New Whitney Houston Concert Film Marks 30 Years Since Icon’s Historic South Africa Visit

Two new Whitney Houston projects are coming soon — both marking the 30th anniversary of three concerts the Grammy Award winner performed in South Africa in 1994.  Arriving first: the limited worldwide theatrical release of Whitney Houston – The Concert for a New South Africa (Durban) set for Oct. 23 and 27. Coming Nov. 8: an accompanying live album, The Concert for a New South Africa (Durban), featuring the previously unreleased track “Love Is.”

Trafalgar Releasing and Sony Music Entertainment, in partnership with The Estate of Whitney E. Houston, The Whitney E. Houston Legacy Foundation and Primary Wave Music, are helming the release of the fully remastered concert film. It will appear in nearly 900 cinemas in more than 25 countries on Oct. 23 and 27. Legacy Recordings, Sony Music Entertainment’s catalog division, is issuing the live album.

In a release announcing the news, Trafalgar Releasing CEO Marc Allenby stated, “We are pleased to continue our partnership with Sony Music and bring Whitney Houston’s legendary never-before-seen concert to audiences worldwide. The message of hope and unity from the Durban, South Africa performance is still as relevant today as it was 30 years ago, and fans are going to be blown away by how powerful this is on the big screen.” 

Watch the trailer:

The projects stem from a trio of Houston performances in South Africa in November 1994, which made her one of the first major U.S. stars to perform in the post-apartheid nation following Nelson Mandela’s history-making election to president. The three shows took place in Durban at Kings Park Stadium (Nov. 8), in Johannesburg at Ellis Park Stadium (also known as Emirates Airline Park) (Nov. 12) and in Cape Town at Green Point Stadium (Nov. 19), drawing a combined 200,000-plus attendees. At the time, a portion of the proceeds from the three shows benefited various local South African children’s charities through Houston’s foundation.

“I know that Whitney would have been filled with joy to know that this concert film will be released around the world to her fans,” commented Pat Houston, the film’s executive producer and executor of The Estate of Whitney E. Houston. “She loved South Africa; she loved the people and she loved Nelson Mandela. This concert is one of the most consequential concerts of her career. We’re thrilled that we can release this film not only to her fans, but to the people of South Africa and its new generation. More importantly, Whitney would be happy to know that her foundation continues to support one of the organizations she helped to provide financial support to 30 years ago.”

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Whitney Houston — The Concert for a New South Africa (Durban), a production of Cream Cheese films and distributed by Sony Music Vision, was directed and produced by Marty Callner. “Whitney was a dream to work with; I really loved her,” said Callner. “I directed her several times, but the Durban show was pure magic and the best performance I have ever witnessed. So thrilled the world finally gets to experience that special, special night.”

In addition to the previously unreleased “Love Is,” the live album also features memorable hits by the six-time Grammy winner including “I Wanna Dance with Somebody (Who Loves Me),” “How Will I Know,” “I Have Nothing,” “Greatest Love of All” and “I Will Always Love You.” Rounding out the selections are classics such as “Amazing Grace” and “Home.” The album is  available for preorder on both CD and vinyl here.

Emmy Award winner Rickey Minor, Houston’s musical director for 25 years, noted, “Performing in Durban with Whitney was an amazing experience. It was my first time in South Africa, and I don’t think that I was truly prepared for how this trip would change me forever. The energy was electric, and the audience was incredible as we celebrated the end of apartheid. Whitney shared her love and shined her light.” 

Whitney Houston -- The Concert for a New South Africa (Durban)
Whitney Houston — The Concert for a New South Africa (Durban)
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REO Speedwagon To Stop Touring After Upcoming Dates Due to ‘Irreconcilable Differences’

After more than 50 years of rocking, REO Speedwagon will permanently park the tour bus at the end of the year. The long-running soft rock band known for such 1980s hits as “Keep on Loving You,” “Take It On the Run” and “Can’t Fight This Feeling” announced on Monday (Sept. 16) that their upcoming U.S. dates will be their last due to intractable conflicts between the two longest-tenured members.

“Bruce has intended to be Back On the Road Again by now. If it were up to just him, he’d be back on tour… but it’s not up to just him,” read a statement from the group in reference to bassist Bruce Hall, who has been off the road recuperating from back surgery while the band was touring with Train this summer.

“The consensus opinion was that he had not recovered sufficiently to be able to perform at the level the fans have come to expect,” they continued. “Bruce respected that opinion and is grateful that [replacement bassist] Matt [Bissonette] has been around to keep the Wagon rolling through the summer tour. Bruce never had any intention of retiring or walking away from the band, fans, and crew he has loved for almost 50 years.”

The message also noted that singer Kevin Cronin also “never had any intention” of leaving the band, but that things came to a head over unexplained stressors, leading to the difficult decision to call it a road day.

“Due to this complex situation, irreconcilable differences arose between Bruce and Kevin. So, it is with great sadness that we announce REO Speedwagon will cease touring effective January 1, 2025,” they announced. “[Keyboardist] Neal [Doughty], Kevin, and Bruce thank their fans for all their years of loyal support and for giving back to the band such wonderful memories that will remain with each of them forever.”

Writing on Facebook, Hall wrote his own goodbye, telling fans, “Never ever thought it would end like this and I’m heartbroken. Please know Neal and I did everything in our power to try and keep the Wagon rolling. I am so appreciative of ALL the amazing love & support. You guys have been very vocal and clear in your wishes for me to return to the stage. Trust me…that’s all I wanted too. We all deserved a farewell tour.” He noted that he wanted to the band to continue touring as it was prior to his successful, planned back surgery.

Last week, the band had to cancel shows in Chula Vista, CA and Phoenix, AZ after Cronin was felled by an undisclosed illness. Train and REO Speedwagon launched their 44-date co-headlining Summer Road trip on July 8 and wrapped it up on Sept. 11; only Train peformed at the latter show in Phoenix due to Cronin’s illness. The group has a final round of headlining dates slated to kick off on Sept. 27 at the Agua Caliente Casino in Rancho Mirage, CA before playing what will now be their swan song on Nov. 23 at Rupp Arena in Lexington, KY.

After missing the final two shows, Cronin wrote a note from his hospital bed on FB over the weekend in which he reminisced about the great time on the road with Train this summer and his own future. “Lying here tethered to various beeping machines, makes a guy think. I have had plenty of free time this past week to appreciate the love in the eyes of my wife and kids, as they have gathered around me here every single day. I have so much more life to live, and have re-examined what I want to do with the rest of my time here, and who I want to be surrounded by while I do it,” he said.

“I need to be lifted by those around me, and in return, to lift them. I feel excited at the prospect of creating and playing the best music I have in me, with the best artists, musicians, and people who will have me. And I promise to continue giving my best, and appreciating the gift of music which has allowed me this life.”

