Are you ready to rock? Paramount+ revealed exclusively via Billboard on Thursday (June 20) that a brand new docuseries, Nöthin’ But a Good Time: The Uncensored Story of ’80s Hair Metal, will hit the streaming platform on September 17.

The three-part, Jeff Tremaine-directed series is based on the Tom Beaujour and Richard Bienstock book of the same name, and will dive into brazen era of 80s hard rock, and will feature interviews with some of its main players and fans, including Poison frontman Bret Michaels, Ratt frontman Stephen Pearcy, Extreme guitarist Nuno Bettencourt, Skid Row guitarist Dave “Snake” Sabo, TV and radio personality Riki Rachtman, Slipknot lead vocalist Corey Taylor and Jackass star Steve-O, among others.

“I’m honored to be part of this docuseries, named after the hit Poison song ‘Nothin’ But A Good Time,’” said series star Michaels in a press statement. “I’m excited for viewers to take a fresh look at the fans and bands, highs and lows, and to celebrate the music and good times of the ’80s and beyond. I hope the audience enjoys it as much as I did, and I can’t wait for them to have insight into some of those notoriously crazy moments!”

“This docuseries is a celebration of the most outrageous decade in rock n’ roll. It’s my love letter to the ‘80s,” added director Tremaine. Per a release, the series will offer “a fresh and shockingly candid behind-the-scenes look at one of music’s most iconic eras. Each episode showcases the insanity and blazing ambition that has enthralled generations of music lovers and continues to influence culture to this day.”

Nöthin’ But a Good Time: The Uncensored Story of ’80s Hair Metal is produced by MTV Entertainment Studios, Gorilla Flicks and Spoke Studios.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

There’s a new Dyson Aiwrap coming soon, and it’s the brand’s most futuristic hair tool yet. The Dyson Airwrap i.d. is a multi-styler and dryer with one-touch curling and styling capabilities that you can control through the Dyson app.

According to a press release, Dyson Airwrap i.d. uses Bluetooth technology to offer a “more personalized styling experience.” The device has a “personalized curling sequence” that allows you to style your hair with the touch of a button. With help from the Dyson app, Airwrap i.d. “automates the curling process based on user profile data such as hair type, length, and skill level.” It wraps, styles and curls your hair while “maintaining heat and airflow,” per Dyson.

The Airwrap i.d. will be released on Aug. 26 and retails for $599.99. The hair tool will be available in two options: Dyson Airwrap i.d. Multi-styler for Curly to Coily Hair T3-4 and Dyson Airwrap i.d. Multi-styler for Straight to Wavy Hair T1-2.

The Airwrap ID will be available in multiple colors including Ceramic Patina and Topaz, Vinca Blue and Topaz, and a limited-edition Strawberry Bronze/Blush Pink for the 2024 gifting season.

Click here to sign up to receive an email notification when it drops online.

In other Dyson news, the company debuted a line of hair styling products last week. The Chitosan collection consists of Pre-Styling Hair Cream ($59.99) and Post-Styling Hair Serum ($59.99) designed to fight humidity and frizz to help your hairstyles last longer. The line takes its name from chitosan, “a complex macromolecule derived from oyster mushrooms” and the star ingredient in the product lineup.  

Dyson’s Chitosan collection is available at Sephora and Dyson.com.

The Black Crowes have officially announced their return to the road with a headlining North American tour set to begin this September.

The news comes in the wake of Aerosmith’s decision to cancel their farewell tour due to frontman Steven Tyler’s larynx injury. The Black Crowes were originally scheduled to support Aerosmith on that tour, but with those plans now scrapped, the band is moving forward with their own tour, much to the delight of their fans.

In a statement shared on social media, The Black Crowes explained: “Due to the cancellation of the Aerosmith Tour, we also had to move a few of the previously announced show dates and unfortunately have to cancel the Tucson, Wanatchee, and Verona shows. Original tickets for all the rescheduled dates will be honored at the new shows, and all ticketholders will receive an email directly from their point of purchase with more information.”

