KATSEYE debuts their group with their new single, “Debut.” Lisa is a “Rockstar” with her newest drop and Jimin releases “Smeraldo Garden Marching Band (Featuring Loco).”

Tetris Kelly:

LISA returns with a slay, and a global girl group makes their debut. We’re breaking down the huge K-Pop new releases. We were with them when they formed last November, and now the girls of KATSEYE make their debut with “Debut.” And the sure to be summer bop is full of sass and top notch choreo that we would expect from the talented group of six. And keeping the girl power going is LISA from BLACKPINK with “Rockstar.” Not only are the song and video epic, but she even includes three popular Thai transgender women showing progression in the genre. Jimin smiles and we all smile. The BTS member released “Smeraldo Garden Marching Band (Featuring Loco).” The first of more singles to come from his new album ‘MUSE,’ out July 19th. And the first offering just feels so good. It’s heartfelt perfection.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Calling all Michael Jackson fans! Celebrate the late King of Pop 15th anniversary of his passing with the new “Billie Jean” Michael Jackson Funk Pop, releasing on Monday (September 2). Available for pre-order now, this iconic collectible is a great way to pay homage to his legendary career.

Whether you’re a a music enthusiast or a Funko Pop collector, you might want to add this one to your collection, and celebrate the legacy of one of music’s greatest icons. This Funko Pop! features the King of Pop as he gets ready to take on the stage and dazzle the audience with his unforgettable dance moves from his renowned rendition of “Billie Jean.”

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If you’re shopping on Amazon, consider taking advantage of all Amazon Prime has to offer and sign up for a 30-day free trial, which also comes with access to Prime VideoPrime Gaming and Amazon Music. And to help make sure you get your beauty essentials, being a Prime member means you get fast, free shipping in two days or less with Prime Delivery. 

Michael Jackson 'Billie Jean' Funko Pop!: Where to Pre-Order

Funko Pop! Rocks: Michael Jackson


For those who are in search of alternative ways to remember the King of Pop, you might want to consider attending, Janet Jackson’s ‘Together Again’ Summer Tour. This tour runs from June 4 through July 30.

You can speed up your ticket purchasing process with top ticket online platforms like: TicketmasterLive Nation, StubHubSeatGeek and Vivid Seats. From concerts to sporting events, you’ll be able to find everything you need for the best prices.

Upcoming ‘Together Again’ Janet Jackson Tour Dates:

  • June 29 — Hartford, CT @ The XFINITY Theatre
  • July 02 — Detroit, MI @ Pine Knob Music Theatre
  • July 03 — Toronto, ON @ Scotiabank Arena
  • July 05 — Buffalo, NY @ Darien Lake Amphitheater
  • July 06 — Hershey, PA @ Hersheypark Stadium
  • July 09 — Newark, NJ @ Prudential Center
  • July 10 — Brooklyn, NY @ Barclays Center
  • July 12 — Washington, DC @ Capital One Arena
  • July 13 — Baltimore, MD @ CFG Bank Arena
  • July 14 — Charlotte, NC @ PNC Music Pavilion
  • July 16 — Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre
  • July 18 — West Palm Beach, FL @ iThink Financial Amphitheatre
  • July 20 — Orlando, FL @ Kia Center
  • July 21 — Atlanta, GA @ State Farm Arena
  • July 23 — New Orleans, LA @ Smoothie King Center
  • July 25 — Fort Worth, TX @ Dickies Arena
  • July 26 — Oklahoma City, OK @ Paycom Center
  • July 27 — Austin, TX @ Moody Center
  • July 30 — Phoenix, AZ @ Footprint Center

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Kate Spade is ready to stock you up with unique-shaped bags and accessories during the brand’s major End of Season sale. If you want a chic new floral-patterned purse or everyday wallet that’s trendy but won’t break the bank, you can score everything within their sale section for an extra 50% off — and that includes their top-rated 3D Heart Crossbody Bag that has reviewers gushing over its “great craftsmanship” and “spacious” interior beyond its unique and bold cherry red design.

You don’t need a promo code in order to get the additional 50% off deal either, the discount will automatically be applied once you add your favorite items to your cart.

