Chester Bennington‘s son is currently at odds with some of Linkin Park‘s fanbase, with the 28-year-old recently alleging that people have been “cruel, unusual and aggressive” to him following his criticism of the band’s reunion.

In a slew of videos posted to Instagram Stories on Monday (Sept. 9), Jaime opened up about wanting to attend Linkin Park’s fast-approaching comeback show in Los Angeles, in spite of his qualms with the group’s new vocalist Emily Armstrong. However, he claims his late father’s former bandmates didn’t offer him a ticket — and even if they had, he wouldn’t feel safe in the crowd.

“I haven’t heard anything back from the band themselves, which is not unexpected,” Jaime says in the clips. “They didn’t come to me with this announcement, they didn’t ask me how I felt.”

“There are a lot of people who do not like me,” he continued. “There are a lot of people saying some real awful sh– right now to me. To be honest, I don’t think I’d feel safe going to the show under general admission … I don’t know who would take it upon themselves to respond to me in an aggressive manner. The audience themselves could actually be unsafe for me.”

Jaime’s comments come shortly after he lobbed criticism at Linkin Park for tapping Armstrong as the band’s new co-vocalist, accusing Mike Shinoda of “quietly erasing my father’s life and legacy in real time.”

“You betrayed the trust loaned to you by decades of fans and supporting human beings including myself,” he added at the time, slamming Armstrong’s past connection to Scientology and support of convicted rapist Danny Masterson. “We trusted you to be the bigger, better person. To be the change. Because you promised us that was your intention. Now you’re just senile and tone deaf.”

In response to the backlash, the Dead Sara co-founder issued a statement on Sept. 6 distancing herself from the That ’70s Show star. “Several years ago, I was asked to support someone I considered a friend at a court appearance and went to one early hearing as an observer,” she said. “Soon after, I realized I shouldn’t have. I have never spoken with him since. To say it as clearly as possible: I do not condone abuse or violence against women, and I empathize with the victims of these crimes.”

All of the commotion follows the band’s announcement that Linkin Park would be returning in 2024 after a seven-year hiatus sparked by the death of Chester in 2017. In addition to the lineup changes, the rockers will be releasing a new album, From Zero, on Nov. 15, and embarking on a massive tour starting with six arena shows kicking off Wednesday (Sept. 11) at the Kia Forum.

But much like Linkin Park’s fanbase, Jaime has conflicted feelings about the band’s new direction. “I want to go [to the concert],” he said on his Story. “There are reasons that I might not be allowed into the venue, which I can’t talk about right now, but unless I’m told explicitly, ‘You can’t go for this reason,’ I do want to go.”

“So many of these Linkin Park fans who will be attending have been cruel, unusual and aggressive,” he added. “You’re telling me to kill myself, you’re telling me that I’m awful, you’re telling me that my father doesn’t appreciate me … What are you talking about? You didn’t give a f–k when he died. If you did, you would understand what the problem is. You would understand why this is all wrong.”

The elusive Janis Joplin biopic is closer to reality, as Shailene Woodley has received a commitment for a $2.49 million tax credit from the California Film Commission for the film, it was announced Tuesday (Sept. 10).

“I have a feeling Janis would be smiling ear to ear, zipping down the PCH in her psychedelic Porsche knowing her story is bringing opportunities and funding to the city and people that held so much significance to her,” Woodley, who will star in and produce the film, said in a statement.

“Thank you to the California Film Commission’s Film & Television Tax Credit Program — myself and the other producers on this project believe California is the only place to film a slice of Janis’s life with authenticity and truth — and we are so grateful to have received the green light to do so!” the Big Little Lies star added.

The Joplin biopic from Temple Hill qualified for just under $10 million in production expenditures for a 30-day shoot in California, according to the state’s film commission.

The Joplin biopic from Temple Hill qualified for just under $10 million in production expenditures for a 30-day shoot in California, according to the state’s film commission.

Joplin died in 1970 at age 27 and a biopic of the legendary singer has yet to be produced, but not for a lack of trying. Amy Adams, Zooey Deschanel, P!nk and Melissa Etheridge, among others, were earlier on board to play Joplin in movies that never got to production.

In all, the California Film Commission awarded $51.6 million in tax credits to 19 projects to shoot in the state. That also includes keeping the Universal Content Productions’ Suits LA series from leaving Los Angeles for a rival locale.