The upcoming tour will span over three months, kicking off on Sept. 27 in Northfield, OH, and concluding in December.

Happiness Bastards marks the first new studio record from singer Chris Robinson and guitarist Rich Robinson in 15 years. The album follows the siblings’ reunion in 2019, where they performed over 150 shows across 20 countries to celebrate the 30th anniversary of their breakthrough 1990 album Shake Your Money Maker.

In a statement upon the album’s release in March, Chris Robinson said, “Happiness Bastards is our love letter to rock ‘n’ roll. Rich and I are always writing and creating music; that has never stopped for us, and it is always where we find harmony together. This record represents that.”

Brother Rich Robinson added, “This album is a continuation of our story as a band. Our years of experience writing and making music and touring the world are represented in this record, and we were brilliantly guided by one of the best producers in the business, Jay Joyce. I am incredibly proud of what we put together.”

For fans eager to see The Black Crowes live, pre-sale tickets for the tour go on sale today, Aug. 21, with general tickets available on Friday, Aug. 23.

The Black Crowes’ 2024 North American Tour Dates:

Sept. 27 — MGM Northfield Park – Center Stage, Northfield, OH

Sept. 28 — Hard Rock Cincinnati Outdoor Arena, Cincinnati, OH

Oct. 1 — Appalachian Wireless Arena, Pikeville, KY

Oct. 3 — CCNB Amphitheatre at Heritage Park, Simpsonville, SC

Oct. 4 — The St. Augustine Amphitheatre, St. Augustine, FL

Oct. 6 — Duke Energy Center for the Arts – Mahaffey Theater, St. Petersburg, FL

Oct. 9 — Live Oak Bank Pavilion, Wilmington, NC

Oct. 10 — Durham Performing Arts Center, Durham, NC

Oct. 12 — Atrium Health Amphitheater, Macon, GA

Oct. 13 — Saenger Theatre, New Orleans, LA

Oct. 15 — BankPlus Amphitheater at Snowden Grove, Southaven, MS

Oct. 18 — Hard Rock Live Northern Indiana, Gary, IN

Oct. 19 — Miller High Life Theatre, Milwaukee, WI

Oct. 23 — Vibrant Music Hall, Waukee, IA

Oct. 25 — Hard Rock Live Rockford, Rockford, IL

Oct. 26 — The Factory, St. Louis, MO

Oct. 29 — UPMC Events Center, Moon Township, PA

Oct. 31 — Mohegan Sun Arena, Uncasville, CT

Dec. 1 — TD Garden, Boston, MA

Dec. 3 — Wells Fargo Center, Philadelphia, PA

Dec. 5 — Madison Square Garden, New York, NY

The Harris-Walz campaign’s love affair with pop music continued in full force on the second night (Aug. 20) of the 2024 Democratic National Convention.

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After Patti LaBelle delivered the night’s first performance with a stirring rendition of “You Are My Friend” for the in memoriam segment, Common took the stage to rap a DNC-tinged version of “Fortunate,” a song from his new joint album with Pete Rock. Outside of those performances, the house band kept the covers rolling with funky versions of Beyoncé‘s “Cuff It,” Hozier‘s “Too Sweet,” and Mark Ronson‘s “Uptown Funk!” soundtracking the jumbotron camera’s journey around the packed arena.

The real magic, however, came during the roll call. During each convention, each U.S. state and territory casts their votes for the party’s presidential nominee; last night’s roll call was a symbolic, in-person version of an August online meeting, in which Vice President Kamala Harris became the Democratic party’s official nominee. DJ Cassidy served as the roll call’s master of ceremonies, using his beloved “Pass the Mic” template to rattle off each state and territory represented in the venue.

For this year’s roll call, the delegates reached across decades of music to illustrate a rich sonic collage of American music history. From country and reggaeton to rock and hip-hop, the breadth of America’s rich blend of cultures and traditions illuminated the United Center arena. To top it all off, Lil Jon made a surprise appearance on the floor of the convention to help his home state of Georgia cast its votes for Harris. As if his mere presence wasn’t enough, he also treated the fired-up crown to a bombastic rendition of his DJ Snake-assisted “Turn Down For What,” which he flipped into a musical tribute to Harris and her running mate, Minnesota Gov. Tim Walz. Georgia wasn’t the only state to make the most of their moment, Pennsylvania, Minnesota and Harris’ home state of California all played multiple songs while they casted their votes.

