“Welcome to Pearl Jam’s 50th show in New York City,” Eddie Vedder said to a rapturous response on stage at Madison Square Garden on Wednesday night (Sept. 4), the second of two shows the iconic band from Seattle played at the World’s Most Famous Arena this week.

“And for that we are grateful and want to pay that back. So enjoy yourselves to the finest — and Mike McCready promises to do the same,” he added, before the lead guitarist ripped into a searing version of “Evenflow,” playing an extended epic solo with his guitar behind his back.

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That was one highlight of a show full of them, and one that captured the band in its element: pushing songs to the limit, having fun with the crowd and also getting serious about some of the big issues in the country and the world at large. 

“The rights of women are not just being threatened, they are already being taken away,” Vedder said after “Evenflow,” a handful of songs into the band’s two and a half hour set. “I know it’s a little early to be getting into this s–t, but let’s get it over with! So the right to choose issue, it used to involve religious fanatics, and then politicians got involved, not because they care one way or another, they just would like the votes. And it’s evolved into judges, and women of all ages are up against a Supreme Court. So there’s good news: It’s time to vote, and as the great Patti Smith said, people have the power. Never have truer words been spoken. Women, feel empowered; women, vote for your own interests, and help a sister out while you’re at it.”

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The band then went into “Daughter,” with an extended outro to the melody of Pink Floyd’s “Another Brick In the Wall Pt. 2,” in which Vedder changed the lyrics to sing, “Keep your bans all off our bodies/ politicians leave our girls alone/ Judges leave our girls alone.”

It wasn’t the only time Vedder, wearing a Walter Payton Chicago Bears jersey, and the band addressed the outside world. On a day in which the U.S. saw another mass school shooting, in which four people were killed and more wounded at a high school in Georgia, the band pulled out a seldom-performed song from its sophomore album, Vs., called “Glorified G” — a cynical sneer at the false bravado of gun owners, with Vedder introducing it by saying, “I hate guns!” More poignantly, and more somberly, two songs later, the band played “Jeremy,” its first breakout hit from the group’s debut album, which is about a boy who brings a gun to school and shoots himself in front of his classroom bullies. Delivered with full energy, the subtext wasn’t lost.

Otherwise, the band clearly enjoyed the 50-show milestone, with Vedder telling a story of the first time he ever came to New York City (“as a Chicago kid, and then on the West Coast, I had never been East of Chicago before”) while introducing “Elderly Woman Behind the Counter In a Small Town,” while there were huge crowd reactions for the high-energy performances of songs such as “Rearviewmirror,” “Hail Hail” and “Do the Evolution.” (The latter, for this fan at least, takes on a different tenor after watching three episodes of the docuseries Chimp Crazy, but I digress.)

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After a set break, Vedder came out solo to perform the Steven Van Zandt-penned “I Am a Patriot” and the latter-career gem “Just Breathe,” before bringing tour opener Glen Hansard — “Good human, great Irishman” — to the stage to perform the latter’s “The Song of Good Hope,” shouting out a few fans who had been going through rough times and saying that the song had helped him through troubles of his own. The full band — plus former Red Hot Chili Peppers guitarist Josh Klinghoffer and producer Andrew Watt, who chipped in with a few solos over the evening — then returned for John Lennon’s “Gimme Some Truth” and the punk anthem “Sonic Reducer.”

The band then ripped through another rarity in fan-favorite “Leash” and its iconic anthem “Alive,” before Vedder brought Little Stevie himself on stage to run through a joyful “Rocking In the Free World,” complete with Hansard, Watt and the full arena lights on, before closing out with their unreleased classic “Yellow Ledbetter” and sending fans home into the Manhattan night.