“Suits LA is a show whose characters are deeply ensconced in the world of film and television. Being able to shoot here will be a huge part of the show’s authenticity,” Suits LA showrunner Aaron Korsh said in a statement.

Other projects qualifying for local tax credits include the reboot Community – The Movie, executive produced by Dan Harmon and Andrew Guest, and reuniting the original cast for this film adaptation and an untitled Screen Gems project.

This article was originally published by The Hollywood Reporter.

On Nov. 1, A&M/UMe is set to release the Carpenters’ Christmas Once More, a new collection featuring 16 Carpenters holiday classics, personally curated by Richard Carpenter. This newly remixed and remastered set includes fan favorites such as “Merry Christmas Darling,” featuring the Royal Philharmonic Orchestra, “Sleigh Ride” and “(There’s No Place Like) Home for the Holidays.” The album title is a play on the title of the duo’s 1973 pop smash “Yesterday Once More,” which was later used as the title of a 1985 hits collection by the duo.

The Carpenters have been associated with Christmas since 1970, the year they burst to stardom with “Close to You” (Billboard’s No. 1 Song of the Summer for 1970) and “We’ve Only Just Begun.” That holiday season, they released “Merry Christmas Darling,” a nostalgic Richard Carpenter-Frank Pooler ballad that reached No. 1 on Billboard’s annual Christmas Singles lists in 1970, 1971 and 1973.

The song remains a classic. “Merry Christmas Darling” ranked No. 41 on Billboard’s 2023 list of the 100 best Christmas songs of all time. Melinda Newman praised the song’s “dreamy reverie” and especially Karen’s lead vocal. “Her vocal on ‘Merry Christmas Darling’ as she longs for her loved one, who is away for Christmas and New Year’s Day, is pure, sublime perfection. She conveys the perfect mix of yearning, sadness and hope since she knows, even though it’s unspoken, they will be joyfully reunited after the holidays. Over 50 years since its release, it’s still the soundtrack for any college couples separated during the holiday break.”

“Merry Christmas Darling” was re-released in 1974 with a torchy ballad version of “Santa Claus Is Coming to Town” on the B side. It was released again in 1977 with “Christmas Song” on the B side. Also in 1977, the Carpenters headlined their first holiday TV special for ABC, The Carpenters at Christmas. In 1978, finally, they released their first holiday album, Christmas Portrait. It coincided with the release of a second holiday special for ABC, The Carpenters: A Christmas Portrait, which featured film legend Gene Kelly as a guest star.

Christmas Portrait has logged 66 weeks on the Billboard 200. Among the duo’s albums, only Close to You has logged more weeks on Billboard’s flagship albums chart (87).

Richard had a unique idea for creating a near-continuous work that would mix hymns, pop tunes, vocals and instrumentals.  He did some of the orchestral arrangements himself, while others were assigned to Peter Knight and Billy May.

“With Karen’s marvelous leads,” Richard has written, “combined with an oversize studio orchestra and chorus, terrific arrangements, and timeless music, Christmas Portrait was, and is, an almost incomparable Christmas album.”

Enough material was recorded during the Christmas Portrait sessions to allow for the release of a second Carpenters holiday album, An Old-Fashioned Christmas, in 1984, the year after Karen’s untimely death at age 32. In 1990, Christmas Portrait – The Special Edition combined tracks from both Carpenters’ seasonal LPs with some additional material. Now comes Christmas Once More, which will be available in multiple formats, including CD, black vinyl, limited-edition gold vinyl, digital download, streaming and ATMOS.

There have been numerous indications in recent years of the Carpenters’ continuing audience appeal. A 1998 compilation, Love Songs, rode the Billboard 200 for 25 weeks. Carpenters songs have been featured in several hit movies, such as 2007’s The Simpsons Movie (which memorably featured “Close to You”). Both “Close to You” and “We’ve Only Just Begun” have been voted into the Grammy Hall of Fame.

The Carpenters got an unexpected shout-out on a global stage in March 2023. While accepting an Academy Award for best original song for “Naatu Naatu” from RRR, M.M. Neeravaani said, “Thank you, Academy. I grew up listening to the Carpenters, and now here I am with the Oscars.” He then proceeded to sing his acceptance remarks to the tune of the duo’s Billboard Hot 100-topping smash “Top of the World,” a move that charmed the audience at the Dolby Theatre in Hollywood and the global TV viewing audience.

Here’s the track listing for the CD edition of Christmas Once More.