After songwriting for prolific artists including Beyoncé and Victoria Monét, Lucky Daye took the plunge to transition to being a solo artist in 2019. Since then, he’s released four albums, with his most recent being Algorithm. Lucky Daye shares his creative process behind his newest release, working with Teddy Swims and Bruno Mars, his upcoming tour and more!
Lucky Daye: I’m not gonna play a losing game. I’m gonna play that I’m gonna win at. And I win at making music. Hey, this is Lucky Daye, and this is Billboard News.
Gail Mitchell: Welcome, Lucky Daye.
Lucky Daye: Thank you for having me.
Gail Mitchell: So I was telling someone here earlier on the team, I was going out to a dinner last night, on the radio Stevie Wonder’s KJLH “That’s You” was playing. And I’m like, oh my god, because I’m supposed to talk to him tomorrow. On the way home, “Hurricane” was playing on the same station. So …
Lucky Daye: So Stevie like …
Gail Mitchell: Stevie likes you.
Lucky Daye: Come on. I just invited Stevie Wonder to my show. Like, I told my MD he said he knew somebody that knew him.
Gail Mitchell: OK.
Lucky Daye: So I told him, “When I’m in L.A., just know Stevie Wonder’s gonna be at my show.”
Gail Mitchell: Great. And congratulations, because, at least this week, “That’s You” is up to No. 3 on R&B Airplay …
Lucky Daye: Man, that’s good to know.
Gail Mitchell: So congrats.
Lucky Daye: It’s good to know, it’s good to see.
Gail Mitchell: What was your creative mindset heading into working on Algorithm?
Lucky Daye: My mindset was, I kind of wanted to talk to myself as if God was talking to me. I think the only voice I really hit when I’m not trying to make a voice, is God.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-07-05 16:10:302024-07-05 16:10:30Lucky Daye Talks ‘Algorithm’ Creative Process, Working With Bruno Mars & Teddy Swims | Billboard News
Lucky Daye sat down with Billboard News and executive director of R&B/hip-hop Gail Mitchell to talk about his latest album Algorithm. “My mind-set was I kinda wanted to talk to myself as if God was talking to me,” the New Orleans singer said when asked what his approach was for this project. “So, I was just using that to write letters to myself the whole album, trying to get to know myself.” Adding, “Who am I? What’s my algorithm? The things I don’t like, the things I do like.”
Lucky — who has written for the likes of Beyoncé, Mary J. Blige and Victoria Monét — also gave his definition of R&B. “I’m talking about what I’ve been through and I’m being vulnerable, it’s sounds like R&B in my mind.” He continued by adding, “I honestly think that R&B is everything… it’s the literal foundation of most music.”
Released on June 28, Algorithm is the third studio album from Lucky and his song “That’s You” produced by D’Mile and Bruno Mars is currently sitting at No. 2 on the Adult R&B Airplay Chart.
He’s set to hit the road with The Algorithm Tour featuring special guest Fana Hues. The first stop is in San Francisco on July 11 at The Warfield and the last stop is in LA on Aug. 28 at the Greek Theatre. He plays Radio City Music Hall in New York City on Aug. 7 and will play his hometown of New Orleans on Aug. 17 at The Filmore.
You can find tickets here and be sure to check out the full interview above.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-07-05 16:10:292024-07-05 16:10:29Lucky Daye Talks New Album ‘Algorithm’ & Gives His Definition of R&B
Shaboozey scores his maiden top 10 on Billboard’s Country Airplay chart (dated July 13), as his launch entry “A Bar Song (Tipsy)” jumps six spots to No. 6. It surged by 20% to 20.5 million audience impressions June 28-July 4, according to Luminate.
The track interpolates J-Kwon’s 2004 hip-hop classic “Tipsy,” with the pair performing a mash-up of the songs on June 30 at the 2024 BET Awards. The makeover by Virginia native Shaboozey (born Collins Obinna Chibueze) has already led the multimetric Hot Country Songs chart for three frames beginning in May.
The song is the lead single from Shaboozey’s LP Where I’ve Been, Isn’t Where I’m Going, which arrived at its No. 2 Top Country Albums high in June. The crossover hit is also the first song ever to go top 10 on all four of these charts: Country Airplay, Pop Airplay, Adult Pop Airplay and Rhythmic Airplay.
