as the T.J. Martell Foundation honors England with the lifetime music industry award during its 49th annual New York Honors Gala.

The event marks the T.J. Martell Foundation’s primary fundraiser of the year and supports the organization’s mission of curing cancer through funding high-risk, high-reward research with the aim of advancing early detection, screening and treatments. The lifetime music industry award honors England’s impact on the music industry, but also his steadfast support for the T.J. Martell Foundation’s mission.

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The New York Honors Gala will take place at Cipriani 42nd Street in New York City on Tuesday, Sept. 17. Wallen, HARDY and Ernest will lead a writers’ round performance. The evening will also include a fundraising auction, while Archie Davis, Def Jam’s chief creative officer/executive vp (who was honored with the New York Honors Gala rising music superstar award in 2023), is set to announce an initiative that will continue to raise awareness of early screening and testing.

“We are thrilled to be honoring our distinguished music industry colleague and dear friend Seth England with this year’s Lifetime Music Industry Award to commemorate his deep commitment to the foundation,” said Steve Gawley, REPUBLIC Corps. executive vp of business & legal affairs and business development and chairman-elect of the Board of Trustees, T.J. Martell Foundation, via a statement. “We are proud to shine a spotlight on Seth’s dedicated efforts towards our cancer research as well as his pioneering work in the music world, and look forward to celebrating Seth and his achievements with an exhilarating night of music!”

England is the 2024 Billboard Country Power Players executive of the year, and the inaugural recipient of Billboard’s Country Power Players choice award, a peer-voted honor given to the country music executive that industry power players feel have made the most impact on the genre in that year.

The Big Loud Records roster of artists includes Wallen, HARDY, Ernest, Charles Wesley Godwin, Lauren Alaina, Larry Fleet, Lily Rose, Ashley Cooke, Lauren Watkins, Kashus Culpepper and more. Meanwhile Big Loud Publishing‘s clients include Cooke, Craig Wiseman, Jacob Durrett, Rocky Block and Rhys Rutherford. Big Loud Management‘s roster includes Ernest, HARDY, Cooke, Jake Worthington and more.

“As a longstanding proud member of the music industry, I am grateful to see the unwavering dedication and generosity that our music peers put forth to help propel this vital cancer research,” said John Esposito, Chairman of Board of Trustees, T.J. Martell Foundation, in a statement. “As we look ahead towards what will be the foundation’s 50th anniversary, this year’s gala is a great reminder of how far we have come as a foundation and how much further we still need to go in the fight against cancer.”

“We are incredibly thankful to the music community for uniting to support the foundation’s critical work in funding cancer research,” said Lynn-Anne Huck, CEO, T.J. Martell Foundation, in a statement. “Witnessing our donors rally around the fight against cancer and uphold the promise made between a father and his son is both beautiful and inspiring.”

The 49th Annual New York Honors Gala co-chair committee is comprised of music industry members including Ben Adelson, Tyler Arnold, Tom Corson, Archie Davis, John Esposito, Clint Higham, Monte Lipman, Avery Lipman, Rakiyah Marshall, Debbie Martell, Joey Moi, Brian O’Connell, Andre Stapleton, Julie Swidler, Greg Thompson, and Craig Wiseman.

The U.S. Department of Justice has refiled its historic anti-trust lawsuit against concert promoter Live Nation, with 10 additional states joining the effort to break up the company more than a decade after its 2010 merger with Ticketmaster.

The Attorneys General for Indiana, Iowa, Kansas, Louisiana, Mississippi, Nebraska, New Mexico, South Dakota, Utah and Vermont were added to an amended complaint filed in New York’s Southern District on Monday (Aug. 19), bringing the total number of states participating in the lawsuit to 40 total, along with the District of Columbia.

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“There is nothing new in the Amended Complaint,” a statement from Live Nation reads. “The lawsuit still won’t solve the issues fans care about relating to ticket prices, service fees, and access to in-demand shows. We look forward to sharing more facts as the case progresses.”

The amended lawsuit re-alleges that Live Nation and Ticketmaster acted like a monopoly and violated Sections 1 and 2 of the Sherman Act by using illegal tactics to expand its concert promotion business and management of amphitheaters. The new complaint also includes new details about how Live Nation allegedly expanded its ticketing business after it merged with Ticketmaster in 2009, including information about the company’s controversial relationship with arena developer and operator Oak View Group (OVG). Founded in 2015 by Tim Leiweke and music manager Irving Azoff, Oak View Group manages nearly 200 venues and relies on Live Nation to bring major tours to its concert facilities, which includes such top U.S. venues as Climate Pledge Arena in Seattle, the Moody Center in Austin and UBS Arena in Belmont, N.Y.