From Aretha Franklin and Dolly Parton to Beyoncé and Chappell Roan, here are all the songs played during roll call at the 2024 DNC — and where they peaked on the Billboard Hot 100.

Alabama

Song: Lynyrd Skynrd, “Sweet Home Alabama”

Hot 100 Peak: No. 8 (chart dated October 26, 1974)

Alaska

Song: Portugal. The Man, “Feel It Still”

Hot 100 Peak: No. 4 (chart dated Nov. 4, 2017)

American Samoa

Song: Lady Gaga, “The Edge of Glory”

Hot 100 Peak: No. 3 (chart dated May 28, 2011)

Arizona

Song: Stevie Nicks, “Edge of Seventeen”

Hot 100 Peak: No. 11 (chart dated April 17, 1982)

Arkansas

Song: Fleetwood Mac, “Don’t Stop”

Hot 100 Peak: No. 3 (chart dated Sept. 24, 1977)

California

Song: Dr. Dre & Snoop Dogg, “The Next Episode”; 2Pac, Dr. Dre & Roger, “California Love”; Kendrick Lamar, “Not Like Us,” Kendrick Lamar, “Alright”

Hot 100 Peak: “The Next Episode” peaked at No. 23 (chart dated July 29, 2000); “California Love” peaked at No. 1 (two weeks, chart dated July 13, 1996); “Not Like Us” peaked at No. 1 (two weeks, chart dated May 18, 2024); “Alright” peaked at No. 81 (chart dated October 3, 2015)

Colorado

Song: Earth, Wind & Fire, “September”

Hot 100 Peak: No. 8 (chart dated Feb. 10, 1979)

Connecticut

Song: Stevie Wonder, “Signed, Sealed, Delivered (I’m Yours)”

Hot 100 Peak: No. 3 (chart dated Aug. 8, 1970)

Democrats Abroad

Song: The O’Jays, “Love Train”

Hot 100 Peak: No. 1 (chart dated March 24, 1973)

District of Columbia

Song: DJ Kool, “Let Me Clear My Throat,”

Hot 100 Peak: No. 30 (chart dated March 29, 1997)

Florida

Song: Tom Petty, “I Won’t Back Down”

Hot 100 Peak: No. 8 (chart dated July 1, 1989)

Georgia

Song: DJ Snake & Lil Jon, “Turn Down for What”

Hot 100 Peak: No. 4 (chart dated June 14, 2014)

Guam

Song: Sabrina Carpenter, “Espresso”

Hot 100 Peak: No. 3 (chart dated June 22, 2024)

Hawaii

Song: Bruno Mars, “24K Magic”

Hot 100 Peak: No. 4 (chart dated Dec. 10, 2016)

Idaho

Song: The B-52s, “Private Idaho”

Hot 100 Peak: No. 74 (chart dated Nov. 8, 1980)

Illinois

Song: The Alan Parsons Project, “Sirius”

Hot 100 Peak: N/A

Indiana

Song: Michael Jackson, “Don’t Stop ’til You Get Enough”

Hot 100 Peak: No. 1 (chart dated Oct. 13, 1979)

Iowa

Song: Kool & The Gang, “Celebration”

Hot 100 Peak: No. 1 (two weeks, chart dated Feb. 7, 1981)

Kansas

Song: Kansas, “Carry On Wayward Son”

Hot 100 Peak: No. 11 (chart dated April 2, 1977)

Kentucky

Song: Jack Harlow, “First Class”

Hot 100 Peak: No. 1 (three weeks, chart dated April 23, 2022)

Louisiana

Song: DJ Khaled feat. T-Pain, Ludacris, Snoop Dogg & Rick Ross, “All I Do Is Win”

Hot 100 Peak: No. 24 (chart dated July 24, 2010)