Baldridge Banks First Top 10
Drew Baldridge notches his first Country Airplay top 10 as his co-written “She’s Somebody’s Daughter (Reimagined)” pushes 11-10 (18.3 million, up 7%). The hit is a rerecording of the Patoka, Ill., native’s 2019 track “She’s Somebody’s Daughter” and marks his fifth entry on the chart.
In addition to writing, recording and touring, Baldridge is a radio personality, currently handling weekend shifts on Mt. Wilson Broadcasting’s KKGO Los Angeles.
‘Help’ Ties 2024’s Best
Post Malone’s “I Had Some Help,” featuring Morgan Wallen, controls Country Airplay for a third week (32.6 million, up less than 1%). The former’s first No. 1 and Wallen’s 13th ties for the longest command among the 15 leaders in 2024, joining Sam Hunt’s “Outskirts,” which started its reign in April.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-07-05 15:52:242024-07-05 15:52:24Shaboozey, Drew Baldridge Earn Their First Country Airplay Chart Top 10s
Sabrina Carpenter scores her second No. 1 on Billboard’s Pop Airplay chart as “Espresso” bubbles up to the survey’s top spot.
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The song, released on Island Records and promoted to radio by Republic, rules the July 13-dated chart with a 3% gain in plays June 28-July 4. (The list ranks songs by weekly plays on over 150 mainstream top 40 radio stations monitored by Mediabase, with data provided to Billboard by Luminate.)
Carpenter first led Pop Airplay with “Feather” for a week in April – and becomes the first artist with at least two No. 1s on the tally in 2024. Last year, one artist notched two new chart-toppers at the format: Taylor Swift, with “Karma” and “Cruel Summer.” (Carpenter opened on the South American run of Swift’s The Eras Tour in August-November 2023 and rejoined the tour this February-March for dates in Australia and Singapore.)
Additionally, Carpenter is the first artist signed to Island to collect two Pop Airplay No. 1s in the same year since 2005, when Mariah Carey reigned with “We Belong Together” and “Shake It Off.”
As previously reported, “Espresso” has topped both the Billboard Global 200 and Billboard Global Excl. U.S. charts and reached No. 3 on the Billboard Hot 100.
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Meanwhile, Carpenter scores the Pop Airplay chart’s Greatest Gainer for a second week as “Please Please Please” leaps 24-18 (up 72%) in its second week on the list. The song (notably, edited for radio) became her first No. 1 on the Hot 100 dated June 29.
“Espresso” and “Please Please Please” introduce Carpenter’s album Short n’ Sweet, due Aug. 23. She’s set to begin her 29-date Short n’ Sweet Tour Sept. 23 in Columbus, Ohio.
All charts dated July 13 will update Tuesday, July 9, on Billboard.com.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-07-05 15:45:492024-07-05 15:45:49Sabrina Carpenter Is First Artist With Two Pop Airplay No. 1s This Year, Thanks to ‘Espresso’
Ice Cube‘s popular three-on-three basketball league, BIG3, is setting down roots. Since its founding in 2017, the 12-team league featuring former NBA and international players has barnstormed around the country setting up shop in cities and playing a series of games, with last year’s contests rolling into Chicago, Dallas, Brooklyn, Memphis, Miami, Boston, Charlotte and Detroit.
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In May, BIG3 CEO Cube announced the plans to pivot to a more traditional city-based model, writing on Instagram, “We need to plant our roots in cities so we can be more than a rolling all-star game coming through. It’s really about growing the sport and the league.” The league sold its first franchise in Los Angeles in May for $10 million to a group of investors led by DCB Sports.
In June the league welcomed a Miami franchise (also to the tune of $10 million) and on Thursday (July 4), the BIG3 announced that businessmen Eric Mullins and Milton Carroll had purchase the rights to a team in Houston. Those three teams will join a group of colorfully named squads including the Ghost Ballers, 3 Headed Monsters, 3’s Company, Aliens, Ball Hogs, Bivouac, Enemies, Killer 3s, Power, Tri-State, Trilogy and Triplets.