REO Speedwagon formed in Champaign, IL in 1967 with an initial lineup featuring lead singer Terry Luttrell and a rotating roster of guitarists, releasing three albums with as many lead vocalists before Cronin joined in time for 1972’s R.E.O./T.W.O. LP; Cronin split before 1973’s Ridin’ the Storm Out album. After sitting out three additional studio albums, Cronin returned for 1976’s R.E.O., which set the stage for their breakthrough with 1978’s punny You Can Tune a Piano but You Can’t Tuna Fish.

The double platinum LP — the first to feature Hall on bass — finally broke them on radio and on the charts, hitting No. 29 on the Billboard 200 album tally and landing their first hit singles with “Time For Me to Fly” (No. 56 on the Billboard Hot 100) and “Roll With the Changes” (No. 58). But it was 1980’s High Infidelity that cemented their reputation as AOR radio soft rock gods thanks to Hot 100 charting hits “Keep On Loving You” (No. 1), “Take It on the Run” (No. 5), “In Your Letter” (No. 20) and “Don’t Let Him Go” (No. 24). The band released six more albums, including their final original studio effort, 2007’s Find Your Way Home; the holiday album Not So Silent Night… Christmas with REO Speedwagon was released in 2009.

See the band’s statement below.

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Edgar Barrera Tops 2024 Latin Grammys Nominees: Complete List

For the second year in a row, Edgar Barrera leads the list of nominees for the Latin Grammy Awards. On Tuesday morning (Sep. 17), the Mexican hitmaker received nine nominations for the 2024 annual ceremony, including songwriter of the year and producer of the year.

He appears in the main categories of album of the year, as a songwriter on Carín León’s Boca Chueca, Vol. 1; record of the year, as Karol G’s “Mi Ex Tenía Razón” co-producer; and song of the year as co-writer of three hits — Karol G’s “Mi Ex Tenía Razón,” Shakira and Grupo Frontera’s “(Entre Paréntesis),” and Maluma and Carín León’s “Según Quién.” He also has two nods for best regional song as a songwriter.

Barrera is followed by superstars Karol G and Bad Bunny, who got eight nominations each. Benito also competes for record of the year, with “Monaco,” while Karol is also nominated to album of the year for Mañana Será Bonito (Bichota Season), the follow up to her Latin Grammy winning set of 2023 Mañana Será Bonito.

On its 25th anniversary, the Latin Grammy Awards are incorporating a new field of electronic music, and two new categories: best Latin electronic music performance, and best contemporary Mexican music album. Nominees for the former include Ale Acosta, Valeria Castro, Vikina, Deorro, Bizarrap and Shakira, among other. For the latter, the contenders are an impressive group of artists and creators who have contributed to the rise of the genre: Natanael Cano, DannyLux, Grupo Frontera, Carín León, Michelle Maciel and Peso Pluma.

The nominees for the coveted best new artist prize are Agris, Kevin Aguilar, Darumas, Nicolle Horbath, Latin Mafia, Cacá Magalhães, Os Garotin, Iñigo Quintero, Sofi Saar y Ela Taubert.

“As we approach the 25th edition of the Latin Grammys our awards process is more robust than ever, with our membership evaluating over 23,000 entries this year,” says Manuel Abud, CEO of The Latin Recording Academy, in a press release. “The Latin Grammys have grown in an amazing way to become a fundamental platform for music and culture. We are proud to share this year’s nominees, an international and diverse group of creators representing the richness and vastness of today’s Latin music.” 

Other big contenders this year: Keityn, with six nods; Juan Luis Guerra with five; and Feid, Kany García, Carín León and Kali Uchis with four each. Among those with three nominations are Camilo, Jorge Drexler, Fonseca, Mon Laferte, Nathy Peluso, Residente, Peso Pluma, Shakira and Elena Rose. While with two are Pepe Aguilar, Anitta, Marc Anthony, Rubén Blades, Mau y Ricky, Danny Ocean, Nicole Zignago and more.

The 25th annual Latin Grammy Awards will air live from Miami on Thursday, Nov. 14 beginning at 8 p.m. ET/PT (7 p.m. Central) on Univision, Galavisión and ViX. Preceding the telecast will be the Latin Grammy Premiere, where the winners in most categories will be announced.

Check out the complete list of nominees for the 2024 Latin Grammys below.

General Field

Record of the year

“Mil Veces,” Anitta

“Monaco,” Bad Bunny

“Una Vida Pasada,” Camilo & Carín León

“Catalina,” Cimafunk & Monsieur Periné

“Derrumbe,” Jorge Drexler

“Con Dinero y Sin Dinero,” Fonseca & Grupo Niche

“Mi Ex Tenía Razón,” Karol G

“Mambo 23,” Juan Luis Guerra y 4.40

“Tenochtitlán,” Mon Laferte

“Igual Que Un Ángel,” Kali Uchis & Peso Pluma

Album of the year

Bolero, Ángela Aguilar

Cuatro, Camilo

Xande Canta Caetano, Xande De Pilares

Mañana Será Bonito (Bichota Season), Karol G

García, Kany García

Radio Güira, Juan Luis Guerra 4.40

Autopoiética, Mon Laferte

Boca Chueca, Vol. 1, Carín León

Las Letras Ya No Importan, Residente

Las Mujeres Ya No Lloran, Shakira

Song of the year

“A Fuego Lento,” Daymé Arocena & Vicente García, songwriters (Daymé Arocena & Vicente García)

“A La Mitad” (Banda Sonora Original De La Serie “Zorro”), Julio Reyes Copello & Mariana Vega, songwriters (Maura Nava)

“Caracas En El 2000,” Marvin Hawkins Rodriguez, Jerry Di, La Pichu, Danny Ocean & Elena Rose, songwriters (Elena Rose, Danny Ocean & Jerry Di)

“Derrumbe,” Jorge Drexler, songwriters (Jorge Drexler)

“(Entre Paréntesis),” Edgar Barrera, Kevyn Mauricio Cruz, Manuel Lorente Freire, Lenin Yorney Palacios & Shakira, songwriters (Shakira, Grupo Frontera)

“Mi Ex Tenía Razón,” Edgar Barrera, Andres Jael Correa Rios, Kevyn Mauricio Cruz Moreno, Karol G & MAG, songwriters (Karol G)

“Según Quién,” Edgar Barrera, Kevyn Mauricio Cruz, Luís Miguel Gómez Castaño, Maluma, Lenin Yorney Palacios & Juan Camilo Vargas, songwriters (Maluma & Carín León)

“Te Lo Agradezco,” Rafa Arcaute, Kany García, Carín León & Richi López, songwriters (Kany García & Carín León)

“313,” Leo Genovese, Residente & Silvia Pérez Cruz, songwriters (Residente, Silvia Pérez Cruz & Penélope Cruz)