Set List

  • “Garden”
  • “Corduroy”
  • “Hail Hail”
  • “Evenflow”
  • “Daughter -> Another Brick In The Wall Pt. 2”
  • “Dark Matter”
  • “React Respond”
  • “Won’t Tell”
  • “Not for You”
  • “Wreckage”
  • “I Am Mine”
  • “Elderly Woman Behind the Counter In a Small Town”
  • “Glorified G”
  • “Do the Evolution”
  • “Jeremy”
  • “Waiting for Stevie” (with Andrew Watt)
  • “Rearviewmirror”

—

  • “I Am a Patriot” (Eddie solo)
  • “Just Breathe” (Eddie solo)
  • “The Song of Good Hope” (with Glen Hansard)
  • “Gimme Some Truth”
  • “Setting Sun”
  • “Sonic Reducer”
  • “Leash”
  • “Alive”
  • “Rockin In the Free World” (with Little Stevie, Glen Hansard and Andrew Watt)
  • “Yellow Ledbetter”

Cardi B has fired back at detractors who have been critical of her when it comes to labeling herself as a light-skinned woman. The Grammy-winning rapper got into a heated debate with fans on X earlier this week over the “light skin” label being used for people who are not Black, as she pointed out Dominicans have all different shades of people.

“Dominicans are so diverse when it comes to skin color Dark, brown, tan, light, white,” she wrote on Wednesday (Sept. 4) in a series of tweets captured by Complex. “So what am I supposed to say when I’m describing my complexion….I’m Dominican skin?”

Cardi clapped back at another user: “What you saying is automatically invalid. The fact you use whites… WHITES IS A COLOR AND A RACE.. DOMINICANS ARE A NATIONALITY WITH PEOPLE that are different COLORS AND SHADES.. NOT A RACE.. Get your glitter hole out of here wit this fake rule you just came up wit.”

She then brought out her dictionary and looked up the definition of “light skinned” and posted it in a since-deleted tweet. “The term light skin is adjective to describe skin complexion… it is not exclusvie to a single race,” Cardi continued. “I guess Jamaicans, Haitians and West Indians can’t say they got brown skin, light skin or dark skin because just like Dominicans they are also a nationality.. now move JAWS.”

Cardi B’s skin has been a topic of conversation in recent weeks as she faced allegations of bleaching, which she quickly shut down on X. She explained that her pregnancy has her just looking more pale than usual.

“Bleaching while pregnant?” Cardi asked. “Why must yall be so dumb? Actually NO! I’m pregnant I’m slightly anemic, this baby suckin all the energy off my body to the point I’m pale, eyes sunken, veins green ASF, can’t tan under the sun cause I get hot super fast and dizzy …. PLEASE STOP THINKIN WITH YOUR A–HOLE!”

Cardi is currently working in the studio on her long-awaited sophomore album. She has continued to tease the LP and even recently joked about it, laughingly comparing the studio to “Atlantic Records Correctional Facilities.”

It’s been more than six years since Invasion of Privacy‘s April 2018 release. The LP debuted atop the Billboard 200 and every song on the project is at least certified platinum.

The Recording Academy is gearing up for Music Advocacy Day, its new name for District Advocate Day, which is set for Oct. 1 with Mark Ronson as this year’s Music Advocacy Day Artist Ambassador. A letter with Ronson’s signature was emailed Thursday (Sept. 5) to the Recording Academy’s 22,000 members, including voting, professional and GRAMMY U student members, urging them to join him in this nationwide rally.

“The music industry is changing faster than ever, and with those changes come challenges—whether it’s navigating the impact of artificial intelligence or tackling the issues surrounding live event ticketing,” Ronson wrote. “But these challenges are also our opportunities to shape the future of music.

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“Music Advocacy Day is your unique opportunity as an Academy member to share your perspective on policies to prevent the misuse of A.I., protect your voice and likeness, and stop predatory ticketing practices to ensure we creators are getting equitably paid.”

Ronson was in Washington, D.C., on May 1 for the Academy’s Grammys on the Hill Advocacy Day, at which time he and Recording Academy CEO Harvey Mason, Jr. met with Senate Majority Leader Chuck Schumer (D-N.Y.), among others.

“I saw firsthand the impact of sharing our stories with the people who represent us,” Ronson wrote in this letter. “Those conversations helped lead to meaningful outcomes on Capitol Hill, including the passage of the TICKET Act in the House, and the introduction of the NO FAKES Act in the Senate. Now, on Music Advocacy Day, we can build on the progress we’ve made and speak with our Congressional leaders at home in our local communities to ensure they hear our concerns.”

Recording Academy members can sign up for Music Advocacy Day by checking their inboxes for registration information or reaching out to their local chapter. But they don’t have much time to act. Registration closes on Friday (Sept. 6). The Academy notes that non-members can also participate by reaching out to their legislators through the Academy’s music advocacy action page.

