Selena Quintanilla‘s sister, Suzette Quintanilla, is suing Chinese e-commerce company Shein over unlicensed merchandise bearing Selena’s name and likeness.

In the lawsuit, filed on Wednesday (March 11) in U.S. District Court in California, Quintanilla accuses Shein — a Nanjing, China-based global e-commerce giant known for selling low-cost clothing and accessories — of manufacturing and selling “countless t-shirts and other merchandise” with Selena’s name, likeness and identity without permission or compensation.

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According to the lawsuit, Quintanilla’s company, Q Productions, sent Shein a cease and desist in August, outlining its rights as the owner of the Selena trademarks. Despite that, Quintanilla alleges the company did not halt the sale of the Selena merchandise.

“To date, Defendants continue to willfully and unlawfully exploit Plaintiffs’ Selena Marks and rights of publicity in commerce against the express demands by Plaintiffs to cease and desist such use,” wrote Quintanilla’s attorneys, Thomas K. Richards and Justin R. Trauben, in the suit.

Quintanilla is suing Shein on multiple counts, including trademark infringement, unfair competition and publicity rights violations. She’s seeking damages and a court injunction that will force Shein to stop the production and sale of merchandise bearing the Selena trademarks.

Shein did not immediately respond to Billboard‘s request for comment on the lawsuit.

Wednesday’s lawsuit is just the latest instance of an e-commerce giant being sued for selling knockoff merchandise in recent months. Last September, Grammy award-winning duo Twenty One Pilots sued Temu, another Chinese e-commerce giant and Shein competitor, over the company’s alleged sale of “blatant copies” of the band’s official merch. The month prior, the estate of late rapper MF Doom sued Temu for the same reason, calling the company “unethical.”

In December, the MF Doom lawsuit was thrown out by a judge who argued it was legally deficient because Temu wasn’t the manufacturer of the merch but rather a pass-through online marketplace for independent sellers. However, a federal judge allowed the estate to reinstate the lawsuit last month after it was revised.


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It really is so easy to fall in love with Olivia Dean.

The English singer/songwriter became a global household name with the mainstream success of “Man I Need,” the third single from her second studio album The Art of Loving. The track, the first by the singer to make the Billboard Hot 100, debuted at No. 82 before rising to No. 2. The song also reached No. 1 on the Pop Airplay chart.

Dean delivered a heartfelt performance of the hit song at the 2026 Grammys before taking home the award for best new artist.

Below are the lyrics to Olivia Dean’s “Man I Need.”

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Talk to me, talk to me
Talk to me, talk to me
Hm

Looks like we’re making up for lost time
Need you to spell it out for me
Bossa Nova on all night
It’s like a type of alchemy
Introduce me to your best friend
I can come and slot right in
A satellite ain’t even that far
I, I kinda wonder where you are

Already know I can’t leave it alone
You’re on my mind, mm
Already gave you the time and the place
So, don’t be shy

Just come be the man I need
Tell me you got something to give, I want it
I kinda like it when you call me wonderful
Whatever the type of talk it is, come on then
I gotta know you’re meant to be the man I need
Talk to me
Talk to me

Mm, talk to me, talk to me
Be the man that I need, baby
Talk to me, talk to me
Be the man that I need, need, need
Mm, talk to me, talk to me
Be the man that I need, baby
Talk to me, talk to me
Be the man, man, man, man, man

I’d like to think you feel the same way
But I can’t tell with you sometimes
So, baby, let’s get on the same page
Stop making me read between the lines

Already know I can’t leave it alone
You’re on my mind, mm
Already gave you the time and the place
So, don’t be shy

Just come be the man I need
Tell me you got something to give, I want it
I kinda like it when you call me wonderful
Whatever the type of talk it is, come on then
I gotta know you’re meant to be the man I need
Talk to me, talk to me
Talk to me, talk to me

Mm, talk to me, talk to me
Be the man that I need, baby (be the man)
Talk to me, talk to me
Be the man that I need, need, need
Mm, talk to me, talk to me
Be the man that I need, baby (be the man)
Talk to me, talk to me
Be the man, man, man, man, man

Mm
Mm, mm
Mm, mm

Lyrics licensed & provided by LyricFind
WRITERS
Zachary Nahome, Tobias Macdonald Jesso, Olivia Lauryn Dean
PUBLISHERS
Lyrics © Universal Music Publishing Group, CONCORD MUSIC PUBLISHING LLC, Sony/ATV Music Publishing LLC

Bruno Mars is proof that the greatest things in life are worth the wait.