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Consider this 3D heart purse love at first sight with its eclectic details and bold red shade. It’s crafted with a sleek leather material for a smooth chic appearance while the double-zipper construction will allow you to store your phone, keys and wallet safely — and in style.


The brand has been a celebrity favorite for years, with stars such as Taylor Swift and Leighton Meester sporting the brand on the streets and the red carpet. Now, you can surprise the Swifties and accessory lovers in your life with their own Kate Spade bag, like a sleek backpack for travel, purse for commuting and more. Or, treat yourself to an elevated, high-quality purse you can take on the go.

You can expect these steals to go on for only a limited-time and with bags and apparel already selling out, you won’t want to wait too long to get your hands on your favorite designer bag.

What Are the Best Kate Spade Deals?

To help you find the best discounts offered, ShopBillboard rounded up a list of popular options below. Keep reading to shop our picks, or view the entire sale here.

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Get a designer look for 60% off with this popular top-handle bag that’ll carry all your small essentials in a chic way. The style shows off a two-tone colorway that’ll draw eyes yet still pair nicely with your dressy or casual attire.


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It’ll be almost impossible not to draw attention when you step out with this colorblock crossbody bag. The design possesses a 3D box quilt texture in a bubblegum pink that’ll have you exuding a Barbie-approved look.


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Kate Spade’s medium backpack will dress up your commuting gear as it comes in a soft light purple shade that’s perfect for spring or summer outings. The leather material will give it a more luxurious touch while the adjustable straps will ensure you can change the length to your liking.


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Complete your dressy attire with this dainty leather clutch, which comes with a bow-shaped closure for a more feminine touch. Since the body has a more slouchy construction, you can fit your wallet inside or just the necessities to ensure all your essentials are just a snap away.


For more product recommendations check out our roundups of the best straw tote bags, tote bags and gym bags.

Megan Thee Stallion drops her new album, ‘Megan’ and Camila Cabello is signing her name with her latest album, ‘C,XOXO.’ We’re “Getting No Sleep” with Tinashe’s latest hit. Keep watching for this Friday’s loaded music guide!

Tetris Kelly:

Some of the most anticipated album drops, hot new singles and a killer collab. It’s June 28th and this Friday Music Guide is stacked. Megan The Stallion has everyone moving with tracks off her album ‘Megan’ and she channels her passion for anime on “Otaku Hot Girl” and it’s ‘Jujutsu Kaisen’ sample. The other album job everyone’s talking about comes from Camila Cabello. ‘C,XOXO’ features a ton of collabs and even two from Drake. One of Camila’s is collaborators Lil Nas X dropped his own track, “HERE WE GO!” for the new ‘Beverly Hills Cop’ soundtrack. While we see some femme fatales follow up their current hits like Tinashe’s “Getting No Sleep.” And Doechii’s “ROCKET.” And the boys are serving, too. The Kid LAROI is giving early 2000s vibes with “GIRLS.” Plus a team up from Offset and Gunna. “Style Rare” is a banger for sure. For all the latest music drops check out billboard.com 

Eminem fans will have more reason to celebrate Independence Day after Slim Shady announced plans for his second album single, out next week.

The Detroit native is connecting three different generations of rappers out of The D with Em recruiting Babytron and Big Sean to hop on the menacing “Tobey.” Eminem gave fans a glimpse into the track’s horror theme with a trailer on Friday (June 28).

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“TOBEY@babytron @bigsean new music 7/2 video 7/5 by @colebennett,” Em captioned the clip revealing “Tobey” will arrive on Tuesday, July 2, with a Cole Bennett-helmed music video coming two days later, on Friday, July 5.

The clip finds Em in a Jason Voorhees goalie mask revving a chainsaw and gushing blood while slicing up a body. Babytron and Big Sean watch Eminem’s gruesome butchering in tow without batting an eye.

The ticking ominous production begins and Big Sean gets off the only Spider-Man referencing bar heard in the clip. “Tobey Maguire got bit by a Spider, but me, see it was a goat,” he raps.

Fans had plenty to say about the upcoming single in Em’s comment section. “We got Eminem x Baby Tron before GTA6,” one wrote while another added: “Baby ft big sounds hilarious!”

