All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Skincare is more than just taking care of your skin — it’s a means of self-care, turning our moisturizers, under-eye masks and even serums into stress-relieving tools. Investing in a quality skincare routine takes money, and while you may be tempted to reach for the luxury beauty items, you don’t have to spend hundreds of dollars on products to achieve clear and glowing skin.

Prime Day 2024 is serving a major skincare deal on the No. 1 bestselling eye mask that has reviewers claiming it “works like magic.” For a limited-time you can get 37% off the eye mask set that’ll help erase dark circles or puffy eyes.

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More than 30,000 gold eye masks have been purchased in the past month, according to the online retailer. It’s also racked up more than 14,000 five-star reviews from verified shoppers. Plus, the brand designed them to be sensitive-skin-friendly, so it gently works to rejuvenate your under-eye area.

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Shoppers can’t stop obsessing over how effective the formula is too, with one reviewer saying they’re “a game-changer in my quest to combat the signs of fatigue,” while another verified reviewer said, “I have since ordered nine boxes and after all this time they are still keeping the bags and dark circles away.”

Even celebrities are clamoring to get their hands on the eye masks, with the brand claiming Jessica Alba as one of its users.

If you’re looking for treatments to wake your eyes up, Billboard has tested out Grace & Stella’s new restorative eye masks that are on sale for 10% off.

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Wake your eyes up with these eye masks that aim to give your under eyes a nice refresh. We love how easy they are to use and its cooling texture. The formula uses ingredients such as retinol, sea moss, ceramide and fatty acids help revive the delicate skin. You can use the skincare product during the day for up as little as 15 minutes or at night while you sleep. More than 9,000 have already been purchased on Amazon this month with shoppers saying it feels “like you spent the day at a spa” they’re that good.

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For more product recommendations, check out Billboard‘s roundups of the best makeup tools for beginners, press-on nails and refillable lipsticks.

In the time since Nigerian Afrobeats superstar Rema dropped off 2022’s Rave & Roses, he experienced both the most staggering heights of crossover success and the vilest parts of the demonization of his culture in one fell swoop.  

In 2023, “Calm Down” reached No. 3 on the Billboard Hot 100 and spent a record-setting 58 weeks atop U.S. Afrobeats Songs. The infectious, Selena Gomez-assisted track also reached No. 1 on the all-genre Radio Songs chart, making history for a song by an African lead artist. Then came his sold-out headlining performance at London’s O2 Arena later that year (Nov. 14, 2023), which sparked accusations of Satanism due to the imagery – in actuality, they were hallmarks of the Edo culture of his hometown of Benin City, Nigeria – employed during the show. 

These two things – genuinely peerless success and the tension that lies in bringing hyperlocal culture to a global scale – are the driving forces behind Rema’s impressively daring and unequivocally infectious sophomore LP, Heis. 

Bearing a title that simultaneously calls to his Instagram handle (@heisrema), the Greek word for the number “one,” and the simplest proclamation of being, Heis finds Rema staunchly on the defensive. Gone are the sugary slow-wine tempos of Rave & Roses; here, Rema conjures up soundscapes – courtesy of an all-star production team that includes Producer X, Take a Daytrip and longtime collaborator London – that thrive in the darkness. Pounding, frenetic drums open the album, ultimately becoming the record’s anchor. Occasionally a tinny synth or a particularly piercing string arrangement will cut through the wall of sound, but the rollicking, militant drums are the dominant source of energy on Heis. And it makes sense: The drum – with all of its history and percussiveness – is the instrument the best symbolizes the Rema of Heis.

Across the LP, Rema reclaims the “Satanist” narrative by doubling-down on the sounds and voice changes that first garnered those accusations. When he warps his voice into an obsidian baritone on “Ozeba” (“Emi ati awon guys e mi italawo, e mi itolowo/ Italawa, itolowo, ita, itolow, eh-eh”), it’s somehow both bone-chilling and tongue-in-cheek. He refuses to let go of his hometown’s history and culture despite being a global superstar; it’s an emphasis on regionality that mirrors similar conversations has across Black American music this year, from Beyoncé’s Cowboy Carter to Kendrick Lamar’s “Not Like Us.” “Everyone is chasing something that the whole world can enjoy… we’re listening to the voices of the world too much,” he said in a recent Apple Music interview. “We gotta listen to the voices back home to keep our roots. Our roots [are] very important.” 

But the Rema of Heis also has an unmistakable chip on his shoulder. As hip-hop grappled with the standing of its Big 3 (Kendrick Lamar, Drake and J. Cole) this spring, Rema uses Heis to demand a spot in the conversation as it relates to Afrobeats. He’s already expressed his desire to expand the existing Afrobeats Big 3 (commonly understood to consist of Burna Boy, Davido and Wizkid) to a “Big 4,” and now he spends most of Heis demanding the No. 1 spot. 