Best new artist

Agris

Kevin Aguilar

Darumas

Nicolle Horbath

Latin Mafia

Cacá Magalhães

Os Garotin

Iñigo Quintero

Sofi Saar

Ela Taubert

Field 1: Pop

Best pop vocal album

Tofu, Caloncho

.mp3, Emilia

El Viaje, Luis Fonsi

Hotel Caracas, Mau y Ricky

Orquídeas (AOP), Kali Uchis

Escrita, Nicole Zignago

Best traditional pop vocal album

Obras Maestras, Diego El Cigala

García, Kany García

Mar Adentro, Juliana

Aún Me Sigo Encontrando, Gian Marco

Almas Paralelas, Laura Pausini

Best pop song

“A La Mitad” (Banda Sonora Original De La Serie “Zorro”), Julio Reyes Copello & Mariana Vega, songwriters (Maura Nava)

“A Las 3,” Paty Cantú, Ángela Dávalos, León Leiden & Saibu, songwriters (Paty Cantú & León Leiden)

“Ahora,” David Bisbal, Pablo Preciado & Carlos Rivera, songwriters (David Bisbal & Carlos Rivera)

“Amor,” José Andrés Benitez, Christian Bermudez, Richard Bermudez, Rodney Kumbirayi Hwingwiri, Juan Diego Linares, Luis Alejandro Márquez, Anibal Morin Diaz, Danny Ocean & Rafael Salcedo, songwriters (Danny Ocean)

“Dime Quién,” Lagos, songwriters (Lagos)

“Feriado,” Rawayana, songwriters (Rawayana)

“Igual Que Un Ángel,” Carter Lang, Manuel Lorente Freire, Kali Uchis & Dylan Wiggins, songwriters (Kali Uchis & Peso Pluma)

Field 2: Electronic

Best Latin electronic music performance

“La Ceniza,” Ale Acosta, Valeria Castro

“Drum Machine,” Alok

“Pedju Kunumigwe,” Alok, Guarani Nhandewa

“Bzrp Music Sessions, Vol. 53 (Tiësto Remix),” Bizarrap, Shakira

“BAMBOLE,” Vikina Featuring Deorro

Field 3: Urban

Best urban/fusion performance

“Nadie Sabe,” Bad Bunny

“Corazon Vacío,” Maria Becerra

“Young Miko: Bzrp Music Sessions, Vol. 58,” Bizarrap Featuring Young Miko

“S91,” Karol G

“Tranky Funky,” Trueno

Best reggaeton performance

“Perro Negro,” Bad Bunny Featuring Feid

“Un Preview,” Bad Bunny

“Triple S,” J Balvin Featuring Jowell & Randy & De La Ghetto

“Byak,” Alvaro Diaz Featuring Rauw Alejandro

“Qlona,” Karol G Featuring Peso Pluma

“Labios Mordidos,” Kali Uchis Featuring Karol G

Best urban music album

Nadie Sabe Lo Que Va A Pasar Mañana, Bad Bunny

Sol María, Eladio Carrión

Sayonara, Álvaro Díaz

Ferxxocalipsis, Feid

Mañana Será Bonito (Bichota Season), Karol G

El Último Baile, Trueno

Best rap/hip hop song

“Aprender A Amar”, Pablo Drexler, Alberto Escámez López & Nathy Peluso, compositores (Nathy Peluso)

“Bendecido”, Eladio Carrión, compositor (Eladio Carrión)

“Blam Blam”, Al2 El Aldeano & Vico C, compositores (Vico C Featuring Al2 El Aldeano)

“La Sabia Escuela”, Akapellah, Leonardo Daniel Díaz, Jose Gonzalez Ollarves, Marlon Luis Morales Santana, Luis Jacinto Muñoz Hernandez & Pedro Elias Querales, compositores (Akapellah Featuring Canserbero & Lil Supa)

“Teléfono Nuevo”, Bad Bunny & Luar La L, songwriters (Bad Bunny Featuring Luar La L)

“Thunder y Lightning”, Bad Bunny & Eladio Carrión, compositores (Bad Bunny Featuring Eladio Carrión)

Best urban song

“Bonita”, Daddy Yankee, compositor (Daddy Yankee)

“Columbia”, Quevedo, compositor (Quevedo)

“El Cielo”, Feid, Nicolás Jaña Galleguillos, Gabriel Mora Quintero, Andres David Restrepo Echavarria, Sky Rompiendo & Myke Towers, compositores (Sky Rompiendo, Feid, Myke Towers)

“La Falda”, Julio Emmanuel Batista Santos, Carlos Alberto Butter Aguila, Orlando J. Cepeda Matos, Ralph Jemar Milln Calderon, Jose Reyes, Myke Towers & Siggy Vazquez Rodriguez, compositores (Myke Towers)

“Luna”, Feid, compositor (Feid Featuring Atl Jacob)

Qlona, Karol G, Daniel Esteban Gutiérrez, Ovy On The Drums & Peso Pluma, compositores (Karol G Featuring Peso Pluma)

Field 4: Rock

Best rock album

El Dorado (En Vivo), Aterciopelados

Diáspora Live Vol. 1, La Vida Bohème

Herencia Lebón, David Lebón

Alicia En El Metalverso, Mägo De Oz

Mi Mejor Enemigo, Viniloversus

Best rock song

“Algo Bueno Tenía Que Tener (Bogotá)”, Diamante Eléctrico & Andrés Kenguan, compositores (Diamante Eléctrico)

“Animal Temporal”, Viniloversus, compositores (Viniloversus)

“Camaleónica”, Ali Stone, compositora (Ali Stone)

“No Me Preguntes (Live)”, Jesús Quintero & Draco Rosa, compositores (Draco Rosa)

“Qué Más Quieres”, Anton Curtis Delost, Shaun Lopez, Kathryn Ostenberg, Monica Velez & The Warning, compositores (The Warning)

Best pop/rock album

Cuando Ella Me Besó Probé A Dios, Bruses

Jet Love, Conociendo Rusia

Jay De La Cueva, Jay De La Cueva

Reflejos De Lo Eterno, Draco Rosa

Adentro, Francisca Valenzuela

Best pop/rock song

“Acapulco,” Emmanuel Horvilleur, Siddhartha & Rul Velázquez, songwriters (Siddhartha Featuring Emmanuel Horvilleur)

“Afilá,” Ali Stone, songwriter (Ali Stone)

“Blanco y Negro,” Christian Mauricio Aloisio Zavala, Lagos & Elena Rose, songwriters (Lagos Featuring Elena Rose)

“5 Horas Menos,” Conociendo Rusia & Natalia Lafourcade, songwriters (Conociendo Rusia Featuring Natalia Lafourcade)

“Diciembre,” Los Mesoneros, songwriters (Los Mesoneros)

Field 5: Alternative

Best alternative music album

Por Cesárea, Dillom

Híper, Hello Seahorse!