“Tobey” marks Em’s first collab with Babytron and fourth with Big Sean following their team-up in 2017 on I Decided’s “No Favors,” Detroit 2‘s “Friday Night Cypher” and ShadyXV‘s “Detroit Vs. Everybody.”

Eminem’s The Death of Slim Shady (Coup De Grâce) will serve as his 12th studio album and is slated to arrive at some point this summer.

The 51-year-old kicked off the album rollout with his nostalgic “Houdini” single, which gave Em his highest-charting track of the decade when it debuted at No. 2 on the Hot 100.

Watch the “Tobey” trailer below. Look for the single to hit streaming services on July 3.

You have the right to remain silent, but you may be tempted to sing along now that Lil Nas X‘s catchy new single “Here We Go!” for Netflix’s upcoming Beverly Hills Cop: Axel F has dropped.

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Featuring a prominent sample of the brassy “Axel F” theme song originally written by Harold Faltermeyer, “Here We Go!” finds the 25-year-old rapper flexing his top-dog status over intense bass drums and a trap beat. “And tell them don’t die tryna catch us/ Could go a million miles wouldn’t catch up,” he sings on the track, which arrived Friday (June 28). “Move, tell ’em just move/ Tell ’em just move, move, move.”

“Axel F” was a top five Billboard Hot 100 hit for Faltermeyer in 1985, peaking at No. 3.

Lil Nas X’s first solo release since January’s “Where Do We Go Now?,” the new song will both serve as Beverly Hills Cop: Axel F‘s main theme as well as play over the end credits. The film premieres on Netflix July 3 and marks the Eddie Murphy-led franchise’s fourth installment following Beverly Hills Cop III in 1994.

“It was actually kind of insane,” the “Old Town Road” artist said of being asked to provide the track in a recent sit-down with the Axel F cast. “I was a bit emotional … I’m happy to do it. I hope I’m not slaughtered by people who love the original.”

“Nah, your track is bananas,” Murphy assured him, as captured in a video posted to Netflix’s Instagram.

The actor added, “I’m excited to have some new music and have this brother be the one that’s on it.”

Aside from “Here We Go!,” LNX has so far released the solo single “J Christ” as well as collaborations with Camila Cabello (“He Knows”) and Kevin Abstract (“Tennessee”) in 2024. He hasn’t released an album since his 2021 debut LP Montero, which peaked at No. 2 on the Billboard 200.

The Georgia native also opened up about his new film feature in a since-deleted Instagram post earlier this week, writing: “so excited to release the best song of all time this friday! also sorry I’ve been so scared with my art lately. I’m coming around to myself again. I will make you guys very proud.”

Listen to “Here We Go!” below.

Back in April, Donald Glover revealed on a livestream of his GILGA radio show that he would be releasing two more albums under the Childish Gambino before he retires it for good. He already dropped the first of the two with Atavista, which is essentially the a more polished version of his 3.15.20 album that he released in 2020. The second — and last as Childish Gambino — will be Bando Stone and the New World, which will double as the soundtrack to the upcoming movie of the same name.

Last night, the rapper-slash-actor posted a picture of ticket stubs to an advance IMAX screening of A Quiet Place: Day One with the caption, “Bando Stone trailer is coming tonight @imax.”

The trailer hasn’t been released online yet, but one fan took it upon themselves to record the trailer and put it on the Internet in the name of civic duty. It opens with a confused Bando Stone wondering where all the people are until he runs into a mother and her kid. What comes next is a bunch of dystopian things happening like washed up sea monsters and alien lasers trying to trap them. While all this is going down, the trailer poses the question, “What are you when the world ends?”

The film also stars English actress Jessica Allain and is produced by Glover’s creative studio GILGA in association with RCA. There’s no release date yet, but the movie and its soundtrack will be dropping this year.

Bando Stone and the New World will screen exclusively in IMAX theaters.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Chappell Roan’s tour glam includes a $15 eyeshadow palette and viral setting powder from the LGBTQ-owned brand KimChi Chic Beauty.

Roan’s makeup artist, Ali Scharf, shared details on the “Good Luck, Babe!” singer’s tour glam, which incorporates KimChi’s Sapphire Jewel Collection.

