All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Walmart+ Week is back, which means you can expect to find some of the hottest summer deals at Walmart. The retail giant is rolling out discounts during the weeklong savings event starting on June 17. If you don’t want to miss out, join Walmart+, so that you can enjoy the Walmart+ Week. To get you started, we’ve rounded up a list of everything you need to know — including how to join and what’s on sale. See below for more details.
During Walmart+ Week, members can shop exclusive offers such as 20 cents off fuel at Exxon & Mobile stations, up to 20% back in Walmart Cash on flights, hotels, car rentals and activities booked through Walmart+ Travel, one free Express Delivery and a three-month free trial to Walmart+ home (free delivery into your garage or kitchen by a “trusted, trained & familiar” Walmart Associates from your local store).
Walmart+ Week takes place from June 17-23.
How to Join Walmart+
Don’t miss out! Walmart+ typically costs $98 for the annual membership, and $12.95 for the monthly membership after a 30-day free trial. Walmart offers different plans that will save you up to half off the membership plan.
For example, subscribe to the Walmart+ annual plan to save you around $5/month and over $100 per year on your Walmart+ subscription.
What is Walmart+? The subscription unlocks instant access to loads of benefits including shopping certain sales earlier than everyone else, special pricing and product releases. Walmart+ members also get a ton of freebies.
If you’re interested in more discount options, there are a couple of ways to join Walmart+ for $49 or 50% off the regular price — no promo code necessary. For starters, Walmart offers a government assistance program that slices the subscription price in half.
Last July, the retail giant introduced Walmart+ Assist discounted subscription, for those on government assistance. The Walmart+ Assist discount is available to eligible new and existing Walmart+ members.
Existing members who qualify for the price cut will receive a prorated refund and the discounted price will begin immediately, per Walmart.
How else can you save on Walmart+? College students and grad students can subscribe to Walmart+ Student at a discounted rate.
If you’re not eligible for Walmart+ Assist or Walmart+ Student, don’t worry, you can still enjoy a free 30-day free trial with your subscription.
You can also give a Walmart+ membership as a birthday, graduation or belated Father’s Day gift. A Walmart+ membership is perfect for shoppers who want access to special benefits such as free shipping and sweet deals.
How do you gift someone with a Walmart+ membership? Simply purchase a Walmart gift card, which can be used to cover the annual membership fee.
What can you get for free with Walmart+? For starters, you’ll get free shipping with no order minimum, so you won’t have to worry about adding things to your cart that you might not even need just to get free shipping.
The membership also includes free grocery delivery, contact-free checkout with mobile-scan and go, travel deals, free subscriptions to Paramount+ and ad-free streaming with Pluto TV.
But wait, there’s more. Walmart+ members get free flat tire repair and other auto care and lots more. Some of the limited offers available to Walmart+ members include up to five months free Apple Music, up to four months free Apple Fitness+ three months of free YouTube Premium, two free months of Xbox Game Pass (in car), free Calm Premium for up to four months and 30% off Angi (formerly Angie’s List).
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-06-18 03:03:432024-06-18 03:03:43Walmart+ Week Has Arrived: Here’s What’s on Sale & How to Subscribe to Walmart+ for 50% Off — $49 for the Year
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
TikTok has become more than just a destination for watching funny videos and discovering the latest fashion trends — the social media platform also knows how to spot beauty products that deliver luxury results for a wallet-friendly price. The latest makeup tool to capture TikTokers’ attention is Milani’s Color Fetish Lip Stain, which has been deemed a “holy grail” for long-lasting color and hydration.
Some of the standout qualities that go beyond its $10 price tag include its wide range of colors and its use of plant-derived squalene and hyaluronic acid, which help deliver moisture and nourishment naturally. TikToker Vianney Strick has also gained more than 55,000 views for a review on the Color Fetish Lip Stain in the shade Mauve Mentality, describing its uses and benefits.
“It’s so glossy, looks stunning on its own or as a lip combo,” Strick says in the video. “Also, something super important: it looks wearable. It’s not bright pink or purple, it’s a beautiful shade.”
✨NEW DRUGSTORE LIP STAIN✨ this is the new Milani Cosmetics Color Fetish Hydrating Lip Stain! I have the shade “Mauve Mentality.” I love a lip stain but I hate when it’s drying. I was super excited to try a drugstore lip stain and it did not disappoint! (For the lip liner I used the Tower 28 lip liner in “work of art”) 💓description & claims: Lip color goes low maintenance with Milani’s Color Fetish Hydrating Lip Stain. Buildable, glossy color transforms into a semi-matte stain. Lightweight formula cushions lips with Hyaluronic Acid & Squalane for up to 8HRS of hydration, comfort & wear.* $13.99 USD 💓my opinion: I love everything about it! The color range is beautiful! I love the precise applicator for lining the lips. It’s super pretty and glossy and not goopy. Leaves a pretty stain behind and it doesn’t dry my lips out. Definitely a new drugstore favorite! @Milani @Ulta Beauty #milanilipstain#drugstorelipstain#lipstain#lipcombo#newdrugstoremakeup#makeupreview#milanicolourfestish
To help further prove its longevity, one TikTok influencer wore the lip stain on an 11-mile run while training for a half marathon and gave a first-hand review. Target has also labeled the lip product one of its most viral products seconding the “luxury results for less” point that reviewers have been talking up.
The $10 lip stain comes in a range of six shades including soft pinks and deep reds that’ll help complete your makeup looks whether it’s for date night or brunch with friends. Each application remains on for up to eight hours a day and it uses a vegan formula that will leave behind a semi-matte texture after drying.
How Long Does Lip Tint Stain Last?
This will depend on your wants and needs, as different brands’ lip stains won’t last the same amount of time. Milani’s Color Fetch Lip Stain starts off glossy, but with a lifespan of eight hours (according to the official description) the formula will eventually turn into a semi-matte stain.
