UPDATE: P!nk announced Thursday (Oct. 19) that she’s postponing her Friday and Saturday shows in Vancouver, Canada, due to a respiratory infection.

“I am deeply sorry to share that I have a respiratory infection and my doctor has advised that I am unable to perform at the Vancouver shows on Friday and Saturday,” she wrote in an Instagram message. “Live Nation is working on new dates to reschedule the shows. I am very much looking forward to performing in Vancouver and putting on an incredible show for everyone. In the meantime, I wish everyone good health and am sending lots of love. xoxo Pink”

The postponements come three days after she also delayed a pair of Trustfall Tour dates in Tacoma, Washington, earlier this week.

PREVIOUSLY: P!nk has postponed two shows on her just-launched Trustfall Tour due to “family medical issues,” the singer announced Monday (Oct. 16).

The two shows affected are Tuesday and Wednesday’s concerts in Tacoma, Washington.

Related

“I am so sorry to inform the Tacoma ticket holders that the two shows October 17 and October 18 (tomorrow and Wednesday) will be postponed,” P!nk wrote in a message shared to Instagram. “Live Nation are working on future dates to reschedule. Family medical issues require our immediate attention. I send everyone my sincerest apologies for any inconvenience this has caused. I am sending nothing but love and health to all.”

P!nk is three dates into her Trustfall Tour, which launched in Sacramento, Calif., on Thursday and had two dates in San Francisco over the weekend. The pop singer had just wrapped the North American leg of her Summer Carnival stadium tour, which has one rescheduled date remaining on Nov. 26 in Arlington, Texas — after she canceled a September show due to a sinus infection — and will pick back up in Australia and New Zealand in February.

According to figures reported to Billboard Boxscore, Summer Carnival has so far grossed $257.6 million and sold 1.8 million tickets across 41 shows. Summer Carnival began with 19 shows in Europe, bringing in $106.8 million from 871,000 tickets, then arrived Stateside for a $150.7 million run in the U.S. and Canada, selling 914,000 tickets.

Her current tour is in support of her ninth studio album, Trustfall, which arrived Feb. 17 via RCA.

See P!nk’s Instagram message below:

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Shopping for a last-minute Halloween costume? Google Trends released a list of the most popular Halloween costumes for 2023. According to Google’s “Freight Geist” tally, Spider-Man, Wednesday Addams and Taylor Swift made the list (though Swift is feeling No. 22, just outside the top 20), along with the usual dinosaur, fairy, rabbit, pirate and witch costumes.

But Barbie reigns supreme this Halloween. Given the popularity of the Barbie movie, it’s no surprise. Coming in at No. 4 is a witch. Not sure which witch costume to choose? You can order a witch costumes at Walmart, Amazon, Target, Halloween Costumes and other retailers.

Zombie costumes, as well as ninja, ghost and vampire costumes, also made the list, along with characters like Harley Quinn, who landed in the top 25. Tinkerbell, Monsters Inc. and Pokemon fall later down the line along with an alien, angel, devil, skeleton and “renaissance” wear.

Beetlejuice, Powerpuff Girls, Buzz Lightyear, Catwoman, Shrek, Morticia Addams, Miles Morales, Spider Gwen, Paw Patrol, and Hocus Pocus round out the top 100.

Thanks to fast and free delivery options and in-store pickup, there’s still time to order a costume online and have it by Halloween. Check below for the 20 most popular Halloween costumes, according to Google.

For even more ideas, be sure to check out our lists of the best pop culture Halloween costumes, couples costumes and musician-inspired costumes.

1. Barbie

Amazon

Buy: Women Costume Movie Doll Princess Dresses Cosplay Halloween Costume Adult Women Outfit Pink Plaid Dress with Accessories Daisy Floral Necklace Earrings RK001S $52.99

2. Princess

Amazon

Buy: Leg Avenue Womens – 3 Piece Classic Cinderella Gown Set Full Length Family Friendly Princess Dress and Headband Set Adult Sized Costumes, Blue, Small US $41.41

3. Spider-Man

Amazon

Buy: Halloween Cosplay Costume Full Bodysuit Removable Head Cover Breathable for Adult Jumpsuit (Blue, Men-M) $46.99

4. Witch

Amazon

Buy: Tipsy Elves Halloween Costumes for Women – Classic Witch Adult Costume Sexy Black Bodysuit With Witch Hat Size X-Small $79.95

5. Fairy

Amazon

Buy: Leg Avenue Costume, Multi, Medium $44.60

6. Wednesday Addams

7. Dinosaur

Amazon

Buy: Adult Original Inflatable Dinosaur Costume, T-Rex, Standard $49.99

8. Cowboy

Amazon

Buy: TOLOCO Inflatable Costume Adults, Cowboy Costume, Inflatable Horse Costume for Boy, Kid Blow up Costume Halloween $24.99

9. Ninja

10. Bunny

Amazon

Buy: AiMiNa Womens Bunny Girl Senpai Cosplay Anime Role Costume One Piece Bodysuit Removable Padded with stockings set(2XL) $29.99