“March Am” opens the record with Rema’s trademark sinister laugh ushering in a high-octane drum pattern that soundtracks his bellicose calls to keep pushing forward. One of the most effective album openers of the year, “March Am” immediately establishes pidgin English as the album’s dominant tongue. “17, I dey dagbo, I dey crack code/ Now the prince of Afro,” he snarls in the first verse, before sing-chanting the “I dey march am” chorus against some stirring background strings. Taking notes from the painstaking worldbuilding of Playboi Carti, Rema’s vision of Afrorave is completely contingent on the blistering, unfettered energy that comes from people collectively giving their bodies over to the power of music. Heis begs to be experienced in a live setting; it’s as if Rema conceived the live version of each song before he even set foot in the studio. It’s dark and raucous and distinctly liberating; at long last, Rema has brought to life the “Afrorave” style that he’s long heralded, despite an initial lack of sonic identifiers.

The only instrument as effective as the drums on Heis is Rema’s voice. Across the LP, the singer dives into the depths of his range, spending ample time in his icy baritone. Not only do his different vocal registers evoke different characters in his narrative — of recentering yourself after stepping into a new era of life — they also reveal Rema’s artistic maturation. Each shift in vocal delivery adds new textures to the 2010s Afrobeats-nodding instrumentation; instead of simply delivering lyrics, he morphs into his own instrument and weaves himself into every chord. 

Pre-release singles “Hehehe” and “Benin Boys” (with Shallipopi) play even better in the context of the full album. The former finds Rema temporarily playing to the villain role to mock his haters, while the latter reads as a celebration of Benin culture from two homegrown stars, who seek to uplift and protect it from those who ignorantly demonize it. Sandwiched between those two tracks is “Yayo,” perhaps the record’s most accessible song – and the one Rave & Roses fans will likely find most appealing, with its catchy melody and grind culture-affirming lyrics (“Money yakpa for my bank oh/ How to make money is all I know”) 

At just under half an hour, Heis never overstays its welcome, but that doesn’t mean Rema completely avoids repeating himself. While having a chip on your shoulder can bolster your assertiveness, it often gives way to defensiveness on the album’s back half – and that’s where its cracks start to show. The title track – which features a Swahili chorus that basically lauds Rema as the hottest thing to ever touch Planet Earth – feels particularly excessive because he’s already covered the same lyrical ground elsewhere on the album. There’s also “Villain,” the album’s penultimate track, in which he croons, “I dey hustle since people dey laugh me/ The way I dey run my things, I do it differently, now dem dey copy me.” But by track 10, these sentiments feel stale, if not overbearing. 

In its entirety, Heis is a captivating album; one that inspires countless listens because of how its intricate production reveals new elements with each encounter. With the album’s closer, “Now I Know,” Rema wraps everything up quite cleanly, offering new perspectives to the darkness that subsumes the record with one soulful ballad. “I dey move like Messi when he dey for Barcelo/ E get as God go bless person, dem go talk say na devil oh,” he opens the second verse, before proclaiming “And now I know who dey for me/ All thosе I trust turned enemiеs” in the chorus.  

After dousing himself in an amalgamation of edgy aesthetics to further cement his Afrorave style, Rema, in a way, becomes human again on this album closer. His plaintive tone reflects the maturation he’s undergone in the past two years, while also calling back to the timbre he most often used on his debut LP. He’s still the same Rema, but he’s demanding a different level of respect – not just because of his superstar status, but because of his steadfast commitment to uplifting his culture and bringing it along with him at any cost. 

If you fell in love with Rema off the strength of his sweet crossover pop moments, his latest album probably isn’t for you. But if you’re willing to be led down a journey of self-discovery and style formation, Heis is the map for that odyssey. 

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

It’s Prime Day, making it the ideal time to splurge in all your skincare essentials and snag high-quality products at unbeatable prices. If you’re focusing on achieving radiant and healthy complexion, you might want to add these Starface Hydro-Star pimple patches to your skincare routine. Originally priced at $14.97, you now get them for just $10 Tuesday (July 16).

From staying hydrated to wearing sunscreen, there are various ways to ensure your skin looks its best during the sunny months ahead. It’s natural to break out, so why not make it bearable? Whether you’re preventing blemishes or battling a breakout, these star-shaped pimple patches make it easy, fast and fun. When searching for the ultimate pimple patches, don’t overlook the importance of ingredients. The Starface Hydro-Stars are crafted with your skin’s health in mind, free from gluten and sulfates. With its dermatologist-approved formula, you can’t go wrong.

Don’t miss out on prime day deals — shop now and save big this Prime Day. Amazon Prime costs $14.99/month after your 30-day free trial ends, and you can cancel anytime. Want to save 50% off? Young adults ages 18-24 can get a six-month trial to Prime Student and just $7.49/month (or $69 year) after the trial period ends. Amazon also offers Prime Access — 50% off to recipients of government assistance.

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Simply clean and dry your face, then apply these easy-to-use patches. Whether you are running errands or going on a walk, this cute pack of 32 patches has you covered. You can take this pack with you wherever you go. With its sticker-like appearance, the patch is a perfect way to tackle any insecurity.

