All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Boost your skincare routine with Clinique’s Mini Moisture and auto-replenishing hydrator. This TikTok-approved gem offers an all-day glow and can help keep your skin feeling fresh. Its lightweight, oil-free and gel-based moisturizer aims to deliver deep hydration for up to 100 hours, leaving your skin plump and glowy. It’s also great for all skin types.

“Moisture Surge goes on easy and stays on. My skin is still smooth and moisturized in the morning. I would definitely recommend this product for sensitive skin,” a Target customer said.

According to the brand, this moisture is allergy-tested, paraben-free, phthalate-free and 100% fragrance free. Being allergy-tested helps ensure it’s gentle on the skin, reducing the risk of irritation. Plus, the absence of parabens and phthalates means you’re avoiding potentially harmful chemicals that can disrupt hormones.

One Ulta Beauty customer said, “Best moisturizer I have ever used … my skin feels so hydrated! Doesn’t feel heavy or greasy on the skin. Has great texture would definitely recommend!”

You can find this Clinique Mini Moisture at Target, Walmart, Amazon and Ulta Beauty.

Clinique Mini Moisture Surge Auto-Replenishing Hydrator

$47

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Clinique’s mini moisture and auto-replenishing hydrator is available in three different sizes: 0.5 oz, 1 oz, and 1.7 oz. Its compact size also makes it easy to take with you wherever you go.

Customers love that it’s long lasting and easy to use. The brand recommends using it “morning and night on clean skin.” You can also use it over your makeup “as a dewy highlighter.”

For more product recommendations, check out ShopBillboard‘s roundups of the top 15 Under $15 budget-friendly beauty finds, this $15 face cream with snail mucin and these travel-friendly Olay Face cleansing melts.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

College football has officially returned for the 2024 season, with kickoff taking place Thursday (Aug. 29). Current students, alumni and sports fans alike can look forward to rooting for their favorite teams in the Big Ten conference, whether you’re heading to a game or planning to tune in to live TV coverage. Even if you’re a cord-cutter, there are still streaming options available to keep you plugged in and connected to all the action that happens on the football field.

Our suggestion: Check out Sling TV, which lets you livestream the games online and has affordable plan options to choose from.

The Big Ten is split into two divisions — East and West — and there are 18 teams in the conference this year: Illinois, Indiana, Iowa, Maryland, Michigan State, Michigan, Minnesota, Nebraska, Northwestern, Ohio State, Oregon, Penn State, Purdue, Rutgers, UCLA, USC, Washington and Wisconsin. Some teams will also face inter-conference opponents throughout the season.

The Big Ten 2024 kickoff will take place Thursday (Aug. 29) at 3 p.m. PT/6 p.m. ET with Howard vs. Rutgers on B10 Network.

Keep reading to learn how to watch Big Ten college football games without cable.

How to Watch Big Ten College Football Without Cable

The 2024 Big Ten football season will be aired across a variety of cable channels including FOX, FS1, BTN, CBS, ABC and NBC. Viewers with cable can tune in for free — just check your network provider’s channel guide to see where the games are being broadcast. If you don’t have cable, you’ll need to rely on live TV streaming options to livestream Big Ten college football games.

Sling TV is currently offering a promo where you can get the Orange & Blue package in addition to the Sports Extra for just $199 when you prepay for four months of service. The promo is eligible for new and returning subscribers, and includes 70 channels including ABC, Fox, NBC and FS1 through the Orange & Blue plan as well as BTN, ACCN, SEC, PAC 12 and ESPNU with Sports Extra.

The streamer also offers DVR access that will let you record Big Ten games to watch on demand later as well as the ability to stream on up to four devices at once.

B10 Schedule for Week 1

Below, you can find the schedule for upcoming games and channels, or check out the full Big Ten college football schedule here.

Thursday (Aug. 29):

Friday (Aug. 30):

Saturday (Aug. 31):

Sunday (Sept. 1):

In an era of infinite niches and personalized playlists, rock band Incubus is giving concertgoers the kind of shared experience they had while growing up together in Calabasas, Calif., on the outskirts of Los Angeles. The five-piece is currently on a 10-city arena tour, Morning View + The Hits, and playing its album Morning View in its entirety before tacking on eight or so favorites (such as “Drive” from 1999’s Make Yourself and a cover of The Beatles’ “Come Together”). 

Albums are “nostalgic sort of experiences,” guitarist Mike Einziger tells Billboard’s Behind the Setlist podcast. For the band’s older fans, the concert might take them back to buying the Morning View CD in 2001 and listening from start to finish. “But people don’t consume music that way anymore,” he says. For the band’s younger fans who are most comfortable streaming playlists, the Morning View tour could be a first time hearing the songs in their original sequence. “So, it’s like kind of, in my opinion, a really welcome now departure from the way that people listen to music,” says Einziger.