Nica, Nicole Horts

Autopoiética, Mon Laferte

Pandora, Ali Stone

DESCARTABLE, WOS

Best alternative song

“Cabecear”, J Noa, Jeffrey Peñalva “Trooko” & Skai, songwriters (J Noa)

“Déjalo Ir,” Francisco Rojas & Francisca Valenzuela, songwriters (Francisca Valenzuela)

“El Día Que Perdí Mi Juventud,” Devonté Hynes & Nathy Peluso, songwriters (Nathy Peluso)

“Insomnia,” Goyo, Illmind, Omar Isaiah Lupuku, Don Mills, Carlos Santander & Telly, songwriters (Goyo)

“Lloro,” Nicole Horts, Camilo Velez & Maria Vertiz, songwriters (Nicole Horts)

Field 6: Tropical

Best salsa album

Yo Deluxe, Christian Alicea

Muevense, Marc Anthony

Siembra: 45° Aniversario (En Vivo en el Coliseo de Puerto Rico, 14 de Mayo 2022), Rubén Blades and Roberto Delgado & Orquesta

Joyas Que Bailan, Ronald Borjas

Coexistencia, Luis Figueroa

Best cumbia/vallenato album

‘Ta Malo, Silvestre Dangond

De La Uno A La 1000 (Primera Temporada), Omar Geles

Se Agradece, Los Ángeles Azules

Vallenatos Pa Enamorar, Osmar Pérez & Geño Gamez

La Sociedad De La Cumbia (Big Band Live), Puerto Candelaria

Best merengue/bachata album

Radio Güira, Juan Luis Guerra 4.40

Agradecido Live!, Eddy Herrera

Superhéroe Merengue, Magic Juan

Lo Tengo Todo, Oscarito

Llamada Perdida, Prince Royce

Best traditional tropical album

Rodando Por El Mundo, José Alberto “El Canario”

Tengo Algo Que Decirte, Luis Fernando Borjas

Voces De Mi Familia, Alex Cuba

Los Mismos Negros, Yelsy Heredia

A Mis Ancestros, Yeisy Rojas

Best contemporary tropical album

Epílogo: La Clave Del Tiempo, Jeremy Bosch

Cuatro, Camilo

Tropicalia, Fonseca

Monte Adentro, Gusi

La Fiesta, Ilegales

Best tropical song

“Baila y Goza”, Renesito Avich & Rafael “Pollo” Brito, compositores (Renesito Avich Featuring Rafael “Pollo” Brito)

“Con Dinero y Sin Dinero”, Jorge Luis Chacín, Fonseca & Miguel Yadam González Cárdenas, compositores (Fonseca & Grupo Niche)

“Hasta Que Aguante El Cuerpo”, Jorge Luis Piloto, compositor (Dayhan Díaz & Pupy Santiago)

“Llorar Bonito”, Luis Figueroa & Yoel Henríquez, compositores (Luis Figueroa)

“Mambo 23”, Juan Luis Guerra, compositor (Juan Luis Guerra 4.40)

Field 7: Singer-Songwriter

Best singer-songwriter album

Compita Del Destino, El David Aguilar

Scratch De Versos, El Riqué

Pausa, Leonel García

De Magia Imperfecta, Nicolle Horbath

El Abrazo, Rozalén

Best singer-songwriter song

“Antes Que O Mundo Acabe,” Tiago Iorc, songwriter (Tiago Iorc)

“Derrumbe,” Jorge Drexler, songwriter (Jorge Drexler)

“Entonces,” Rozalén, songwriter (Rozalén)

“García,” Kany García, songwriter (Kany García)

“Luz De Cabeza,” El David Aguilar, songwriter (El David Aguilar)

Field 8: Regional-Mexican

Best ranchero/mariachi album

Mariachi y Tequila (Deluxe), Majo Aguilar

Que Llueva Tequila, Pepe Aguilar

Te Llevo En La Sangre, Alejandro Fernández

Romances Eternos, Mariachi Sol de México de José Hernández

Best banda album

Presente, Julión Álvarez y Su Norteño Banda

Yo Te Extrañaré, Luis Angel “El Flaco”

Diamantes, Chiquis

Best Tejano album

Imperfecto, El Plan

Siempre Gabriella, Gabriella

Ganas (Deluxe), Vilax

Best Norteño album

El Comienzo, Grupo Frontera

Modus Operandi, Intocable

LNDT, Los Nietos de Terán

Te Amaré, Pesado

Terca, Sofi Saar

Best contemporary Mexican music album

Nata Montana, Natanael Cano

Evoluxion, DannyLux

Jugando A Que No Pasa Nada, Grupo Frontera

Boca Chueca, Vol. 1, Carín León

Trastornado, Michelle Maciel

Génesis, Peso Pluma

Best regional song

“Aquí Mando Yo,” Héctor Guerrero, songwriter (Los Tigres Del Norte)

“Canción Para Olvidarte,” Mango, Nabález, Chris Zadley & Nicole Zignago, songwriters (Majo Aguilar)

“El Amor De Su Vida,” Edgar Barrera & Kevyn Mauricio Cruz, songwriters (Grupo Frontera, Grupo Firme)

“Por El Contrario,” Edgar Barrera, Kevyn Mauricio Cruz & Elena Rose, songwriters (Becky G Featuring Angela Aguilar & Leonardo Aguilar)

“Tienes Que Ser Tú,” Salvador Aponte & Yoel Henríquez, songwriters (La Energía Norteña)

Field 9: Instrumental

Best instrumental album

Impronta, Omar Acosta

Claude Bolling Goes Latin – Suite For Flute And Latin Music Ensemble, Carlomagno Araya, Jose Valentino & The Latin Music Ensemble

Capriccio Latino, Alexis Cárdenas

Encontro Das Águas, Yamandu Costa & Armandinho Macêdo

Tembla, Hamilton De Holanda & C4 Trío

Field 10: Traditional

Best folk album

Canto y Río, Martina Camargo

C4 Suena a Navidad, C4 Trío

Raíz Nunca Me Fui, Lila Downs, Niña Pastori, Soledad

Paisajes, Ciro Hurtado

Bullerengue y Tonada, Tonada

Best tango album

El Cantor de Tangos, Guillermo Fernández Featuring Cristian Zarate

Tangos Cruzados, Franco Luciani, Fabrizio Mocata

¿Y El Fin Del Amor?, Mariana Mazú

Apiazolado, Diego Schissi Quinteto

Ya Está En El Aire, Ullmann Cuarteto

Best flamenco album

Andenes del Tiempo, Vicente Amigo

Rumberas, Las Migas

Historias De Un Flamenco, Antonio Rey

Field 11: Jazz

Best Latin jazz/jazz album

Collab, Hamilton De Holanda & Gonzalo Rubalcaba

Searching For A Memory (Busco Tu Recuerdo), Sammy Figueroa Featuring Gonzalo Rubalcaba & Aymée Nuviola

My Heart Speaks, Ivan Lins

Pra Você, Ilza, Hermeto Pascoal & Grupo

El Arte Del Bolero, Vol. 2, Miguel Zenón & Luis Perdomo

Field 12: Christian

Best Christian album (Spanish language)

