BLACKPINK members JENNIE, JISOO, LISA and ROSÉ all hit the Met Gala red carpet on Monday (May 4), walking the red carpet individually and flaunting distinct fashion sensibilities.

For her Met Gala debut, JISOO was decked out in a sparkly pink floral gown, which she told Vogue red carpet co-hosts Ashley Graham and Cara Delevingne was a custom Dior by Jonathan Anderson. “It’s my first Met Gala. I’m so excited and a little nervous too,” JISOO told them with a laugh. “We’re trying the flowers,” she said. “It’s so exciting.”

In addition to the Dior fit, she was wearing a vintage Cartier necklace. The BLISOO boss told Graham and Delevingne the outfit took “four to five hours” to pull together, which they acknowledged was more than worth it.

Jisoo at The Mark Hotel before the 2026 Met Gala: "Costume Art" on May 4, 2026 in New York, New York.

Jisoo at The Mark Hotel before the 2026 Met Gala: “Costume Art” on May 4, 2026 in New York, New York.

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ROSÉ spoke to Vogue red carpet co-host La La Anthony about her look, an Yves Saint Laurent dress with an avian theme. ROSÉ explained she was talking with celebrity stylist Law Roach about fashion and art ahead of the Met Gala and “the bird stood out because of the theme of the Met Gala this year,” she said, referencing the “Fashion Is Art” dress code for the “Costume Art” exhibit. “It helped do my homework and learn the history of Yves Saint Laurent. It was a privilege to learn the inspiration YSL had with art,” she said, referencing the Georges Braque painting The Birds on the ceiling of the Louvre in Paris, which inspired her dress.

Rosé at The 2026 Met Gala Celebrating "Costume Art" held at The Metropolitan Museum of Art on May 04, 2026 in New York, New York.

Rosé at The 2026 Met Gala Celebrating “Costume Art” held at The Metropolitan Museum of Art on May 04, 2026 in New York, New York.

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LISA arrived at the Met Gala red carpet in a sculptural look designed by Robert Wun. “I’m just so happy to showcase myself in an art form like this,” LISA said, explaining that the arms winding around her veiled gown were her own arms recreated via 3D printer. She also teased her upcoming Las Vegas residency. “It sold out!” she beamed. “I can’t wait to show my fans what I prepared.”

Lisa at The 2026 Met Gala Celebrating "Costume Art" held at The Metropolitan Museum of Art on May 04, 2026 in New York, New York.

Lisa at The 2026 Met Gala Celebrating “Costume Art” held at The Metropolitan Museum of Art on May 04, 2026 in New York, New York.

Gilbert Flores/Variety

JENNIE was the last member of BLACKPINK to hit the Met Gala, strolling down the carpet in a shimmery, silver Chanel dress by Matthieu Blazy. JENNIE told Vogue‘s Anthony her dress was made out of 15,000 sequined leaves. “I feel like a mosaic art work come alive,” she said, adding she was excited to see her BLACKPINK bandmates inside the Met Gala.

NEW YORK, NEW YORK - MAY 04: Jennie attends the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art on May 04, 2026 in New York City. (Photo by Julian Hamilton/Getty Images)

NEW YORK, NEW YORK – MAY 04: Jennie attends the 2026 Met Gala celebrating “Costume Art” at the Metropolitan Museum of Art on May 04, 2026 in New York City. (Photo by Julian Hamilton/Getty Images)

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Sabrina Carpenter attended the 2026 Met Gala in a custom Dior by Jonathan Anderson look made of an unconventional material: camera film.

“It’s all made of film, which is my dream,” Carpenter said in an interview with Vogue red carpet host La La Anthony. “Jonathan Anderson, the genius that he is.”

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Carpenter shared that Anderson and the Dior team crafted all of her Coachella looks, and afterwards “hopped right into making this dream dress.” The film stills are all from the 1954 film Sabrina, which Carpenter named as “one of [her] favorite films of all time.”