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The eyeshadow palette is made up of nine “blendable, smooth and velvety” matte and glitter shades available in sapphire, ruby, emerald and diamond.

Also on Roan’s glam list: KimChi’s The Most concealer ($12.50) and the TikTok-favorite Puff Puff Pass Set & Bake Powder ($19).

Chappell Roan Uses Under $20 Beauty Products on Tour

KimChi Chic Beauty Puff, Puff Pass Set & Bake Powder


The beauty brand, currently offering up to 25% off for Pride Month, can be found backstage at Roan’s Midwest Princess Tour. The 26-year-old singer’s debut album, The Rise and Fall of a Midwest Princess, was released in 2023.

Roan’s breakout single “Good Luck, Babe” debuted at No. 77 on the Billboard Hot 100 and rises to No. 16 on this week’s charts.

With show-stopping performances at Governors Ball and on the The Tonight Show with Jimmy Fallon, opening for Olivia Rodrigo on the Guts tour and a co-sign from Elton John, Roan’s star shows no signs of slowing down.

The Midwest Princess Tour stops in Seattle Washington on July 19 and the Lollapalooza after party in Chicago on July 31. Roan is scheduled to take the stage at several summer music festivals including Lollapalooza, Hinterland Music Festival, Outside Lands and All Things Go Festival. The tour heads to Europe in September.

Want to see her live? Tickets to the tour are available at StubHub, Vivid Seats, Seat Geek and Ticketmaster.

Tinashe is cleaning up with her hit “Nasty,” from chart success to celebrity praise. And in a new interview with People, the 31-year-old star opened up about all the good things the track is sending her way, including a bucket-list shout-out from Christina Aguilera.

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When asked about how A-listers have been posting videos set to “Nasty” on social media, Tinashe revealed which person’s use of the song has made her the most starstruck: “Christina Aguilera, for sure.”

“She was a hero of mine growing up,” Tinashe added of Xtina, who paired a fierce OOTD video with “Nasty” on Instagram last month. “Her and Britney [Spears] were absolute queens when I was younger. So I think just having that co-sign was pretty epic. I screamed.”

At the time, Tinashe ecstatically commented on Aguilera’s post: “OMFGGGGGGGGGH”

After 10 years in the industry and several Billboard Hot 100 entries via collabs with Spears, ScHoolboy Q, Kid Ink and Usher, the Kentucky-born singer finally earned her first solo hit on the chart with “Nasty” earlier this month. So far, the song has peaked at No. 62.

“It’s just so exciting,” Tinashe, whose new single “Getting No Sleep” dropped Friday (June 28), said of the feat. “I feel like every day, it gets better, and so I’m just trying to live in the moment because it’s still going up. It’s still peaking in streams. It’s just climbing and climbing and climbing. At first, I was waiting for the other shoe to drop, but I’ve evolved past that, and now I’m just enjoying it, having so much fun and being so excited.”

“I mean, it’s pretty f—ing fun,” she added to the publication. “It’s exciting. I never expected that this record would just pop off like this, so that’s very much fun. I’m having a great summer so far, to say the least.”

Another piece of legislation in Washington, D.C., is making its way through Congress that would pay artists and record labels for plays at terrestrial radio. If that sentence sounds familiar, that’s because the issue has long been present on Capitol Hill without managing to win a presidential signature.  

In 1988, Frank Sinatra sent a letter to Paul McCartney, Stevie Wonder, Ella Fitzgerald, Bruce Springsteen and about 20 other music luminaries about a decades-old inconsistency in music copyright law. There’s no reason why the writer and publisher should be compensated for radio plays but not the performer, he argued. Sinatra foresaw an expeditious end to his activism. “We are optimistic that with a united effort, we will be able to achieve successful results within a reasonable period of time,” he wrote. But 36 years and numerous legislative attempts later, other artists are still working on the task.  

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The latest artist to pick up the baton is country icon Randy Travis, who appeared before a House Judiciary subcommittee hearing on Wednesday (June 26) in support of the latest legislation to address the issue, the American Music Fairness Act. Artists helped build radio in the U.S. and should be properly compensated, said Randy’s wife, Mary Travis (Randy has had difficulty speaking since suffering a stroke in 2013). Passing AMFA, she told lawmakers, “would make many old wrongs finally right.”  