The hitmaker released his fourth solo studio album, The Romantic, a whopping 10 years after his previous solo project, 24K Magic. As is expected of Mars, he immediately topped the charts with the release, hitting No. 1 on the Billboard Artist 100, Billboard Hot 100 and Billboard 200.

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While The Romantic‘s lead single “I Just Might,” sits atop the Hot 100, the album’s second single, “Risk It All,” debuted at No. 4 on the chart and debuted at No. 1 on the Billboard Global 200. Mars is only the second artist (after Kendrick Lamar) to top the Hot 100 and Global 200 simultaneously with two different tracks.

Below, find the lyrics to Bruno Mars’ “Risk It All.”

For just the chance to win your heart
You could set the bar beyond the stars
I’ll do anything, anything you ask me to

Say you want the moon
Watch me learn to fly
Ain’t no mountain you could point to
I wouldn’t climb

It’s crazy, but it’s true
There’s nothing I won’t do
I’d risk it all for you

To hold your hand and call you mine
I’m tryna be your man ’til the end of time
Oh, I’ll do anything, anything you ask me to
I would run through a fire
Just to be by your side
If your heart’s on the line
You could take mine

It’s crazy, but it’s true
There’s nothing I won’t do
I’d risk it all for you

I would swim across the sea just to show you
Sacrifice my life just to hold you
I could go on and on
To prove that you belong here in my arms

Say you want the moon
Watch me learn to fly
Ain’t no mountain you could point to
I wouldn’t climb

It’s crazy, but it’s true
There’s nothing I won’t do
I’d risk it all for you
It’s crazy, but it’s true
There’s nothing I won’t do
I’d risk it all for you

Lyrics licensed & provided by LyricFind
WRITERS
Peter Hernandez, Dernst Emile II, Philip Lawrence, James Fauntleroy, Larry Gold, Steven Tirpak
PUBLISHERS
Lyrics © Warner Chappell Music, Inc.

Following the success of their collaborative No. 1 album DINASTÍA, Peso Pluma and Tito Double P dropped a deluxe edition of the set on Feb. 26 with four additional tracks, and all four debut on Billboard’s Hot Latin Songs chart (dated March 14).

The deluxe edition arrived three months after the original 15-track DINASTÍA album, which dropped last December and quickly claimed the No. 1 spot on the Top Latin Albums chart (dated Jan. 10).

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In addition to the five songs from the original DINASTÍA album already charting, four more re-enter, while the four new songs added to the deluxe edition debut on Hot Latin Songs. Leading the pack among the newcomers is “chiclona,” with corridos singer LENCHO, at No. 13. The song, whose music video was released last Wednesday (March 4), marks the highest entry, largely driven by 3.1 million official streams registered on the Feb. 27-March 5 tracking week, as reported by Luminate.

Thanks to Peso Pluma and Tito Double P’s reimagined version of LENCHO’s song released last November, Luis Lorenzo Ochoa, better known as LENCHO, breaks through six Billboard charts: No. 130 on the Billboard Global 200, No. 117 on the Global Excl. U.S., No. 13 on the multi-metric Hot Latin Songs chart and No. 4 on the Hot Regional Mexican Songs (both charts blend streaming activity, digital sales and radio airplay into its formula). Plus, the singer from Baja California Sur, logs a No. 13 start on Latin Streaming Songs and a No. 34 entry on the Emerging Artists tally. (The latter comprises the week’s most popular developing artists, using the same formula as the all-encompassing Billboard Artist 100, which measures artist activity across multiple Billboard charts, including the Hot 100 and the Billboard 200.)

But LENCHO is not the only chart breaker this week. Corridos tumbados performer and label mate El Randal, who previously collaborated with Peso Pluma and Tito Double P as a writer for the No. 2-peaking “Dopamina,” sees his first entry as an artist with “ganga” at No. 15 on Hot Latin Songs, No. 176 on Global Excl. U.S. and No. 6 on Hot Regional Mexican Songs.