Does Lip Stain Rub Off?
The goal of a quality lip stain is to eventually dry into a semi-permanent stain that’ll provide your lips with some color for a period of time. Milani’s version starts off glossy, which you can easily wipe off, but as it dries, it’ll leave behind a colored stain on your lips that’ll last all night.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-06-18 03:03:422024-06-18 03:03:42This ‘Color Fetish’ Lip Stain Delivers Luxury for Less (It’s Only $10)
TOMORROW X TOGETHER are always innovative, and the group is entering the technological future once again by announcing their first-ever virtual reality concert.
HYPERFOCUS : TOMORROW X TOGETHER VR CONCERT will take place throughout five different cities over the next few months (dates below) and will feature members Yeonjun, Soobin, Beomgyu, Taehyun and HueningKai delivering an unforgettable performance that allows fans to get up close and personal to their favorite stars.
“We have been thinking about how to get closer to our fans, and this VR concert is an opportunity for us to do so. We hope this experience will be a cherished memory for our fans, just like it was for us to make it,” the group shared in a press statement. The corresponding teaser clip features a preview of the “Deja Vu” performance.
minisode 3: TOMORROW, the group’s sixth mini album, was released on April 1. The previous two minisode projects hit the Billboard 200 albums chart, with minisode 1: Blue Hour peaking at No. 25 in 2020 and minisode 2: Thursday’s Child hitting No. 4 in 2022. The group boasts one Billboard 200 chart-topper, with their The Name Chapter: Temptation EP hitting No. 1 early last year.
Tickets for TOMORROW X TOGETHER’s HYPERFOCUS : TOMORROW X TOGETHER VR CONCERT go on sale here starting on July 17. See the full list of cities and dates below.
VR CONCERT THEATER TOUR DATES Los Angeles, CA – August 8 – 21 Buena Park, CA – August 23 – September 1 Houston, TX – September 5 – September 22 Chicago, IL – September 26 – October 13 New York, NY – October 17 – November 10
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-06-18 03:03:382024-06-18 03:03:38TOMORROW X TOGETHER Announce ‘HYPERFOCUS’ Virtual Reality Concert
From Shaboozey‘s runaway breakout hit “A Bar Song” to Sabrina Carpenter‘s drawl-inflected “Please Please Please” and Post Malone and Morgan Wallen‘s Billboard Hot 100-topping “I Had Some Help,” country music is back on top. Of course, a major player in this moment, specifically in the platforming of Black country artists in this moment, is Beyoncé.
At the top of the year she unleashed her Billboard 200-topping Cowboy Carter, the second act of her still-unfurling trilogy, featuring a slew of rising Black country stars, including Reyna Roberts, who is a credited artist on “Blackbiird” and harmonizes in the background on “Tyrant.”
“From the very moment I heard my voice on [“Tyrant”], I couldn’t believe it,” Roberts gushed to Billboard backstage after her performance at Blavity House Party on Saturday (June 15). “I’m still so thankful that Beyoncé brought us onto a project and made us a little part of her legacy because people here weren’t doing that, but she did.”
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Despite Black artists being foundational to the creation of what is now recognized as country music, the genre’s roots have been whitewashed and obfuscated by those who wanted to erase the contributions of key players such as Leslie Riddle, Rufus “Tee Tot” Payne, Arnold Schultz and Gus Cannon. With the release of Cowboy Carter — which, in addition to Roberts, featured collaborations with Tanner Adell, Brittney Spencer, Tiera Kennedy, Shaboozey, Willie Jones and the legendary Linda Martell — a mainstream Black country boom is unfolding in real-time.
None of the artists featured on Cowboy Carter are new to the country music industry. Many of them have been trying to break through for close to a decade, but Beyoncé’s latest LP has been the catalyst needed to sidestep the Nashville machine and force industry gatekeepers to truly pay attention. After all, when Beyoncé released “Texas Hold ‘Em,” Cowboy Carter’s Hot 100-topping lead single, back in February, Billboardreported a residual streaming boost for the catalogs of other Black women in country; Robert’s streams jumped 250% in the week following the release of “Texas.”
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“When I was [first] coming to Nashville, I was telling people my goals, my dreams, like I’m going to work with Beyoncé,” says Roberts. “People just weren’t seeing it. I met with a lot of labels [in Nashville], and everybody passed on me. It’s so interesting to see how people treat me now. I’m the same person, I’m thankful my personality hasn’t really changed, my talent hasn’t changed, I’m the same individual. But it took Beyoncé and a lot of answered prayers from God for some people to see what they weren’t able to see before.”
For Roberts, the rest of 2024 is all about making sure this moment isn’t just a flash in the pan. The “Stomping Grounds” singer is currently hard at work on her new album, the follow-up to 2023’s Bad Girl Bible, Vol. 1, as well as exciting endeavors across different realms of entertainment.
“With this next album, every song is going to have a story [and] have a visual,” she reveals. “I want to make sure I’m telling the best stories that I can, so it takes a little bit of time. It’s definitely coming. It’s going to be something that I’m proud of and that I want to sing for the rest of my life.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-06-17 03:01:132024-06-17 03:01:13Reyna Roberts Talks Beyoncé’s ‘Cowboy Carter’ Impact: ‘It’s So Interesting to See How People Treat Me Now’
At the intersection of 615 Day 2023 and Juneteenth Weekend lies the inaugural Blavity House Party. Holsted by Blavity Media Group, the new festival took over Nashville, Tennessee, on June 14 and 15, treating locals and travelers alike to two nights of fiery performances in celebration of Juneteenth and Black Music Month.