11. Rabbit

Tipsy Elves

12. Pirate

Halloween Costumes

13. Princess Peach

Buy: Disguise Princess Peach Costume, Official Nintendo Super Mario Bros Dress and Crown, Small (4-6) $39.88

14. Clown

Amazon

Buy: Rubie’s mens Haunted House Collection Dotted Clown Adult Sized Costumes, Red, Standard US $19.99

15. Pumpkin

Tipsy Elves
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16. Batman

Spirit Halloween

17. Mermaid

Amazon

Buy: Newcotte 4 Pcs Mermaid Costume for Women Sequin Tube Top Skirt Pearl Waist and Head Chain for Halloween Cosplay (Green, Purple, Small) $50.99

18. Cheeleader

Amazon

Buy: ZTie Women’s School Girls Musical Party Halloween Cheerleader Costume Fancy Dress Uniform Outfit (S, Blue) $19.65

19. Ghost

Amazon

Buy: Fun World Women’s Glitter Ghost Poncho Costume Standard White $18.08

20. Bear

Amazon

Buy: COSUSKET Fitted Unisex Adult Bear Onesie Pajamas, Halloween Sherpa Women’s Cosplay Animal One Piece Costume (Brown, Large) $35.99

YouTube is planning to roll out a new artificial intelligence tool that will allow creators to make videos using the voices of popular recording artists — but inking deals with record companies to launch the beta version is taking longer than expected, sources tell Billboard.

The new AI tool, which YouTube had hoped to debut at its Made On YouTube event in September, will in beta let a select pool of artists to give permission to a select group of creators to use their voices in videos on the platform. From there, the product could be released broadly to all users with the voices of artists who choose to opt in. YouTube is also looking at those artists to contribute input on that will help steer the company’s AI strategy beyond this, sources say.

The major labels, Universal Music Group, Sony Music Entertainment and Warner Music Group, are still negotiating licensing deals that would cover voice rights for the beta version of the tool, sources say; a wide launch would require separate agreements. As label leaders have made public statements about their commitments to embracing AI in recent months, with UMG CEO Lucian Grainge saying the technology could “amplify human imagination and enrich musical creativity in extraordinary new ways” and WMG CEO Robert Kyncl saying, “You have to embrace the technology, because it’s not like you can put technology in a bottle” — some music executives worry they’ve given up some of their leverage in these initial deals, given that they want to be seen as proponents of progress and not as holding up innovation. Label executives are especially conscious of projecting that image now, having shortsightedly resisted the shift from CDs to downloads two decades ago, which allowed Apple to unbundle the album and sent the music business into years of decline. Some executives say it’s also been challenging to find top artists to participate in the new YouTube tool, with even some of the most forward-thinking acts hesitant to put their voices in the hands of unknown creators who could use them to make statements or sing lyrics they might not like.

The labels, sources say, view the deal as potentially precedent-setting for future AI deals to come — as well as creating a “framework,” as one source put it, for YouTube’s future AI initiatives. The key issues in negotiations are how the AI model is trained and that artists should have the option to opt-in (or out); and how monetization works — are artists paid for the use of their music as an input into the AI model or for the output that’s created using the AI tool? While negotiations are taking time, label sources say YouTube is seen as an important, reliable early partner in this space, based on the platform’s work developing its Content ID system that identifies and monetizes copyrighted materials in user-generated videos.

Publishing, meanwhile, is even more complicated, given that even with a small sampling of artists to launch the tool at beta there could be hundreds of songwriters with credits across their catalogs — which would be sampled by the model. Because of this, a source suggests that YouTube may prefer paying a lump sum licensing fee rather that publishers will need to figure out how to divide among their writers.

As complicated as the deal terms may be, sources say music rights holders are acting in good faith to get a deal done. That’s because there’s a dominant belief this sort of technology is inevitable and if the music business doesn’t come to the table to create licensing deals now, they’ll get left behind. However, one source familiar with the negotiations says this attitude is also putting music companies at a disadvantage because there is less room to drive a hard bargain.

For months, AI-soundalike tools that synthesize vocals to sound like famous artists have been garnering attention and triggering debate. The issue hit the mainstream in April when an anonymous musician calling himself Ghostwriter released a song to streaming services with soundalike versions of Drake and The Weeknd on it that he said were created with artificial intelligence. The song was quickly taken down due to copyright infringement on the recording, not based on the voices’ likenesses, but in the aftermath a month later Billboard reported that the streaming services seemed amenable to requests from the major labels to remove recordings with AI-generated vocals created to sound like popular artists.

In August, YouTube announced a new initiative with UMG artists and producers it called an “AI Music Incubator” that would “explore, experiment and offer feedback on the AI-related musical tools and products,” according to a blog post by Grainge at the time. “Once these tools are launched, the hope is that more artists who want to participate will benefit from and enjoy this creative suite.” That partnership was separate from the licensing negotiations currently taking place and the beta product in development.

On Wednesday, UMG, Concord Music Group, ABKCO and other music publishers filed a lawsuit against AI platform Anthropic PBC for using copyrighted song lyrics to “train” its software. This marked the first major lawsuit in what is expected to be a key legal battle over the future of AI music, and as one source put it a signal that major labels will litigate with AI companies they see as bad players.