In addition to the new recruits and reentries, Peso Pluma and Tito Double P place 15 songs on the Hot Regional Mexican Songs chart, matching its previous record of 15 concurrent songs with a collaborative project in a single week achieved in January.

Here’s the collection of songs from the DINASTÍA (Deluxe) album on the current Hot Latin Songs chart:

No. 11, “daño”
No. 12, “dopamina”
No. 13, “chiclona,” with LENCHO (debut)
No. 14, “7-3”
No. 15, “ganga,” with El Randal (debut)
No. 19, “London,” with Armenta (debut)
No. 22, “ni pedo”
No. 28, “tú con él”
No. 35, “marianita,” with Rey Quinto (debut)
No. 38, “putielegante” (re-entry)
No. 41, “bckpckbyz” (re-entry)
No. 42, “intro” (re-entry)
No. 45, “billete” (re-entry)

The new Hot Latin Songs chart activity follows the kickoff of the Dinastía by Peso Pluma & Friends tour, which debuted with a sold-out show on March 1 in Seattle.

Katy Perry has been dealt a loss in her long-running trademark dispute with an Australian fashion designer named Katie Perry — but the case is not yet over.

In a Wednesday (March 11) ruling, Australia’s highest court sided with designer Katie Perry, who also goes by her married name Katie Taylor, to restore her brand’s trademark. A lower court had previously granted pop star Katy Perry’s request to cancel the trademark in response to an infringement lawsuit initiated by Katie.

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The case will now head back down for further litigation on Katie’s claims, brought in 2019, that accuse Katy of infringing her fashion brand’s trademarks by selling official merch in Australia. Katy says the claims should be dismissed because Katie improperly waited a decade to sue.

The dispute dates all the way back to 2008, when Katie launched her brand and registered an Australian trademark for the name “Katie Perry.” A year later, following the success of Katy’s breakout album One of the Boys and its Billboard Hot 100 chart-topper “I Kissed a Girl,” the singer’s reps demanded that Katie withdraw her trademark.

Katy’s lawyers offered Katie a co-existence agreement in 2009 that would have allowed them both to use the name with certain conditions, but Katie declined. Ten years later, Katie sued Katy for trademark infringement, and the designer was initially victorious in a 2023 court ruling.

In 2024, a mid-level Australian appeals court reversed that decision and instead granted Katy’s counter-request to cancel Katie’s trademark. Fast forward to Wednesday, when five judges on the High Court of Australia voted 3-2 to again reverse course and give Katie back her trademark.

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The crux of the majority opinion was that in September 2008, when Katie registered the mark, Katy was not selling clothing in Australia. In fact, wrote Justice Jayne Jagot, Katy did not even launch her online merch store until a month later, in October 2008.

“It may be accepted that, before the priority date, Katy Perry was a famous pop star in Australia and internationally,” wrote the judge. “However…the overwhelming likelihood is that exceedingly few, if any, people could have seen any ‘Katy Perry’ branded clothing in Australia before the priority date. In these circumstances, I am unable to conclude that there was anything unreasonable or untenable in the primary judge’s conclusion that the Katy Perry parties simply had not adduced sufficient evidence to discharge their onus of proving the existence of a real, tangible danger of confusion.”

In a statement posted to the Katie Perry website on Wednesday, Katie said, “This has been an incredibly long and difficult journey. But today confirms what I always believed — that trademarks should protect businesses of all sizes.”

“This case has never just been about a name,” Katie added. “It has been about protecting small business in Australia, for standing up for what is right and showing that we all matter.”

A rep for Katy, meanwhile, said in a statement that the pop star “has never sought to close down Ms. Taylor’s business or stop her selling clothes under the ‘Katie Perry’ label.”

“Today, by a 3:2 decision, the High Court determined that Ms. Taylor’s trademark can remain on the register,” said Katy’s rep. “The court sent the case back to the Full Federal Court to determine issues raised by Katy Perry, including Ms. Taylor’s 10-year delay in bringing her case against Katy Perry.”