Necesito De Ti, Jesús Israel

No Yo, Sino Cristo, Majo y Dan

Maverick, Redimi2

Kintsugi, Un Corazón

Tu Iglesia, Marcos Witt

Best Portuguese language Christian album

Ele É Jesus – Ao Vivo, Bruna Karla

Deixa Vir – Vol II (Ao Vivo), Thalles Roberto

In Concert (Ao Vivo), Rosa de Saron

Vida (Ao Vivo), Eli Soares

Temporal, Vocal Livre

Field 13: Portuguese Language

Best Portuguese language contemporary pop album

Afrodhit, Iza

Super, Jão

Amaríssima, Melly

Os Garotin De São Gonçalo, Os Garotin

Escândalo Íntimo, Luísa Sonza

Best Portuguese language rock or alternative album

Erasmo Esteves, Erasmo Carlos

No Rastro de Catarina, Cátia de França

Me Chama de Gato Que Eu Sou Sua, Ana Frango Elétrico

Ontem Eu Tinha Certeza (Hoje Eu Tenho Mais), Jovem Dionisio

Lagum Ao Vivo, Lagum

Best Portuguese language urban performance

“Joga Pra Lua,” Anitta Featuring Dennis & Pedro Sampaio

“Cachimbo da Paz 2,” Gabriel O Pensador, Lulu Santos, Xamã

“Da Braba,” Gloria Groove Featuring Ludmilla & Mc Gw

“Carta Aberta,” Mc Cabelinho

“Fé nas Maluca,” Mc Carol, Iza

“La Noche,” Yago Oproprio Featuring Patricio Sid

Best samba/pagode album

Alcione 50 Anos (Ao Vivo), Alcione

Xande Canta Caetano, Xande De Pilares

Iboru, Marcelo D2

Tardezinha Pela Vida Inteira (Ao Vivo), Thiaguinho

Subúrbio (Ao Vivo), Tiee

Best MPB (Musica Popular Brasileira)/MAPB (Música Afro Portuguesa Brasileira) album

D Ao Vivo Maceió, Djavan

Se o Meu Peito Fosse o Mundo, Jota.Pê

Portas (Ao Vivo), Marisa Monte

Outros Cantos, Milton Nascimento, Chitãozinho & Xororó

No Tempo da Intolerância, Elza Soares

Best Sertaneja music album

Boiadeira Internacional (Ao Vivo), Ana Castela

Paraíso Particular (Ao Vivo), Gusttavo Lima

Cintilante (Ao Vivo), Simone Mendes

Raiz Goiânia (Ao Vivo), Lauana Prado

Luan City 2.0 (Ao Vivo), Luan Santana

Best Portuguese language roots album

Mariana e Mestrinho, Mariana Aydar, Mestrinho

Aguidavi do Jêje, Aguidavi Do Jêje, Luizinho Do Jêje

De Norte a Sul, João Gomes

Night Clube Forró Latino (Volume I), Marcelo Jeneci

Faróis do Sertão, Gabriel Sater

Best Portuguese language song

“Alinhamento Milenar,” Jão, Pedro Tófani & Zebu, songwriters (Jão)

“Ata-me,” Junio Barreto, songwriter (Alaíde Costa)

“Chico,” Bruno Caliman, Carolzinha, Douglas Moda, Jenni Mosello & Luísa Sonza, songwriters (Luísa Sonza)

“Esperança,” Criolo, Dino D’Santiago, Amaro Freitas & Nave, songwriters (Criolo, Dino D’Santiago, Amaro Freitas)

“Ouro Marrom,” Jota.Pê, songwriter (Jota.Pê)

Field 14: Children’s

Best Latin children’s album

Navidad de Norte a Sur: Cantoalegre Big Band (En vivo), Cantoalegre, Orquesta La Pascasia

Cantemos Juntos, Claraluna

¡A Cantar!, Danilo & Chapis

Dun Dun Dara, Payasitas Nifu Nifa

Todos Podemos Cantar 2024, Todos Podemos Cantar

Field 15: Classical

Best classical album

Aire, Aire… No Puedo Respirar, Ricardo Jaramillo, director; Ricardo Jaramillo, Jefferson Rosas & Marcela Zorro, productores

Credo For Orchestra, Choir And Five Soloists, Iván Cardozo, Fernando Escalona, Claudio González, Jhoxiris Medina & Grace Terán; Christian Vásquez, director; Maria Beatriz Cárdenas, Eugenio Carreño & Eduardo Martínez Planas, productores (Orquesta Sinfónica Simón Bolívar de Venezuela, Coro Nacional Simón Bolívar)

Fandango, Anne Akiko Meyers & Gustavo Castillo; Gustavo Dudamel, director; Dmitry Lipay, productores (Los Angeles Philharmonic)

Fantasies of Buenos Aires, Lincoln Trio; Daniel Binelli & Ted Viviani, productores

The Latin Rites, Josep Vicent, director; Fernando Arias, productor (Adda Simfònica Alicante)

Best classical contemporary composition

“Caribbean Berceuse,” Paquito D’Rivera, composer (Barcelona Clarinet Players, Paquito D’Rivera, North Texas Wind Symphony, Eugene Migliaro Corporon (director))

“Fandango,” Arturo Márquez, composer (Los Angeles Philharmonic, Gustavo Dudamel, Anne Akiko Meyers)

“La Minerva – III. Himno A La Mujer,” Juan Pablo Contreras, composer (Juan Pablo Contreras, Orquesta Latino Mexicana, Angélica Olivo)

“Meditation No.1,” Julien Labro, composer (Takács Quartet, Julien Labro)

“Sueño Austral,” Daniel Freiberg, composer (Barcelona Clarinet Players, Freiburger Blasorchester, Miguel Etchegoncelay & Daniel Freiberg)

Field 16: Arranging

Best arrangement

“Sueño Austral,” Daniel Freiberg, arranger (Barcelona Clarinet Players, Freiburger Blasorchester, Miguel Etchegoncelay & Daniel Freiberg)

“Night In Tunisia,” Hilario Durán, arranger (Hilario Durán And His Latin Jazz Big Band Featuring Paquito D’Rivera)

“Fuego De Noche, Nieve De Día,” Julio Reyes Copello, arranger (Ricky Martin, Christian Nodal)

“Linha de Passe,” Nailor Proveta, arranger (Orquestra Jazz De Matosinhos, Gabi Guedes, Kiko Freitas)

“Rapsodia Aérea,” Andrés Soto, arranger (Andrés Soto, Orquesta Sinfónica Nacional de Costa Rica, Carl St. Clair)

Field 17: Recording Package

Best recording package

En Vivo – 100 Años de Azúcar, Nelson Albareda, Sebastian Aristizabal, Kemelly Figueroa-Mouriz, Omer Pardillo-Cid & Albertico Rodríguez, art directors (Celia Cruz)

Figurantes, Boa Mistura, art director (Vetusta Morla)

Karma, Carlos Ortiz, art director (Diana Burco)

Realismo Mágico, Carlos Sadness, art director (Carlos Sadness)

Tekoá, Leonardo Macias, art director (Jair Oliveira)

Field 18: Songwriter

Songwriter of the year

Edgar Barrera

Yoel Henríquez

Manuel Lorente Freire

Horacio Palencia

Pablo Preciado

Field 19: Production

Best engineered album

Analu, Tó Brandileone, engineers; Daniel Musy, mixer; André Dias, mastering engineer (Analu Sampaio)

