Goldenvoice, the promoter of the Coachella Valley Music and Arts Festival, is facing more than $40,000 in fines after running over time on weekend two of the desert festival, a representative of the City of Indio has confirmed with Billboard. The festival was charged for going past the 1:00 a.m. curfew set by the city, where the festival has been held since 1999.

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While the first weekend of the festival obeyed the curfew, weekend two went over on two days, as first reported by TMZ. On Friday night (April 17), Anyma’s midnight sent went on until 1:09 a.m., which cost the festival $24,000 in fines. And on Saturday (April 18), Justin Bieber’s headlining performance went over by two minutes, costing an additional $20,000.

Coachella has a long-running agreement with Indio city officials that the festival end at 1:00 a.m. each Friday and Saturday night and at 12:00 a.m. on Sundays. According to the agreement, Coachella is fined $20,000 for the first five minutes it exceeds the curfew limit, with additional fines beyond that.

This isn’t the first time Coachella has been hit with curfew fines. Way back in 2009, Goldenvoice paid a $54,000 fine after singer Paul McCartney went a whopping 54 minutes over his allotted time. Last year, the festival was fined $20,000 when Travis Scott went three minutes past curfew on weekend one, while in 2024, a performance by Lana Del Rey cost it $17,000. In 2023, meanwhile, Goldenvoice racked up more than $168,000 in fines after six performers — Bad Bunny, Frank Ocean, The Weeknd, Skrillex, Fred Again and Four Tet — blew past their curfew times.

Yesterday, Coachella closed out two weekends with headlining performances from Sabrina Carpenter, Bieber and Karol G. The polo grounds will transform this week into Goldenvoice’s country music festival Stagecoach, which runs from April 24-26 with headliners Cody Johnson, Lainey Wilson and Post Malone.


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Apple CEO Tim Cook is stepping down from the job that he inherited from the late Steve Jobs, ending a nearly 15-year reign that saw the company’s market value soar by more than $3.6 trillion during an iPhone-fueled era of prosperity.

Cook, 65, will turn the CEO duties over to Apple’s head of hardware engineering, John Ternus, on Sept. 1 while remaining involved with the Cupertino, California, company as executive chairman. That’s similar to the transitions made by Amazon’s Jeff Bezos and Netflix’s Reed Hastings after they ended their highly successful tenures as CEO.

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“It has been the greatest privilege of my life to be the CEO of Apple and to have been trusted to lead such an extraordinary company,” Cook said in a statement. “I love Apple with all of my being, and I am so grateful to have had the opportunity to work with a team of such ingenious, innovative, creative, and deeply caring people.”

Ternus, 50, has been with Apple for the past quarter century, including the past five years overseeing the engineering underlying the iPhone, iPad and Mac — a role that made him a prime candidate to succeed Cook.

“I am profoundly grateful for this opportunity to carry Apple’s mission forward,” Ternus said in a statement.

The transition to a new CEO comes at a pivotal time for Apple. Artificial intelligence has unleashed the most upheaval within the industry since Jobs unveiled the first iPhone in 2007. Apple has gotten off to a rough start in AI after stumbling in its efforts to deliver new features built on the technology, as promised nearly two years ago.

Earlier this year, Apple finally turned to Google — an early leader in the AI race — for help making the iPhone’s virtual assistant Siri into a more conversational and versatile helper.

Although he never shook the perception that he lacked Jobs’ vision, Cook leveraged the popularity of the iPhone and other breakthroughs orchestrated by his predecessor to lift Apple to heights that seemed unfathomable when it was on the brink of bankruptcy during the mid-1990s.

This story was originally published by The Associated Press.


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All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

With the band’s U.S. tour in full swing, the Grammy Award-nominated Florence + The Machine is more popular than ever with tour dates going until Wednesday, May 20, at Kia Forum in Inglewood, California.

Whether you’ve been there from the very beginning or you just found the indie rock band’s music, Billboard has rounded up the best Florence + The Machine merch and apparel to show off your love. The band’s official store on UMusic Shop features T-shirts, logo apparel, sweatshirts and other items. There are even stylish Florence + The Machine stockings available, going for $29.99 per pair.