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Several rising stars took British music to the world in 2025 — leading to a growing feeling that the U.K. music industry was back to its best. Now, new numbers released by the BPI (British Phonographic Institution) are backing up that sentiment.

BPI reports that in 2025, total revenue in the U.K.’s recorded music market surpassed £1.5 billion ($2.01 billion) in revenue for the first time, with the final number (£1.507 billion) representing a 5% boost on the previous year. The £1 billion barrier was first broken in 2024.

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In its report, the industry body, which represents the U.K. market’s recording companies and label business, highlights a new generation of stars, including Grammy winners Olivia Dean and Lola Young, alongside Sienna Spiro, EsDeeKid, Skye Newman and more, for contributing to the rise. High-profile moments for Charli xcx, Dave, Ed Sheeran and Oasis were also a major contributing factor to the record numbers.

The streaming market accounted for £1.07 billion ($1.44 billion) of that number, with revenue up 4.6%. While that growth number is lower than previous years (5.7% in 2024 and 8.4% in 2023), BPI notes that streaming accounted for more than two-thirds of all recorded music revenue at 67.7%.

Alex Warren’s “Ordinary” was the biggest song on streaming in 2025, amassing 261.8 million streams and notching a 13-week run at No. 1 on the U.K.’s Official Singles Chart. Five more tracks, including Young’s “Messy,” surpassed 150 million streams, while 18 crossed 100 million streams, including songs by Dean and British artist Chrystal.

Elsewhere, physical music revenue hit £278 million, a 12.8% rise on the previous year and the third consecutive year of growth; BPI notes that number surpassed £250 million ($335 million) for the first time since 2017. The vinyl market rose 19.9% year-on-year with a total of £174.4 million, its highest level in more than three decades.

Taylor Swift’s The Life of a Showgirl played a huge role in the vinyl market, shifting 147,000 units in 2025, the most by any new album in a calendar year this century. The remaining top vinyl sellers include albums by Dean (The Art of Loving), Sabrina Carpenter (Man’s Best Friend), Sam Fender (People Watching), and two Oasis classics (1994’s Definitely Maybe and 1995’s (What’s The Story) Morning Glory).

Dr Jo Twist OBE, BPI chief executive, said in a statement, “Beyond the positive headlines, what is especially satisfying about this 11th consecutive annual rise in UK recorded music revenue is that it has been in part driven by a resurgence in British music with a new generation of artists breaking through. Its impact is being felt not just at home but globally, highlighted by the recent Grammy wins of Olivia Dean, Lola Young and others, as well as on streaming services and music charts around the world. 

“This success is a testament to our brilliant record labels and shows what can be achieved in the right business environment. Underpinning this success is the UK’s gold-standard copyright framework, and it remains essential that this is safeguarded by our policymakers as a burgeoning market to license music to AI firms takes root.”

YolanDa Brown OBE DL, the BPI’s Chair, added, “As anyone who saw this year’s BRIT Awards in Manchester can testify, British music is in incredibly strong health and much of it is being led by outstanding new talent drawn from across the UK. Given the intense global competition, I know how increasingly hard it is for our music to compete when fans have endless choices, so this success shows what can be achieved when artists of all backgrounds are paired with world-class record labels backing their careers. Provided our labels can continue this support unhindered, there is a very bright future for British music.”


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Veteran artist manager Bill Simmons, management partner Kendal Marcy and songwriter/publisher Chris DuBois have formed Domain Artist Management with flagship client Brad Paisley, who has had a long association with all three executives.

Simmons has managed the country superstar since 2003, while Marcy, who is also a multi-instrumentalist and producer, has been on Paisley’s team since 1999 and has executive-produced many of the artist’s TV and musical projects. Hit songwriter DuBois and Paisley co-founded Sea Gayle Music in 1999.

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Domain Artist Management is a joint venture with Domain Capital Group, LLC.

This is the latest move into the entertainment sector by Domain Capitol Group, which acquired Miranda Lambert’s catalog earlier this year through its partnership with Sony Music Publishing; that partnership previously included an investment in Ashley Gorley’s catalog. Last year, Sony Music Publishing, Domain Capitol Group and Sea Gayle Music also formed a global publishing administration partnership.