After Carpenter shared the vision behind her Met Gala look, Anthony asked her what it was like headlining Coachella.

“I don’t know, I blacked out a bit. And then I did it, and then I was driving in the car. And then that was it,” Carpenter said before calling the performance “electric.” She added, “I will remember it forever.”

Carpenter also talked about how her music and fashion intersect, sharing that she has been having a lot of fun playing with her look.

“At this point, I’m like, ‘the crazier the better.’ The more risks you take, the better the payoff,” the singer said.

Carpenter closed out her chat with Anthony by saying she’s most looking forward to seeing friends who are also in attendance at the Met Gala, along with this year’s performances and the costume exhibit.

This year, Carpenter is more than just a guest at the Gala; she’s also a member of the host committee. Also on the committee alongside the “Espresso” singer are Doja Cat, LISA, Sam Smith, Teyana Taylor and more.


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Fashion icon Janelle Monáe dazzled in custom couture by Christian Siriano at the 2026 Met Gala on Monday (May 4).

The multi-hyphenate artist wore a floor-length gown that combined nature and technology, with wires and plants intertwined all over the piece. Monáe’s look was an entanglement of cables and greenery, with moving mechanical butterflies and dragonflies dotted along her body, including a butterfly perched atop her head.

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In an Instagram post sharing a closer look at her couture, Monáe referenced her futuristic alter ego Cindi Mayweather, who has made appearances in her music since her 2007 EP Metropolis: The Chase Suite.

“And Cindi whispered from the future — remember what made you human,” Monáe wrote. In the caption, the singer also expressed her gratitude to the team that put her look together, sharing that the outfit encompassed live moss, succulents, a motherboard, ethernet cables, 230 electrical wires and 5,000 black crystals. “Thank you to the artisans and hands that built every fiber. It’s an honor to showcase your work.”

Monáe’s appearance at the Met Gala comes less than two weeks before her new film, Is God Is, is set to hit theaters. In the upcoming thriller, based on a play of the same name, Monáe plays the new wife of an abusive man who attempted to murder his previous wife and twin daughters in an intentional house fire. Monáe has an extensive acting resume, including roles in 2017’s Hidden Figures, 2018 Oscar best picture winner Moonlight and the second film in the Knives Out franchise, Knives Out: Glass Onion.


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ABKCO Music & Records has reached a settlement with Behr Paint over an in Instagram advertisement that allegedly featured an unlicensed version of The Rolling Stones’ 1966 chart-topper “Paint It, Black.”

Lawyers for Behr and ABKCO, which owns The Rolling Stones’ early catalog, filed a joint notice of settlement ending the lawsuit on Monday (May 4). Terms of the resolution were not disclosed, though ABKCO alleged in its complaint last year that synch licenses for “Paint It, Black” typically fetch fees between the hundreds of thousands and millions of dollars.

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A rep for ABKCO declined to comment on the settlement. Reps for Behr did not immediately return a request for comment. The band is not involved in the litigation.

ABKCO sued Behr in November, alleging the paint company didn’t pay to use “Paint It, Black” in a 2022 Instagram ad that showed a person spray-painting furniture. The lawsuit stated that the song, which hit No. 1 on the Billboard Hot 100 in 1966, is “one of the most valuable copyrights in the history of popular music.” Behr broadly denied all wrongdoing in an initial response to the claims.

While Instagram and TikTok have large libraries of pre-cleared music covered by blanket licenses, these free songs are only available for individual users to soundtrack their videos. Corporate accounts are limited to a far more limited commercial music library. If a popular song isn’t included, brands are supposed to buy individual synch licenses directly from rightsholders, just like in TV advertising.

Company accounts don’t always follow these rules — and these days, the music industry is cracking down via the legal system. Labels and publishers have sued companies ranging from Chili’s to Quince for copyright infringement in recent years over missing synch licenses. Like in the “Paint It, Black” case, most of these lawsuits settle relatively quickly and confidentially.


