A$AP Rocky scores his third No. 1 album on the Billboard 200 chart, and first in more than a decade, as Don’t Be Dumb debuts atop the list dated Jan. 31. The set earned 123,000 equivalent album units in the United States in the week ending Jan. 22, according to Luminate.

He previously topped the list with AT.LONG.LAST.A$AP (in June 2015) and LONG.LIVE.A$AP (February 2013), both of which also debuted at No. 1.

Also in the top 10 of the latest Billboard 200, ENHYPEN achieves its sixth top 10-charting set with the No. 2 debut of THE SIN : VANISH; Bad Bunny’s former leader DeBÍ TiRAR MáS FOToS jumps 12-3 after a new Amazon-exclusive vinyl was released; YoungBoy Never Broke Again clocks his 17th top 10 with the No. 6 debut of Slime Cry; and Madison Beer lands her first top 10 with the No. 10 debut of Locket.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 2,500 ad-supported or 1,000 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 31, 2026-dated chart will be posted in full on Billboard‘s website on Jan. 27. For all chart news, follow @billboard and @billboardcharts on both X and Instagram.

Of Don’t Be Dumb’s 123,000 equivalent album units earned in the latest tracking week, SEA units comprise 76,000 (equaling 78.02 million on-demand official streams of the set’s tracks, A$AP Rocky’s best streaming week ever — it debuts at No. 1 on Top Streaming Albums), album sales comprise 47,000 (it debuts at No. 3 on Top Album Sales) and TEA units comprise a negligible sum.

Don’t Be Dumb’s release date of Jan. 16 was announced on Dec. 19. The long-awaited set was issued as a widely-available standard 15-track vinyl LP, as well as a 15-track CD and cassette sold exclusively via the artist’s webstore. The wide digital download and streaming editions carried two further tracks. In total, the album was issued across more than a dozen vinyl variants (adding up to 40,000 sold — his best week ever on vinyl). The set also got a boost from its availability in multiple deluxe boxed sets sold in his webstore, each containing a copy of the album on CD and a branded piece of clothing. Further, on Jan. 21, two more tracks were added to the digital and streaming version of the album.

The album’s debut was preceded by its song “PUNK ROCKY,” which entered the Billboard Hot 100 dated Jan. 24 at No. 64.

ENHYPEN lands its sixth top 10 album, all posted consecutively, on the Billboard 200 as THE SIN : VANISH materializes at No. 2. The act scored its first top 10 in 2022 with MANIFESTO: DAY 1 (No. 6) and has seen each of its five subsequent releases debut in the top five. The new album earned 122,000 equivalent album units in its opening week, with 113,000 of that sum in traditional album sales (it debuts at No. 1 on Top Album Sales, marking the act’s fourth leader). SEA units contributed 9,000 (equaling 9.51 million on-demand official streams of the set’s tracks, the act’s best streaming week ever) and TEA units comprised a negligible sum.

The album’s first-week sales got a boost from its availability across more than 20 CD variants (all containing collectible items such as photocards, posters and stickers, with some items randomized), including signed editions.

Bad Bunny’s former leader DeBÍ TiRAR MáS FOToS jumps 12-3 following the release of a new Amazon-exclusive red-colored vinyl variant on Jan. 16. Last September, Amazon teamed with the artist to livestream the final concert of his Puerto Rico residency on Sept. 20 via Amazon Music, Prime Video and Twitch.

In the week ending Jan. 22, DeBÍ TiRAR MáS FOToS earned 119,000 equivalent album units (up 270%). Of that sum, pure album sales numbered 85,000 (up 4,909%), essentially all in vinyl purchases. That marks Bad Bunny’s best week ever on vinyl, surpassing the 48,000 that he sold of the same album when it first became available on vinyl (May 17, 2025-dated chart). The 85,000-sales week for DeBÍ TiRAR MáS FOToS on vinyl is the also the biggest sales week in the modern era for a Spanish-language album on vinyl (since Luminate began electronically tracking sales in 1991).

Bad Bunny will headline the Super Bowl LX halftime show on Feb. 8; two days before that, a new vinyl edition of the album will drop. This time, it will be a white-colored vinyl that will be available across all retailers.

