Everyone wanted this: a lyrical death match between the biggest rappers in the game today, Drake and Kendrick Lamar. At first, things seemed rosy between the young behemoths when they collaborated on each other’s records during the early stages of their careers. As time passed, friendly fire became a volcanic eruption, sparked by Lamar’s earth-shattering feature March 22 on Future and Metro Boomin’s We Don’t Trust You album. 

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Lamar didn’t mince words, hurling daggers at Drake and Cole such as “Yeah, get up with me, f–k sneak dissing/’First Person Shooter,’ I hope they came with three switches,” before spewing more venom towards the duo. “Think I won’t drop the location? I still got PTSD/ Motherf–k the Big Three, n—a, it’s just big me.”

Though Drizzy hadn’t at the time put pen to paper just yet, he said some words to Lamar during his Sunrise, Fla., concert March 24.

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“A lot of people ask me how I’m feeling. I’m a let you know I’m feeling. Listen, the same way I’m feeling is the same way I want you to walk out this building tonight,” he said. “I got my f–king head up high, my back straight, I’m 10 f–king toes down in Florida and anywhere else I go. And I know that no matter what, it’s not a n—a on this earth that could ever f–k with me in my life!”

Billboard examines the ups and downs of what was once a fruitful and competitive relationship between Kendrick and Drake. 

On July 8, 2023, Travis Kelce attended Taylor Swift‘s Eras Tour show in Kansas City with a friendship bracelet and a dream. Exactly one year later, he’s not only dating the 34-year-old pop superstar, but has songs believed to be about him written into the exact show that started their love story — something that has fans celebrating as if it were their own anniversary on social media.

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And in honor of the occasion, many Swifties are reminiscing on the fateful sequence of events that led to the couple’s union. First, the Kansas City Chiefs tight end attempted to shoot his shot by giving Swift a homemade bracelet with his phone number on it at her Eras performances in Arrowhead Stadium, but left disappointed when he discovered that she wasn’t meeting people after her show.

That moment — which turns 1 Monday (July 8) — ended up being the genesis of Kelce’s romance with the 14-time Grammy winner. Swift somehow took notice of him after he told the bracelet story on his New Heights podcast, and the pair started dating later that summer. By the fall, they were officially a couple, with the singer attending many of his games all the way up through the 2024 Super Bowl, which the Chiefs won.

Also in that time, Swift wrote and released The Tortured Poets Department, featuring two mushy love songs — “The Alchemy” and “So High School” — fans are certain Kelce inspired. The latter track is now embedded into the musician’s three-hour-plus Eras showcase — which the athlete now regularly attends — and she seemingly personally celebrated the one-year anniversary of her beau’s first show by singing an acoustic mashup of the track with “Everything Has Changed” and “Mary’s Song” at her July 6 concert in Amsterdam with him in the audience.

In short, Swifties couldn’t be happier about how things have progressed since Kelce attended his future girlfriend’s concert a year ago. “one year ago, travis attended her show and left disappointed that couldn’t give her a bracelet with his number on it,” one person wrote on X. “today, she serenaded him with the cutest surprise song mashup to date.”

“The greatest love story of our time🥺” another fan tweeted on the anniversary date. “I can’t believe it was exactly one year ago that Travis tried to give Taylor a friendship bracelet with his number on it, how far we have come!”

A third person gushed: “You cannot convince me the invisible string theory doesn’t work because it’s been one year since travis went to eras with a friendship bracelet and a dream and now she’s f–king singing marys song which she wrote like 18 years ago with his football number in it,” referring to Swift’s lyric, “I’ll be 87, you’ll be 89, I’ll still look at you like the stars that shine in the sky.”

See more Swiftie tweets celebrating the one-year anniversary of the beginning of Tayvis below.

Prince’s former business advisors have won a key ruling in their ongoing legal battle with three of the pop legend’s heirs over the management of his estate.

In a decision issued Friday, a Delaware judge ruled that advisors L. Londell McMillan and Charles Spicer Jr. could not be ousted as mangers of Prince Legacy LLC, a company created to operate half of Prince’s lucrative estate.