Maine

Song: Walk The Moon, “Shut Up And Dance”

Hot 100 Peak: No. 4 (chart dated May 30, 2015)

Maryland

Song: Aretha Franklin, “Respect”

Hot 100 Peak: No. 1 (two weeks, chart dated June 3, 1967)

Michigan

Song: Eminem, “Lose Yourself”

Hot 100 Peak: No. 1 (12 weeks, chart dated Nov. 9, 2002)

Minnesota

Song: Prince, “Kiss”; Prince, “1999”

Hot 100 Peak: “Kiss” peaked at No. 1 (two weeks, chart dated April 19, 1986); “1999” peaked at No. 12 (chart dated July 23, 1983)

Mississippi

Song: Sam Cooke, “Twistin’ the Night Away”

Hot 100 Peak: No. 9 (chart dated March 24, 1962)

Missouri

Song: Chappell Roan, “Good Luck, Babe!”

Hot 100 Peak: No. 8 (chart dated Aug. 17, 2024)

Montana

Song: Lenny Kravitz, “American Woman”

Hot 100 Peak: No. 49 (chart dated Oct. 30, 1999)

Nebraska

Song: Katy Perry, “Firework”

Hot 100 Peak: No. 1 (four weeks, chart dated December 18, 2010)

Nevada

Song: The Killers, “Mr. Brightside”

Hot 100 Peak: No. 10 (chart dated June 11, 2005)

New Hampshire

Song: Journey, “Don’t Stop Believin’”

Hot 100 Peak: No. 9 (chart dated Dec. 19, 1981)

New Jersey

Song: Bruce Springsteen, “Born in the U.S.A.”

Hot 100 Peak: No. 9 (chart dated Jan. 19, 1985)

New Mexico

Song: Demi Lovato, “Confident”

Hot 100 Peak: No. 21 (chart dated Dec. 19, 2015)

New York

Song: Jay-Z & Alicia Keys, “Empire State of Mind”

Hot 100 Peak: No. 1 (five weeks, chart dated Nov. 28, 2009)

North Carolina

Song: Petey Pablo, “Raise Up”

Hot 100 Peak: No. 25 (chart dated Nov. 24, 2001)

North Dakota

Song: Alicia Keys, “Girl On Fire”

Hot 100 Peak: No. 11 (chart dated Dec. 15, 2012)

Northern Mariana Islands

Song: Marvin Gaye & Tammi Terrell, “Ain’t No Mountain High Enough”

Hot 100 Peak: No. 19 (chart dated July 15, 1967)

Ohio

Song: John Legend feat. André 3000, “Green Light”

Hot 100 Peak: No. 24 (chart dated Dec. 6, 2008)

Oklahoma

Song: Brooks Jefferson, “Ain’t Goin Down (Til the Sun Comes Up)”

Hot 100 Peak: N/A

Oregon

Song: Modest Mouse, “Float On”

Hot 100 Peak: No. 68 (chart dated Sept. 4, 2004)

Pennsylvania

Song: “Motownphilly” (Boyz II Men) & “Black and Yellow” (Wiz Khalifa)

Hot 100 Peak: “Motownphilly” peaked at No. 3 (chart dated Sept. 7, 1991); “Black and Yellow” peaked at No. 1 (chart dated Feb. 19, 2011)

Puerto Rico

Song: Luis Fonsi & Daddy Yankee, “Despacito”

Hot 100 Peak: No. 1 (16 weeks, chart dated May 27, 2017)

Rhode Island

Song: Taylor Swift, “Shake It Off (Taylor’s Version)”

Hot 100 Peak: No. 28 (chart dated Nov. 11, 2023)

South Carolina

Song: James Brown, “Get Up (I Feel Like Being A) Sex Machine”

Hot 100 Peak: No. 15 (chart dated Aug. 8, 1970)

South Dakota

Song: The Romantics, “What I Like About You”

Hot 100 Peak: No. 49 (chart dated March 15, 1980)

Tennessee

Song: Dolly Parton, “9 to 5”