Hosted by Zack Fox, Bridget Kelly and Mani Millss, Blavity House Party boasted a slew of performers across the myriad genres of the Black diaspora, including Monica, Rick Ross, K. Michelle, Dru Hill, Uncle Waffles, Blxst, Ryan Leslie, Leon Thomas, Big Freedia, Freeway, Lil’ Mo, Travis Porter, Reyna Roberts, Nesta, Domani and more. In addition to the two performance stages (one outside and one inside Music City’s storied Municipal Auditorium), the patio hosted a bevy of local Black-owned businesses for festivalgoers to support.
The festival’s opening day got off to a semi-sanctified start with a rousing performance from Sainted Trap Choir. With a tight choreography and tighter arrangements, the choir ripped through a medley that combined both secular and pop hits, including Travis Porter’s “Make It Rain,” Victoria Monét’s “On My Mama,” Tyla’s “Water” and Kirk Franklin’s “Melodies from Heaven.” Big Freedia kept the energy high with a NOLA-exalting bounce set that featured endless twerking and racy fellatio demonstrations from her backup dancers, while Grammy-winning R&B singer-songwriter Leon Thomas enraptured the audience with his honeyed vocals and impressive guitar skills.
Despite strong performances from day one’s performers, the meager audience turnout was impossible to ignore. As the day went on, the floor started to fill up, with legendary R&B group Dru Hill drawing the most passionate crowd of the night. Celebrating more than 25 years of hits, Sisqó led his fellow group members in impressive renditions of timeless hits like “Tell Me” and “In My Bed,” flaunting the power of their live vocals and pristine harmonies. With their set, Dru Hill was able to capture lightning in a bottle and truly make Blavity House Party feel like a must-see festival. Nonetheless, that energy quickly dissipated as the crowd waited anxiously for Lil Wayne — who was scheduled as the night’s headliner — just for the “A Milli” rapper to ghost the festival, providing no reason for his absence.
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In an effort to make up for the last-minute disappointment of day one, Blavity House Party packed on several additional performers for the festival’s second day, including Lil Scrappy, Rick Ross and Tennessee native K. Michelle. Standout performers from day two included outlaw country princess Reyna Roberts — who put on a blazing show to match her red-hot hair — and hip-hop trio Travis Porter, who have provided a timeless soundtrack to Black house parties for nearly 15 years and counting. Lil Scrappy, something of a musical forefather to Travis Porter, also lit up the auditorium with lively performances of ’00s classics such as “Head Bussa” and “Neva Eva.”
Clearly an eleventh-hour addition, K. Michelle breezed through a six-minute set that included renditions of “Can’t Raise a Man” and “V.S.O.P.” Curiously, the chart-topping R&B star did not perform any of her country songs, though she did confirm that her long-awaited country album is still on the way. Headliner Monica took fans down memory lane with a set that spurred mass sing-alongs to some of her most beloved tracks, such as “So Gone” and “Before You Walk Out of My Life.”
Once again, the show threatened to fly off the rails near the end of the night. Rick Ross’ music was shockingly cut short about six songs into his set. After requesting his DJ drop the next track, silence ensued. The DJ continued to press buttons to figure out the situation, but within the next seven minutes, Ricky Rozay had given away a bottle of Belaire champagne, threw on his backpack, and exited the stage for good, making for a sudden and unforgettable end to the inaugural Blavity House Party.
Here are the six best moments from Blavity House Party 2024.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-06-17 03:01:122024-06-17 03:01:126 Best Moments of Blavity House Fest: Dru Hill, Rick Ross, Reyna Roberts & More
Curtain up! Light the lights! Broadway’s biggest night, the Tony Awards, is here. It all got underway Sunday night (June 16) at 6:30 p.m. ET/3:30 p.m. PT with The Tony Awards: Act One, co-hosted by Julianne Hough and Utkarsh Ambudkar. Stereophonic and The Outsiders each won two awards during the 90-minute pre-show, which streamed on Pluto TV.
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At 8 p.m. ET/5 p.m. PT, CBS will air the 77th annual Tony Awards, with Ariana DeBose hosting for the third year. The three-hour show will also stream on Paramount+ in the U.S. Both shows will be held at the David H. Koch Theater at Lincoln Center for the Performing Arts in New York City.
The Tonys telecast is set to include performances from all five nominees for best musical (Hell’s Kitchen, Illinoise, The Outsiders, Suffs and Water for Elephants) and from three of the four nominees for best revival of a musical (Cabaret at the Kit Kat Club, Merrily We Roll Along and The Who’s Tommy). The Tonys will presumably not include a performance from the fourth nominee for best revival of a musical, Gutenberg! The Musical!, which closed on Jan. 28.
The Hell’s Kitchen segment was capped by Keys and Jay-Z performing “Empire State of Mind,” their Grammy-winning smash that spent five weeks at No. 1 on the Billboard Hot 100 in 2009. Pete Townshend joined the cast of The Who’s Tommy to perform songs from that classic 1969 album.
The telecast is also set to feature a performance from Stereophonic, the “play with music” (by Will Butler, formerly of Arcade Fire). Stereophonic tied with Hell’s Kitchen, a musical based on the music of Alicia Keys, for the most nominations of any production this year (13).
Most Broadway experts see the race for best musical as a close race between Suffs and Hell’s Kitchen. Stereophonic won best play. A revival of Stephen Sondheim’s 1981 show Merrily We Roll Along won best revival of a musical. A revival of Branden Jacobs-Jenkins’ 2014 off-Broadway show Appropriate won best revival of a play.
But who will actually take home the honors? We’ve got you covered. We’ll update this list as each winner is announced.
