As the U.K. midweek singles charts heat up, Eminem is again set to perform some serious chart magic.

His single, “Houdini,” is on track to reclaim the No. 1 spot, thanks to the hype surrounding his new album The Death of Slim Shady (Coup de Grâce). The track previously held the top position for two weeks, marking Eminem’s longest stint at No. 1.

But that’s not all— Eminem is also set to land two more tracks in the U.K. Top 10 this week. “Habits” and “Renaissance,” both from his new album, are currently sitting at Nos. 8 and 10, respectively. The rapper is also set to secure his 11th U.K. No. 1 album with his latest album, according to the latest midweek album chart data.

Em’s previous charting singles in the U.K. include “The Real Slim Shady” (2000), “Stan” (2000), “Without Me” (2002), “Lose Yourself” (2002), “Just Lose It” (2004), “Like Toy Soldiers” (2005), “Smack That” with Akon (2006), “The Monster” with Rihanna (2013), “River” with Ed Sheeran (2017) and “Godzilla” with the late Juice WRLD (2020).

In other chart news, as England geared up to face Spain in the Euros final, the nation’s excitement was palpable. The enthusiasm has propelled David Baddiel, Frank Skinner, and The Lightning Seeds’ iconic football anthem “Three Lions” back up the chart.

“Three Lions” gets the boot 21-5 on the midweek chart, but, just like the England team, is unlikely to win on this occasion. The song, originally released in 1996 and known for its catchy chorus “It’s coming home,” has become a perennial favorite during football tournaments.

Ice Spice and Central Cee’s eye-catching collaboration “Did It First” is making a strong debut, entering the chart blast at No. 17.

With such intense competition, the race for the top spot is more exciting than ever. Will Eminem’s “Houdini” hold onto No. 1, or will Sabrina Carpenter’s “Espresso” reclaim the throne?

Sabrina Carpenter, who has been a strong contender with two tracks in the top four, continues to impress with her pop prowess and dedicated fan base. And how will the potential triumph of England’s football team affect the charts?

All will be revealed when the Official U.K. Singles Chart is published late Friday, July 19.

More than a month after Min Hee-jin, CEO of HYBE subsidiary label ADOR, successfully avoided HYBE’s attempt to dismiss her from the job, another HYBE imprint has reportedly filed a lawsuit against the embattled executive and NewJeans executive producer.

On Monday (July 15), Korea JoongAng Daily reported that Source Music, the Korean label under the HYBE Labels umbrella that’s home to K-pop girl group LE SSERAFIM, has sued Min for 500 million Korean won (about $361,000), accusing her of defamation and disruption of business stemming from comments she made during two emotional press conferences she held in April — thereby damaging the LE SSERAFIM project.

During those press conferences, Min claimed that her girl group project under Source, where she previously worked, was pushed aside by HYBE after the company decided to focus its efforts on LE SSERAFIM, which notably included two members of the hugely popular girl group IZ*ONE. According to Min, that change in focus led her to move away from Source and establish ADOR — a label operating under the HYBE Labels umbrella that Min previously told Billboard “started with guaranteed autonomy” — to house her project, which eventually became NewJeans.

During the press conferences, the ADOR CEO also shared what some considered disparaging remarks about several HYBE artists and Source Music’s talent casting — telling reporters that future NewJeans member Minji was the only Source trainee she wanted to recruit and that she cast the rest of the group members herself.

Source Music has not shared a statement on the reported lawsuit. Billboard has reached out to HYBE to verify the lawsuit and offer further details.

While LE SSERAFIM’s Coachella debut in April turned the girl group into a hot topic in Korean media over the pressure put on K-pop artists, Min’s subsequent remarks turned up the heat even more. The backlash to her critiques was so harsh that it led NewJeans and its five members to disable comments on their Instagram pages in late June.

The new lawsuit marks the second time a HYBE subsidiary has filed suit against Min. In May, BELIFT LAB sued Min for defamation and obstruction of business over her comments that BELIFT’s breakout girl group ILLIT had plagiarized NewJeans, stating that the label “copied all the formulas that we had with” the group.

The new lawsuit reportedly filed by Source is just the latest development in a continually unfolding drama. On July 9, Min reportedly arrived at the Yongsan Police Station in Seoul for questioning after HYBE reported her to authorities for breach of trust. Continuing her proclivity to engage in direct media interactions (instead of putting out press releases and statements like HYBE), a smiling Min left the station after eight hours and, to the press gathered outside, called HYBE’s accusations “comedy.”

Amid the commotion, NewJeans has continued rolling out new music. In late June, the group released its first two singles aimed at the Japanese market: “Supernatural” (which peaked at No. 7 on the Billboard Japan Hot 100) and the B-side “Right Now” (which peaked at No. 47 on the same chart) before holding a fan meeting at the famous Tokyo Dome. Meanwhile, Source Music confirmed that LE SSERAFIM is set to drop new music at the end of August following the February release of its EP Easy, which peaked at No. 8 on the Billboard 200.