And for the band’s stop at Madison Square Garden in New York City on Tuesday, Aug. 21, there’s a special pop-up from UMusic Shop NY to show off official and exclusive merch, activations and photo opps that highlights Florence + The Machine’s Everybody Scream Tour.

Scroll down and check out the best Florence + The Machine merch and apparel that you can buy online.

How to buy Florence + The Machine merch and apparel online

FLORENCE + THE MACHINE

Shell Witch Tee

Official merch


How to buy Florence + The Machine merch and apparel online

FLORENCE + THE MACHINE

Sigil Hoodie

Official merch


How to buy Florence + The Machine merch and apparel online

FLORENCE + THE MACHINE

One of The Greats Cap

Official merch


How to buy Florence + The Machine merch and apparel online

FLORENCE + THE MACHINE

Oversized Tee, Spring

Comes in adult sizes.


How to buy Florence + The Machine merch and apparel online

FLORENCE + THE MACHINE

Oversized Tee, Roses

Comes in adult sizes.


How to buy Florence + The Machine merch and apparel online

FLORENCE + THE MACHINE

Oversized Tee, Moon

Comes in adult sizes.


How to buy Florence + The Machine merch and apparel online

FLORENCE + THE MACHINE

Oversized Tee, Live at the Wiltern

Comes in adult sizes.


How to buy Florence + The Machine merch and apparel online

FLORENCE + THE MACHINE

Oversized Tee, Trees

Comes in adult sizes.


And if you’re an Amazon Prime member, you can order now and any one of these merch and apparel items will be delivered to your home in less than two days, thanks to Prime Delivery.

Not a member? Sign up for a 30-day free trial to take advantage of all that Amazon Prime has to offer, including access to Amazon Music for online music streaming, Prime Video and Prime Gaming; fast free shipping in less than two days with Prime Delivery; in-store discounts at Whole Foods Market; access to exclusive shopping events — such as Prime Day in July and Black Friday in November — and much more. Learn more about Amazon Prime and its benefits here.

In the meantime, shop more merch and apparel from Florence + The Machine on Amazon below.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

Shaboozey is set to return with a new album this year, and it just might be his most creatively ambitious project yet.

On July 31, he will release his fourth album, the concept project The Outlaw Cherie Lee & Other Western Tales, via his record imprint American Dogwood in partnership with EMPIRE.

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Overall, the concept album will feature a story arc that follows an outlaw revenge story. After watching as her sheriff father is killed by the Bootcut Boys, Cherie Lee begins to take revenge, until she unexpectedly begins to fall in love with one of those outlaws. That decision ultimately leads to disastrous consequences.

Shaboozey is known for his collaborations with artists including Jelly Roll, Stephen Wilson Jr., Sierra Ferrell and BigXthaPlug, and his upcoming album is set to feature more genre-melding collabs. Meanwhile, the lead single from The Outlaw Cherie Lee & Other Western Tales, “Born to Die,” will release Friday.

Shaboozey will celebrate the album with a pop-up saloon experience at Stagecoach this year. The pop-up will run April 24-26 and will take fans inside a saloon environment that is inspired by the album’s narrative.

The new album follows his 2024 breakthrough project Where I’ve Been, Isn’t Where I’m Going, which featured his smash hit “A Bar Song (Tipsy),” a song that reigned at the pinnacle of the Billboard Hot 100 for 19 weeks. The song also spent seven weeks atop the Country Airplay chart, and Shaboozey followed with more Country Airplay No. 1s: “Amen” with Jelly Roll, and “Good News.” “Amen” also earned a Grammy for best country duo/group performance.

Where I’ve Been, Isn’t Where I’m Going was a journal entry and an opportunity for the world to get to know more about me as a person,” Shaboozey said in a statement. “That album changed my life. I never expected people to connect with the album and enjoy it the way they did. But now I want to show the world who I am as an artist and storyteller. The Outlaw Cherie Lee is a project that’s been several years in the making and has gone through many iterations. It’s a western about revenge told continuously through every song, centered on the character Cherie Lee.”