Key issues that members of the Academy will address with legislators in their hometowns this year include:

Artificial Intelligence: Advocating for the Nurture Originals, Foster Art, and Keep Entertainment Safe (NO FAKES) Act, which is designed to protect Americans from fraudulent AI replicas.

Live Event Ticketing Reform: Advocating for the Fans First Act, legislation that safeguards artists and consumers from deceptive practices, provides transparency and restores integrity to the ticketing marketplace.

This year marks the 10th anniversary of Music Advocacy Day, which the Academy calls the largest grassroots advocacy movement for music. On last year’s Music Advocacy Day, more than 1,700 Academy members engaged in nearly 100 meetings with lawmakers, according to the Academy.

Music Advocacy Day has helped achieve several legislative victories. Efforts from previous years have led to the enactment of the Music Modernization Act, which reformed music licensing for the streaming era, and the Save Our Stages Act, which provided needed financial support to music venues affected by the COVID-19 pandemic. Additionally, advocacy efforts contributed to the passage of the CASE Act and the Better Online Ticket Sales (BOTS) Act, further protecting music creators and consumers alike.

Ronson, 49, has won eight Grammys, including two awards for record of the year — one as producer of Amy Winehouse’s “Rehab” and the other as artist and co-producer of his own megahit “Uptown Funk!,” featuring Bruno Mars. He also won an Oscar for co-writing the Lady Gaga/Bradley Cooper hit “Shallow” from A Star Is Born.

Here’s the complete text of Ronson’s letter to Recording Academy members:

“If there’s one thing I’ve learned from my years in the studio, it’s that music has the power to move mountains. It’s more than just beats and lyrics; it’s the heartbeat of our culture. That’s why I’m reaching out to you today about something that’s close to my heart.

October 1st marks Music Advocacy Day, a day where we, as creators and members of the Recording Academy, come together across the country to make sure our voices are heard. The music industry is changing faster than ever, and with those changes come challenges—whether it’s navigating the impact of artificial intelligence or tackling the issues surrounding live event ticketing. But these challenges are also our opportunities to shape the future of music.

In this time of industry transformation, I am honored to serve as this year’s Music Advocacy Day Artist Ambassador and work alongside you to inspire a positive impact on our community. Earlier this year, I had the chance to speak with lawmakers in Washington, D.C. during GRAMMYs on the Hill, and I saw firsthand the impact of sharing our stories with the people who represent us. Those conversations helped lead to meaningful outcomes on Capitol Hill, including the passage of the TICKET Act in the House, and the introduction of the NO FAKES Act in the Senate. Now, on Music Advocacy Day, we can build on the progress we’ve made and speak with our Congressional leaders at home in our local communities to ensure they hear our concerns.

Music Advocacy Day is your unique opportunity as an Academy member to share your perspective on policies to prevent the misuse of A.I., protect your voice and likeness, and stop predatory ticketing practices to ensure we creators are getting equitably paid. On this day, you’re representing the millions of artists and producers – your peers – that need safeguards and protection. The Recording Academy will be with you every step of the way to provide resources and guidance.

I know how busy life gets, but this is a moment where our voices can truly make a difference. If you haven’t signed up for Music Advocacy Day yet, I urge you to do so. We’re a community of innovators and pioneers, and together, we can protect human creativity for generations to come.

Looking forward to championing the cause with you,

Mark Ronson”

Travis Scott rounds up his fourth consecutive No. 1 project on Billboard’s Top R&B/Hip-Hop Albums chart as Days Before Rodeo debuts atop the list dated Sept. 7. The mixtape, which received its first commercial and wide streaming release for its 10th anniversary, opens with 361,000 equivalent album units earned in the U.S. in the tracking week of Aug. 23-29, according to Luminate.

Of Days Before Rodeo’s starting total, 331,000 units come through album sales, giving the mixtape the best sales week for any R&B/hip-hop title (either that has appeared on or is eligible for Top R&B/Hip-Hop Albums) in more than seven years, since Kendrick Lamar’s Damn. sold 353,000 copies in its debut week of April 14-20, 2017. It also rewriters Scott’s personal best sales week for an album, eclipsing Astroworld, which opened with 270,000 copies in 2018.