Musicals
Best musical
Hell’s Kitchen; Producers: AK Worldwide Media, Inc., Roc Nation, DML Productions, Mandy Hackett, The Sunshine Group, Julie Yorn, The Jacobs Family, No Guarantees Productions, Front Row Productions, Sharpton Swindal Productions, Grove Entertainment, The Jaime Family, John Gore Organization, Terria Joseph, Andy Nahas, James L. Nederlander, Candy Spelling, Clara Wu Tsai, Universal Music Publishing, Independent Presenters Network, Della Pietra Spark Theatricals, Today Tix ARGU, Score 3 Partners, Aaron Lustbader, The Public Theater, Oskar Eustis, Patrick Willingham
Illinoise; Producers: Orin Wolf, Seaview, John Styles, David Binder, Emily Blavatnik, Susan Rose, ArKtype/Thomas O. Kriegsmann, David F. Schwartz, Patrick Catullo, Jon B. Platt, Diamond & Melvin, Nelson & Tao, Ruth Hendel, Elysabeth Kleinhans, Ted & Mary Jo Shen, Putnam & Thau, Chase & F.K.R., GJJJM Productions, Steve & Leticia Trauber, Tim Forbes, John Gore Organization, James L. Nederlander, Park Avenue Armory, Chicago Shakespeare Theater, Nate Koch, TT Partners, Fisher Center at Bard
The Outsiders; Producers: The Araca Group, American Zoetrope, Olympus Theatricals, Sue Gilad & Larry Rogowsky, Angelina Jolie, Betsy Dollinger, Jonathan & Michelle Clay, Cristina Marie Vivenzio, The Shubert Organization, LaChanze & Marylee Fairbanks, Debra Martin Chase, Sony Music Masterworks, Jamestown Revival Theater, Jennifer & Jonathan Allan Soros, Tanninger Entertainment, Tamlyn Brooke Shusterman, Geffen Playhouse/Howard Tenenbaum/Linda B. Rubin, Kevin Ryan, Mistry Theatrical Ventures, Galt & Irvin Productions, Tulsa Clarks, Paul & Margaret Liljenquist, Bob & Claire Patterson, Voltron Global Media, James L. Nederlander, Warner Bros. Theatre Ventures, The John Gore Organization, Independent Presenters Network, Stephen Lindsay & Brett Sirota, Jeffrey Finn, Playhouse Square, Sue Marks, Indelible InK, Lionheart Productions, The Broadway Investor’s Club, Starhawk Productions, Distant Rumble, Green Leaf Partnership, Michael & Elizabeth Venuti, Leslie Kavanaugh, Deborah & Dave Smith, Belle Productions, Chas & Jen Grossman, Miranda & Sahra Esmonde-White, Rungnapa & Jim Teague, Michael & Molly Schroeder, Casey & Chelsea Baugh, James L. Flautt, Jon L. Morris, Becky Winkler, William Moran Hickey, Jr. & William Horan Hickey, III, Oddly Specific Productions, Melissa Chamberlain & Michael McCartney, Rachel Weinstein, Wavelength Productions, Rob O’Neill & Shane Snow, Eric Stine, Cornice Productions, La Jolla Playhouse
Suffs; Producers: Jill Furman, Rachel Sussman, Hillary Rodham Clinton, Malala Yousafzai, Roy Furman, Allison Rubler, Cue to Cue Productions, Sandy Robertson, Kevin Ryan & Diane Scott Carter, Renee Ring & Paul Zofnass, Walport Productions, Judith Teel Davis & Joe Carroll, Tom D’Angora & Michael D’Angora, Louise Gund, Erica Lynn Schwartz, Stone Arch Theatricals/Mayer Productions, Xan Weiser/Matters of the Art, Nothing Ventured Productions, Christin Brecher, Chutzpah Productions, Morgan Steward, 16 Sunset Productions, The Broadway Investor’s Club, Ari Conte, Rose Maxi, Jennifer Friedland, David Carroll, Julie E. Cohen, The Garelicks, Ruth Ann Harnisch, Meena Harris, John Gore Organization, Laura Lonergan, Sally Martin, Peter May, The Mehiels, Nederlander Presentations, Brian Spector, Candy Spelling, Ed Walson, Zuckerberg/Segal, Needle Productions/Oddly Specific Productions, Alissandra Aronow/Wandi Productions, Craig Balsam/Jennifer Kroman, Burkhardt Jones Productions/Adam Cohen, Vibecke Dahle Dellapolla/Samantha Squeri, Funroe Productions/Kim Khoury, Sheri Clark Henriksen/Robert Tichio, Michelle Noh/Todd B. Rubin, Nick Padgett/Vasi Laurence, Seaview/Level Forward, Sixpoint Productions/Theatre Nerd Productions, Stanley S. Shuman/Marcie Orley, Soto Productions/The Cohn Sisters, Theatre Producers of Color, The Shubert Organization, The Public Theater, Oskar Eustis, Patrick Willingham
Water for Elephants; Producers: Peter Schneider, Jennifer Costello, Grove Entertainment, Frank Marshall, Isaac Robert Hurwitz, Seth A. Goldstein, Jane Bergère, Elizabeth Armstrong, Jason M. Brady, Carl & Jennifer Pasbjerg, Erica Rotstein & Crista Marie Jackson, Jana Bezdek & Jen Hoguet, John H. Tyson, Rich Entertainment Group, Jeremiah J. Harris, John Gore Organization, Jeff & Shannon Fallick, Patti & Mike Sullivan, Rodney Rigby, Larry Lelli, Bonnie Feld, Yonge Street Theatricals, Larry J. Kroll, The Shubert Organization, Nederlander Presentations, Nancy Gibbs, Jack Lane, Amy & PJ Lampi, Gwen Arment & Vasi Laurence, Mark Parkman Fairview Productions, Nothing Ventured Productions, Pam Hurst-Della Pietra & Stephen Pietra, Steven Spielberg & Kate Capshaw, The Glasshouse USA, Willette & Manny Klausner, John Paterakis, Hope Tschopik Schneider, Patty Baker, The Burcaws & Q’d Up Productions, Crescent Road, Cynthia Stroum, Sally Jacobs & Warren Baker, Tawnia Knox & Stuart Snyder, Madison Wells Live & Takonkiet Viravan, Terry H. Morgenthaler, Pamela Moschetti, Gabrielle Palitz & Fahs Productions, The Roehl Family & Chema Verduzco, Shapiro Jensen Schroeder, Tre Amici Productions, We Eat Dreams Productions, Rachel Weinstein, Maik Klokow, Margot Astrachan, Mehr-BB Entertainment