The BIG3’s 2024 season marches on this weekend, with six games scheduled for Sunday (July 7) in Newark, N.J. at the Prudential Center, followed by weekend contests in Anaheim (July 14), Portland (July 20), Cincinnati (July 28), San Antonio (August 4), Nashville (August 11) and Boston (August 18). In March, Cube offered college superstar Caitlin Clark $5 million to join the BIG3, though she opted to sign a four-year contract with the WNBA’s Indiana Fever that was reportedly worth $338,000.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-07-05 15:41:472024-07-05 15:41:47Ice Cube’s BIG3 Basketball League Expanding With New Teams in Miami, Houston
Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
This week, Zach Bryan continues his prolific streak, Lana Del Rey and Quavo get “Tough” and Morgan Wallen takes a muted new step. Check out all of this week’s picks below:
Zach Bryan, The Great American Bar Scene
Zach Bryan has released a new full-length in each of the last three years, somehow managing to unveil extended alt-country opuses in between nonstop tour dates and expand his aesthetic in the process — after scoring his first Hot 100 chart-topper last year with the Kacey Musgraves duet “I Remember Everything,” for instance, new album The Great American Bar Scene boasts collaborations with Bruce Springsteen and John Mayer, among others. Yet Bryan’s tireless work ethic and growing popularity is not yielding diminishing returns: The Great American Bar Scene is defined by the same rustic, open-hearted songwriting that has made Bryan a star, and songs like “Mechanical Bull,” “28” and “The Way Back” are among the strongest in his quickly swelling discography.
Lana Del Rey & Quavo, “Tough”
Lana Del Rey has become a beloved pop heroine without paying too much attention to crossover pop singles — she’s only entered the top 10 of the Hot 100 twice in her career, once with a remix and another time thanks to a featured spot on a Taylor Swift song. Yet “Tough,” her new team-up with Quavo, finds a sweet spot in between dreamy alt-pop and sizzling trap, with each artist sticking to their respective approaches before Del Rey starts rapping and the Migos star begins crooning. “Tough” shape-shifts, but never in an unnatural way; don’t be surprised if this unexpected collaboration becomes a late-summer hit.
Morgan Wallen, “Lies Lies Lies”
As Morgan Wallen enjoys the type of superstardom that winds up becoming decade-defining — and spends another week atop the Hot 100 chart, with his Post Malone team-up “I Had Some Help” — the country giant has released “Lies Lies Lies” as something of a palette cleanser, with the wistful, low-key track a far cry from his latest chart-conquering anthem. Originally recorded at Abbey Road Studios in 2023 and released as part of a digital series in March, “Lies Lies Lies” arrives on streaming services as a humbled admission of continued longing, with Wallen trying to convince himself that he’s moved on from a relationship before crying, “I’m still a fool for you.”
Childish Gambino, “Lithonia”
Donald Glover’s Childish Gambino project crowned the Hot 100 and scooped up multiple major Grammys with the provocative 2018 anthem “This Is America” — and instead of doubling down on mainstream music fame, Glover released an offbeat pandemic project (3.15.20), revisited and renamed it a few years later (Atavista), and retreated into rewarding film and TV projects. Now, he’s prepping what has been teased as the final Childish Gambino album, Bando Stone & The New World, and “Lithonia” marks an intriguing first taste: a fuzzed-out power ballad featuring some open-chested singing and soul harmonies, the track sounds designed for the arena crowds that Glover can still command whenever he wants.
Eminem feat. Big Sean & BabyTron, “Tobey”
The first two tracks that Eminem has released from his upcoming album The Death of Slim Shady (Coup de Grâce) showcase two of the qualities that have made him an enduring superstar: while “Houdini” was all quotable crassness and pop hooks, “Tobey” is ear-melting rap theatrics, with Em’s technical skill taking center stage in the back half of the track. Before that, Big Sean and BabyTron crash in to deliver their own double-time rhymes, operating over a minimalist beat that allows all three MCs to turn their bars into the song’s priority.
Editor’s Pick: Kesha, “Joyride”
The release of Kesha’s “Joyride” on Independence Day was purposeful: the new single represented the pop star’s first song as an independent artist, following a years-long legal battle with Lukasz “Dr. Luke” Gottwald and the fulfillment of her initial label contract. With that in mind, “Joyride” is both an exhalation following unhappy circumstances and a smart back-to-basics move, in which Kesha can wrap her arms around a sly, hard-charging party track and reintroduce herself. “Joyride” bounces along with carnival-esque production and wacky sound effects, but Kesha matches its exuberance, altering her voice to punctuate every punchline and having a blast on the giddy hook.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-07-05 15:22:172024-07-05 15:22:17Friday Music Guide: New Music From Zach Bryan, Lana Del Rey & Quavo, Morgan Wallen and More
Taylor Swift is having a blast watching Sabrina Carpenter shine. In honor of the younger singer’s speedy ascent to the top this summer, the 34-year-old pop superstar gushed in Instagram comments that she’s the first in line to congratulate her former Eras Tour opener’s recent successes — the whole of which Swift coined the “summer of Sabrina.”