He added, “It explores so many themes, as many timeless westerns have: revenge, redemption, and romance, through the eyes of a protagonist looking to challenge everything she once thought true about her world. I poured all of myself into this and I hope people become as immersed in the world and the journey as I have. This album was a promise to myself and something, no matter what, I had to keep. It pushed my songwriting and storytelling to new heights, and I couldn’t be more proud to say it’s done and almost yours.”

See the album trailer for The Outlaw Cherie Lee and Other Western Tales below:

Ella Langley is getting her flowers on Billboard’s charts (dated April 25), thanks to the debut of her album Dandelion.

Released April 10 via SAWGOD/Columbia Records, the singer-songwriter’s new album launches at No. 1 on the Billboard 200 with 169,000 equivalent album units earned in the United States in its opening week (April 10-16), according to Luminate. Langley earns her first leader on the chart, as it arrives with the top weekly total for an album by a woman this year and the biggest one-week sum among country albums by women since Beyoncé’s Cowboy Carter in 2024.

Langley concurrently jump two spots to No. 1 on the Billboard Artist 100 chart, where she also leads for the first time. She becomes just the fourth woman to top the chart in its 12-year history on the heels of a country album, following Carrie Underwood, who spent a week at No. 1 in September 2018, Taylor Swift (multiple weeks on top via re-recordings of country projects Red and Fearless) and Megan Moroney, who ruled for the first time last month.

Langley also places 15 songs from Dandelion on the Billboard Hot 100, led by seven-week No. 1 “Choosin’ Texas.” Here’s a recap of her entries on the chart (all debuts except where noted).

Rank, Title:
No. 1, “Choosin’ Texas” (No. 1 for seventh week)
No. 4, “Be Her” (up from No. 8; new high)
No. 20, “Bottom of Your Boots”
No. 21, “Loving Life Again” (up from No. 38; new high)
No. 27, “Dandelion” (up from No. 46; new high)
No. 53, “Broken”
No. 54, “We Know Us”
No. 55, “You & Me Time”
No. 62, “Low Lights”
No. 63, “Speaking Terms”
No. 71, “Butterfly Season,” with Miranda Lambert
No. 75, “Somethin’ Simple”
No. 76, “Last Call for Us”
No. 80, “I Gotta Quit”
No. 83, “It Wasn’t God Who Made Honky Tonk Angels”

As Langley simultaneously rules the Artist 100, Hot 100 and Billboard 200, she becomes just the sixth woman to lead all three charts in the same week (dating to the Artist 100’s 2014 launch), joining Swift, Adele, Beyoncé, Ariana Grande and Olivia Rodrigo. The only other artists to lead all three in the same week this year are Swift (on the Jan. 10-dated chart) and Bruno Mars (March 14).

Langley also becomes just the 11th woman to top the Billboard 200 this century with a country album. Here’s a chronological rundown of every such set by a woman or all-woman act (based on titles that have hit Billboard’s Top Country Albums chart).

Title, Artist, Peak Date:
Home
, The Chicks, Sept. 14, 2002
Cry, Faith Hill, Nov. 2, 2002
Up!, Shania Twain, Dec. 7, 2002
Fireflies, Faith Hill, Aug. 20, 2005
All Jacked Up, Gretchen Wilson, Oct. 15, 2005
Taking the Long Way, The Chicks, June 10, 2006
Reba Duets, Reba McEntire, Oct. 6, 2007
Carnival Ride, Carrie Underwood, Nov. 10, 2007
Fearless, Taylor Swift, Nov. 29, 2008
Keep on Loving You, Reba, Sept. 5, 2009
Play On, Carrie Underwood, Nov. 21, 2009
Speak Now, Taylor Swift, Nov. 13, 2010
Blown Away, Carrie Underwood, May 19, 2012
Red, Taylor Swift, Nov. 10, 2012
Platinum, Miranda Lambert, June 21, 2014
Now, Shania Twain, Oct. 21, 2017
Cry Pretty, Carrie Underwood, Sept. 29, 2018
Fearless (Taylor’s Version), Taylor Swift, April 24, 2021
Red (Taylor’s Version), Taylor Swift, Nov. 27, 2021
Speak Now (Taylor’s Version), Taylor Swift, July 22, 2023
Cowboy Carter, Beyoncé, April 13, 2024
Cloud 9, Megan Moroney, March 7, 2026
Dandelion, Ella Langley, April 25, 2026