Three of Prince’s heirs, led by his sister Sharon Nelson, had argued they could amend the LLC agreement to remove McMillan and Spicer from their leadership positions, but the judge ruled that such efforts were clearly invalid under the terms of the agreement.

“The LLC agreement is unambiguous and [McMillan and Spicer]’s interpretation is the only reasonable one,” Chancellor Kathaleen St. Jude McCormick wrote in the decision, which was obtained by Billboard.

Ruling that Prince’s heirs had vested the two advisors with “broad and exclusive management authority,” the judge said they could not now amend their agreement simply because they “came to regret this decision.”

Neither side immediately returned a request for comment from Billboard.

Prince had no will when he died of a fentanyl overdose in 2016, leaving six heirs to inherit equal shares in his valuable estate and sparking a long legal battle in Minnesota probate court over how the estate would be managed in the future.

When the court case finally wrapped up in August 2022, the estate was split into two companies – one controlled by Primary Wave after it purchased the shares of three heirs, and another (Prince Legacy) controlled by McMillan, Spicer and the three remaining relatives. At the time, both sides vowed to work together to bring Prince’s music and legacy to a new generation of music fans.

But in January, McMillan and Spicer sued their partners within Prince Legacy, claiming Nelson and other heirs were improperly trying to force them out as managers and “install themselves” in their place. McMillan and Spicer claimed Nelson had become “disgruntled” because they had refused to comply with her “unreasonable demands. They cited one incident in which she allegedly attempted “replace the entire staff” of Prince’s legendary Paisley Park home “with individuals of her choosing.”

The lawsuit argued that the efforts to oust McMillan and Spicer were not only barred by Prince Legacy’s operating agreement, but also posed a threat to their efforts “to preserve and protect Prince’s legacy.”

“The individual defendants lack any business and management experience, have no experience in the music and entertainment industries, and have no experience negotiating and managing high-level deals in the entertainment industry,” attorneys for McMillan and Spicer wrote at the time. “They have a documented history of infighting. Based on the amount and complexity of the work that Prince Legacy is involved with, they are simply not capable of stepping in and managing its business.”

In Friday’s decision, McCormick sided decisively with McMillan and Spicer, granting them summary judgment on their core allegation: That Nelson’s effort to amend the LLC agreement had been invalid under terms of the deal.

“Defendants’ interpretation … would lead to the absurd result of giving the non-managing members the authority to unilaterally take actions on behalf of the company and bind the company without the approval of the managing members,” the judge wrote in her ruling.

The decision will not end the lawsuit, because McCormick also ruled that McMillan and Spicer could to pursue their related allegation that Nelson and the other heirs had breached that contract when they attempted to amend the LLC agreement. That claim will be subject to future litigation.

Primary Wave, which controls the other half of Prince’s estate, is not involved in the litigation nor accused of any wrongdoing.

Kendrick Lamar’s “Not Like Us” has permeated different avenues of pop culture, and now, even libraries are feeling the impact of the Drake diss. The Los Angeles Public Library went viral over the weekend when it posted a video to TikTok and Instagram over the weekend, debating whether its owl puppet needed to say farewell for good following the arrival of the diss track’s video on July 4.

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In the visual, the rapper “wop wop wop wop wops” a giant owl piñata while the screen notes “NO OVHOES WERE HARMED DURING THE MAKING OF THIS VIDEO.” The visual ends with a scene of an owl in a cage.

“Do we need to retire our owl puppet,” the library asks in the clip, which features “Not Like Us” booming in the background. “Let us know,” the Instagram caption also said. The library’s raccoon puppet wraps the owl — synonymous with Drake’s OVO brand — in a blanket and closes the storage bin’s lid on him in a ceremonial burial of sorts.

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West Coast fans loved to see the L.A. Library enter the feud and most found the skit to be funny. “THE LIBRARY! I thought it was done done when Duolingo got in on the beef, but I think this does it,” one person wrote on TikTok.

