After showing up for Pharrell Williams’ Louis Vuitton runway debut during Paris Fashion Week on Tuesday, Rihanna and A$AP Rocky were back out in the City of Light on Wednesday night (June 21) too — this time for Rocky’s Spotify Beach performance at the Cannes Lions festival.

Rihanna, who is expecting her second child with Rocky, wore a form-fitting, sheer, diamond-patterned dress over sparkly black lingerie to complement her growing baby bump. In two videos shared on Twitter (watch below), Rihanna can be seen making her way through the crowd as Rocky performs and then stands on a balcony overlooking the Spotify Beach crowd to watch her man onstage.

At one point in his set, Billboard is told Rocky dedicated his 2022 song “D.M.B.” — also called “DAT$ MAH B!*$H” — to his “beautiful wife in the f—ing building. I love her.” There’s no word that Rihanna and A$AP Rocky have gotten married, so he’s likely calling Rih his “wife” as a term of affection — though in the video for “D.M.B.,” the visual seemingly ends with Rocky and a red-veiled Rihanna getting married, as red flower petals are showered on the couple.

On Tuesday, the couple made their way out to Paris Fashion Week in coordinated denim outfits to support Pharrell’s new role as creative director of menswear for Louis Vuitton. In February, Williams took over the position previously held by Virgil Abloh, who died in 2021 after a battle with cancer. Tuesday marked Pharrell‘s first runway show in his new role, and the star-studded event was also attended by Beyoncé, Jay-Z, Zendaya and more.

Watch the two videos of Rihanna at Rocky’s Spotify Beach concert below:

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Four decades of music, one legendary band. Duran Duran’s concert documentary A Hollywood High arrived Wednesday (June 21) on Paramount+.

Released in theaters last year, A Hollywood High celebrates the British rock band’s 40-year career and “love affair with Los Angeles.” The film features new interviews with the band alongside a performance on a Hollywood rooftop near the legendary Capitol Records building, the band’s first label home. The concert footage was shot in Los Angeles in March 2022.

Read on for ways to stream A Hollywood High for free.

How to Watch Duran Duran’s Concert Documentary on Paramount+

A Hollywood High is available exclusively on Paramount+. If you’re not already subscribed, you can stream the movie with a free trial from Paramount+.

Paramount+ subscriptions start at $4.99/month (or $49.99 a year) for ad-supported streaming and $9.99/month (or $99.99 a year) for the ad-free Premium plan. Both subscription tiers let you stream tens of thousands of episodes and movies but upgrading to the Premium tier gives you access to local CBS stations. And if you’re a Prime member, you can stream Paramount+ on Prime Video.

Paramount+ is home to exclusive shows like Fatal Attraction, The Family Stone, School Spirits, Star Trek: Picard, 1923, 1883, Mayor of Kingstown, Seal Team, Star Trek Discovery, RuPaul’s Drag Race All Stars, Why Women Kill, Before I Forget and iCarly.

Additionally, Paramount+ subscribers can stream Dungeons & Dragons: Honor Among Thieves, Scream VI, 80 for Brady and, Top Gun: Maverick and other movies on the platform.

In addition to a streaming release, A Hollywood High will be available on Blu-ray and DVD on Aug. 4. The Blu-ray and DVD is packed with 20 extra minutes of exclusive content including unseen footage, an additional song recorded at the band’s live performance and highlights from a film Q&A with the band in Los Angeles. 

Buy: Duran Duran – A Hollywood High: Live In Los Angeles Blu-ray $24.95

Product bundles will also be available, which will include limited-edition recordings from the show released as flexi-disc test pressings in specially designed booklets and signed items from the band.

Fans in London can attend a special one-night-only screening of A Hollywood High at Outernet on Aug. 3. Tickets will be available via DICE, according to Duran Duran’s website.

As far as music goes, Duran Duran will resume its North American tour with a show in San Diego, Calif., on Aug. 22. The tour will include stops in Las Vegas, Chicago, Boston, Toronto, Detroit, Philadelphia, Pittsburgh, Washington D.C. and more. Get tickets here.

See the trailer for A Hollywood High below.

BMI’s recent rate court victory substantially increasing songwriters and publishers’ royalties for live events will be appealed, according to a notice filed by the North American Concert Promoters Association on Wednesday (June 21).

In May, Southern District of New York Judge Louis Stanton awarded the performance rights organization a 138% increase in rate to 0.5% of the event’s “revenue” with an expanded definition of the term to include tickets sold directly onto the secondary market, servicing fees received by the promoters and revenues from box suites and VIP packages. That 0.5% was up from what BMI said was a blended rate of 0.21%, based on 0.3% interim rate for venues that held less than 10,000 seats; and the interim 0.15% for venues that held more than 10,000 during the period of 2018-2022.

At that time, Stanton also set rates for the retroactive period of 2013-2017, with the previously used, less expansive “revenue” definition that only reflected earnings directly from the face value of primary market ticket sales. Those rates ranged from .08% of revenue for venues of up to 2,500 seats to 0.15% for venues with 10,000 or more seats.

On Tuesday, however, lawyers for the concert trade group filed a notice with the Southern District of intent to appeal that decision in the U.S. Court of Appeals for the Second Circuit, according to the filing submitted by Weil, Gotshal & Manges, the law firm representing the concert promoters. The notice to appeal could mean that the group will appeal; or it could be a procedural move that keeps open the option to appeal. The concert trade group had 30 days to file the appeal notice from the last day in court— a few weeks back on a BMI motion regarding interest on whatever fees might be owed from the 2018-2022 term covered by the newly set rates for that period.

In a statement BMI said the concert industry has long fought against rate increases for songwriters.

“Given Live Nation, AEG and [the North American Concert Promoters Association’s] bizarre position throughout trial that concertgoers attend concerts for the experience of the staging, videos and light shows, as opposed to the actual songs and music being performed, their appeal was not a surprise to BMI,” BMI president and CEO Mike O’Neill said in a statement. “For decades, the live concert industry has fought to keep rates suppressed. And even now, when they are making more money than ever, in more ways than ever, they are determined to deny songwriters and composers the fair value of their work, despite the fact that without their contributions, a concert wouldn’t even be possible. BMI will continue to fight on behalf of our affiliates, the creators of the music that is the very backbone of the live concert industry, to prevent that outcome.”

The concert promoters did not. respond to a request for comment at time of publishing. In May, an AEG spokesperson said “AEG Presents and NACPA were defending performing artists, who bear the costs of BMI fees, in this litigation.” Concert promoters have long billed the performing artist for performance rights organizations’ royalty fees.