Era Uma Vez, Pedro Peixoto & Matheus Stiirmer, engineers; Pedro Peixoto, mixer; Fili Filizzola, mastering engineer (Mobi Colombo)

Os Garotin De São Gonçalo, Uiliam Pimenta, Julio Raposo & Pepê Santos, engineers; Bernardo Martins, mixer; Felipe Tichauer, mastering engineer (Os Garotin)

Quem É Ela?, Túlio Airold, Alex Dos Reis Silva & Gianlucca Pernechele Azevedo, engineers; João Milliet, mixer; Fili Filizzola, mastering engineer (Mariana Nolasco)

Se o Meu Peito Fosse o Mundo, Thiago Baggio, Will Bone, Leonardo Emocija, Rodrigo Lemos & Felipe Vassão, engineers; João Milliet, mixer; Felipe Tichauer, mastering engineer (Jota.Pê)

Producer of the year

Edgar Barrera

Eduardo Cabra

Nico Cotton

Juan Luis Guerra, Janina Rosado

Julio Reyes Copello

Field 20: Music Video

Best short form music video

“Ale Ale,” Marc Anthony; Carlos Pérez, director; Joanna Egozcue, producer

“Baticano,” Bad Bunny; Stillz, director

“Oliveira Dos Cen Anos,” C. Tangana; C. Tangana, director

“Sálvanos,” Leonel García; Nuno Gomes, director; Nuno Gomes, producer

“Glock,” Mau y Ricky; Daniel Duran, director; Alegna Espinoza & Maricel Zambrano, producers

“313,” Residente Featuring Penélope Cruz & Silvia Pérez Cruz; Residente, director; Carolina Wolf, producer

Best long form music video

Beautiful Humans Vol 1. Documental, Alemor; Wismer Jimenez, director; Alemor & Wismer Jimenez, producers

Meu Karma, Jovem Mk; Kaique Alves, Gabriel Avelar & Beto Galloni, directors; Rodrigo Castello, Mariê Nunes & Eduardo Saraiva, producers

Hotel Caracas, Mau y Ricky; Daniel Duran, director; Alegna Espinoza & Maricel Zambrano, producers

Grasa (Album Long Form), Nathy Peluso; Agustín Puente, director

Nacimos Llorando, Rubio; Fernando Cattori, director; Luis Betances, Fernando Cattori, Josep Pardo, Jaume Rigual, Ana Laura Solis, Aura Solis & Joe Solis, producers

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Cardi B Sweats Through First Post-Baby Workout, Shares Fitness Plan While Lamenting Pressure to ‘Snap Back After Birth’

After giving birth to her third child earlier this month, Cardi B says the public pressure on performers to quickly shed baby weight is both unrealistic and unfair. On Monday (Sept. 16), the “Bongos” rapper reacted to a fan who commented on Cardi’s post from the day before featuring footage of the MC’s first postpartum workout. “It’s barely been a week. Yoh, the pressure women in the industry are under? Insane,” the person wrote.

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The comment came after Cardi shared a [since timed-out] video on Instagram Stories on Sunday in which she hit the gym for 30 minutes of hard late night cardio on a StairMaster, just two weeks after giving birth on Sept. 7 to her third baby, a girl, with estranged husband rapper Offset. “This is my third baby and postpartum is a little different from my first two… I’m not doing heaving lifting, no muscle straining, squatting none of that… just cardio,” Cardi wrote.

“Sometimes to avoid postpartum depression you gotta keep your mind busy and for me that’s work and staying active… but you know what’s funny?? Y’all dragged me down when I gained 15 pounds because I was 5 months pregnant but now yall fake concerned and wanna talk about pressure???” she added. “Y’all said I was pregnant to avoid working now that you see I’m still at it it’s something else?? So yeah I’m taking this personal but its FOR ME because either way y’all are gonna have something to say.”

The fan quickly clarified that she didn’t “mean any harm” with her tweet and did not intend it as an indictment on Cardi, “but rather society’s expectations of women and ‘snap back’ culture. Cardi said it was all good, responding, “Totally babe!! And I do agree about society and pressure…I just was never the type to care about snap back after birth. I don’t know what it is about this time around but I have this burst of energy where I want to do EVERYTHING… It’s like I want to complete all my goals in one day.”

On Monday Cardi also posted some home movies from the hospital in which she and Offset spend quality time with their baby girl, whose name has not yet been revealed. In the TikTok clip we see Cardi breastfeeding and snuggling with her third bundle of joy, as well as Offset enjoying some skin-to-skin contact as their two other kids together, Kulture, 6 and Wave, 3, meet their new sibling.

Cardi, who filed for divorce from Offset for the second time earlier this summer, has been hard at work on her long-awaited follow-up to her 2018 debut studio album, Invasion of Privacy, whose release date has not yet been announced.

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Justin Timberlake Avoids Talk of DWI Plea, Hypes New Tour Dates, Christmas Song on ‘Tonight Show’

Justin Timberlake was back in comfortable confines on Monday night (Sept. 16) when he visited The Tonight Show to hang with his good pal and frequent sketch partner host Jimmy Fallon. After a lengthy, laudatory pre-interview wind-up running down the multi-hyphenate singer’s resumé, Timberlake took a seat as Fallon assured his friend “you’re well-liked here.”

The visit was Timberlake’s first public appearance since pleading guilty to impaired driving in New York’s Sag Harbor Village Court on Friday, where he was sentenced to 25 hours of community service and hit with $760 in fines and court fees. “I did not live up to the standards that I try to hold for myself,” he told the court, before addressing the judge, “I should’ve had better judgment. I understand the seriousness of this.”

Timberlake did not address the plea deal or the DWI incident during the visit, which focused on the singer’s Forget Tomorrow world tour; on Tuesday morning (Sept. 17), JT announced a string of 10 new 2025 dates for the outing (see below).

The friends mostly joked around, with Fallon demurring when Timberlake repeatedly suggested that the host would come out and do a mandatory warm-up set before Justin’s upcoming Barclays Center show in New York on Oct. 7. “I’m not doing anything,” Fallon assured him. “I’m going as a fan… screaming.”

“Shouldn’t Jimmy come out and do a 15-minute set?” JT baited Fallon as the studio audience howled at the idea.

Fallon also noted that he’s always giving Timberlake advice about touring, for example, suggesting he sit on a stool and play for 45 minutes. Instead, Timberlake plays for more than two hours and as Fallon noted, does a dramatic bit during “Mirrors” where he flies out over the crowd on a giant robotic arm that looks cool, but has led to some regrets from the singer.

“I’m going to say that was my idea… After 53-54 shows,” Timberlake said haltingly before standing up and getting into an arms wide open, leaning forward pose, “I was up there one time, just, like, suspended over everyone. I was like, ‘I could be on a stool right now.’”