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Shakira officially made her Copa America debut during the final match’s halftime show on Sunday (July 14). In the midst of the Argentina vs. Colombia game, the Colombian global star took the Hard Rock Stadium by storm with a medley of old and new hits.

Presented by Verizon, the superstar, dressed in a metallic silver skirt and halter top, kicked off the performance singing “Hips Don’t Lie.”

“Te Quiero, Colombia!” (I love you, Colombia), she chanted in the middle of the song. Accompanied by a group of dancers—female and robots alike—she continued with “Te Felicito,” “TQG,” and “Puntería,” where she also flaunted her flawless dancing skills.

On TV, the soccer field showcased large 3D wolves and floating gems, all representing her new era.

Shak has taken center stage at many renowned sports events including the World Cup, Davis Cup, NBA All-Star, and Super Bowl, but this marks her first performance at the oldest international soccer tournament.

“Shakira is an extraordinary South American star who has dazzled the entire world,” Alejandro Domínguez, president of CONMEBOL, previously said in a statement. “Her songs are sung and danced to in every corner of the planet, turning her art into a global phenomenon that crosses borders and is enjoyed by millions of people. We are sure that her performance at the Copa América USA 2024 will enhance the message of healthy passion and unity through sport.”

Ahead of her performance, fellow colleague Karol G performed Colombian’s national anthem, and Abel Pintos performed Argentina’s national anthem. Feid and Maluma were also amongst the other music stars present at the match.

In the United States, Copa América 2024 is broadcast in Spanish on Univision, TUND, and UniMás, and the match is available on FuboTV, DirecTV Stream and TUND’s streaming platforms. Plus, the halftime show can be seen on FOX, Fubo Sports, Fox Sports App, FOXsports.com, TyC Sports Internacional, and FOX Sports 1.

Pest problems. Piano problems. Taylor Swift had to pause performing over a pair of unexpected, but funny, incidents during her acoustic set in Milan, Italy, on Saturday and Sunday (July 13-14).

“Swallowed another one,” Swift dryly remarked to a loud, supportive audience Saturday night in Milan, accepting her fate when a bug flew into her mouth while on stage for the surprise song section at San Siro Stadium.

The pop icon — no stranger to an unfortunate run-in with a bug on a massive tour that’s made its way to many an outdoor stadium — wasn’t surprised. “I knew it would happen ’cause there’s so many bugs here tonight,” she told the crowd, pausing for a moment and then explaining the protocol: “I just need to cough a little bit.”

She was sitting at the piano, playing a rather sad and angry Red-era mashup of “I Almost Do” and “The Moment I Knew,” when the insect intruder interfered with her art.

That mashup on the keys on Saturday followed “The 1″/“Wonderland” on acoustic guitar. (“I’ve never done this in the acoustic section before,” Swift revealed of “The 1,” the opener of Folklore. The song used to be on the main Eras Tour set list, but lost its place when Swift reworked the long-running show to include selections from her newest album, the 31-track collection The Tortured Poets Department, which remains the reigning No. 1 on the Billboard 200 albums chart for a 12th week.)

On Sunday, Swift’s acoustic guitar surprise was a mashup of “Mr. Perfectly Fine” and “Red”; her piano surprise Sunday night was “Getaway Car” with “Out of the Woods,” which she hoped the Milan audience would especially enjoy — but she didn’t get very far with that one before noticing something was not quite right with her piano.

“You know what, we finally broke it. We have finally broken this thing,” quipped Swift while someone from her tech crew swiftly helped fix the issue with the Eras instrument.

The star had trouble closing its top, but celebrated once she got it shut: “I did it!” she squealed, and with a grin got back to “Getaway Car,” starting again with its opening line: “No, nothing good starts in a getaway car.”

In planned surprises from Milan that had fans chatting over the weekend, Swift debuted three Eras Tour costumes: new dresses for her Fearless and Tortured Poets eras of the concert on Saturday, and a new gown for the show’s Speak Now moment on Sunday.

For Fearless, she graced the stage in a shimmering, black-and-gold Roberto Cavalli number (pictured at the top of this article, and in motion in the short concert video below) that was a fun fit for such a big sing-along part of show. The new look calls back to the aesthetic of Swift’s Reputation, fans noticed, feeling a bit Gatsby and art deco in design, and reminding Swifties of this bodysuit from the Rep Tour.

Swift’s new Tortured Poets costume, seen in the image below, is of the same design as her previous one — but with different lyrics wrapped around its skirt. Instead of words from the album’s “Fortnight,” the updated version of the white, corseted Vivienne Westwood dress has lyrics from Swift’s rage-filled “Who’s Afraid of Little Old Me?” “You should be,” it reminds those watching the show.

And on Sunday, Swift performed “Enchanted,” the one Speak Now song that has a permanent place within the Eras set, wearing a new ballgown in a color best described as Speak Now purple. (Check out a fan’s collage of Swift’s sparkly Speak Now gown collection from The Eras Tour.)

See highlights from Swift’s weekend in Milan in the surprise song performance clips below. Next up on the hitmaker’s Europe itinerary, she’ll get to visit Germany, bringing the summer Eras Tour to the cities of Gelsenkirchen, Hamburg and Munich.