Hot 100 Peak: No. 1 (two weeks, chart dated Feb. 21, 1981)

Texas

Song: Beyoncé, “Texas, Hold ‘Em”

Hot 100 Peak: No. 1 (two weeks, chart dated March 2, 2024)

Utah

Song: Neon Trees, “Animal”

Hot 100 Peak: No. 13 (chart dated Nov. 13, 2010)

Vermont

Song: Noah Kahan, “Stick Season”

Hot 100 Peak: No. 9 (chart dated April 27, 2024)

U.S. Virgin Islands

Song: Mic Love, “VI to the Bone”

Hot 100 Peak: N/A

Virginia

Song: Timbaland feat. Keri Hilson & D.O.E., “The Way I Are”

Hot 100 Peak: No. 3 (chart dated Aug. 25, 2007)

Washington

Song: Macklemore & Ryan Lewis feat. Ray Dalton, “Can’t Hold Us”

Hot 100 Peak: No. 1 (five weeks, chart dated May 18, 2013)

West Virginia

Song: John Denver, “Take Me Home, Country Roads”

Hot 100 Peak: No. 2 (chart dated Aug. 28, 1971)

Wisconsin

Song: House of Pain, “Jump Around”

Hot 100 Peak: No. 3 (chart dated Oct. 10, 1992)

Wyoming

Song: Black Eyed Peas, “I Got A Feeling”

Hot 100 Peak: No. 1 (14 weeks, chart dated July 11, 2009)

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Throughout the year, Nike has been re-releasing a number of new Air Jordan sneakers in the lead up the the brand’s 40th anniversary in 2025. If you ever wanted to pick up a new pair of Jordans, now is the best time to shop — especially since drops come in new styles and colorways.

Retailing for $190 at nike.com, the lightweight Nike Air Jordan 11 Retro Low “diffused blue” sneakers — which were originally released in high tops in 1995 — are designed for playing basketball and for everyday casual use, thanks to their strong lines and iconic silhouette.

The uppers of the sneakers are made from a blend of genuine and synthetic leather for shape and durability, while they even have a strip of premium diffused blue leather running around their toe caps to round out the style of the shoes.

Nike Air Jordan 11 Retro Low "Diffused Blue": How To Buy Online, Price

Nike Air Jordan 11 Retro Low “Diffused Blue”


Additionally, they also feature the iconic “Jumpman” logo on the back of each heel with a “hidden” No. 23 placed just above the logos. The design and silhouette are iconic, while the style of the sneakers are very late ’90s basketball — one of Michael Jordan’s most poplar shoes. Plus, these sneakers come in a white, diffused blue, football grey and midnight navy colorway.

Meanwhile, if you want more from Nike, the sports and fashion apparel company also dropped new Air Jordan 6 Retro “Reverse Oreo” sneakers, as well as new Team USA Air Max men’s sneakers for the Summer Olympics, a pair of new men’s slides and a new mini-crossbody for smartphones.

The Nike Air Jordan 11 Retro Low “Diffused Blue” sneakers are come in men’s and women’s sizes for $190 at nike.com.

Want more? For more product recommendations, check out our roundups of the best Xbox dealsstudio headphones and Nintendo Switch accessories.

MELBOURNE, Australia — Veteran live entertainment professional Meagan (Meg) Walker will join ASM Global (APAC) later this year as group director of arena operations.

Effective Oct. 10, ASM Global will join the venues management specialist from Live Nation, with responsibilities for the company’s arena network in Australia while supporting other arena venues in the region, reads a statement, with a focus on event acquisition, operational planning for best practice patron experience and event delivery.

Walker’s resume includes senior management roles with some of Australia’s most successful venues including Melbourne’s Rod Laver Arena, Margaret Court Arena, John Cain Arena and Palais Theatre.

In her new role, Walker replaces Tim Worton, who announced his retirement earlier this year. 

“The depth and scale of Meg’s experience in the operation of major events and live entertainment is the perfect fit to lead our portfolio of world class arenas, frequently featured in Billboard, Pollstar and Rolling Stone,” ASM APAC chairman and CEO Harvey Lister says.