The sales avalanche was aided by eight different editions of the Days Before Rodeo digital album, six of which were exclusively sold through Scott’s official webstore. Besides the standard 12-song version, the seven variants contained assorted bonus tracks, such as previously unreleased and teased studio cuts and chopped and screwed remixes of the album’s songs. All variants sold via Scott’s webstore were priced at $4.99, while versions available in the iTunes Store were also available for $4.99 at the end of the tracking week.

Thanks to its six-figure arrival, Days Before Rodeo launches at No. 1 on the Top Album Sales chart.

Streaming activity contributes 30,000 units to Days Before Rodeo’s first-week sum, which represents 40.6 million official on-demand streams of the 12 songs on the album’s streaming edition. Track-equivalent albums comprise a negligible amount of activity.

With Days Before Rodeo, Scott lands his fourth straight chart-topper on Top R&B/Hip-Hop Albums. The streak began with 2016’s Birds in the Trap Sing McKnight, a one-week leader, and continued with ASTROWORLD (five weeks, 2018) and Utopia (seven weeks, 2023). Of his five appearances, only Rodeo missed the top spot – debuting and peaking at No. 2 in 2015.

Days Before Rodeo was first released as a free mixtape on Aug. 18, 2014, and the 12-track set received its first commercial and official streaming release for its 10th anniversary, on Aug. 23. The night before the release, Scott celebrated with a concert at The Masquerade in Atlanta, where he performed 10 of the project’s songs among other tracks.

Elsewhere, Days Before Rodeo begins at No. 1 on the Top Rap Albums chart, where it becomes Scott’s fifth champ – the entirety of his charting releases.

Seven Days Before Rodeo tracks reach the Hot R&B/Hip-Hop Songs chart, led by “Drugs You Should Try It” at No. 13. Here’s a full review of the cuts:

  • No. 13, “Drugs You Should Try It”
  • No. 26, “Mamacita,” featuring Young Thug & Rich Homie Quan
  • No. 28, “Skyfall,” featuring Young Thug
  • No. 36, “Days Before Rodeo: The Prayer”
  • No. 38, “Don’t Play,” featuring Big Sean + The 1975
  • No. 39, “Quintana Pt. 2”
  • No. 46, “Backyard”

Beyond his new additions, Scott appears on two more tunes on Hot R&B/Hip-Hop Songs this week: “Parking Lot,” his collaboration with Mustard, slides 21-23 after previously getting to a No. 17 best, while prior No. 2 hit “Type Shit” with Future, Metro Boomin and Playboi Carti slips 15-16.

Jay Wheeler and Zhamira Zambrano are first-time parents! The couple announced the exciting news in a joint post on Wednesday (Sept. 4).

“Welcome princess, we love you with our life,” reads the caption, which accompanies two adorable photos in which the newborn’s tiny feet and hands are shown.

The Puerto Rican artist and Venezuelan emerging act first announced they were expecting their first child on June 13 via a collaboration post on Instagram. “Bienvenida,” read the caption alongside four images of the couple embracing each other lovingly.

To coincide with the news, Zambrano also released a single called “Bienvenida,” with a music video that documented her pregnancy. “My life is about to change in a couple more months,” she croons sweetly against a slow pop ballad.

Wheeler and Zambrano tied the knot in December, and that same month dropped their second collaborative effort, “Extrañándote,” following “Dícelo” in 2022. The former earned Zambrano her first top 10 on the Latin Pop Airplay chart and Wheeler his third. They also performed the song at the 2024 Latin American Music Awards this April.

Zambrano will be participating in the 2024 Billboard Latin Music Week, joining previously announced artists such as J Balvin, Alejandro Sanz, Peso Pluma, Maria Becerra and Gloria Estefan, to name a few.

Celebrating its 35th anniversary, Billboard Latin Music Week — the “most important week in Latin music” — will take place Oct. 14-18 at The Fillmore Miami Beach at the Jackie Gleason Theater. Tickets are already available for purchase here.

See Wheeler and Zambrano’s baby announcement below:

The top two of the TikTok Billboard Top 50 chart remains the same, with Clean Bandit’s “Symphony” and Surf Curse’s “Disco” at Nos. 1 and 2, while Sabrina Carpenter’s “Taste” nears the top by jumping 9-3 on the ranking dated Sept. 7.