“LA standing on business,” a fan replied.

Another person joked about how this made them want to pay their late fees on books, but it turns out the library doesn’t even have late fees anymore.

The momentum of “Not Like Us” doesn’t look to be waning anytime soon with Kendrick’s victory lap taking over the summer on the West Coast.

The Mustard-produced anthem may receive another boost on the charts with the arrival of the track’s music video. On last week’s Billboard Hot 100, “Not Like Us” held strong in the No. 3 slot in its eighth week on the chart.

Kendrick delivered the live debut of “Not Like Us” on Juneteenth during his Pop Out concert at L.A.’s Kia Forum, which made for a memorable hip-hop moment with mentor Dr. Dre kicking off the performance alongside K. Dot on stage.

Watch the Los Angeles Public Library’s clip about its owl below.

Back when she released the Spanish-language reggaeton Rauw Alejandro collaboration “Cambia El Paso” in 2021, Jennifer Lopez was coming out of a difficult time in her life. The song co-written by the two singers dropped just after Lopez split with longtime fiancé former MLB star Alex Rodriguez, and in a chat with Apple Music 1’s Zane Lowe at the time Lopez said the track was about moving on, pointing out that the title translates into: “change the step.”

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“I’m super happy. I know people are always wondering. How are you? What’s going on? Are you OK? This is it. I’ve never been better,” she told Lowe. “And I want my people who care about me, because I care about them so much, to know that I’ve really gotten to a place in my life where I’m great on my own. And I think once you get to that place, then amazing things happen to you that you never imagine in your life happening again. And so that is where I’m at. And I love all the love that’s coming my way right now and all of the, the good wishes. And I just want everybody to know that it’s the best time. It’s the best time of my life.”

The conversation came at a time when Lopez was spotted spending time with her former fiancé, actor Ben Affleck; after two decades apart, the two tied the knot in July 2022.

Now, the couple are reportedly going through a rough patch amid rumors of marital strife, though neither artist nor their reps have offered any public statements to date about the status of their marriage

Which is why fans were wondering about the timing of Lopez’s repost of a snippet of the “Cambia” video on Sunday. The singer titled the throwback “Happy Anniversary ‘Cambia El Paso,’” in celebration of the original July 5, 2021 release date. The brief clip features Lopez dancing and posing on the beach and city streets, rolling around in the sand in a silver bikini top and short jean shorts.

While the video only has Lopez, 54, singing the title in Spanish and lyrics about how “all she wanna do is dance, dance, dance dance,” other lines from the song have long been construed as having a not-so-subtle double-meaning. “Her life is better now without him/ He knows that his hips do not fail him/ You don’t need anyone to be well/ She doesn’t fail, she doesn’t fail,” Lopez sings on the track in Spanish in lyrics not included in the Instagram post. The homage initially featured a number of supportive comments from fans earlier in the day, but by noon on Monday (July 8) it appeared as if all comments had been removed.

Back on June 27, Lopez similarly paid tribute to another milestone in marking the 10th anniversary of her eighth studio album, A.K.A.

People noted that Sunday’s post came after Lopez appeared to spend the Fourth of July weekend in New York away from Affleck, 51, who was reportedly in Los Angeles. The last time Lopez appeared to feature Affleck in an Instagram post was on March 2 when she was promoting her documentary, The Greatest Love Story Never Told. The two were also spotted last month, reportedly arriving separately to celebrate the graduation ceremony for the actor’s 12-year-old son, Samuel.

In the Lowe interview from 2021, Lopez further explained that “Cambia” was about “change and it is about taking a step … when things don’t feel right… To me that represents joy, happiness, life… it just represents happiness to me, because I love dancing so much because it’s kind of my first love, it represents joy, happiness, a freedom… All she wants to do is be happy. All she wants to do is live.”

Check out Lopez’s post and watch the “Cambia El Paso” video below.