“Both Meg Walker and Tim Worton have long been recognized as legends in the industry and we are so fortunate to be the recipients of their expertise and professionalism as part of our management team.

“Meg has proven to be an accomplished event professional with strategic and collaborative leadership skills.”

One of Walker’s great talents, says Lister, is the ability to mentor the next generation of aspiring venue managers, which will be a key part of her role to support the company’s continuing growth. 

The company is currently enjoying “exponential growth and development” for its portfolio of entertainment venues in Australia, the Asia Pacific and MENA regions. Worldwide, ASM Global operates over 400 venues on five continents.

“I look forward to contributing to the ongoing strong performance and growth of the ASM Global portfolio by collaborating with all stakeholders and supporting the team to achieve their personal and professional goals,” adds Walker, “while ensuring ASM arenas maintain their world’s best practice reputation.”

Worton, meanwhile, is leaving the live entertainment industry for a new career path. As previously reported, he will step away from ASM Global at year’s end, at which time he will enter 12 months’ full-time studies at Moore Theological College in Sydney. When completed, Worton will endeavor to work in a pastoral, chaplaincy or ministry role.

Sydney-based Worton has logged 33 years in the entertainment business, including 25 years with ASM Global (previously AEG Ogden). For the past 19 years, he has served as the venues and event management specialist’s group director of arenas for APAC. Worton will work with Walker during the transition.

America’s Got Talent Season 19 reached a dramatic peak on Aug. 20 when Japanese dance and acrobatic group Airfootworks delivered a performance that ignited a heated response from the judges.

The group’s gravity-defying routine set off a friendly clash between Simon Cowell and Howie Mandel, culminating in an unprecedented double Golden Buzzer moment (kind of).

As Airfootworks concluded their intricate and masterfully executed performance, which was set to “Celestial” by Ed Sheeran, Simon exclaimed, “Terry, I am just about to get myself fired,” before lunging for the Golden Buzzer.

However, Howie, who was officially assigned the buzzer for the night, quickly intervened. In a split-second move, Mandel pressed the buzzer just before Cowell could, securing Airfootworks a direct path to the finals.

The ensuing moment was filled with lighthearted chaos, as both judges vied for credit. A video replay confirmed that Mandel had narrowly outpaced Cowell to the buzzer.

“I feel like I’ve been abused!” Mandel quipped, as the two exchanged playful banter over who deserved the accolade.

Mandel then joined Airfootworks on stage to personally commend them, saying, “You guys are athletes, you guys are dancers…you guys are magicians. I don’t know how you do it, but what you just did was absolutely brilliant.”

Cowell, still reveling in the moment, admitted, “I just couldn’t help myself! It was such an amazing performance that I felt like I had to be a part of it.” He added, “This is what this show is all about—finding acts like this that are truly world-class.”

This season, Cowell has already caused a stir by awarding a second Golden Buzzer to Sky Elements during the auditions, a move that led to all judges receiving an extra buzzer push.

With Airfootworks now fast-tracked to the finals, the remaining contestants from the night face an uphill battle as they compete for one of the three remaining spots through audience voting. The stakes are significant, and the competition is fierce.

The results of this live show will be unveiled during a special episode on Wednesday, Aug. 21, at 8 p.m. ET on NBC. Viewers will learn which acts will advance alongside Airfootworks, moving one step closer to the ultimate victory.

Check out Airfootworks earn a Golden Buzzer on America’s Got Talent below.

Don McLean is a Swiftie.

The iconic singer-songwriter behind “American Pie” and “Vincent” recently spoke about Taylor Swift’s extraordinary success in an interview with The Standard.

McLean, whose song “American Pie (Parts I & II)” topped the Billboard Hot 100 for four weeks in 1972, is impressed by Swift’s evolution from a rising country artist to a global powerhouse.

“She is a person who is an example of what talent and really hard work can accomplish,” McLean said, describing Swift as a “monster star, the size of the galaxy.”

