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Katie Taylor and Chantelle Cameron are set to go head-to-head in an undisputed super lightweight champion bout at Dublin’s 3Arena on Saturday (May 20).

The boxing match will be Taylor’s first fight in her hometown of Dublin since launching her pro boxing career. The 36-year-old boxer’s undisputed record stands at 20 wins, six of which ended in knockouts. Cameron, a 32-year-old British boxer, has a 17-0 record (8 KOs).

Read on for fight details on how to stream the fight from anywhere.

Taylor vs. Cameron: Fight Card, How to Stream on DAZN

The Taylor vs. Cameron fight will stream exclusively on DAZN this Saturday, but start times may vary depending on where you live. The platform is $19.99/month to stream over 50 boxing matches, crossover boxing and women’s soccer.

DAZN also offers a Flexible Pass plan for $24.99/month and an Annual Super Save plan for $224.99, which saves you $74.89 per year.

DAZN
$19.99/month

Saturday’s main card starts at 2 p.m. ET/11:00 a.m. PT (7 p.m. BST). Main event ring walks are scheduled for 5 p.m. ET/2 p.m. PT (10:31 p.m. BST).

The fight card will also include: Gary Cully vs. Jose Felix (lightweight), Terri Harper vs. Ceclia Braekhus (WBA women’s super-welterweight title), Dennis Hogan vs. James Metcalf (super welterweight), Caoimhin Agyarko vs. Grant Dennis (super welterweight), Thomas Carty vs. Jay McFarlane; (heavyweight), Paddy Donovan vs. Sam O’Maison (welterweight) and Maisey Rose Courtney vs. Kate Radomska (flyweight).

Can you stream DAZN with ExpressVPN? You can stream DAZN in several countries, but there are “strict controls” around where they broadcast. As a result, DAZN restricts VPN users “who are not authorized to video content due to the country they reside in.”

Luckily DAZN, is available in over 200 countries around the globe. And you can stream from anywhere including iPhones, iPads, Android phones (and tablets), Google Chromecast, Samsung Smart TV, Amazon Fire TV, Sony TV, Android TV, computers and gaming consoles such as Playstation and Xbox.

Viewers in Argentina, Chile and Colombia must download the DAZN app and sign up from there, versus using a web browser to stream.

Other upcoming fights on DAZN include Alexis Roca vs. Anthony Young (May 27), Jamie Munguia vs. Sergiy Derevyanchenko (June 10), Edgar Berlanga vs. Jason Quigley (June 24) and Jake Paul vs. Nate Diaz (August 5).

Watch the Taylor vs. Cameron weigh-in below.

Beyoncé and Jay-Z continue to prove that they’re Hollywood’s most iconic couple. The duo recently purchased a more than 30,000-square-foot home in the Paradise Cove area of Malibu, Calif., and they paid $200 million for the property, according to TMZ.

With that hefty price, the house is now the most expensive home ever sold in California, breaking the previous record of $177 million. The architectural masterpiece of concrete and glass was bought for $14.5 million by art collector William Bell in 2003, before bringing in Japanese architect Tadao Ando to create the minimalist concrete design. The L-shaped home has floor-to-ceiling walls of glass and leads outside to a swimming pool, cabana and a grass lawn perched on a cliff overlooking the Pacific Ocean, according to the Los Angeles Times.

The superstar couple previously purchased a modern mansion in Bel-Air for $88 million in 2017 that had a similarly minimalist design.

In other Bey news, the “Break My Soul” singer is currently in the midst of her long-awaited Renaissance tour, which kicked off with a jaw-dropping showcase of 37 hits in Stockholm, Sweden, last week and will continue throughout Europe until July 9, before heading across the pond to the United States.

The tour is in support of her 2022 album, Renaissance, which topped the Billboard 200 albums chart upon its release and won the Grammy award for best dance/electronic album. Three of the project’s songs also won individual awards, with “Break My Soul” winning best dance/electronic recording, “Plastic Off the Sofa” taking home best traditional R&B performance and “Cuff It” winning best R&B song.

You can’t get no higher than this! Beyoncé has reunited with Kendrick Lamar for a sleek remix of her Renaissance hit, “America Has a Problem.”

In the new iteration of the track released on Friday (May 19), Lamar comes in blazing with a powerful, minute-long opening verse. He flows at his characteristic lightning speed, proudly proclaiming himself “honorary Beyhive” as he raps, “My momma told me that the money outgrew you / My horoscope said I’m really out my noodle / I’m troublin’, I’m puzzlin’, it’s sudoku / Say B, yes, America got a problem / Kicked up, choosing love, well, they chose violence.”

It’s hardly the first time the beloved duo have teamed up musically. Lamar was previously featured on the soaring “Freedom,” off Bey’s 2016 Billboard 200 chart-topping album Lemonade, and he took the stage with her at the BET Awards that year to perform the track. The rapper also joined the “Alien Superstar” performer on her closing Formation tour show, surprising the crowd with another performance of “Freedom” at New Jersey’s Metlife Stadium.

For his 2017 Rolling Stone cover, Lamar opened up about what he has learned from working with Beyoncé. “How particular to be about your music,” he shared of her work ethic, adding, “She’s a perfectionist. Think about the BET performance. She was very particular – the lighting, the camera blocking, the transition from the music to the dancing. It was confirmation of something I already knew.”

The new remix of “America Has a Problem” featuring Kendrick Lamar is available to purchase on Beyoncé’s website here. Listen below.

It was a good week for music stocks overall and an even better week for concert promoters, who made the biggest gains on the Billboard Global Music Index ahead of the blockbuster summer touring season.