The “Anti-Hero” singer’s praise came in response to one of Carpenter’s posts, in which the latter thanked her fans for selling out her upcoming Short ‘N’ Sweet arena tour. “i can’t wait to see you on the road,” the Girl Meets World alum wrote in her caption, also noting that her smash “Espresso” went No. 1 on pop radio.
Swift replied in ecstatic all-caps fashion: “SUMMER OF SABRINA AND MAY IT CONTINUE FOREVER 😇.”
Carpenter also included a video of hers and Swift’s mutual friend, Ice Spice, decreeing that “Espresso” is the song of the summer at the BET Awards earlier this week. “I don’t think we have a choice,” the rapper quipped on the red carpet. “It’s ‘Espresso.’”
The “Nonsense” singer’s post and Swift’s praise come shortly after the Carpenter chalked up another major feat this summer. During the last week of June, Carpenter’s “Please Please Please” became her first-ever No. 1 hit on the Billboard Hot 100, following over a decade in the music industry.
“I’m very immensely grateful so i will surely always remember this day for the rest of my life!” she reacted to the news at the time. “thank you everyone who’s listened and made it so much fun to have these songs out in the world. more to come soon.”
The singer-actress’ meteoric rise was arguably catapulted by her tenure on the Latin America, Australia and Asia legs of Swift’s Eras Tour, during which she won over fans across the world with a supporting set full of tracks from 2022’s Emails I Can’t Send. After finishing her time on the trek, Carpenter praised the “Fortnight” musician on Instagram, writing of Swift, “I feel so lucky to witness the magic that is you and this tour.”
“there is truly no one like you and there never will be!” she added at the time. “i love you with all my heart and i will cherish this taybrina era (and all the eras) till the end of time.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-07-05 15:10:312024-07-05 15:10:31Taylor Swift Congratulates Sabrina Carpenter on Her Summer of Success: ‘May It Continue Forever’
Megan Thee Stallion has welcomed another member of the Hot Girl crew. It all began over the weekend when U.S. gymnast Jordan Chiles shouted out the Houston rapper after she punched her ticket to Paris when she was selected as part of the American squad. “This was for you uncle and Megan, I’m going to the AHH-lympics!” Chiles said with a huge grin as she spoke to reporters, using one of Meg’s signature phrases to punctuate the moment.
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Megan responded to the video, writing on X, “my girllll,” followed by four blue heart emoji.
Chiles, who won a silver medal with Team USA in 2021 at the pandemic-delayed Tokyo games, came in behind presumptive favorite team member Simone Biles as well as Sunisa Lee at the team trials. On Wednesday, Chiles shared on her Story that Megan had sent her a congratulatory bouquet of flowers, writing, “@theestallion I’m literally crying [crying emoji] friend thank you so much these flowers are so beautiful!!” in screen grabs posted by fans.
In a previous interview, Chiles explained that she’s a fan of Megan music and that the rapper’s tunes were her inspiration while preparing for the trials. “The whole time while we were getting ready we were vibing, we were listening to music, you know, Megan, Beyoncé, GloRilla. Every girl artist you can think of was popping up,” she said. “And I was like, ‘You know what? If these girls can slay like this, I can go out there and slay like them.”
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-07-05 14:57:042024-07-05 14:57:04Megan Thee Stallion Sent Flowers to U.S. Gymnast Jordan Chiles After She Made 2024 Summer Olympics Team: ‘Represents For All the Hot Girls!’
It’s time for a July 4th weekend edition of the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music. Check out this year’s Pride List of top LGBTQ+ executives in the industry. We also have a weekly interview series spotlighting a single executive and a regularly updated gallery honoring many of the industry figures we’ve lost throughout the year.
Thomas Coesfeld celebrated his one-year anniversary as CEO of BMG by joining the executive board of Bertelsmann, parent company of the Berlin-based music giant. The 34-year-old executive is point-person for Bertelsmann’s music business as a member of the board, which also includes chief executive Thomas Rabe and Thomas’ big brother Carsten Coesfeld, CEO of its venture capital arm, as well as company CFO Rolf Hellermann and chief human resources officer Immanuel Hermreck. Coesfeld took the reigns of BMG from longtime CEO Hartwig Masuch on July 1 of last year, and in short order instituted a new organizational structure by globalizing its catalog, sales and marketing teams and a “recalibration” of its presence in continental Europe, among other changes. Prior to rising to CEO, Coesfeld had been named deputy CFO at BMG in October 2021 before taking over as full-on CFO the following spring. During that time he oversaw BMG’s balance sheet and helped the company land 70 deals, including acquiring the catalogs of Mötley Crüe and Tina Turner, as well as those of Paul Simon, The Pointer Sisters, Peter Frampton and others.