Best revival of a musical
Cabaret at the Kit Kat Club; Producers: ATG Productions, Underbelly, Gavin Kalin Productions, Hunter Arnold, Smith & Brant Theatricals, Wessex Grove, Julie Boardman, Tom Smedes, Peter Stern, Heather Shields, Caiola Productions, Kate Cannova, Adam Blanshay Productions & Nicolas Talar, Aleri Entertainment, Alex Levy Productions, Bunny Rabbit Productions, D’Angora Padgett Productions, Cyrene Esposito, David Treatman, Eddie Redmayne, The Array IV, Bad Robot Live, BlueJay Productions, Grace Street Creative Group, Iocane Productions, Jim Kierstead, Marco Santarelli, Tokyo Broadcasting System Television, George Waud, Yonge Street Theatricals, Federman Koenigsberg Productions/Sara Beth Zivitz, Tina Marie Casamento/Jennifer Johns, M. Kilburg Reedy/Tilman Kemmler, Greenspan Proffer/Kat Kit 4, Patty Baker/Matthew Christopher Pietras, Broadway Strategic Return Fund/Red Mountain Theatre Company, Evan Coles/The Cohn Sisters, Nolan Doran/Fakston Productions, Epic Theatricals/Jeffrey Grove, Jessica Goldman Foung/Andrew Paradis, William Frisbie Tilted Marguerite Steed Hoffman/Willette & Manny Klausner, Vasi Laurence/Stephen C Byrd, Brian & Dayna Lee/City Cowboy Productions, Maybe This Time/3D Productions, Nothing Ventured Productions/Theatre Producers of Color, Perfectly Marvelous/Catherine Schreiber & Co, Second Act/Freedom Theatricals, SSP Holdings/Todd & Bronwyn Bradley, Two Ladies/Nicole Eisenberg, Ilana Waldenberg/W Stage Productions, The Wolf Pack/Burnt Umber Productions, The Shubert Organization
Gutenberg! The Musical!; Producers: Ambassador Theatre Group, Patrick Catullo, Bad Robot Live, Seth A. Goldstein, Isaac Robert Hurwitz, Runyonland Productions, Elizabeth Armstrong, Timothy Bloom, Larry Lelli, Alchemation, The Council, Crescent Road, Wendy Federman, Marcia Goldberg, Hariton deRoy, LD Entertainment, James L. Nederlander, Al Nocciolino, Spencer Ross, Independent Presenters Network, Medley Houlihan/Score 3 Partners, Tryptyk Studios/Iris Smith, Jonathan Demar/Griffin Dohr, Andrew Diamond/Alexander Donnelly, Futurehome Productions/Koenigsberg Subhedar, Roy Gabay/Nicole Eisenberg, Jessica R. Jenen/Linda B. Rubin, Daniel Powell/Amplify Pictures, Jeremy Wein/Walport Productions, Kristin Caskey, Mike Isaacson, Bee Carrozzini
WINNER: Merrily We Roll Along; Producers: Sonia Friedman Productions, David Babani, Patrick Catullo, Jeff Romley, Debbie Bisno, Lang Entertainment Group, OHenry Productions, Winkler & Smalberg, Stephanie P. McClelland, Timothy Bloom, Creative Partners Productions, Eastern Standard Time, Fakston Productions, Marc David Levine, No Guarantees, Ted & Mary Jo Shen, Gilad Rogowsky, Playing Field, Key to the City Productions, Richard Batchelder/Trunfio Ryan, FineWomen Productions/Henry R. Muñoz, III, Thomas Swayne/Lamar Richardson, Abrams Corr/Mary Maggio, Osh Ashruf/Brenner-Ivey, Craig Balsam/PBL Productions, deRoy DiMauro Productions/Medley Houlihan, Andrew Diamond/Katler-Solomon Productions, Dodge Hall Productions/Carl Moellenberg, Friedman Simpson/Vernon Stuckelman, William Frisbie/J.J. Powell, Robert Greenblatt/Jonathan Littman, Cleveland O’Neal, III/Tom Tuft, Roth-Manella Productions/Seaview, New York Theatre Workshop
The Who’s Tommy; Producers: Stephen Gabriel, Ira Pittelman, Sue Gilad & Larry Rogowsky, Mary Maggio & Scott Abrams, Tom Tuft and Glenn Fuhrman, Batman Harris/Elliott Cornelious, Laura Matalon/Spencer Waller, Richard Winkler, Sheldon Stone, Firemused Productions/Stone Arch Theatricals, LeonoffFedermanWolosky Productions/Koenigsberg Batchelder, Roy Putrino/Narang Moran, Rich Martino, Aged in Wood/Lee Sachs, Paul and Margaret Liljenquist, R & R Productions, Marla McNally Phillips, Merrie Robin, O’Neill Snow, Work Light Productions, Nederlander Presentations, Independent Presenters Network, John Gore Organization, Palomino Performing Arts, Wavelength Productions, Robert Nederlander, Jr., Botwin Ignal Dawson, Jamie deRoy, Betsy Dollinger, Stacey Woolf Feinberg, Gold Weinstein, Tyce Green, Jenen Rubin, Jim Kierstead, Marco Santarelli, Nancy Timmers, Thomas B. McGrath, Olympus Theatricals, Goodman Theatre
Best performance by an actor in a leading role in a musical
Brody Grant, The Outsiders WINNER: Jonathan Groff, Merrily We Roll Along Dorian Harewood, The Notebook Brian d’Arcy James, Days of Wine and Roses Eddie Redmayne, Cabaret at the Kit Kat Club
Best performance by an actress in a leading role in a musical
Eden Espinosa, Lempicka WINNER: Maleah Joi Moon, Hell’s Kitchen Kelli O’Hara, Days of Wine and Roses Maryann Plunkett, The Notebook Gayle Rankin, Cabaret at the Kit Kat Club
Best performance by an actor in a featured role in a musical