For all the familiarity built into playing an album in its entirety, the songs aren’t a carbon copy of the versions originally released in 2001. As the band was re-recording the songs of Morning View for its latest release, Morning View XXIII, it realized they no longer performed the songs as they did when recording the album decades ago. Parts of songs had “naturally evolved into sounding different,” says singer Brandon Boyd. “For example, ‘Echo’ has, like, a different ending that we kind of added to it. The song ‘Nice to Know You,’ which starts off the record, begins differently.”

The band’s lineup has changed since Morning View was originally released, too. Boyd, Einziger and drummer José Pasillas founded the band in 1991. DJ/keyboardist/multi-purpose player Chris Kilmore has been with the band since 1998. Original bass player Alex Katinuch’s replacement, Ben Kenney, left in February. “We have a new bass player, Nicole Rowe, who’s kind of brought her own sort of new energy into the mix of what we’re doing,” says Einziger. “A new member of the band just changes a lot of the dynamics.”

The Morning View + The Hits tour stops Thursday (Aug. 29) at New York City’s Madison Square Garden, goes to Boston’s TD Garden on Aug. 31 and heads west before finishing at San Francisco’s Chase Center on Sept. 12.

Listen to the entire interview with Brandon Boyd and Mike Einziger via the embedded Spotify player below, or go to Spotify, Apple Podcasts, iHeart, Amazon Music or Everand. 

A federal judge says Universal Music Group and Playboi Carti didn’t abuse the Digital Millennium Copyright Act when they issued a takedown notice – erroneously, it turns out – against another rapper’s song that used the same beat.

A rapper named G-Baby (Jordan White) sued the label and artist last year after they red-flagged his song “Oi!” for using the same underlying beat as Carti’s “Right Now.” The takedown turned out to be wrong — G-Baby had legally licensed the same beat that Carti had, and he had actually released his song first.

The lawsuit claimed that the move violated the DMCA’s safeguards against improper takedowns, but a judge dismissed those claims Tuesday – citing previous decisions that such restrictions only prohibit intentionally false use of the takedown system.

“Because the DMCA requires only a good faith belief that material is infringing, a copyright holder is not liable for misrepresentation under the DMCA if they subjectively believe the identified material infringes their copyright, even if that belief is ultimately mistaken,” Judge Analisa Torres wrote.

In G-Baby’s case, the judge noted that he had effectively conceded that the UMG employee who flagged “Oi!” as a copyright infringement did not know that the rapper had properly licensed the beat: “This admission alone dooms White’s claim against UMG,” Torres wrote.

According to Tuesday’s decision, G-Baby paid $250 to producer Pi’erre Bourne (Jordan Timothy Jenks) in 2017 for a non-exclusive license to an instrumental track, which he later used as the basis for “Oi!” The next year, Carti (Jordan Terrell Carter) used the same beat in “Right Now,” a track on the album Die Lit, which reached Number 3 on the Billboard 200.

Shortly after Carti’s song was released, a UMG “content protection specialist” flagged two posts on Twitter in which G-Baby had shared his song. Eventually, the Recording Industry Association of America filed a DMCA takedown, which succeeded in getting the track pulled down from Twitter.

In his lawsuit, G-Baby claimed that UMG had intentionally sought out his song because of animosity from Carti, who he claimed was unhappy that the same beat had been used by someone else.

“Carter and Jenks knew that ‘Oi!’ was properly licensed and not infringing, yet decided to conspire with Universal,” the rapper wrote in his complaint. “Carter, Jenks, and Universal sought the take-down of White’s song with the specific intent of harming White.”

But in Tuesday’s ruling, Judge Torres ruled that even if Carti and Jenks knew that G-Baby’s song was properly licensed, there is no evidence that this information was ever communicated to the UMG staffer who flagged the song for removal.

“White cites no caselaw for the proposition that one employee’s knowledge that a use may be non-infringing should be imputed to another employee who independently issues a takedown notice on behalf of the company,” the judge wrote.

As for Carti himself, Judge Torres ruled that there was no evidence that the rapper had any involvement in or knowledge of the takedown process – meaning he, too, could not have violated the DMCA’s rules.

“Although Carter may well have been aware of (and displeased with) White’s license to use the beat, White has failed to establish that Carter had any part in the takedown notices,” the judge wrote.

Attorneys for both sides did not immediately return requests for comment.