Morgan Wallen’s former No. 1 I’m the Problem dips 2-4 on the latest Billboard 200 (75,000 equivalent album units, down 9%), while Zach Bryan’s With Heaven On Top falls 1-5 in its second week (70,000, down 48%).

YoungBoy Never Broke Again charts his 17th top 10 effort on the Billboard 200, as Slime Cry debuts at No. 6. The set earned 70,000 equivalent album units in its opening week, with 69,000 of that sum generated by SEA units (equaling 72.6 million on-demand official streams of the album; it debuts at No. 4 on Top Streaming Albums).

With a 17th top 10, YoungBoy Never Broke Again ties Drake for the second-most top 10 albums ever among rappers. Only Future, with 18, has more top 10 albums among rap artists.

Olivia Dean’s The Art of Loving falls 3-7 on the latest Billboard 200 (56,000 equivalent album units earned, down 13%), Swift’s former leader The Life of a Showgirl slides 4-8 (53,000, down 15%) and the chart-topping KPop Demon Hunters soundtrack descends 5-9 (47,000, down 16%).

Closing out the top 10 is Madison Beer’s Locket, debuting at No. 10 with 43,000 equivalent album units earned. It’s the first top 10 — and top 40 — for the singer-songwriter, who notched three previous entries, going as high as No. 65 with Life Support in 2021. The new album was preceded by Beer’s first Hot 100 hit, “Bittersweet,” which debuted at No. 98 on the chart dated Jan. 10. On the most recently published Pop Airplay chart (dated Jan. 31), the track rebounds to its No. 23 best.

Of the 43,000 first-week units for Locket (Beer’s best-ever week by units), album sales comprise 24,000 (her biggest sales week yet; it debuts at No. 4 on Top Album Sales), SEA units comprise 18,000 (equaling 18.89 million on-demand official streams of the set’s tracks — her best streaming week ever; it debuts at No. 33 on Top Streaming Albums) and TEA units comprise a negligible sum.

Locket’s first-week sales were bolstered by its availability across eight vinyl variants (including a signed edition), three CD variants (including a signed version), a standard digital download edition and a cassette tape. Locket was also available in deluxe boxed set variations sold on Beer’s webstore, which contained a copy of the CD and branded merchandise.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Geese made their debut as musical guest on Saturday Night Live.

The Brooklyn-based band took over Studio 8H on Saturday (Jan. 24), performing a pair of songs from their acclaimed third album, Getting Killed.

The late-night sketch comedy show was hosted by One Battle After Another star Teyana Taylor, who has earned critical acclaim for her performance in the Leonardo DiCaprio–led film. Taylor also received a best R&B album nomination for Escape Room ahead of the 2026 Grammy Awards.

For their first performance, Geese played “Au Pays du Cocaine” (“In the Land of Cocaine”), the eighth track from the band’s 11-song album, which arrived in September 2025. Joined by touring keyboardist Sam Revaz, the indie rock outfit later returned to the SNL stage for a moody rendition of “Trinidad.”

Getting Killed follows Geese’s 2023 album, 3D Country. Reflecting on the album’s creation, frontman Cameron Winter told Rolling Stone in August 2025, “I was unhappy until the last possible moment.” He added, “Maybe even still. The whole process — maybe this is just how we make albums — but it’s all kind of a waking nightmare until it’s mastered.”

Guitarist Emily Green echoed that sentiment, noting, “It does feel like a brute-force effort until the very end.”

The group is currently touring worldwide and will perform in Honolulu on Jan. 31 before heading overseas, then returning to the U.S. for the Treefort Music Festival in Boise, Idaho, in March. The band also has several major festival appearances on the books, including Coachella, Governors Ball, and Bonnaroo.

Last week’s episode of SNL was hosted by Stranger Things star Finn Wolfhard, with A$AP Rocky serving as musical guest. Next week’s episode on Jan. 31 will feature actor Alexander Skarsgård as host and Cardi B as the musical guest.

Watch Geese’s SNL performances below.

Louis Tomlinson has all but confirmed a return to Australia, telling fans that tour dates Down Under are not only coming, but they’re also inevitable.