Roger Bart, Back to the Future: The Musical Joshua Boone, The Outsiders Brandon Victor Dixon, Hell’s Kitchen Sky Lakota-Lynch, The Outsiders WINNER: Daniel Radcliffe, Merrily We Roll Along Steven Skybell, Cabaret at the Kit Kat Club
Best performance by an actress in a featured role in a musical
Shoshana Bean, Hell’s Kitchen Amber Iman, Lempicka Nikki M. James, Suffs Leslie Rodriguez Kritzer, Monty Python’s Spamalot WINNER: Kecia Lewis, Hell’s Kitchen Lindsay Mendez, Merrily We Roll Along Bebe Neuwirth, Cabaret at the Kit Kat Club
Best direction of a musical
Maria Friedman, Merrily We Roll Along Michael Greif, Hell’s Kitchen Leigh Silverman, Suffs Jessica Stone, Water for Elephants WINNER: Danya Taymor, The Outsiders
Best original score (music and/or lyrics) written for the theatre
Days of Wine and Roses; Music & Lyrics: Adam Guettel Here Lies Love; Music: David Byrne and Fatboy Slim; Lyrics: David Byrne The Outsiders; Music & Lyrics: Jamestown Revival (Jonathan Clay and Zach Chance) and Justin Levine Stereophonic; Music & Lyrics: Will Butler WINNER: Suffs; Music & Lyrics: Shaina Taub
Best orchestrations
Timo Andres, Illinoise Will Butler and Justin Craig, Stereophonic Justin Levine, Matt Hinkley and Jamestown Revival (Jonathan Clay and Zach Chance), The Outsiders Tom Kitt and Adam Blackstone, Hell’s Kitchen WINNER: Jonathan Tunick, Merrily We Roll Along
Best choreography
Annie-B Parson, Here Lies Love Camille A. Brown, Hell’s Kitchen Rick Kuperman and Jeff Kuperman, The Outsiders WINNER: Justin Peck, Illinoise Jesse Robb and Shana Carroll, Water for Elephants
Best book of a musical
Hell’s Kitchen; Kristoffer Diaz The Notebook; Bekah Brunstetter The Outsiders; Adam Rapp and Justin Levine WINNER: Suffs; Shaina Taub Water for Elephants; Rick Elice
Best scenic design of a musical
AMP featuring Tatiana Kahvegian, The Outsiders Robert Brill and Peter Nigrini, Hell’s Kitchen Takeshi Kata, Water for Elephants David Korins, Here Lies Love Riccardo Hernández and Peter Nigrini, Lempicka Tim Hatley and Finn Ross, Back To The Future: The Musical WINNER: Tom Scutt, Cabaret at the Kit Kat Club
Best costume design of a musical
Dede Ayite, Hell’s Kitchen WINNER: Linda Cho, The Great Gatsby David Israel Reynoso, Water for Elephants Tom Scutt, Cabaret at the Kit Kat Club Paul Tazewell, Suffs
Best lighting design of a musical
Brandon Stirling Baker, Illinoise Isabella Byrd, Cabaret at the Kit Kat Club Natasha Katz, Hell’s Kitchen Bradley King and David Bengali, Water for Elephants WINNER: Brian MacDevitt and Hana S. Kim, The Outsiders
Best sound design of a musical
M.L. Dogg and Cody Spencer, Here Lies Love Kai Harada, Merrily We Roll Along Nick Lidster for Autograph, Cabaret at the Kit Kat Club Gareth Owen, Hell’s Kitchen WINNER: Cody Spencer, The Outsiders
Plays
Best play
Jaja’s African Hair Braiding; Author: Jocelyn Bioh; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings, Madison Wells Live, LaChanze, Taraji P. Henson
Mary Jane; Author: Amy Herzog; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings
Mother Play; Author: Paula Vogel; Producers: Second Stage Theater, Carole Rothman, Lisa Lawer Post, Salman and Vienn Al-Rashid, Courtney Lederer and Mark Thierfelder, Jerry and Roz Meyer, Alix L.L. Ritchie, Jayne Baron Sherman
Prayer for the French Republic; Author: Joshua Harmon; Producers: Manhattan Theatre Club, Lynne Meadow, Chris Jennings
WINNER: Stereophonic; Author: David Adjmi; Producers: Sue Wagner, John Johnson, Seaview, Sonia Friedman Productions, Linden Productions, Ashley Melone, Nick Mills, Jillian Robbins, Stella La Rue, Alex Levy & David Aron, Dori Berinstein, James Bolosh, Burnt Umber Productions, The Cohn Sisters, Cathy Dantchik, Alexander R. Donnelly, Emerald Drive, Federman Koenigsberg, Dann Fink, Ruth Hendel, Larry Hirschhorn, Jenen Rubin, John Gore Organization, Willette & Manny Klausner, LAMF Protozoa, Katrina McCann, Stephanie P. McClelland, No Guarantees, Marissa Palley & Daniel Aron, Anna Schafer, Soto Namoff Productions, Sean Walsh, Bruce & Peggy Wanta, Hillary Wyatt, deRoy Howard, Winkler & Smalberg, 42nd.club, Craig Balsam, Concord Theatricals, Creative Partners Productions, Jonathan Demar, Douglas Denoff, DJD Productions, Echo Lake Entertainment, Faliro House, FilmNation Entertainment, Roy Gabay, GFour Productions, Candy Kosow Gold, Wes Grantom, Rachel Bendit & Mark Bernstein, Playwrights Horizons, Adam Greenfield, Leslie Marcus, Carol Fishman
Best revival of a play
WINNER: Appropriate; Author: Branden Jacobs-Jenkins; Producers: Second Stage Theater, Carole Rothman, Lisa Lawer Post, Ambassador Theatre Group, Amanda Dubois, Annapurna Theatre, Bad Robot Live
An Enemy of the People; Author: Amy Herzog; Producers: Seaview, Patrick Catullo, Plan B, Roth-Manella Productions, Eric & Marsi Gardiner, John Gore Organization, James L. Nederlander, Jon B. Platt, Atekwana Hutton, Bob Boyett, Chris & Ashlee Clarke, Cohen-Demar Productions, Andrew Diamond, GI6 Productions, Sony Music Masterworks, Triptyk Studios, Trunfio Ryan, Kate Cannova, DJL Productions
Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch; Producers: Jeffrey Richards, Hunter Arnold, Leslie Odom, Jr., Louise Gund, Bob Boyett, Curt Cronin, John Joseph, Willette and Manny Klausner, Brenda Boone, Salman Moudhy Al-Rashid, Creative Partners Productions, Irene Gandy, Kayla Greenspan, Mark and David Golub Productions, Kenny Leon, John Gore Organization, W3 Productions, Morwin Schmookler, Van Kaplan, Ken Greiner, Patrick W. Jones, Nicolette Robinson, National Black Theatre, Alan Alda, LaTanya Richardson Jackson, Samuel L. Jackson, Phylicia Rashad, Nnamdi Asomugha, Kerry Washington, The Shubert Organization
Best performance by an actor in a leading role in a play
William Jackson Harper, Uncle Vanya Leslie Odom, Jr., Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch Liev Schreiber, Doubt: A Parable WINNER: Jeremy Strong, An Enemy of the People Michael Stuhlbarg, Patriots
Best performance by an actress in a leading role in a play
Betsy Aidem, Prayer for the French Republic Jessica Lange, Mother Play Rachel McAdams, Mary Jane WINNER: Sarah Paulson, Appropriate Amy Ryan, Doubt: A Parable
Best performance by an actor in a featured role in a play
WINNER: Will Brill, Stereophonic Eli Gelb, Stereophonic Jim Parsons, Mother Play Tom Pecinka, Stereophonic Corey Stoll, Appropriate
Best performance by an actress in a featured role in a play
Quincy Tyler Bernstine, Doubt: A Parable Juliana Canfield, Stereophonic Celia Keenan-Bolger, Mother Play Sarah Pidgeon, Stereophonic WINNER: Kara Young, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch
Best direction of a play
WINNER: Daniel Aukin, Stereophonic Anne Kauffman, Mary Jane Kenny Leon, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch Lila Neugebauer, Appropriate Whitney White, Jaja’s African Hair Braiding
Best scenic design of a play
dots, Appropriate dots, An Enemy of the People Derek McLane, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch David Zinn, Jaja’s African Hair Braiding WINNER: David Zinn, Stereophonic
Best costume design of a play
Dede Ayite, Appropriate WINNER: Dede Ayite, Jaja’s African Hair Braiding Enver Chakartash, Stereophonic Emilio Sosa, Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch David Zinn, An Enemy of the People
Best lighting design of a play
Isabella Byrd, An Enemy of the People Amith Chandrashaker, Prayer for the French Republic Jiyoun Chang, Stereophonic WINNER: Jane Cox, Appropriate Natasha Katz, Grey House
Best sound design of a play
Justin Ellington and Stefania Bulbarella, Jaja’s African Hair Braiding Leah Gelpe, Mary Jane Tom Gibbons, Grey House Bray Poor and Will Pickens, Appropriate WINNER: Ryan Rumery, Stereophonic
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-06-17 03:01:112024-06-17 03:01:11Here Are All the Winners of the 2024 Tony Awards (Updating Live)
Stevie Nicks had to cancel her concert Saturday night (June 15) at Hersheypark Stadium in Hershey, Pennsylvania, because of “illness in the band,” according to a brief statement shared on the singer’s official social media accounts.
“Regrettably, due to illness in the band, tonight’s performance is being postponed. Please hold on to your tickets. A new date will be announced soon,” said the update, originally posted by the stadium at 5:30 p.m. ET on Saturday. The update was later added to Nicks’ stories on Instagram and Facebook, and shared on her page on X (formerly Twitter).
Billboard reached out to Nicks’ representatives for comment on Sunday. At press time, no further details or updates have been provided.
The rock icon and vocalist for Fleetwood Mac, 76, was expected to take the stage Saturday night at the latest stop on her ongoing Live in Concert Tour across the U.S.
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Nicks’ performance was postponed just hours before showtime.
In posts on social media, fans reported the show was canceled around the time doors were set to open, when they were already in line to enter the concert grounds. A video posted by a concertgoer in the comments of the announcement indicated soundcheck happened Saturday afternoon.
As of Sunday (June 16), Nicks’ published schedule has her performing on June 18 in Grand Rapids and June 21 in Chicago. What follows is a short break in her itinerary until July 3, when she’s set to jet to Europe for a gig in Dublin, Ireland. U.K. dates come next (Glasgow, Manchester and London), then stops in Antwerp, Belgium, and Amsterdam, the Netherlands.
Last weekend Billboardsaw Nicks and her touring band put on a lively show at Mohegan Sun Arena in Uncasville, Connecticut, with a 15-song setlist spanning solo hits and classics from Fleetwood Mac’s discography, complemented with plenty of career anecdotes told between songs. “My stories are starting to become as long as the show,” the star joked during her June 9 performance.