Jharrel Jerome shares how he’s telling his story through his Rap Pack and Trip Pack EPs as well as through the short films he made for them, his biggest music influences growing up, how he picks his roles for acting projects and more!

Tetris Kelly:
You gonna have to give me that beautiful answer again.

Jharrel Jerome:
I got it word for word. I wrote it down.

Tetris Kelly:
He’s like, “I told you I’m an actor right? That was a monologue I memorized.”

Jharrel Jerome:
Hey, what’s up? I’m Jharrel Jerome, and this is a Billboard News.

Tetris Kelly:
It’s Tetris with Billboard News, and I’m hanging out with Jharrel Jerome, a busy man. How’s it going?

Jharrel Jerome:
I’m good. Thank you for having me.

Tetris Kelly:
Let’s talk about this project, “Someone I’m Not.” That’s a hell of a title. So tell me what it means.

Jharrel Jerome:
For me, the title was as multiple things, it’s very layered. First, I’m an actor. So it’s a play on the profession that I do in my career, embodying somebody that I’m not and transforming into a character that I have to create.

But then, to me, the irony is also how it correlates to my real life as well. My life changed dramatically. In the last few years of my life, I’m still trying to adjust, I’m still trying to get used to certain things and used to certain dynamics. When I step out in the street, somebody might, you know, I might be dressed like this all decked out as someone who might be like, “Yo, that’s that guy from that movie. Oh, let’s, let’s take a picture — let’s do that.” But really, maybe I just got an argument with my mother or something. So I’m not all the way ready to be that figure for somebody and so he is viewing me or he or she is viewing me as someone I’m not.

Watch the full interview above!

Summer isn’t over just yet. Taylor Swift announced Wednesday night (Oct. 18) that the live version of her resurgent Lover single “Cruel Summer” is here, in the same week that The Eras Tour concert film hit theaters.

“What a truly mind blowing thing you’ve turned The Eras Tour Concert Film into,” Swift wrote on X. “I’ve been watching videos of you guys in the theaters dancing and prancing and recreating choreography, creating inside jokes, casting spells, getting engaged, and just generally creating the exact type of joyful chaos we’re known for [angel emoji] One of my favorite things you’ve done was when you supported Cruel Summer SO much, I ended up starting The Eras Tour show with it.”

She continued of her show opener, “For old times sake, I’m releasing the live audio from the tour so we can all shriek it in the comfort of our homes and cars PLUS a brand new remix by  @LPGiobbi.”

“Cruel Summer” was originally featured on Swift’s 2019 album, Lover, and while it was never an official single, it quickly became a fan-favorite and continues to make waves on TikTok even four years after its release.

Earlier this month, “Cruel Summer” became her sole longest-leading No. 1 on Billboard’s Pop Airplay chart, topping the survey (dated Oct. 7) for an eighth week, beating her seven-week reign with “I Knew You Were Trouble.” in 2013. It’s so far peaked at No. 3 on the Billboard Hot 100.

Listen to “Cruel Summer (Live From Taylor Swift | The Eras Tour)” and the LP Giobbi remix below.

Jharrel Jerome has been making his way into hip-hop, releasing two EPs this year — Rap Pack and Trip Pack — after working on music for the better part of the past decade. The Moonlight actor sat down for the latest episode of Billboard News to talk about why he’s dropping music in this way, the deeper meaning behind his project and what his future in film looks like.

“I’ve been writing music for a long time, and I want to prove that with what I release — I’m talking maybe six or seven years of me in the studio creating records I never released. The reason I’m releasing it in packs like this is because I believe album culture is a little dead right now,” he explained of his rollout process. “Instead, I want to dish it out in a way that’s digestible and understandable. For me, I want to make sure at the end of it all, I’m not just an actor-turned-rapper, but that I’m an artist. And I want people to not only see that I’ve been doing it for a long time, but to believe that I’ve been doing it for a long time.”

The EPs are part of a greater project that Jerome is working on titled Someone I’m Not. The actor explained that the title has multiple meanings, pertaining to his career on film, as well as how he’s perceived on the outside. “[The title]’s a play on the profession that I do in my career, embodying something that I’m not and transforming into a character that I have to create, but to me the irony is also how it correlated to my real life as well,” he stated. “My life changed dramatically in the last few years of my life. I’m still trying to adjust … I’m not all the way ready to be [a certain person] to somebody, so here he or she is viewing me as somebody I’m not.”

As for Jerome’s acting career, he is very much interested in keeping himself open to starring in more movies, but is choosing to be selective with what he invests his energy in. “I feel like I got spoiled early by being a part of projects that are culturally so impactful. I think when you receive a chance like that you don’t wanna go back,” he said of his past projects, which includes Full Circle, When They See Us and more. “You don’t wanna do anything less. I would never quit acting; I’m very selective and I want the role to challenge me and I want to be 45 and look at my credits and be like ‘Damn, I was patient and I was willing to do the harder things.’”

Watch Jerome’s full Billboard News interview in the video above.