The singer teased the plans during an interview on The Smallzy Show on Friday (Jan. 23), after host Smallzy pointed out that Tomlinson has already announced tour dates across the U.K., Europe and the U.S. running from March through July.

“I think you’ve done tour dates for some parts of the world, is that right?” Smallzy asked.

“Yeah, Australia dates aren’t out there yet, though,” Tomlinson replied.

When Smallzy referenced a side-eye emoji Tomlinson had previously left in response to a fan asking about Australian dates, the former One Direction member leaned fully into the speculation.

“I always find the question kind of funny because as long as I’ve been touring, I’ve always come to Aus. It’s inevitable,” Tomlinson said. “I love it there, I love it. So yeah, I’ll definitely, definitely be there. I think we’re just — it can’t be too long until we announce, to be honest.”

As Smallzy jokingly cautioned against giving fans false hope, Tomlinson doubled down.

“No, it’s happening. Don’t mind them. It’s happening. The tour’s happening. Get your tickets soon,” he said.

The comments arrive as Tomlinson prepares to tour in support of his newly released album, How Did I Get Here?, which follows his 2020 solo debut Walls and 2022’s Faith In The Future. The new record marks his third full-length project since launching his solo career after One Direction’s hiatus.

Tomlinson made his Australian solo debut in July 2022 and returned in January and February 2024 for a three-date East Coast run. During that visit, he mixed material from Faith In The Future with crowd-pleasing nods to his One Direction era, including performances of “Drag Me Down” and “Where Do Broken Hearts Go,” alongside a cover of Arctic Monkeys’ “505.”

While no dates or venues have yet been confirmed, Tomlinson’s comments suggest an official announcement may be imminent, with Australian fans once again firmly on his touring radar.

U.S. President Donald Trump didn’t hold back from sharing an opinion on Super Bowl 2026’s musical lineup during a recent interview in the Oval Office. Bad Bunny headlines the halftime show and Green Day will kick off the game’s opening ceremony at Levi’s Stadium in Santa Clara, Calif., on Feb. 8 — both of which Trump has thoughts on.

“I’m anti-them. I think it’s a terrible choice. All it does is sow hatred. Terrible,” Trump said, according to a report from the New York Post.

Green Day’s put the Trump administration on blast for nearly a decade, dating back to the American Music Awards in 2016, when they led a chant of “No Trump, no KKK, no fascist U.S.A.”

Most recently, frontman Billie Joe Armstrong openly expressed his disdain at the band’s Jan. 17 concert in Los Angeles, where he swapped lyrics in protest song “American Idiot” to denounce “the MAGA agenda.” And with “Holiday,” he pledged support “to our brothers and sisters in Minnesota” amid Trump’s aggressive immigration agenda and the chaos its unleashed in ongoing ICE raids across Minneapolis this month; Armstrong told the crowd at Kia Forum, “This song is anti-fascist. This song is anti-war.”

Green Day’s set to start Super Bowl LX with a pre-game, opening ceremony performance of “their most iconic rock anthems,” the NFL said last weekend. The opening ceremony is celebrating MVPs and 60 years of Super Bowl history.

And in a trailer for his Apple Music Super Bowl LX Halftime Show last week, Puerto Rican superstar Bad Bunny teased that when he takes the field, “the world will dance.” “What I’m feeling goes beyond myself,” Bad Bunny said in a statement when his headliner status was announced. “It’s for those who came before me and ran countless yards so I could come in and score a touchdown … this is for my people, my culture and our history. Ve y dile a tu abuela, que seremos el HALFTIME SHOW DEL SUPER BOWL.”

Meanwhile Trump, who attended last year’s Super Bowl in New Orleans, announced he’d be skipping the 2026 NFL championship game altogether — though he says it’s not due to the performers booked, “it’s just too far away.”

He said there’s “great hands [at] the Super Bowl. They like me.”

“I would go if, you know, it was a little bit shorter,” said Trump, presumably of the distance from the White House to the West Coast.

Though Trump was apparently asked only about Bad Bunny and Green Day, Super Bowl Sunday’s traditional pre-game schedule also brings Charlie Puth performing the national anthem, Brandi Carlile singing “America the Beautiful” and Coco Jones singing “Lift Every Voice and Sing.”