The Artist 100 measures acts’ activity across key metrics of music consumption: album sales, track sales, radio airplay and streaming. Using a methodology comprising those metrics, the chart provides a weekly multi-dimensional ranking of artist popularity.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Re-pack your festival gear. Now that Coachella 2026 is finally over, country music’s biggest festival, Stagecoach 2026, is up next, and tickets are going fast.

This year’s headliners — Cody Johnson, Lainey Wilson and Post Malone — will be taking the stage from April 24 through the 26 at the Empire Polo Club in Indio, Calif. The festival is held on the same grounds as Coachella, with minor tweaks made here and there to accommodate different acts. Other notable performers featured in the stacked lineup include Bailey Zimmerman, Riley Green, Brooks & Dunn, Ella Langley, Red Clay Strays, Warren Zeiders, Nate Smith, Sam Barber, Gavin Adcock, Wyatt Flores, Hudson Westbrook and Cameron Whitcomb.

Many festival-goers often come to the grounds for the HonkyTonk tent. Tent’s lineup is curated by Diplo and will see performances from the DJ and music producer along with Emo Nite featuring Ashlee Simpson, Dillstradamus (Dillon Francis + Flosstradamus), Juicy J, Loud Luxury, Marshmello, DJ Pauly D, Rebecca Black, Theo Von b2b Caleb Pressley, Two Friends and Wuki, among others. This is the fourth year that Diplo’s HonkyTonk tent has been on the festival grounds.

If you can’t make it out to the desert this year, you can catch all the action via Amazon Music, the exclusive livestream destination for Stagecoach 2026. The stream will run from April 24–26 across Prime Video, Twitch and the Amazon Music app, starting at 3 p.m. PDT every day. Tickets for the festival went on sale in October, and the demand for them hasn’t died down. Securing tickets to the festival can be difficult, especially given that they sell out within hours of release. Not to mention, pricing is not always ideal.

Below, we’ve compiled some of our favorite sites to shop for affordable last-minute tickets for Stagecoach 2026. We’ve also included promo codes that’ll hopefully bring down the pricing further. Keep reading to learn more.

Where to Buy Affordable Last-Minute Stagecoach 2026 Tickets Online

Where to buy affordable Stagecoach 2026 tickets.

LOTS OF TICKETS LEFT

StubHub


If you’ve been searching for tickets for the specific day or days that you’d like to attend Stagecoach 2026, StubHub is a great place to start. The interface is user-friendly and tickets are organized by date and artists performing. As of now, the site has three-day passes going for $519 and up. There are still a bunch of tickets from general admission to VIP options available. You can also buy shuttle access to the festival on StubHub for those with mobility issues.

While searching for tickets can be tricky, especially on third-party sites, StubHub makes it easy with its FanProtect Guarantee. This initiative protects fan’s purchases by ensuring valid tickets or your money back. Plus, if your event is canceled and not rescheduled, you will receive a credit worth 120% of the amount you paid for the impacted event, or the option of a cash refund.

Where to buy affordable Stagecoach 2026 tickets.

EARN REWARDS

Vivid Seats


Vivid Seats is also a pretty amazing choice with a ton of affordable options with prime pricing on some in-demand dates starting at $423. To make your tickets even more affordable, our readers can use code BB30 to snag $30 off their purchase. Vivid Seats has a great 100% Buyer Guarantee that vows your transaction will be secure, that your tickets will be delivered before your event and that those tickets will be valid and authentic. 