The TikTok Billboard Top 50 is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity from Aug. 26 to Sept. 1. Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.

“Symphony,” which features Zara Larsson, logs a second week at No. 1 after debuting at the top of the Aug. 31 tally. That’s as streams of the 2017 track continue to rise, accruing 1.5 million official U.S. streams in the week ending Aug. 29, up 84%, according to Luminate. (The song reached No. 10 on Billboard’s Hot Dance/Electronic Songs chart in 2017.)

As mentioned in the article announcing the Aug. 31-dated TikTok Billboard Top 50, “Symphony” is driven on TikTok by a trend using a meme featuring colorful dolphins, often with captions that go against the lively photos and videos and take a darker tone. Larsson herself eventually used the meme in the background during one of her concerts as a nod to the trend.

Surf Curse’s “Disco” remains at No. 2 via a two-person trend, begetting yet another rise in streams to 2.8 million in the week ending Aug. 29 (up 67%).

Carpenter’s “Taste” sports a big gain at No. 3, up from its No. 9 debut Aug. 31 that occurred despite just three days of tracking following its Aug. 23 release. With a full week of data, it rises to No. 3, concurrent with its No. 2 debut on the Billboard Hot 100, as previously reported.

“Taste” benefits from a feature in which users can create a custom frame by using the song, as well as lip-synch clips and content reposting the song’s music video.

Overall, Carpenter sports three appearances on the latest TikTok Billboard Top 50. “Bed Chem” debuts at No. 18, while “Please Please Please,” which peaked at No. 2 in June, ranks at No. 36.

“Die With a Smile,” by Lady Gaga and Bruno Mars, and Alphaville’s “Forever Young” round out the top five, both reaching the region for the first time. The former, which debuted at No. 3 on the Hot 100 and currently appears at No. 6 on the multimetric survey, is largely driven by romance-themed uploads (homecoming proposals, edits of popular TV shows and movies, lip-synchs, etc.). “Forever Young,” No. 65 on the Hot 100 in 1988, is similarly buoyed by fictional character edits, plus clips reminiscing about the passage of time.

See the full TikTok Billboard Top 50 here. You can also tune in each Friday to SiriusXM’s TikTok Radio (channel 4) to hear the premiere of the chart’s top 10 countdown at 3 p.m. ET, with reruns heard throughout the week.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Unless you’re spinning vinyl on your record player or listening to the radio, you most likely have a music subscription to stream your favorite artists and the latest album drops. Apple Music, much like Spotify and Amazon Music, is an all-in-one hub to go to for playlist creation, music discovery and taking your favorite songs on the go.

Attached to each music subscription is a monthly or annual cost, but with a little help from Apple Music deals, promos and bundles going on, you can use the platform for free.

The easiest way to test out the music-streaming platform is through Apple Music’s standard free trial option. New users will receive one-month free of the streamer when they sign up and get access to all of the benefits like Spatial Audio and playlists that are always ad-free.

Apple is also treating new subscribers to a limited-time promo that’ll score you three months of Apple Music for free when you purchase a new Apple device that’s iOS 16+, iPadOS 16+ or macOS 13+. Limited-time offer for new subscribers redeeming on eligible devices. Plan auto-renews at $10.99/month until canceled. Terms apply.

If you find commitment scary, you can read on to discover more ways on how to get a free Apple Music subscription.

How to Get a Free Apple Music Subscription

Instead of finding the deals yourself, ShopBillboard put together a list of the latest deals and promos that’ll instantly get you free Apple Music.

Standard Apple Music Free Trial

If you’re new to Apple Music, you’re eligible for a free one-month subscription when you sign up through Apple. After that, it’s $10.99 a month, but includes benefits such as an ad-free listening experience, curated weekly playlists, access to the streamer’s library of more than 100 million songs and more.

Still in school? Apple Music has a student plan that offers the same 30-day trial before charging $5.99 a month. For families, there’s even the option to test it out for a month before paying $16.99 per month. And for those who prefer to only use Siri, the Apple Voice plan provides the same free trial before charging $4.99 a month. All you have to do is click the button on the page that says “try it free” and sign up.