The safest statement of the afternoon, though, went to Subcommittee chairman Rep. Darrell Issa, who admitted the hearing was “a repeat of some things we’ve seen in the past.” In recent memory, lawmakers have introduced the Performance Right Act in 2007 and 2009; the Free Market Royalty Act in 2013; Fair Play, Fair Pay in 2015 and 2017; the Ask Musicians for Music Act (AM-FM) in 2019; and now the AMFA in 2022 and 2023.  

AMFA is like its predecessors in numerous ways: It provides accommodation for small broadcasters that reduce their royalty obligations. It protects the royalties paid to songwriters and music publishers for the performance of musical works on terrestrial radio. Most importantly, the bill codifies a performance right for sound recordings.  

But is anything different about AMFA? “The language of the bill hasn’t changed since [the Performance Rights Act in 2009,” says Linda Bloss-Baum, associate director of American University’s business and entertainment program. “And I’d say kind of the appetite on both sides to have a meaningful negotiation hasn’t really changed either.” 

The radio industry’s opposition to a new performance right certainly hasn’t changed. “A new performance royalty could spell the end for many local stations,” Curtis LeGeyt, president/CEO of the National Association of Broadcasters, said during Wednesday’s hearing. After surviving an advertising slowdown from the COVID-19 pandemic and facing the rise of streaming platforms, radio stations are arguably in worse financial shape than in years past. “Local broadcasters across this country are operating on extremely tight margins right now,” LeGeyt added.

The AMFA attempts to go easy on small broadcasters while holding regional and national conglomerates to a higher standard. Mike Huppe, president/CEO of SoundExchange, believes bill makes better accommodations for small broadcasters than its predecessors. Under the AMFA, stations that earn less than $1.5 million in annual revenue (and whose parent companies make less than $10 million in annual revenue) would pay $500 annually. Small, non-commercial stations with annual revenue of less than $100,000 would pay as little as $10 per year. “In that sense,” says Huppe, “this is the best bill for small broadcasters that there’s ever been.”  

Unlike previous bills, the AMFA also includes language that says the Copyright Royalty Board, which would set royalty rates payable by stations, could take the promotional value of radio play, and the fact that stations currently pay sound recording royalties for streaming on their digital platforms, when setting rates. But that’s unnecessary, says David Oxenford, partner at Wilkinson Barker Knauer. “The section of the Copyright Act that deals with royalties that are payable to SoundExchange already has this part of the consideration” in determining how royalty rates are set, he says. 

The main differences between the AMFA and its predecessors might not be found in the actual language of the bill. Market conditions have changed. At Wednesday’s hearing, lawmakers seemed more impatient and fed up than in years past.  

In his closing remarks, Issa used his bully pulpit to warn broadcasters that Congressional intervention would be more painful than a negotiated deal with record labels. “I will tell you that at least this chair and the ranking member of the full committee, we stand ready to negotiate fairly small amounts to change a principle to get this behind us,” Issa said to LeGeyt. “And if you don’t take that, [then] quite frankly you have to live with the consequences.” 

Issa’s tone suggests the climate in Washington, D.C., has changed. Huppe believes streaming and AI have made people more aware of the “inequities” facing creators. Issa is among the subcommittee members to have sponsored legislation to protect intellectual property from the threat of generative AI. Rep. Adam Schiff, another subcommittee member, was one of a trio of lawmakers to send a letter to the Registrar of the U.S. Copyright Office out of concern that Spotify’s decision to take a discounted mechanical royalty rate for its music-audiobook bundle was not in the spirit of the Music Modernization Act.  

What’s more, radio could get a big boost from the AM Radio in Every Vehicle Act, which would mandate all automobiles manufactured in the U.S. to have AM radio. The bill would mandate technology that benefits radio broadcasters; FM stations, too, would presumably be included in in-dash stereos. Logically, at least, that could strengthen artists’ and labels’ argument.  

“We’re not necessarily against the [AM Radio in Every Vehicle Act],” says Huppe, “but we would say, how can you possibly do that and not fix [the performance right] at the same time?”