He previously served as chief strategy officer on the executive committee of the Bertelsmann Printing Group, but began his career in 2014 as a consultant at McKinsey. Coesfeld is also a member of Bertelsmann’s Group Management Committee (GMC), which advises the executive board.
“[Coesfeld] knows Bertelsmann well from various positions,” Rabe raved in the announcement. “As CEO of BMG, he has made important decisions for the future of the business, for example by bringing digital distribution in-house and using artificial intelligence in various areas of the music business. Thomas will enrich the work of the Management Board as well. I look forward to working even more closely with him.”
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Meanwhile…
Hannah Neaves
Universal Music UK promoted Hannah Neaves to sole president of its catalog division, Universal Music Recordings. Her co-president over the last two years, Azi Eftekhari, has left the company, Billboard can confirm. Neaves and Eftekhari joined UMR in early 2022, roughly a year after the pair launched a London-based creative agency called Remedy Inc. Prior to joining forces, Neaves was creative director at TaP Music and Eftekhari had been head of label relations (EMEA) at YouTube. In the last two years, UMR’s wins include “Now and Then” — the “last Beatles song” — and other releases featuring Bob Marley, Amy Winehouse, the Spice Girls and more. “Hannah is, first and foremost, an artist person with an innate understanding of where creativity and discovery meet, something she has brought in abundance since re-joining our team,” said Universal Music UK chief David Joseph, referencing Neaves’ tenure at UMG’s Polydor earlier in her career. “A truly exceptional and inspiring executive, Hannah has already had huge success, most recently creatively leading the global and record-breaking Now And Then campaign for The Beatles, and there’s so much more to come.”
Former BMI executive Jody Williams was elected to a one-year term as the new chair of the Country Music Hall of Fame and Museum‘s board of officers and trustees. The publishing veteran, who founded Jody Williams Songs in 2020 following a 14-year run at BMI, has served on the museum’s board for 17 years. He replaces outgoing chair Mary Ann McCready, who remains as a trustee. CMHFM CEO Kyle Young remarked that Williams is “woven into the fabric of country music’s creative community in a true and meaningful way” and “resolute in furthering country music’s vitality as a cultural artform.” The Nashville institution also elected several new members to the board, including artist manager Clint Higham and WME agent Becky Gardenhire.
Merlin, the digital licensing partner for the independent music sector, welcomed Neil Miller as its new general counsel. Miller arrives from Greenberg Traurig, where he served as partner of the global law firm for three years. Prior to that, Miller was an associate general counsel at Facebook and earlier in his career spent six years as GC at SoundCloud. He is based in the UK. “Merlin is a dynamic organisation operating in a complex and ever changing legal and commercial environment,” said Charlie Sexton, Merlin COO. “Neil’s wealth of experience across music and digital entertainment is exactly what we need to meet these challenges. He is highly respected across the industry and brings a valuable blend of long-term thinking, technical skills, and impressive leadership.”
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Believe has new leadership in place for its efforts throughout China, naming Charles Liu as general manager and Rebecca Dong as managing director for the growth-ready region. Based in Beijing and reporting to Sylvain Delange, Believe’s president of Asia-Pacific, Liu will focus on building partnerships and growing Believe’s roster of labels and artists. Dong rolls up to Liu and will manage all operations, along with legal, finance and HR matters. Believe has operated in China since 2016 and has grown to 80-plus “digital and music experts” across offices in five cities, the company said. “Greater China is both an exciting and challenging market where Believe’s unique approach can significantly contribute to accelerate the rise of a strong, diverse and thriving local music ecosystem as we’ve done is so many other markets in Asia Pacific,” said Delange.
NASHVILLE NOTES: Universal Music Group Nashville hired Houston Gaither as director of radio marketing. She was previously Sony Music Nashville’s manager of content, promotion and artist development … Former PLA Media director of publicity and branding Becky Parsons formed Found Sound Media, a PR and management firm focused on developing LGBTQ+ and female artists … Kylie Taylor joined Black River Entertainment as a graphic designer. Reach her at ktaylor@blackriverent.com.