Where to buy affordable Stagecoach 2026 tickets.

PROMO CODES

SeatGeek


ShopBillboard is also a big fan of SeatGeek. With a quick search, we saw tickets for Stagecoach 2026 for $451, another affordable pick for prime festival days. If you’re looking to save some extra bucks on tickets, you can use promo code BILLBOARD10 at checkout to receive $10 off. Like most other ticketing sites, SeatGeek features an awesome Buyer Guarantee that ensures smooth ticket purchases every time, so you can purchase worry-free. The site also offers you venue options based on your location, giving you the closest venue to you.

Where to buy affordable Stagecoach 2026 tickets.

PROMO CODE

TicketNetwork


Our readers can get even more savings on Stagecoach 2026 tickets via TicketNetwork. Right now, you can use code BILLBOARD300 at checkout to save $300 off orders of $1,000, and BILLBOARD150 to save $150 off orders of $500. Tickets on the site are pretty pricey through and through, but our promo code should help lessen the blow to your wallet. TicketNetwork also offers shuttle passes similar to StubHub, so you can get around the festival without having to hustle.

If you don’t have the money to buy your tickets just yet, you can also buy the tickets on the website now and pay later with help from Affirm, giving you flexible spending options on top of our code. Plus, the website includes all-in pricing that lets you see exactly what you’ll be paying upfront (fees included).

Where to buy affordable Stagecoach 2026 tickets.

GREAT PRICING

Gametime


Gametime also offers affordable ticketing options for Stagecoach 2026, some of the best pricing we’ve seen on our search thus far, with tickets for three-day passes going for $548. Gametime guarantees the lowest prices, event cancellation protection, job-loss assurance and on-time ticket delivery for a smooth ticket-buying experience every time.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Billie Eilish‘s Hit Me Hard and Soft Tour, in support of her 2024 album of the same name, took place almost two years ago. The tour spanned the globe, making stops in Canada, the United States, Australia, Sweden, Norway, France, Spain and the list goes on and on.

The “Wildflower” singer’s tour started Sept. 29, 2024, and ended more than a year later, on Nov. 23, 2025. The tour was a triumph for Eilish, who played the Billboard Hot 100 top five hits “Lunch,” “Therefore I Am,” “Birds of a Feather” and more in front of thousands. If you got to see the tour and you’re looking to sing your heart out and relive the magic, or you missed out and want to see what all the hype is about, Eilish’s tour is coming to the big screen, this time, in 3-D.

The film, titled Billie Eilish – Hit Me Hard and Soft: The Tour, was co-directed by Eilish alongside famed director James Cameron, best known for his work on Titanic and the Avatar film franchise. The video footage you’ll be seeing included in the film was taken during Eilish’s four Manchester shows in 2025, which were attended by around 77,931 people total. If you just can’t wait, early access tickets are available to purchase now at Fandango for screenings beginning April 29 through May 17. Tickets for regular screenings are also available now at Fandango. Regular screening for the film begins May 8.

Where to get tickets to 'Billie Eilish Hit Me Hard And Soft: The Tour' Live  in 3D online.

Billie Eilish – Hit Me Hard and Soft: The Tour Live in 3D

This is a concert movie filmed during Billie Eilish’s Hit Me Hard and Soft tour in 2024. The concert began in Sept. of that year and ran until Nov. 2025.


The 3-D aspect is a nice touch for creating an immersive atmosphere similar to a concert. If it’s not your thing, though, some locations also offer non-3-D experiences. The same can be said for Dolby theaters showing the film. These theaters combine Dolby Vision, a dual-laser projection that creates ultra-vivid colors and deep contrast, and Dolby Atmos sound that makes audio feel 3D, filling up an entire theater.

If you want the best audio for your moviegoing experience, especially for a concert film like this one, we’d suggest looking for theaters with Dolby Atmos. Dolby Atmos’ quality is considered the best sound format for most modern theaters. It is worth noting that these tickets will cost a little more than your standard theater ticket because of the upgrade in sound quality.