Hip-Hop has spoiled us. In the 50 years since a group of kids decided to throw a party in the Bronx, the genre has grown and blossomed in ways Kool Herc couldn’t have imagined. Hip-hop left New York and moved south to Atlanta, Miami, Memphis, and Houston, and west to Chicago and St. Louis. It took up shop out in Los Angeles and The Bay Area and reinvented itself before moving back across the country. And in that time, as it worked its way across this country, we’ve been fortunate to experience a seemingly endless amount of incredible, culture-shifting, delectable, classic albums.

There have been so many amazing albums that it’s damn near impossible to capture them all in one list. You can point to any corner of the map and find 50 albums that could be the best album ever made. As a matter of fact, you’ve probably already had this conversation multiple times at parties or over dinner or in your various group chats. It’s a tough nut to crack. But, it’s a challenge we relish.

So, to round off Black Music Month, we decided to attempt the impossible and rank the 100 greatest rap albums of all time. Yep, of all time — and, yep, from all regions. A few members of our staff huddled to come up with a list of albums we believe represent the best of what the genre has given us over the past 50 years. We had a few criteria when deciding: We only included full-length projects that were commercially released, so no mixtapes or EPs. We took into account the world into which the album was released: Did it break new ground or was it just a different version of a more popular album? We weighed the album’s impact and how it’s endured over time: Did it change the game? Do people still play it? And, of course, since we’re Billboard, we took into account how the albums performed commercially — though ultimately, that was a lesser consideration.

To make this more digestible, we’ve been rolling the list out 25 albums at a time. Now we’ve come to the top 25. Today (July 8), we’ll go through 25 to 11, and this Thursday (July 11), we’ll reveal what we here at Billboard believe are the 10 greatest hip-hop albums of all time. As ever, getting to 100 was a massive undertaking. There are albums you love that didn’t make the list. That’s just how it goes, but if there are projects you strongly believe deserved to be on the list, let us know.

Enjoy.

Kesha is loving all the new music female artists are releasing this year, but especially Sabrina Carpenter‘s.

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In a TikTok posted Sunday (July 7), the “Tik Tok” singer cited the 24-year-old rising star as an example of why she’s pumped to be part of the music industry as of late. “the ladies are holding it down with new music this summer,” she wrote over a clip of her vibing to Carpenter’s Billboard Hot 100-topping “Please Please Please,” modeling a spangly gold top.

“proud to be a woman in music,” Kesha added in her caption.

Indeed, this summer has already proven to be dominated by women musicians. Along with “Espresso,” Carpenter occupied two of the top five spots in the Hot 100 chart dated July 6, while six female artists charted in the top 10 of the Billboard 200 the same week for the first time this decade, thanks to projects from Taylor Swift, Gracie Abrams, Billie Eilish, Chappell Roan, Ariana Grande and Charli XCX.

Plus, Kesha recently entered the ring with her new single “Joyride,” which dropped on the Fourth of July in honor of the 37-year-old superstar’s newfound independence. The track marks her first release since fulfilling her contract with Kemosabe Records and settling her nearly decade-long defamation lawsuit with the label’s founder, Dr. Luke; in 2014, she alleged that he had drugged and raped her after a 2005 party. In announcing their settlement, the producer denied Kesha’s claims, saying in a joint press release, “I never drugged or assaulted her and would never do that to anyone. For the sake of my family, I have vigorously fought to clear my name for nearly 10 years.”

“Good news: I’m a free motherf–king woman,” Kesha said at New York City’s Planet Pride in June, where she debuted “Joyride” for her audience days ahead of its release. “And do you know what I want to do? I kinda wanna play my first song in almost 20 f–king years … as a free motherf–king woman.”

Kesha isn’t the only star who’s lauded Carpenter for her wildly successful summer recently. Last week, Taylor Swift commented on one of the “Feather” singer’s posts — in which Carpenter celebrated selling out her first-ever arena tour — and wrote, “SUMMER OF SABRINA AND MAY IT CONTINUE FOREVER 😇.”

See Kesha’s post praising Sabrina Carpenter below.