These patches are perfect for everyone and all types of skin. It’s a great way to regain confidence and know your skin is being taken care of one pimple patch at a time.

For more product recommendations, check out alternative skincare items you can add to your routine, eye cream for puffy and dark circles, and additional must-have beauty products.

It’s taken nearly 28 years for Los Ángeles Azules to score a No. 1 on Billboard’s Latin Airplay chart, but the group’s winning week finally arrives as “Perdonarte Para Qué?” — their collab with Emilia — vaults 15-1 in its fifth week on the chart (dated July 20).

The Mexican cumbia, released May 23 via Promotodo/Virgin Music Latin, ascends to the summit on the overall Latin Airplay chart with 8.1 million audience impressions, up 69%, earned across U.S. reporting radio stations during the July 5-11 tracking week, according to Luminate. A pair of Univision stations lead the charge among all reporting stations for the most audience gains, starting with WOJO-FM in Chicago, while KLQB-FM in Austin comes in second.

The new No. 1 unseats Grupo Firme’s “El Beneficio De La Duda,” which dips 1-4 despite a 1% gain in audience to 6.2 million.

With “Perdonarte ¿Para Qué?” both Los Ángeles Azules and Emilia score a career milestone on the overall Latin Airplay tally, checking into the penthouse for the first time.

Among their nine-career top 10s, Los Ángeles Azules managed a No. 3 best through “Nunca Es Suficiente,” featuring Natalia Lafourcade, in February 2019. Plus, the Mexicans achieved another top 10 in 2024: the No. 5 high “La Cumbia Triste,” their first partnership with Alejandro Fernández. (The group premiered on Latin Airplay in December 1996 with “Come Te Voy a Olvidar,” which peaked at No. 7 the following February.)

Emilia also celebrates her first champ on her second try, after the Argentinian pop artist reached a No. 26 high with “La_Original.mp3” alongside Tini, in April. With the new champ, Emilia becomes the first Argentinian woman to land atop Latin Airplay since Maria Becerra took the throne for one week with “Te Espero” with Prince Royce in June 2022. Since then, another Argentinian has seized the crown: Bizarrap, through two “Bzrp Music Sessions” — Vol. 52 with Quevedo and Vol. 53 with Shakira — in November 2022 and February 2023, respectively.

Beyond its Latin Airplay coronation, “Perdonarte ¿Para Qué?” gifts Los Ángeles Azules its fifth No. 1 on Regional Mexican Airplay where the song pushes 8-1 with the Greatest Gainer honors, awarded weekly to the song with the largest gain in audience impressions.

Plus, Emilia joins two other pop artists who have achieved their maiden No. 1 on the Mexican radio ranking in 2024: Shakira with her Grupo Frontera collab “(Entre Parentesis)” (May 18-dated list) and Becky G through “Por El Contrario,” her Leonardo Aguilar and Angela Aguilar team-up (March 9).

Thanks to its strong radio pull, “Perdonarte ¿Para Qué?” debuts at No. 35 on the airplay-digital sales- and streaming-blended Hot Latin Songs chart, for Emilia’s first chart appearance. Meanwhile, the siblings’ group secures its highest debut since “El Listón De Tu Pelo” in 1999 (No. 32 start, No. 4 high in 2000).

Kaytranada will embark on his North American Timeless Tour this fall, Live Nation announced on Tuesday (July 16).

Special guests Channel Tres, Amaarae, Sam Gellaitry, Kitty Ca$h and Lou Phelps will join in select cities. The 15-date jaunt will begin in Canada on Sept. 14 at Vancouver’s Deer Lake Park, and goes through major cities such as Chicago, Toronto, New York and Miami before wrapping on Oct. 26 at Los Angeles’ BMO Stadium.

The Haitian-Canadian DJ/producer released his third studio album, Timeless, on June 7 via RCA Records. The 21-track LP features collaborations with Channel Tres, Lou Phelps, Rochelle Jordan, Tinashe, Don Toliver, Childish Gambino, PinkPantheress and more. Timeless reached No. 28 on the Billboard 200 and hit the top 10 of Top Dance/Electronic Albums, peaking at No. 2, and Top R&B/Hip-Hop Albums, peaking at No. 6.

Fans can sign up at KAYTRANADA.com to access the artist presale powered by Seated starting on Thursday, July 18, at 10 a.m. local time. General on-sale starts Friday, July 19, at 10 a.m. local time.

Kaytranada is slated to perform at multiple festivals later this summer, including Denver’s Global Dance Festival and D.C.’s Broccoli Festival in July, as well as San Francisco’s Outside Lands and Portland’s The Best Day Ever Festival in August. The Best Day Ever Festival is his frequent collaborator Aminé’s first-ever music festival in his Portland hometown, and the two released their first joint album, KAYTRAMINÉ, last summer. It peaked at No. 16 on Independent Albums.

See Kaytranada’s Timeless Tour dates below.