During her 2024/2025 tour, Eilish performed a whopping 106 total shows with an all-star setlist and special guests, including Nat & Alex Wolff, Towa Bird, The Marías, Young Miko, Ashnikko, her brother Finneas, Tom Odell and Lola Young, among others. You’ll likely see some of these special guest performers popping up in the film.

When Madonna popped out as a surprise guest during Sabrina Carpenter‘s headlining set at weekend 2 of Coachella on Friday (April 17), she delivered yet another iconic pop culture moment in a career built on them. But the vintage costumes that helped make that moment so iconic have apparently gone missing.

On Monday (April 20), the Queen of Pop took to her Instagram Story to announce the burglary and to reflect on her return to Coachella, 20 years after the festival hosted her first Stateside performance of her classic 2005 LP, Confessions on a Dance Floor. “Still flying high since Friday night at Coachella,” she opened her note. “Thank you to Sabrina and everyone who made it possible. Bringing Confessions II back to where it began was such a thrill.”

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“The full circle moment hit different until I discovered that the vintage pieces that I wore went missing — my costume that was pulled from my personal archives — jacket, corset, dress and all other garments,” the pop icon, 67, continued. “These aren’t just clothes, they are part of my history. Other archival items from the same era went missing as well. I’m hoping and praying that some kind soul will find these items and reach out to my team. I’m offering a reward for their safe return. Thank you with all my heart.”

Madge’s surprise appearance coincided with the release of “I Feel So Free,” the hypnotic lead single from her forthcoming Confessions II, which arrives on July 3 as the official sequel to her 2005 album. After shortening her rendition of “Juno,” Carpenter welcomed Madonna to the stage for duets of “Vogue,” the first taste of “Bring Your Love” (a duet between the two blonde bombshells expected to appear on Confessions II) and “Like a Prayer.”

While onstage, Madonna made sure to note that she rewore the same corset, boots and Gucci jacket from her last Coachella appearance. She complemented those pieces with a lavender corset bodysuit, lacy knee-high purple stockings, lavender gloves and a pair of oversized sunglasses. As Carpenter stood beside her in full Man’s Best Friend glam, Madonna’s influence over the entire landscape of pop music aesthetics was palpable.

To celebrate her triumphant performance, Madonna shared a photoset on her official Instagram page. “A moment in history I will never forget, I feel so free!” she wrote in the caption of backstage flicks, mid-show photos and behind-the-scenes candids.

Although her Coachella appearance hit all the right notes, Madonna has no official plans to tour anytime soon. But if “I Feel So Free” — which combines Confessions producer Stuart Price and new-school electronic music luminary Arca — is any indication, Confessions II will keep the world dancing, stolen clothes be damned.

Iceman season is almost here. Adding another chapter to the Iceman rollout, Drake is set to reveal the anticipated album’s release date, which is hidden inside a massive block of ice in downtown Toronto.

“Release date inside,” Drake cryptically wrote to his Instagram Story on Monday (April 20), with coordinates of a Toronto location, which appears to be a parking lot on the corner of Dundas Street East and Bond Street.

Photos and clips emerged on Monday afternoon featuring construction personnel hard at work piecing the glacier blue ice structure together block by block.

OVO fans were sent into a frenzy, throwing out predictions of the release date or when the ice will eventually melt. Now the countdown begins toward the reveal of Iceman‘s arrival, which should be official in the coming days, with temperatures surging into the 50s by Wednesday (April 22).

Drake has continued to drop Iceman hints in recent days on his Instagram Story. “Its in,” he wrote alongside a photo of him stacking ice blocks.

Earlier in April, a fiery explosion was seen in Toronto around the Downsview Airport. Now confirmed that the pyrotechnics were part of an upcoming Drizzy music video.

“Just all of a sudden, everything shook. The bed shook, the floor shook, the windows were rattling, everything,” resident Rosanna Laboni told CBC.

On April 12, Drake’s courtside seats were turned frozen for the Toronto Raptors season finale at Scotiabank Arena, signaling that Iceman was on the horizon.