The new partnership gives Domain Artist Management access to capital for further growth and infrastructure. Domain Capital Group has approximately $8.3 billion in assets, according to the company, spanning real estate, media, entertainment, technology and more.

“The formation of Domain Artist Management brings together experienced and successful artist representation and long-term capital into one platform,” Pete Chiappetta, managing director of media & entertainment at Domain Capital Group, said in a statement. “By aligning our resources and strategic capabilities with the decades of experience that Bill, Kendal, and Chris bring to the table, we are building a management company designed to serve artists thoughtfully and capitalize on today’s entertainment landscape for our investors.” 

“We are thrilled to collaborate with Pete and the entire Domain team to add more talented artists to our roster,” Marcy added. “As Nashville and the country genre continue to expand, we are eager to support and develop our artists’ successes through our expertise in management, touring, music, and film.” 


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The 52nd American Music Awards announced its slate of 50 categories reflecting the ever-evolving music landscape.

There are 14 genre-neutral categories and 36 genre-specific categories. Of those, country and Latin lead, with six categories each; followed by pop, hip-hop and R&B, with five each; rock/alternative, with four; K-pop, with two; and dance/electronic, Afrobeats and Americana/folk, with one each.

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This is a far more diverse picture than when Dick Clark created the show in 1974. For the first five years, through 1978, there were just 15 categories – five categories each for pop/rock, soul/R&B and country.

The 52nd American Music Awards returns to CBS and Paramount+ on Memorial Day, Monday, May 25, from the MGM Grand Garden Arena, which the show’s organizers point out is the largest venue in the show’s history. The show was held in the tiny Earl Carroll Theatre in Hollywood in its first year, before graduating to such larger venues as the Santa Monica Civic Auditorium, the Shrine Auditorium and the Peacock Theatre. Last year it was held at the Fontainebleau Las Vegas.

Nominations for the 52nd American Music Awards will be announced on Tuesday, April 14. Fan voting opens that same day and will remain open until May 8.

Additional details, including performers, presenters, special honorees, and the ticket on-sale date, will be announced in the coming weeks.

 Here’s the complete list of categories:

  •     Artist of the Year
  •     New Artist of the Year
  •     Album of the Year
  •     Song of the Year
  •     Collaboration of the Year
  •     Social Song of the Year
  •     Best Music Video
  •     Best Soundtrack
  •     Tour of the Year
  •     Breakthrough Touring Artist
  •     Breakthrough Album of the Year
  •     Throwback Song of the Year
  •     Best Vocal Performance
  •     Song of the Summer
  •     Best Male Pop Artist
  •     Best Female Pop Artist
  •     Breakthrough Pop Artist
  •     Best Pop Song
  •     Best Pop Album
  •     Best Male Country Artist
  •     Best Female Country Artist
  •     Best Country Duo or Group
  •     Breakthrough Country Artist
  •     Best Country Song
  •     Best Country Album
  •     Best Male Hip-Hop Artist
  •     Best Female Hip-Hop Artist
  •     Breakthrough Hip-Hop Artist
  •     Best Hip-Hop Song
  •     Best Hip-Hop Album
  •     Best Male R&B Artist
  •     Best Female R&B Artist
  •     Breakthrough R&B Artist
  •     Best R&B Song
  •     Best R&B Album
  •     Best Male Latin Artist
  •     Best Female Latin Artist
  •     Best Latin Duo/Group
  •     Breakthrough Latin Artist
  •     Best Latin Song
  •     Best Latin Album
  •     Best Rock/Alternative Artist
  •     Breakthrough Rock/Alternative Artist
  •     Best Rock/Alternative Song
  •     Best Rock/Alternative Album
  •     Best Dance/Electronic Artist
  •     Best Male K-Pop Artist
  •     Best Female K-Pop Artist
  •     Best Afrobeats Artist
  •     Best Americana / Folk Artist

Prominent Shade 45 DJ and host Lord Sear has died at 54 years old. Shade 45 confirmed Sear’s (real name Steve Watson) death in a statement on Wednesday (March 11).