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It’s the first Monday in May and the stars have pulled out their best looks for the year’s biggest night in fashion: the Met Gala.

Held at the Metropolitan Museum of Art in New York City on May 4, the 2026 Met Gala dress code was “Fashion Is Art,” a theme that left attendees with much room for interpretation. The gala’s theme reflects the theme of the museum’s Costume Institute spring exhibition, “Costume Art.”

“Focusing primarily on Western art from prehistory to the present, Costume Art presents connections between garments from The Costume Institute and objects from the Museum’s other collecting areas,” reads a description of the exhibit on The Met’s website. “Pairings between fashions and artworks will present a spectrum of connections and experiences: from the formal to the conceptual, the aesthetic to the political, the individual to the universal, the illustrative to the symbolic, and the playful to the profound.”

For the first time in a decade, Beyoncé attended The Met Gala, and this time as a co-chair.  Nicole Kidman, Venus Williams and Anna Wintour co-chaired the event alongside Beyoncé while the gala and exhibit’s lead sponsors Jeff Bezos and Lauren Sánchez Bezos were honorary co-chairs. Alongside the co-chairs, the 2026 Met Gala also had a host committee: Sabrina Carpenter, Doja Cat, LISA, Sam Smith, Teyana Taylor, Yseult and more served as members. Lauren Graham, Cara Delevingne, La La Anthony and Emma Chamberlain served as Vogue red carpet co-hosts.

Check out red carpet photos from the 2026 Met Gala, including Sam Smith, Charli xcx and more.

What’s better than walking the Met Gala red carpet with your partner? Wearing something they designed for the occasion.

Sam Smith and their partner, designer Christian Cowan, attended the 2026 Met Gala together — both in custom looks by none other than Cowan himself. Smith and Cowan’s matching black couture was inspired by the 1920s pioneer illustrator and designer Erté, who worked at the intersection of art and fashion and whose work has graced the cover of Vogue.

Smith’s sculptural look perfectly embodied this year’s Met Gala dress code, “Fashion is Art.” Smith’s coat was adorned with over 230,000 crystals and beads, hand-placed by a team of 45 artisans over 800 hours of work. Cowen’s 1920s tailoring, adorned with more than 25,000 hand-applied beads, complemented his partner’s look. To complete their look, Smith wore a custom headpiece created in collaboration between Cowan and milliner Stephen Jones, as well as jewelry by Cartier.

Smith shared a closer look at their couture through an Instagram post made minutes before the Vogue red carpet live stream began. In the post, Smith shared a quote from Erté that reads “Art is not a thing; it’s a way.”

This marks Smith and Cowan’s third Met Gala appearance together. After being publicly linked in 2023, the five-time Grammy Winner and New York-based fashion designer made their red carpet debut as a couple at the 2024 Met Gala, where they also wore coordinated designs by Cowan. In 2025, the duo graced the carpet again in complementary couture by the designer that captured the theme “Superfine: Tailoring Black Style.”


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The Pussycat Dolls announced on Monday (May 4) that the newly reunited group — which returned as a trio — has canceled all but one of their North American PCD Forever Tour dates.

Adding to a plethora of tour cancellations across the industry, The Pussycat Dolls were set to take over arenas and amphitheaters throughout North America this summer, but all stateside shows, outside of the trio’s appearance at WeHo Festival in Los Angeles, have been canceled in what the group described as a “difficult and heartbreaking decision.”

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“We want to share an important update with you,” the announcement began. “When we announced the PCD FOREVER Tour, we hoped to bring the show to fans across the world. After taking an honest look at the North American run, we’ve made the difficult and heartbreaking decision to cancel all but one of the North America dates.”