“Yes! I told you that!” Fallon said enthusiastically, requesting that when he comes to the show he would like to not be able to see Timberlake that well. Clarifying, Jimmy said he doesn’t want such good seats next time, getting up from his desk and standing within a foot of JT to demonstrate his usual VIP status.

“I don’t know what to do with myself,” Fallon admitted of being so up-close-and-personal. “I don’t dance… and so I just stand there and I bore your wife (actress Jessica Biel), so she leaves me [and] I’m by myself. It’s too much pressure for me.”

“Do you not want to come to the show?” Timberlake wondered. Amid the giggles and the inside jokes, Fallon teased a new holiday song the pair recorded for the host’s upcoming Christmas album, tracked at New York’s Electric Lady studio. “You’ll Be There,” described as a a “holiday bromance” tune, mixes sleigh bells and ukulele for a chilled-out island vibe, with JT singing, “The only thing on my wish list/ Is that you’ll be home for Christmas.”

The pair also played a round of “Playlist Playoff,” in which Fallon and Timberlake competed to pick the perfect song for different scenarios, including a pre-workout jam and the track they’d want on repeat if stuck in an elevator together, which prompted Justin to pay tribute to recently deceased R&B icon Maze frontman Frankie Beverly.

Check out Timberlake on The Tonight Show below.

Timberlake’s new 2025 North American Forget Tomorrow world tour dates:

Jan. 13 – Portland, OR @ Moda Center 

Jan. 15 – Sacramento, CA @ Golden 1 Center 

Jan. 18 – Anaheim, CA @ Honda Center 

Jan. 20 – Palm Springs, CA @ Acrisure Arena  

Jan. 23 – Phoenix, AZ @ Footprint Center  

Jan. 25 – Salt Lake City, UT @ Delta Center 

Jan. 28 – Denver, CO @ Ball Arena 

Feb. 3 – Austin, TX @ Moody Center 

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Secretly, Beggars Group and Cargo Records Unite for Cargo Independent Distribution

Secretly Distribution, Beggars Group and Cargo Records UK have teamed up for a new independent U.K. distribution partnership named Cargo Independent Distribution (CID). Via the new partnership, Secretly Distribution and Beggars Group will be supporting CID’s investments in technological development and new personnel, as well as providing strategic direction.

“All of us at Cargo are really excited for our new partnership with two of the most important independent music companies in the world, who continue to remain fiercely independent and committed to preserving a totally independent U.K. distribution outlet,” said Cargo Independent Distribution president Phil Hill in a release.

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Cargo Independent Distribution will maintain its U.K./Ireland fulfillment relationship with Proper/Utopia and CID will continue to provide global physical, digital and marketing services to its Cargo U.K.’s distributed client roster, which includes Fire Records, Hyperdub, Planet Mu, Static Shock, and Sub Pop, who just recently transitioned their U.K. distribution to CID.

Hill will retain a controlling interest in the new entity.

Cargo Independent Distribution will also provide physical distribution and sales support to Secretly Group and its affiliates, as well as sales representation to Beggars Group partner labels.

“The team at Cargo Records UK has faithfully championed outlier labels, artists and records for nearly three decades — including being the very first distributor to order records from Jagjaguwar — and now we have the great privilege of partnering with them in their next chapter,” said Secretly Distribution CEO Darius Van Arman in a release. “All of us at Secretly are very excited to be working with Cargo Independent Distribution, to help safeguard an independent route to market in the UK and Ireland.”

Secretly Group labels Dead Oceans, Jagjaguwar, Saddest Factory and Secretly Canadian, along with affiliates All Flowers Group (Ghostly, drink sum wtr) and The Numero Group, work with artists that include Mitski, Phoebe Bridgers, Khruangbin, Unknown Mortal Orchestra, Bon Iver, MUNA, Japanese Breakfast, Mary Lattimore, Matthew Dear, Kari Faux, Aja Monet, Duster and Syl Johnson.

Beggars Group labels XL Recordings, Young Recordings, Rough Trade, Matador and 4AD represent 48 years of music from Fontaines D.C., Jamie xx, Sleaford Mods, Queens of the Stone Age, Big Thief, The National, Lankum, Sampha, Prodigy, Adele, Radiohead, Cat Power and more.

“We live in changing and challenging times. Integral/ PIAS have handled our sales brilliantly for decades, but right now we see it as crucial that a new independent route to market is established,” Beggars Group CEO Paul Redding said of the move in a release. “We very much look forward to being part of a bright new future.”

Secretly Distribution has long worked with Cargo Records UK on U.K./Ireland physical distribution and retail marketing for much of Secretly Distribution’s distributed label roster, though Secretly Group and its affiliates All Flowers Group and The Numero Group will be a new addition to CID’s physical catalog.

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SOPHIE Honored With Google Doodle on Her Birthday

Hyperpop pioneer SOPHIE has been honored with a Google Doodle on what would have been her 38th birthday (September 17).

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The Google Doodle is accompanied by a short clip soundtracked by “Immaterial” from Oil Of Every Pearl’s Un-Insides, her sole studio album released in 2019, and is inspired by her most iconic look and an Elektron Monomachine which was used for her inimitable vocal style. Watch the clip below.

SOPHIE – real name Sophie Xeon – died in January 2021 following an accidental fall from a three-storey building in Athens, Greece. She was 34.

In the caption for the video, Google wrote: “This video Doodle celebrates the birthday of Scottish musician, producer, and DJ Sophie Xeon, who is remembered for her acclaimed experimental pop and electronic music.” Previous recipients of a Doodle on the search engine include Luther Vandross, Tito Puente and more.

Next week (September 27), a posthumous album SOPHIE is due to be released on Transgressive and Future Classic. Work was almost completed on the record prior to her death, and has been finished by close collaborators including Benny Long, who has mastering, mixing and producing credits to his name on previous SOPHIE releases.

There have been four singles released from the record so far, most recently “Exhilarate” featuring Bibi Bourelly and “Reason Why” starring Kim Petras BC Kingdom.

Upon her death, tributes were paid from all over the music world, including Rihanna, Vince Staples, Sam Smith and more. Earlier this year, Charli xcx’s Brat features the song “So I”, written in response to the grief felt by Charli following her death. The pair worked closely on some of Charli’s earlier material including Vroom Vroom EP and 2017 mixtapes Pop 1 and Pop 2.

Elsewhere, SOPHIE had production credits with Madonna, Shygirl and MØ during her career.

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Coldplay Extend Record-Breaking Tour With New U.K. Stadium Dates in 2025

Earlier this year, Coldplay’s Music Of The Spheres tour was named as the biggest rock tour of all time, according to figures accumulated by Billboard Boxscore.

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That run will continue with a set of new U.K. dates in August 2025 in London and Hull, Yorkshire. It’ll be their first shows in the region following their headline set at Glastonbury in June 2024, their fifth headlining appearance.

The 8 shows, which will take place at London’s Wembley Stadium and Craven Park in Hull, will take place in August 2025 and be the only European cities next year. Tickets for the shows go on sale at 9am on September 27. See the full run of dates below.