“Drake’s seats froze,” the Raptors wrote to X. 

It’s been nearly a year of thawing for Iceman, as the OVO boss set the album rollout in motion in 2025 with the release of singles like “What Did I Miss,” “Which One” and “Dog House” featuring YEAT and singer Julia Wolf.

“What Did I Miss” peaked at No. 2 on the Billboard Hot 100 and remains the last top 10 hit from a rapper. He also released a series of livestreams, which saw him previewing unreleased music.

Drake also teased Iceman‘s arrival during a video appearance at the Juno Awards while honoring Nelly Furtado. “Enjoy your Hall of Fame status. It’s long overdue. Kill the performance. We love you, dawg. Iceman coming soon,” he said.

With temperatures rising, Iceman is finally thawing and the wait appears to be over with a release date for the album imminent.

Ballads rule the day on this week’s crop of new country releases. Music heavyweights Reba McEntire, Cody Johnson and Riley Green are all releasing new songs, weaving through themes of love and longing. Meanwhile, rising artist Vincent Mason sets heartbreak to a driving melody, and SJ McDonald weaves a tale of youthful ambitions that have faded into small-town memories.

Check out all of these and more in Billboard‘s roundup of some of the best country, bluegrass and/or Americana songs of the week below.

Reba McEntire, “One Night in Tulsa”

Country Music Hall of Famer Reba McEntire wraps her inimitable voice around this tender ballad of longing and loneliness. “I’d spend a month in the desert/ Just to be together,” she sings as a sweeping ’90s country melody swells with emotional power, as backing vocals from bluegrass-gospel group The Isaacs further bolstering the song’s dynamics. Written by Neal Coty, Kylie Frey and Thom McHugh, “One Night in Tulsa” is the title track to McEntire’s latest project, an intimate collection of songs inspired by her native Oklahoma.

Cody Johnson, “I Want You”

Johnson just announced his upcoming album Banks Of The Trinity, which includes this tender, slow-burn ballad. “I want you when you’re healing/ And when you’re broke into,” he sings with quiet intensity, backed by an understated musical arrangement as he declares a steadfast devotion that is unswayed by circumstances. The song was written by Tom Douglas, Tony Lane and Matt Rogers. Johnson is known for dynamic melodies that make the most of his powerful voice, but this song’s strength is in its measured vulnerability.

Riley Green, “My Way”

Green has previously earned hits with ballads such as the sultry “Worst Way” and the tender “Don’t Mind If I Do,” and on his latest, he continues letting the music lead, with a mesh of refined, minimalist guitars and fiddle. On this rustic, lived-in sounding track, he sings of pining to reunite with an ex-lover, with the song’s lyrics etching out his dreams of rekindling their romance, spending time together, listening to Al Green records, watching the sun go down and enjoying time being in love. The song is understated, and he keeps his vocal delivery relaxed and conversational, never stretching beyond what the song calls for.

Vincent Mason, “Don’t Ask Me”

This earthy, unvarnished track from Mason finds him still swirling in the depths of post-breakup pain. “Don’t ask me how I’ve been/ Don’t ask about those empty cans rolling ’round in my truck bed,” he sings, and “Don’t Ask Me” doesn’t bring a neat resolution; instead, the song lets listeners fully immerse themselves in the confusion, hurt and acceptance. Though the song delves into the throes of heart-shattering disappointment, the song’s rhythm and melody have enough pluck and grit to keep the song moving at a steady clip.

SJ McDonald, “We Didn’t Make It That Far”

McDonald wraps out her soothing twang around a tale of two adults looking back on their teenage dreams of escaping their small town and building a life together outside the confines of the county lines. But somewhere along the way, those ambitions fizzled, and McDonald sings of how they each now live two different lives, but both their lives are still centered in that same small town. “We Didn’t Make It That Far” is the title track of McDonald’s new EP, coming May 15. With each new release, McDonald is proving to be one of country music’s most incisive, vivid storytellers.


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