As the building manager’s main representative, OVG is supposed to manage the competitive process for selecting a venue’s ticketing contract, but the complaint alleges that OVG is obligated to “advocate for exclusive agreements with Ticketmaster for more than 100 venues Oak View Group manages” — which the lawsuit claims essentially “locks those venues into long-term exclusive Ticketmaster agreements.” The agreement, the government argues, unfairly prevents third-party competitors from entering the ticketing space while compensating OVG with a substantial “incentive payment” from Live Nation plus significant annual payments.

In fairness, OVG’s competitor AEG — which also competes with Live Nation for concert promotion and ticketing — also accepted payments for the buildings it managed under ASM Global, the building management firm it owned with Canadian private equity firm Onex and recently sold to Legends Hospitality.

The revised complaint does not include additional damaging exchanges between Live Nation CEO Michael Rapino and potential competitors, or new damaging information that shows the company employing heavy-handed tactics. Instead, it contains more analysis of the concert market following the merger of Live Nation-Ticketmaster. On that front, according to the complaint, “Live Nation’s conduct has harmed fans because they have been left with fewer concerts, have had more limited choices among touring artists, have paid higher ticketing fees, and have experienced a lower-quality ticketing experience than they otherwise would have but for Live Nation’s anticompetitive conduct.”

Billie Eilish is officially Spotify’s most streamed monthly artist, the streaming platform announced on Monday (Aug. 19), replacing The Weeknd at the summit.

The Weeknd (real name Abel Tesfaye) showed his support for Eilish last week, when she was nearing his record. “Let’s go !” he wrote alongside a series of heart, prayer and line graph emojis on X, retweeting a post noting that, on Aug. 15, she was less than 1 million listeners away from becoming Spotify’s most streamed artist.

By passing the 100 million monthly listener ceiling in June 2024, she is the third and youngest artist to ever do so, following both Tesfaye and Taylor Swift. Eilish currently has eight of her 82 songs in Spotify’s Billions Club, which marks tracks that have surpassed one billion streams: “Lovely” with Khalid (2.8 billion plays to date), “Bad Guy” (2.5 billion), “When the Party’s Over” (1.8 billion), “Everything I Wanted” (1.6 billion), “Ocean Eyes” (1.4 billion), “Happier Than Ever” (1.3 billion), “Idontwannabeyouanymore” (1.09 billion) and “Bury a Friend” (1.01 billion).

Her third album, the 10-track Hit Me Hard and Soft, dropped back in April and debuted at No. 2 on the Billboard 200. The project features hits like “Birds of a Feather,” “Chihiro” and “Lunch.” Eilish’s debut album, When We All Fall Asleep, Where Do We Go?, and sophomore follow-up, Happier Than Ever, both topped the chart for three weeks.

Kendrick Lamar had rival Los Angeles gangs on stage with him at The Pop Out concert in June, and YG looks to continue spreading that same message of unity across California.

YG spent his Sunday (Aug. 18) brokering the start of a truce between rival gangs Treetop Pirus and Fruit Town Pirus as members joined him in solidarity for a peace walk through Compton.

Hundreds of community members showed support alongside Compton natives like The Game and Wallie the Sensei who pulled up to Gonzales Park.

“This right here,” Game said at the event while donning a red Givenchy tee. “For me, this s–t bring tears to my eyes homie. To see this much red and s–t. Westside Bompton, n—a, every hood. Everybody good. Ain’t no bulls–t. Ain’t nobody feel no tension. This s–t make a n—a happy. That’s what it do for me. I don’t know what it do for you.”

YG added: “It’s a good day — it’s a good day in Bompton right now!”

A fan applauded the armistice on X: “N—-s don’t know how significant this is, FrootzTreez two hoods that had always been locked in pretty much a brotherhood until 2003/2004 then shit went left, brazy to see the shit kome back together.”

After releasing the first installments in 2011 and 2013, YG returned over a decade later with his Re’d Up 3 project on Friday (Aug. 16). The album boasts a double-disc filled with 19 tracks featuring a friends like Ty Dolla $ign, Saweetie, Lil Yachty, Mozzy, Larry June, Babyface Ray and frequent collaborator Mustard.

The 34-year-old’s most recent solo album, I Got Issues, reached No. 18 on the Billboard 200. He also teamed up with Tyga for their Hit Me When U Leave the Klub: The Playlist joint effort in 2023.

Find highlights from the peace walk below.