After opening with Bella Donna‘s “Outside the Rain” and playing the Billboard Hot 100 No. 1 “Dreams,” from Fleetwood Mac’s Rumours, Nicks was in good spirits, telling the cheering crowd, “We’re very glad to be here. We got to fly in on a helicopter. It was truly magnificent.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-06-17 03:01:102024-06-17 03:01:10Stevie Nicks Concert Postponed ‘Due to Illness in the Band’ Just Before Showtime at Hersheypark Stadium
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Green Day has been on the road for their The Saviors world tour, but they’re also celebrating a milestone anniversary: the 30th birthday of their album Dookie. To commemorate the moment, the “American Idiot” rock band has teamed up with Dickies to create a limited-edition collection of Dookie-themed merch, which is exclusively available on Urban Outfitters.
Two shirts are offered on the website, including a classic white T-shirt with Dookie written in block letters or you can go a more bold route with a gray tee with Dickies written in red in the iconic Green Day font.
Keep reading to shop the Urban Outfitters exclusive merch below.
Dickies x Green Day UO Exclusive Dookie Block Letter Tee
Give the classic white T-shirt a Green Day twist with this Dookie-themed top. It’s made with 100% cotton material and a crew neckline for added comfort. The sizing is also unisex and gives off a more relaxed, loose fit.
You can also pick up this Dickies logo top written in the classic Green Day script. You can wear it alone or layered with your go-to jacket and it’s also machine-washable thanks to its 100% cotton material.
Whether you’re looking to stock up on your own Green Day merch collection or need a treasure-worthy gift for music lovers, singers or musicians, this collaboration is an easy way to show off your love for your favorite band. More styles are being offered exclusively on Green Day’s website and you can also pick up the pieces as part of the merch offered on the band’s world tour.
Dickies isn’t the only brand Green Day has teamed up with either: the “Holiday” musicians also released a Punk Bunny collection with Keurig earlier this year, as well as a limited-edition cooler with Igloo.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-06-17 03:01:082024-06-17 03:01:08Dickies Gets a ‘Dookie’ Makeover With Exclusive Green Day Collab: Here’s Where to Shop the Collection Online
Every week, the Korean music scene delivers outstanding songs across various genres and styles, and the past week was no exception, with a heavy-hitting selection of hits with global and crossover potential, satisfyingly nostalgic duets and some of 2024’s most promising new artists.
A slew of major solo stars have returned to the scene lately, with NAYEON of TWICE dropping her sophomore solo effort, NA, Friday (June 14), hoping to make history again after becoming the first-ever K-pop soloist to score a Top 10 album on the Billboard 200 with 2022’s IM NAYEON. Meanwhile, Kim Jae Joong and XIA — who come from legendary groups TVXQ! and JYJ — signaled exciting returns to the industry with their new tracks, while Sunmi, SAAY, BOL4 and GISELLE of aespa all have new material for fans.
On the group front, beloved acts like Super Junior and INFINITE are celebrating important milestones with anniversary singles. Meanwhile, A.C.E, ATEEZ and WayV are all proving how universal their latest releases are with new singles in multiple languages and/or getting different treatments through new remixes.
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Take a moment to explore these 13 gems that embody the spirit of the scene and deserve a spot on your playlist. Then, cast your vote in our poll for the top of K-pop for the past week.
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Taylor Swift was in storytelling mode with two surprise song mashups in Liverpool, England, Saturday night (June 15).
At the third of three shows at the city’s Anfield Stadium, Swift got creative with her acoustic set, weaving together crime mysteries for one mashup, and telling the story of an affair from the Red era with the other.
“This is what it all really comes down to, for me, in the show,” said Swift, strumming her guitar. “It’s just the most amount of, like, ‘Don’t mess this up. Don’t mess this up,’ ’cause it’s also my favorite part of the show.”
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“This one, I’m gonna,” she started telling the crowd, but her voice trailed off. After pausing for a few seconds, Swift announced, “I’m gonna call this ‘The Murder Mashup.’”
She gave Liverpool the live debut of “Carolina,” the haunting song she wrote for the soundtrack of the 2022 film adaptation of Delia Owens’ murder mystery Where the Crawdads Sing — playing it alongside parts of Evermore‘s “No Body, No Crime.”
“Carolina creeks running through my veins/ Lost I was born, lonesome I came/ Lonesome I’ll always stay/ Carolina knows why for years I roam/ Free as these birds, light as whispers/ Carolina knows,” Swift sang, continuing with the film ballad up until “there are places I will never, ever go/ And things that only Carolina will ever know.”
And then, to shrieks from around the stadium, she switched over to “He did it,” bringing “No Body, No Crime” (originally recorded with Haim) into what is now officially known as “The Murder Mashup.”
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Following that pairing, the songstress softly begin playing “The Manuscript,” the contemplative closer of her 31-song The Tortured Poets Department: The Anthology album, at her piano.
“She thought about how he said since she was so wise beyond her years, everything had been above board,” sang Swift, recalling a “torrid affair” with an older man in her younger years, of which she quietly reflects on in the Tortured Poets track. “She wasn’t sure.”
Swift then connected 2024’s “The Manuscript” to the bridge from 2012’s “Red”: “Remembering him comes in flashbacks and echoes/ Tell myself it’s time now, gotta let go/ But moving on from him is impossible/ When I still see it all in my head/ In burning red … Loving him was red.”
“The story isn’t mine anymore,” the closing line of “The Manuscript,” ended the piano number.
Watch clips from both of Swift’s surprise song mashups below. Stay up-to-date with her entire list of Eras Tour surprise songs here. The tour resumes in Cardiff on Tuesday, June 18, and then arrives for in London for the weekend on Friday, June 21.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-06-16 03:02:432024-06-16 03:02:43Taylor Swift Presents ‘The Murder Mashup’ With ‘Carolina’ & ‘No Body, No Crime,’ Plus the Live Debut of ‘The Manuscript’