Tia Ray was the top winner at China’s 2nd Wave Music Awards, which were presented in Beijing on June 20. The event was initiated by the Wave Music Committee and organized by Tencent Music Entertainment Group (TME), an online music platform in China.

Tia Ray (born Yuan Yawei) won the best female singer award, and also received honors for record of the year and best pop album for Allure.

Tia Ray, 39, a singer-songwriter from Hunan, China, rose to fame in 2012 as a contestant on the televised singing competition The Voice of China. She has since released four albums, all of which she co-wrote and co-produced.

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After almost three months of evaluation, the Wave Music Awards selected the most representative Chinese music works from nearly 10,000 new songs and more than 500 albums released in 2023. A total of 35 awards were presented across seven categories, including singer, style, creation and technology.

Album of the year was awarded to Flow by Faith Yang, 50. Song of the year went to “Mother and Daughter” by Huang Qishan, 56, and Curley G, 25.

Other highlights included best male singer won by JJ Lin, and best group, which was awarded to Radio Mars. Leah Dou’s “Monday” won best pop song, while Chinese rock band Young Drug’s “Flower” earned the best rock song award.

The Wave Music Awards also presented honors in the fields of creation and technology. Dao Lang’s “Luocha Haishi” won best lyrics, JJ Lin’s “Dust and Ashes” won best composition, Jude Qiu’s “Please Unfriend Leo” won best arrangement, Xu Jun’s “OPEN IT” won best album production, “The Source of Life” by Lowell Lo and Jonathan Lee won best single production, Faith Yang’s “Flow” got best recording studio engineering album and Eason Chan’s “Something Missing” won best music video.

The ceremony also featured performances by 11 artists with diverse styles. Such award winners as Huang Qishan, Yu Kewei, Leah Dou, Young Drug performed their honored works.

Ice Spice keeps her side of the street clean, especially when Taylor Swift is involved. When fans at the rapper’s Rolling Loud Europe set started booing her “Karma” collaborator’s song Sunday (July 7), the former had the best reaction: blowing kisses to the haters and keeping things moving.  

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The moment came when Swift’s part of the duo’s “Karma” remix — which reached No. 2 on the Billboard Hot 100 after Ice hopped on the track last year — started playing over the speakers during the 24-year-old Bronx native’s festival set in Austria. “Swifties, make some noise!” Ice cheered, to which a group of fans started booing loudly, waving thumbs-down symbols. 

Ice, however, was unbothered. Instead of directly acknowledging the negativity, she simply blew a kiss and gave a stony expression, seemingly in the haters’ direction, before moving right along.  

The “In Ha Mood” artist was one of several musicians to take the stage at this year’s European edition of Rolling Loud, where she also performed tracks such as “Gimmie a Light” and new single “Phat Butt.” Nicki Minaj, Playboi Carti and Travis Scott served as headliners, while Gunna, Sexyy Red, Don Toliver, Offset and more were billed on the 2024 program as well.  

And if some festivalgoers were expecting Ice not stand by Swift, they were sorely mistaken. Both artists have been vocal in their support for one another since coming together on “Karma,” with the pop star asserting on more than one occasion that the rapper is the “one to watch.” 

Ice has also said that Swift often acts as a guiding light for her when it comes to her career. “When I was in the studio with Taylor, like, I’ll never forget that,” the rapper shared with Billboard in the March 2024 issue. “She told me, ‘No matter what, just keep making music and everything’s going to be fine.’”

The younger musician is currently gearing up to release her debut album, Y2K!, on July 26. After teasing that the project features more than one A-list collaboration, many fans have speculated that Swift may make an appearance for a “Karma” sequel — but Ice isn’t giving anything away just yet.  

“I don’t know,” she said at the BET Awards in June when asked about the rumors, giving a coy smile. “Let’s see, let’s see, let’s see.” 

See the moment Ice Spice blew kisses at her crowd while “Karma” played at her Rolling Loud Europe set. 