Purchasing an Eligible Apple Device

Apple has a couple more methods to earn a free subscription without even leaving its site. The first being if you purchase an eligible Apple device such as a new MacBook, iPhone 16+ or iPad with iOS 16+.

Once your subscription is up, the individual Apple Music plan is $10.99 a month, but for further savings, you can do the Apple Voice plan for $4.99 a month, which requires you use Siri for all your streaming needs. Students can grab a student plan for $5.99 a month, while families can enjoy streaming together for just $16.99 a month.

Apple One Subscription

Sick of having multiple subscriptions? Apple released one of its newer services: Apple One, which bundles up to six apps together to create a lower monthly price. This even includes up to 2TB of iCloud+ storage and one month free of Apple Music. Rather than have various apps charging you different subscriptions costs, this will put it all together.

To score a free trial, go to the Apple One page and click “try Apple One for free.” From there you’ll have the option to choose from one of three plan options with the basic one being an Individual plan for $16.95. month that provides 50GB of iCloud+ storage and up to four apps bundled.

Need more space?You can opt to go with the Premiere plan for $32.95 a month, which will allow you to share it with up to five people, has 2TB of iCloud+ storage and can bundle up to six apps. Families can also snag a Family plan for $22.95 a month giving them access to 200GB of iCloud+ storage, the ability to bundle up to four apps and sharing with a max of five people.

Best Buy Promo

Arguably one of the easiest ways you can start streaming for free is through Best Buy’s promo. Just add Apple Music to your cart from the site and you’ve automatically earned three months of free, unlimited music (only eligible for new or returning subscribers).

Plans for Apple Music follow its own tiered plan that’s separate from Best Buy’s promo. The standard plan will cost $10.99 a month, but if you’re looking for additional savings you can subscribe to Apple Voice (a Siri only listening plan), the student plan or the family plan.

Verizon Unlimited Plan

For anyone looking for an excuse to upgrade their cell phone, this is your sign to do it. Verizon Wireless has a promo where you can score six months of free Apple Music, and all you have to do is be on an eligible Verizon Unlimited Plan.

After the Verizon free trial is up, the subscription follows Apple’s different tiered plans including Apple Voice for $4.99 a month, a Student plan for $5.99 a month, the Standard plan of $10.99 a month and the Family plan for $16.99 a month.

For more product recommendations, check out our roundups of how to get free Amazon Music Unlimited, the best tech deals and streaming device deals.

Brat summer may be over, but Charli XCX and Troye Sivan both agree that the future of pop music is in good hands.

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In a new cover story with i-D, Charli and Troye broke down their respective careers and friendship, while teasing what’s to come from their highly anticipated fall tour. During the conversation, the pair was asked about the state of the pop genre — and both said that artists such as themselves and Chappell Roan were helping keep pop music fun.

“I think it’s a really interesting time in pop music, where [being] niche is being rewarded in a way that we haven’t seen for a while,” Charli said. “It feels like there’s this new wave of artists with different ambitions and cultural touchpoints who are really thriving in mainstream culture. And I think that’s myself, that’s Troye, that’s Chappell [Roan].”

Most of those cultural touchpoints, she explained, are inherently queer, marking a watershed moment for LGBTQ representation in mainstream music. “When I think about the three of us, that’s a lot of music that either is inherently a part of queer culture or is very much inspired by it and that’s super cool,” she said. “You have so many artists being outwardly gay and talking about drag culture. It’s cool that this is not an anomaly anymore.”

Sivan agreed with the “360” singer’s assessment, adding that part of what makes Roan and Charli’s successes over the last few months so interesting is the fact that both of them are making the same kind of music they’ve been making. “It’s not like you guys have changed your approach. It doesn’t feel like you’re actively striving to get the masses or anything like that,” he explained. “To me, it comes across as the most authentic, real vulnerable version of you and that’s the one that’s connected.”

The duo is currently preparing for the upcoming North American Sweat Tour, which kicks off in Detroit on Saturday, Sept. 14. During the pair’s conversation, Charli gave fans a small tease of what to expect from the live show: “The staging is f–king crazy. I mean, not to hype it up too much, but it’s great.”

Despite his high-profile arrest for a DUI on June 18 on Long Island, Justin Timberlake didn’t see much impact on the ticket sales for his Forget Tomorrow World Tour, which is on track to gross more than $250 million over 87 dates, according to Billboard Boxscore data.