Details surrounding Lord Sear’s death remain unknown. Shade 45 will honor and celebrate Sear, who also went by Stak Cheda, with a tribute episode on Thursday from noon to 4 p.m. ET on SiriusXM.

“It is with heavy hearts that we share the passing of Lord Sear. He was more than a voice on the radio — he was a force, a friend, and family to so many of us,” Shade 45 shared in a post to social media. “Rest easy, Lord Sear. The culture will never forget you.”

Fans and peers of Lord Sear paid homage on social media once news of the legendary hip-hop DJ’s death became public on Wednesday, including E-40, Hit-Boy, Fat Joe, Mickey Factz, Rapsody, Tony Yayo, 9th Wonder and Skyzoo.

“God bless i know him my whole career love you sear,” Fat Joe commented on IG.

Lord Sear got his start as part of the hip-hop group Kurious. He joined the iconic Stretch Armstrong and Bobbito Show in the ’90s and was on Eminem’s Anger Management Tour that took him across the globe in the early 2000s.

Sear also completed side quests, lending his voice to Grand Theft Auto III and making a cameo on Big Pun’s 2000 Yeeeah Baby album intro.

Lord Sear co-hosted the All Out Show with Rude Jude on Shade 45 and has continued to be a staple of the Eminem-founded SiriusXM station for two decades. Up until his death, Sear hosted The Lord Sear Special on Shade 45.

The veteran DJ was a culture shifter and hilarious storyteller who played a unique mix of classic rap and R&B.

Miley Cyrus will receive her “Flowers” at the 2026 iHeartRadio Music Awards, which are set to air live on Thursday, March 26, on FOX from the Dolby Theater in Hollywood.

Cyrus will receive the Innovator Award, which is given to an artist who is continuously contributing to pop culture and the music industry. Past recipients are Pharrell Williams, Justin Timberlake, U2, Bruno Mars, Chance the Rapper, Alicia Keys, Taylor Swift, Beyoncé and Lady Gaga.

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Ludacris is set to host the show for the second time in three years. (LL Cool J did the honors last  year.) Luda will also perform on the show and will receive the Landmark Award, which honors artists whose portfolio has shaped culture across multiple decades. Past recipients are Green Day, TLC and Nelly.

Alex Warren will receive the Breakthrough Artist of the Year Award, celebrating his rise over the past year with “Ordinary,” which topped the Billboard Hot 100 for 10 weeks. He will also perform on the show. Warren won best new artist at the MTV Video Music Awards and was nominated in that category at the Grammys.

Other artists taking the stage include Lainey Wilson, RAYE, and — performing for the first time together — TLC, Salt-N-Pepa and En Vogue.

“I’m excited to return as host of the iHeartRadio Music Awards to celebrate and perform alongside some of the best in the industry,” Ludacris said in a statement. “It’s going to be a night with special performances and surprise moments fans are going to love.”

The iHeartRadio Music Awards will air live on Thursday, March 26 (8-10 p.m. ET live/PT tape-delayed) on FOX. The event will also air on iHeartMedia radio stations nationwide and on the iHeartRadio app.

In addition to paying tribute to music and artists, the 2026 iHeartRadio Music Awards will give iHeartRadio listeners the opportunity to decide winners in several categories. Fan voting will determine this year’s Favorite Broadway Debut, Favorite TikTok Dance, Favorite Debut Album, Best Lyrics, Best Music Video, Favorite On Screen, Favorite Tour Photographer, Favorite Soundtrack, Favorite Tour Style, Favorite Tour Tradition and Favorite K-pop Collab. Social voting will close on March 19 at 11:59 p.m. PT for all categories. Fans can vote by visiting iHeartRadio.com/awards. 

Additional categories include Label of the Year and individual winners for Album of the Year in music’s biggest genres, including pop, country, alternative, rock, dance, hip-hop, R&B, Latin and regional Mexican formats. 

Executive producers for the iHeartRadio Music Awards are Jesse Collins, Dionne Harmon and Jeannaé Rouzan-Clay for Jesse Collins Entertainment (JCE); John Sykes, Tom Poleman and Bart Peters for iHeartMedia; and FOX Entertainment Studios.