McLean continued, “She’s working all of the time, and she does everything that she does better than everybody else, whether it’s a video or a performance or songwriting or records or whatever… The only thing is that she stays happy.”

Reflecting on his own career, McLean shared, “I have a lot of interests, and they sustain me. I don’t go around thinking ‘Man, why don’t I have this?’ or ‘Why don’t I have that?’ – that is the quickest way to be unhappy I can think of.”

McLean, who has sold over 50 million records worldwide, has been honored with numerous awards, including a Grammy Hall of Fame induction for “American Pie.”

Back in 2021, Swift sent McLean a note and a bouquet of flowers after her 10-minute version of “All Too Well” surpassed his song “American Pie (Parts I & II)” as the longest song to reach No. 1 on the Billboard Hot 100.

“What a classy artist!” McLean tweeted at the time, sharing Swift’s handwritten inscription that reads, “Don, I will never forget that I’m standing on the shoulders of giants. Your music has been so important to me. Sending love one writer of LONG SONGS to another. Your fan, Taylor.”

In the most recent interview, McLean also addressed the challenges Swift has faced in the music industry, particularly regarding the ownership of her early albums.

“The record companies are the biggest thieves on the planet. That was their business, stealing. You have to be very careful,” he said, referencing Swift’s legal battles to regain control of her discography from Scooter Braun, which led to her re-recording her first six studio albums.

Machine Gun Kelly has opened up about his struggle with addiction, revealing how a confronting conversation with his 15-year-old daughter, Casie, pushed him to get sober.

On the Sunday, Aug. 18 episode of the Million Dollaz Worth of Game podcast, MGK (real name Colson Baker) recalled the moment that changed everything.

“It started with my daughter saying, ‘Dad, you know I can tell when you’re high?’ It broke my heart,” the “Emo Girl” singer shared. Casie was just 11 or 12 years old at the time. “It was the ultimate letdown.”

“It took me a while afterward, because obviously drugs have a vice grip on you,” he continued. “That was step one for me. As a father and as a man, to be the father I wish my dad would have been, I have to break this generational curse for my kid.”

Earlier this month, Baker discussed his one-year sobriety milestone on Bunnie XO’s Dumb Blonde podcast.

“I’m completely sober from everything. I don’t drink anymore. I haven’t drank since last August,” he said. MGK quietly entered rehab after completing his European tour in 2023, battling alcohol, marijuana, and pills.

“They just gave me so many ways to operate the body, show where this anger is coming from, and methods to quell it,” he explained. He also credited his fiancée, Megan Fox, for helping him through the recovery process, saying, “Megan has for sure been extremely helpful in dealing with the kind of psychological withdrawals that come with [sobriety].”

Reflecting on his father’s struggles, MGK revealed on the Dumb Blonde podcast how deeply his family’s past has influenced him: “My father was so tormented from some of the most insane s—t I could imagine a kid could go through.”

Machine Gun kelly’s determination to break the cycle of addiction and trauma in his family is clear: “As a father and as a man, to be the father I wish my dad would have been, I have to break this generational curse for my kid.”

In July, the proud dad celebrated Casie’s 15th birthday with a heartfelt tribute on Instagram, sharing moments from their life together. “The world spins but when I look at you it stops. Happy 15th princess,” he captioned a series of sweet photos.

Bruno Mars and Lady Gaga have been independently ruling pop radio for the past almost 15 years, and last week, they finally came together for their first collab: the bombastic pop/rock duet “Die With a Smile.”

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On the new Billboard Pop Shop Podcast, Katie & Keith are talking about why they make such a potent pop duo. Plus, we’re also chatting about F-1 Trillion, Post Malone’s first country album and why is such a seamless fit in the genre.

Also on the show, we’ve got chart news how Taylor Swift meets Carole King in the chart history books as The Tortured Poets Department spends a 15th week at No. 1 on the Billboard 200, how Chappell Roan’s The Rise and Fall of a Midwest Princess climbs to No. 2 on the Billboard 200 for the first time, and how Billie Eilish’s “Birds of a Feather” steps into the top five on the Billboard Hot 100.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)