The estimated sales figure means each concert has generated about $2.8 million so far, before the tour stopped reported grosses when it crossed over into Europe, where he is playing 27 dates across Poland, Germany, Belgium, the U.K., the Netherlands, Denmark, Sweden and France. While there’s not much data on how European tickets are selling, there’s no indication that sales have fallen off. In fact, in the months leading up to it, there were plenty of signs that Forget Tomorrow was one of the strongest selling tours of Timberlake’s career.

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In the immediate aftermath of Timberlake’s arrest — which produced the singer’s reported response, “This is going to ruin the tour,” which became a viral meme — prices on secondary sites for some of his shows did drop, in some cases to as low as $20 per ticket. But those drops were likely publicity stunts by resellers trying to drive traffic to their websites. Prices on the secondary market have since recovered: His Sept. 4 concert in Hamburg, Germany is selling for slightly over face value, with some floor tickets selling for 250 euros ($277), about 25% higher than face value for those seats.

Prices get even higher on the secondary market in the U.S. when the tour returns in October, starting Oct. 6 at Brooklyn’s Barclays Center. While there are a handful of tickets listed below $75, the majority are marked up significantly, with lower bowl tickets selling for double the face value at more than $250 each and floor seats moving for over $400.

Even as the tour moves into softer markets like Orlando, Fla., and Milwaukee, prices on secondary resellers are holding strong and going for three to four times face value. By the time the Forget Tomorrow World Tour ends on Dec. 20 in St. Louis, it will very likely rank as one of the top 10 tours of the year and be remembered as one of Timberlake’s most profitable runs.

Young Miko is set to perform and speak at the 2024 Billboard Latin Music Week, Billboard announced on Thursday (Sept. 5). The Puerto Rican hitmaker will join the special 35th-year anniversary concert for INSIDER badge holders on Friday, Oct. 18. She will also participate in an intimate Superstar Q&A on Tuesday, Oct.15. 

Young Miko joins a star-studded lineup for the five-day event, taking place Oct. 14-18 at The Fillmore Miami Beach at the Jackie Gleason Theater. The 26-year-old singer-songwriter performed at last year’s Billboard Latin Music Week En Vivo concert series before embarking on her current XOXO Tour. Since her meteoric rise, she has undeniably becoming one of the most exciting new voices in Latin music. Earlier this year, her debut LP Att. earned the also rapper her first top 10 entry on any Billboard albums chart. Her presence at Latin Music Week underscores her continued impact on the genre and her exciting future ahead.

“We’re thrilled to see Young Miko return to Billboard Latin Music Week,” said Leila Cobo, Billboard’s chief content officer for Latin and Español. “Her journey from debut to stardom has been truly extraordinary. Her continued innovation and dynamic presence have reshaped the Latin music landscape, and we’re excited to celebrate her remarkable achievements and ongoing influence in the genre.”

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Featuring exclusive panels, conversations and performances by Latin music’s biggest stars, previously announced participants include Bad Gyal, Belinda, Camila Fernández, Chiquis, DANNA, Danny Ocean, Dei V, Domelipa, Eslabon Armado, Fat Joe, Gloria Estefan, J Balvin, JOP, Keityn, Kunno, Lele Pons, Luis Alfonso, Lupita Infante, Majo Aguilar, María Becerra, Marko, Mau y Ricky, Mon Laferte, N.O.R.E., Omar Courtz, Paola Jara, Peso Pluma, Pipe Bueno, Sophia Talamas, Yahritza y Su Esencia, Yeison Jiménez, Yeri Mua and Zhamira Zambrano. More participating artists will be announced in the upcoming weeks.

Tickets for the 2024 Billboard Latin Music Week, celebrating its 35th anniversary, are available for purchase here.

Billboard Latin Music Week will coincide with the Billboard Latin Music Awards, which will air on Telemundo. Latin Music Week tickets will not include access to the awards show this year. Instead, Billboard will host a special 35th-year anniversary celebration on the evening of Oct. 18, where INSIDER badge holders will receive exclusive invitations to this star-studded event.

For more information on Billboard Latin Music Week, updates on the schedule and more exciting announcements, visit BillboardLatinMusicWeek.com.

Young Miko
Young Miko