Nicki Minaj canceled a planned set at the SAGA Festival in Romania on Sunday night (July 7) after the rapper said her security team warned her of potential issues due to a protest reportedly planned in Bucharest on Monday (July 8).

“Out of concern for the well-being of our team and myself, I have been advised by my security detail not to travel to Romania’s festival tonight due to safety concerns regarding protests in the area,” Minaj tweeted on Sunday night just hours before she was slated to take the stage. “I look forward to seeing you all at another time.”

Minaj noted that the decision was also made with her family in mind. “As a mom, I have to make sure I’m making sound decisions for me to make it home to my son and for my team to make it home to their families,” wrote the mother of a three-year-old son with husband Kenny Petty. “To not heed the advice of security at this time is simply not what I think I should be doing. I love you and thank you for your understanding and support. I am very excited to see my fans this Friday in London for another very special headlining show at Wireless Festival.”

Minaj was slated to headline the weekend festival that also featured sets from Armin Van Buuren, Raye, Rita Ora, Hardwell and Tyla among many others. The MC did not specify what the security concerns were and at press time a spokesperson had not returned a request for additional information on the cause of the show’s cancelation; in addition, at press time there appeared to be minimal reporting about a protest in Bucharest on Monday.

According to Rolling Stone, SAGA festival organizers issued a statement on Sunday, writing, “It is with a heavy heart that we have to announce Nicki Minaj has just cancelled her performance due to concerns for her and her team’s well-being in Romania… This has nothing to do with SAGA, and is beyond our powers. The news has left us all devastated, and we know it’s a huge disappointment for all of you, just as it is for us.” Organizers reportedly said that all unscanned tickets for the sold-out Sunday festival gig would be refunded.

The MC also reportedly ran into some issues during her show at Malahide Castle near Dublin, Ireland on Saturday night, when fans complained she took the stage late and performed a shortened set. The Irish Independent reported that some Barbz were demanding a full refund after Minaj was said to have made fans wait in the rain for 45 minutes before reportedly taking the stage after 10 p.m. local time, then cutting the gig short after 45 minutes. Other reports place her stage time between 60-63 minutes. Before the show, producer MCD Productions noted in an X post that “Nicki Minaj’s set is due to start at 8.20 pm,” noting that “the licensed curfew is 10:30pm.”

Typical set times on Minaj’s current tour have been running between 60 and 75 minutes according to setlist.fm and it appeared that the rapper performed for just over an hour in Dublin after being played on by her tour DJ, DJ Boof.

Minaj posted a series of pics from the set in Dublin — which she dubbed “#GagCityDUBLIN” — with followers taking to the comments section to air their disappointment about both shows. “girl when are you coming to romania if you didn’t attend saga?,” wrote on about the scotched Romania gig, with an Irish fan adding, “You have no respect for your fans @nickiminaj actually awful €100 for us to get drenched in the rain for you to play for 40 mins wow its actally shocking!!! No manners young kids badly disappointed you have no morals woman !!!! I hope all your future shows are boycotted.”

In another Instagram post featuring footage of Minaj preparing to take the stage in Dublin, fans continued to complain about the show, with one writing, “Worst gig ever, arrived on stage at 9.50, kept fans waiting in the lashings of rain, proceeded to have loads of length costume changes, lots of fans left disappointed,” with another saying, “The real reality?….Dublin mad as f cause she’s turned up hours late and people had to leave cause they were standing in rain for hours waiting.”

While Minaj has not made any additional statement beyond the one concerning the show in Romania, the rapper did cryptically post a series of images of the terrifying Chucky from the Child’s Play movies on her X account with no additional comment late Sunday night.

This isn’t the first hiccup on the tour. Minaj was arrested in Amsterdam in May on her way to perform in the UK at Manchester’s Co-Op Live after being detained by Dutch police who reportedly found “dozens of joints” in her luggage; shortly after, Minaj canceled a planned June 2 show at Ziggo Dome in Amsterdam.

The next gig on Minaj’s Pink Friday 2 tour is slated for Friday (July 12) at the Wireless Festival in London.

See Minaj’s statement below.