The PCD continued: “@officiallyoutloud at WeHo Pride in Los Angeles is still happening on June 6, 2026, and we could not think of a more meaningful place to celebrate with our fans. The LGBTQ+ community has shown us so much love and support throughout our career, and we’re honored to be part of a weekend rooted in joy, pride, music, and chosen family.”

However, the U.K. and European tour dates will still go on as scheduled, and fans who have purchased tickets for the North American leg will be refunded at their point of purchase.

“Our UK and European dates are still moving forward as planned, and the response has been incredible, with several shows already sold out,” the group added. “We are putting everything into making this show a true celebration of the music and the memories, for the fans who have been with us from the beginning and those discovering us for the first time. We’re working hard to create the kind of show we’ve always dreamed of bringing to you. We cannot wait to bring this reunion to Europe and make these nights unforgettable.”

The PCD Forever Tour was set to kick off at Acrisure Arena in Palm Desert, Calif., on June 5, marking the group’s first trek since disbanding in 2010. Mya and Lil’ Kim were slated to join The Pussycat Dolls for the 53-date global tour.

Founding members Nicole Scherzinger, Kimberly Wyatt and Ashley Roberts revived The Pussycat Dolls following a brief reunion as a quintet in 2019, as the trio returned to release the single “Club Song” in March.

Before the cancellation, the trio’s members spoke to Billboard about their excitement and the “unfinished business” within the comeback. “This is really exciting for us,” Scherzinger said in April. “To be able to reclaim The Pussycat Dolls within us, in this era of our lives. Celebrating the women that we’ve evolved into and have become — and are still becoming.”

The Pussycat Dolls took off in 2005 behind the group’s PCD debut, which was powered by top 5 Billboard Hot 100 anthems “Don’t Cha” (No. 2 peak) featuring Busta Rhymes and the Snoop Dogg-assisted “Buttons” (No. 3 peak).


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As announced across social media on Monday (May 4), Twenty One Pilots is set to perform at the 52nd American Music Awards. The duo has two nominations – best rock/alternative artist and best rock/alternative album for their eighth studio album Breach, which topped the Billboard 200 last fall.

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The duo, consisting of Tyler Joseph and Josh Dunn, won in both categories last year, taking the award for best rock/alternative album with their previous album, Clancy. This year they are competing for best rock/alternative artist with Deftones, Linkin Park, The Marías and Sleep Token. They are vying for best rock/alternative album with Sleep Token’s Even in Arcadia, sombr’s I Barely Know Her, Tame Impala’s Deadbeat and Zach Bryan’s With Heaven on Top.

Another group, KATSEYE, was previously announced as a performer on this year’s show.

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Queen Latifah will host the annual special, which airs live coast-to-coast on Memorial Day, Monday, May 25, from the MGM Grand Garden Arena in Las Vegas at 8 p.m. ET / 5 p.m. PT on CBS and Paramount+. Latifah has a long history with the AMAs, having co-hosted the show in 1995 with Tom Jones and Lorrie Morgan.

The 52nd American Music Awards will air on CBS and stream on Paramount+ on Memorial Day for the second year in a row.  Tickets are now available on AXS.

Nominations for the 52nd American Music Awards were announced on Tuesday, April 14. Fan voting opened the same day and will remain open until May 8.

Last year’s 51st American Music Awards reached over 10 million unique viewers across its CBS and Paramount+ premiere and encores on MTV, CMT, and BET. The CBS broadcast marked the show’s largest audience since 2019 with a +38% increase over its last live airing in 2022 on ABC.

The American Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.

Blake Lively and Justin Baldoni have reached a settlement to end their legal war over the movie It Ends With Us, canceling a trial that was scheduled to start this month and include evidence about Taylor Swift.

Trial had been slated to begin May 18 on Lively’s allegation that Baldoni, her co-star and director on the 2024 movie, orchestrated a PR smear campaign in retaliation for her complaints of on-set sexual harassment. But on Monday (May 4), the two announced that they’d “reached an agreement to resolve the matters.”