OTM Music, a boutique publishing company with footholds in London, New York and Los Angeles, welcomed Kristin Genovese as the firm’s new U.S. head of sync and Kate Sweetsur as the new head of A&R. The company, which provides creative services for its roster of songwriters and brands, also noted the recent additions of Chi Chi Nwakodo as senior creative and Ethan Mizen as A&R manager.
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ICYMI:
Britney Davis
Hipgnosis Song Management founder Merck Mercuriadis will step down as chairman of the investment manager, months after vacating the CEO role … Stephanie Rosa is managing director of Tixr‘s new London office … Former Capitol Music Group executive Britney Davis was named general manager at Quality Control … Warner Records promoted Robert Santini to senior vp of brand partnerships and ad sync … and Mano Sundaresan is the new head of editorial content for Pitchfork.
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-07-05 13:49:322024-07-05 13:49:32Executive Turntable: BMG Boss Boarded By Bertelsmann; Moves at Universal Music UK, Merlin, Believe
Jason Derulo re-lived one of the scariest moments of his life during a chat with old friend Paris Hilton on her I Am Paris podcast this week. The 34-year-old “Spicy Margarita” singer told Hilton that he thought the 2013 tour rehearsal accident in which he broke his neck might be the end of it all.
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“That s–t’s crazy,” Derulo said, explaining that he was working with a trainer at the time to prepare for his upcoming world tour their prep went serious awry. “He was like, ‘today we’re gonna work on endurance, so I’ll need you to do these back tucks, back-to-back-to-back,’” the singer said his trainer told him.
“He had me doing like 50 back tucks back-to-back-to-back, which is another one of the worst ideas that somebody’s ever had,” Derulo said of the maneuver that is a backflip in which the performer starts from a standing position and flings their body backwards, landing on their hands and then springing off them to land back on their feet facing the same direction. “So I slipped during one of the back tucks and I landed on my head, breaking my C2 vertebrae.”
As soon as the accident occurred, Derulo described hearing, “a big crack, and I was just like, ‘Holy s–t, is this it? Is this how it all ends?’ And all the thoughts that you could imagine are going through my head at the time.” He also recalled thinking at the time that his mother was outside the gym waiting for him in the car and that he didn’t want to scare her with the news. After laying on the ground for five minutes, he said he gathered himself and walked to the car holding his neck.
“And then I’m like, ‘Mom, I think I hurt myself a little bit’ — like with that bright kind of voice,” he said he told her. “‘I think I hurt myself a little bit inside, we should probably go to the hospital just to check it out.’” The ride to the hospital was rough, with Derulo describing every bump in the road as feeling like “hell on Earth. I’m just dying in that passenger seat, but I don’t wanna let her know that.”
At the hospital, Derulo was X-rayed and the doctor arrived with good and bad news. The good news, the doc said, was that Derulo had suffered what’s called a “hangman’s break,” which is the same break that happens when someone his hung from a rope. “‘And you’re still alive. This could’ve ended up way crazier, paralyzed or worse,’” the doctor told him. “That’s the good news, that you’re still here with us, and you can move all your limbs. The bad news is you’re gonna be out for seven months.”
Derulo described going from having total control over his life to not having “any kind of control at all,” down to an inability to tie his shoes or take a shower by himself. “That was the first time in my life where I felt like I just had no control,” he said. The injury required seven months of intense rehab, including a 45 minute walk every morning, followed by “hours and hours” in the studio writing and recording his 2013 Talk Dirty (aka Tattoos) album.
The other major blow for Derulo was the cancellation of his tour, which he knew would be a let-down for his fans. “I know how much this means to people, people save their money, their hard-earned money, and they wanna be part of this experience. All of a sudden all of that s–t was down the drain,” he said.
Derulo released his fifth studio album, Nu King, in February.
Listen to Derulo on I Am Paris below (talk about the accident begins at the 5:15 mark).
https://i0.wp.com/neztelinc.com/wp-content/uploads/2020/10/station.nez_png.png?fit=943%2C511&ssl=1511943Yvetohttps://neztelinc.com/wp-content/uploads/2020/10/nez_png.pngYveto2024-07-05 12:54:392024-07-05 12:54:39Jason Derulo Describes Breaking His Neck in Terrifying 2013 Tour Rehearsal Accident: ‘Is This How It All Ends?’