They join Oasis in Wembley Stadium’s schedule in July and August, who are set for 7 nights at the venue. Dua Lipa, meanwhile, has booked a pair of shows for next June.

The band will release their new album Moon Music on Oct. 4 and have shared two singles so far: “feelslikemfallinginlove” and the star-studded “We Pray”, featuring turns from Burna Boy, Little Simz, Elyanna and Tini.

The Music Of The Spheres tour has been a blockbuster run for the British band. The tour began in March 2022, taking the same name as their ninth studio album released in 2021. The show has since taken in 160 shows across the globe including Europe, Asia, Latin America and North America. The shows at Wembley will be powered by 100 per cent solar, wind and kinetic energy – and delivered by a specially-designed electric battery system, the band shared in their announcement.

In August, Billboard Boxscore announced that the Music Of The Spheres world tour had crossed the $1 billion (USD) mark in tour revenue and sold 9.3 million tickets so far. Next month, the band are slated for 11 shows in Australia and New Zealand.

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The band have also announced a collaboration with the Music Venue Trust (MVT) in the U.K., a charity that seeks to champion and improve grassroots music venues. 10% of all revenue generated from the tour will be used to support “small U.K. venues and upcoming acts”.

“Coldplay are the perfect example of a UK band who came through the grassroots circuit on their way to worldwide stadium-filling success,” MVT CEO Mark Davyd said in a statement to NME. “It’s fantastic to see them celebrating their own pathway to Wembley by giving back to the grassroots music venues that supported them and recognising the artists and promoters that are struggling more than ever to build their own careers.”

Coldplay 2025 U.K. Tour Dates:

August 18 – Hull, Craven Park Stadium
August 19 – Hull, Craven Park Stadium
August 22 – London, Wembley Stadium
August 23 – London, Wembley Stadium
August 26 – London, Wembley Stadium
August 27 – London, Wembley Stadium
August 30 – London, Wembley Stadium
August 31 – London, Wembley Stadium

For more information and to purchase tickets, visit Coldplay’s official website.

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Police Confirm Tito Jackson Suffered Medical Emergency in New Mexico Prior to Death

As the world grieves the loss of Tito Jackson, a founding member of the Jackson 5, authorities have confirmed that he passed away following a medical episode in Gallup, New Mexico, on the evening of Sept. 15.

A statement released on Sept. 16th by the Gallup Police Department details the events leading up to Jackson’s death. According to their statement, at approximately 6:17 p.m., an officer was flagged down near the American Heritage Plaza after someone alerted them to an individual requiring immediate medical attention.

Jackson was transported to a local hospital, where he was later pronounced dead. The police’s preliminary investigation is ongoing.

The full statement posted to Gallup Police Department‘s social media account reads:

“On September 15, 2024, at 6:17 p.m., an officer from the Gallup Police Department was flagged down near the American Heritage Plaza located at 702 US Highway 491. The officer was alerted to an individual requiring medical attention and promptly requested an ambulance.

The individual was subsequently transported to a local hospital in Gallup, NM, where he was pronounced dead. Following this, the hospital requested the presence of detectives and the Office of the Medical Investigator. The deceased has been identified as 70-year-old Toriano ‘Tito’ Jackson from Tulsa, Oklahoma.

This information is derived from a preliminary investigation that is still ongoing. Investigators are actively interviewing witnesses and examining both physical and electronic records. The Department’s understanding of the facts and circumstances may evolve as additional evidence is gathered and analyzed.”

As the Jackson family grieves this monumental loss, Tito’s sons—TJ, Taj, and Taryll—paid a heartfelt tribute to their father on Instagram, expressing their profound sorrow. They shared:

“It’s with heavy hearts that we announce that our beloved father, Rock & Roll Hall of Famer Tito Jackson, is no longer with us. We are shocked, saddened, and heartbroken. Our father was an incredible man who cared about everyone and their well-being.”

The statement continued, “Some of you may know him as Tito Jackson from the legendary Jackson 5, some may know him as ‘Coach Tito,’ or some know him as ‘Poppa T.’ Nevertheless, he will be missed tremendously. It will forever be ‘Tito Time’ for us. Please remember to do what our father always preached, and that is ‘Love One Another.’ We love you Pops.”

The statement concluded with a personal note signed by his three sons:
“Your boys, Taj, Taryll, and TJ.”

Tito was an integral part of the Jackson family’s musical dynasty. He, along with his brothers Michael, Jermaine, Marlon, and Jackie, formed The Jackson 5 in the 1960s. Their debut single, “I Want You Back,” became an instant sensation, reaching No. 1 on the Billboard Hot 100, as did their subsequent hits “ABC” and “I’ll Be There.”

Beyond his work with The Jackson 5, Tito pursued a solo career, releasing his debut album Tito Time in 2016. His single “Get It Baby” reached No. 19 on the Billboard Adult R&B Airplay chart.

Tito’s passing follows the deaths of his younger brother Michael Jackson in 2009 and their father Joe Jackson, the family patriarch and early manager of The Jackson 5, who passed away in 2018 at the age of 89.

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Sweet as Ever: Sabrina Carpenter’s ‘Taste’ Aims For Fourth Week at U.K. No. 1

There’s just no stopping Sabrina Carpenter, who is on course to savor a fourth consecutive week at No. 1 on the U.K. Singles Chart this Friday (Sept. 20) with her latest banger “Taste.”

According to the latest chart blast, the impressive run sees the pop star maintaining her dominant streak, and if Carpenter secures another week at the top, it will mark her 16th cumulative week at No. 1 in the U.K in 2024.

The rest of the Top 5 remains a Carpenter stronghold as well. “Espresso” continues to brew success and is predicted to hold steady at No. 2, while “Please Please Please” won’t have to beg to hold its spot at No. 4. Sabrina’s Short n’ Sweet era has taken over the U.K. charts, with multiple singles continuing to perform strongly.

Meanwhile, Lady Gaga and Bruno Mars are climbing the chart with their lounge-pop duet “Die With A Smile,” which could break into the Top 5 for the first time at No. 5.

Fresh entries also shake things up this week, as The Weeknd’s euphoric new track “Dancing In The Flames” is poised to debut at No. 9, making it the highest new entry of the week.

Tate McRae is also gaining ground with her pop hit “It’s Ok, I’m Ok,” expected to debut just outside the Top 10 at No. 11, while Playboi Carti’s “All Red” is eyeing a No. 13 debut, potentially marking his first solo Top 20 entry in the U.K.

Elsewhere, U.S. soul singer Teddy Swims is set for another chart success with his single “Bad Dreams,” aiming for No. 15, which would be his third Top 20 hit in the U.K.

Meanwhile, Charli XCX looks to make a comeback with a remix of her track “Talk Talk” featuring Troye Sivan, which could re-enter the chart at No. 20.

With only a few days until the official rankings, it looks like Sabrina Carpenter’s latest single still holds its flavor and will likely continue to reign supreme when the U.K. Singles Chart is updated on Friday (Sept. 20).

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