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Terms of the settlement, including financial figures, were not made public. Baldoni did not admit to any wrongdoing; he has maintained that there was zero harassment on his set, and that his media strategy was merely a response to Lively’s bad-faith efforts to seize creative control of the film and ruin his reputation.

In a joint statement, Lively and Baldoni said, “The end product — the movie It Ends With Us — is a source of pride to all of us who worked to bring it to life. Raising awareness and making a meaningful impact in the lives of domestic violence survivors — and all survivors — is a goal that we stand behind.”

“We acknowledge the process presented challenges and recognize concerns raised by Ms. Lively deserved to be heard,” continued the statement. “We remain firmly committed to workplaces free of improprieties and unproductive environments. It is our sincere hope that this brings closure and allows all involved to move forward constructively and in peace, including a respectful environment online.”

While predominantly a movie industry battle, Lively and Baldoni’s legal dispute has also dragged in one of the biggest names in music: Swift. That’s because Baldoni claimed that Lively weaponized her friendship with the pop superstar for leverage against him.

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Swift was not on the witness list and was never deposed (despite the Baldoni team’s efforts), but her name was on a list of individuals who might come up if the case had gone to trial. This primarily would have been through her text messages with Lively that Baldoni obtained in discovery, including one in wihch Swift celebrated the use of her hit Folklore track “My Tears Ricochet” in the It Ends With Us trailer.

“If Justin was strategic he would be like no Taylor Swift in the trailer because that gives you more power over the film, that’s your ally not his,” Swift wrote to Lively in April 2024. Lively responded, “Get yourself a best friend who thinks like the actual Roman Empire.” Swift replied, “His misogyny runs so deep he thinks women are incapable of winning chess matches or making long game power plays.”

Lively’s camp has consistently maintained that Swift had no meaningful involvement in the movie and that Baldoni only brought her into the lawsuit for clout. Swift’s reps said the same when she was subpoenaed last year, writing in a statement that the maneuver was “designed to use Taylor Swift’s name to draw public interest by creating tabloid clickbait instead of focusing on the facts of the case.”

Lively’s lawyers said this wasn’t a new strategy for Baldoni; a key piece of their own trial evidence package would have been a 2024 strategy document authored by Baldoni’s publicists, which recommended “planting stories about the weaponization of feminism and how people in BL’s circle, like Taylor Swift, have been accused of utilizing these tactics to ‘bully’ into getting what they want.”


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Last Week (April 30), Billboard published the March Boxscore report, with Lady Gaga, Cardi B and Peso Pluma leading the pack. But while the biggest stars of pop, rap, Latin and more packed stadiums, comedians were road warrior-ing their way to sold-out theaters and arenas. Here, we’re looking at the five biggest comedy tours of March 2026.

Last year, Billboard launched its comedy hub with rundowns of the biggest touring comedians of the midyear Boxscore period (Oct. 1, 2024 – March 31, 2025) and of the months that followed. Sebastian Maniscalco, Nate Bargatze, and “Weird Al” Yankovic topped those lists, but another former chart-topper returns to No. 1 after 10 months away.

After first leading the list in June 2025, Matt Rife is back on top for the month of March. According to figures reported to Billboard Boxscore, his seven shows grossed $8.3 million and sold 93,300 tickets.

Rife’s last month on top represented the first leg of the Stay Golden Tour. In between American legs, he toured in Australia and New Zealand, earning $6.7 million around the world. Since landing back stateside on Feb. 28, he’s hit mid-Atlantic, southeast and Midwest markets. The biggest of all were dates at Prudential Center in Newark, N.J. (Feb. 28) and Tampa’s Benchmark International Arena (March 13), each grossing more than $1.6 million.

Keep scrolling for a detailed breakdown of the top-grossing touring comedy tours of March – by the numbers.

Boxscore charts are based on figures reported to Billboard Boxscore. International grosses are converted to USD.