The index rose 4.4% to 1,256.06 this week, with 15 of the 21 stocks ending in positive territory. It was led by concert promoter Madison Square Garden Entertainment’s (MSGE) 19.4% gain amidst multiple news items that influenced the share price. On Wednesday (May 17), Guggenheim initiated coverage of MSGE with a buy rating, while a report claimed that MSG Entertainment may sell the theater at Madison Square Garden for about $1 billion. On Thursday, the company released first-quarter results that showed a 4% increase in revenue to $201 million, though the company’s executives did not comment on the report during Thursday’s earnings call.

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Shares of German promoter CTS Eventim also made big gains, rising 9.2% to 64.30 euros ($68.61). On Thursday, the company’s first-quarter earnings showed a 163% revenue jump to 366.2 million euros ($396 million) — beating pre-pandemic levels from the first quarter of 2019 by 29.5%. Year-to-date, CTS Eventim has sold 18 million tickets online, a 58% increase from the prior-year period. Meanwhile, Live Nation, the world’s largest concert promoter, improved 8.4% to $84.73 and is now up 21.5% year to date. Sphere Entertainment Co., which spun off MSG Entertainment in April, improved 6.1% to $23.61.

The S&P 500 improved 1.6% to 4,191.98 and the Nasdaq composite rose 3% to 12,657.90. The U.K.’s FTSE 100 index was unchanged at 7,756.87, while South Korea’s KOSPI composite index rose 2.5% to 2,537.79.

K-pop companies continued their hot streak this week. Two companies not in the Billboard Global Music Index, JYP Entertainment and YG Entertainment, gained 22.7% and 17.8%, respectively. Year-to-date, shares of JYP Entertainment, home to Stray Kids and Twice, have gained 70.6%. Shares of YG Entertainment, whose roster includes recent Coachella headliner Blackpink, are up 109.8% in 2023. Shares of HYBE dropped slightly by 0.4% but have gained 62% year to date. Likewise, shares of SM Entertainment gained only 1.1% this week but have grown 40% this year.

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Labrinth talks about his new album ‘Ends & Begins’, his experience performing with Billie Eilish and Zendaya at Coachella, how the performances came about, and more!

Jason Lipshutz 0:29
What’s up guys? It’s Jason Lipshutz. I’m here at Electric Lady with the one and only Labrinth. Lab, what’s going on, man?

Labrinth 0:34
I’m good, man. How are you?

Jason Lipshutz 0:36
I’m good. I am so excited about your new album ‘Ends & Begins’ congrats on it, how’s it been?

Labrinth 0:41
I think it’s always exciting to just put a piece of work out. And then I don’t even look at. I don’t check it. I’m just like, I kind of have a moment to listen back to it and just enjoy it. So I did that the other day. I was like, this album is actually good.

Jason Lipshutz 1:00
How long was the process for this one?

Labrinth 1:05
I actually wrote the record in like a year. And then there was just so many things behind the scenes that kind of prevented it from seeing the light of day. I think it was good that it happened though. At the time I was you know, like losing my sh–. And then once we kind of got up to Coachella, it felt like the best time for me to release this record, because it was like a celebration, you know, and that was the gift that came at the end of it

Jason Lipshutz 1:38
So I got to ask about Coachella.

Labrinth 1:40
Yeah.

Jason Lipshutz 1:41
Weekend one to bring out Billie with your set.

Labrinth 1:43
Yeah.

Jason Lipshutz 1:45
Weekend two you bring out Zendaya with your set. That’s like the biggest Coachella flex. Just like knowing this plan where you’re just like, I’m going to own Coachella. It’s gonna be mine, like how did that all come together?

Labrinth 1:57
I started putting the show together. And I was like, if I’m going to do a show, I just wanted to be the sickest thing that I think I’ve ever seen or haven’t seen. And so I just started kind of composing what my set would be me and Billie ended up doing the record, ‘Never Felt So Alone.’ And I was like, Do you want to maybe come to Coachella and perform it with me? And she was like, Yeah, and I was like, really? Okay. That’s why. And you know, me and Billie really loved the record that we did together. And it kind of felt like a natural progression into us performing it. And like actually ground testing this record and seeing how the fans really enjoyed it. And it was, wild,

Jason Lipshutz 2:36
their reaction, obviously, like, people went crazy at Coachella.

Labrinth 2:39
When I was putting that moment together. I was planning it in my head. I told my lighting guy, I was like, just keep the lights down. And nobody would see that. It’s Billie for like a long minute. And they’ll just see me and think, okay, he’s just gonna perform on his own. And then we just had Billie like, appear from nowhere, and the place erupted into chaos

Jason Lipshutz 3:05
next weekend, yeah, you bring out Zendaya.

Labrinth 3:09
Yeah. Yeah.

Jason Lipshutz 3:10
How did that one come together?

Labrinth 3:10
That is the same thing. Really. Like when I was like, Z, I’m gonna perform at Coachella, I would love to do our songs together. And she was like, I would love to I don’t have the time. I didn’t think she could make it. And then I think last minute something happened that made her have to pass through. And she was like, Lab, I want to do the show. And I was like, really, as soon as she said she wanted to do it. I was like, this is a moment. Like I just knew it straight away. But then when we actually performed it, it was oh, right. It was more thought it was gonna be like it was insane, we couldn’t hear ourselves. That’s how loud it was

Jason Lipshutz 3:53
What I loved about seeing both of you guys up there was like you guys are so multitalented where it’s like, you guys are working on the song. You’re sharing the stage. You’ve worked for years together on ‘Euphoria.’ She’s the star of ‘Euphoria’, when you talk to her about craft and creativity. Like what is what is that? Like? Because you guys are now working together on multiple different levels.

Labrinth 4:15
Yeah, I think we’re all fans of like kind of thinking forward, or trying to challenge ourselves. And I think that’s what I get from most of the artists I work with, like a lot of the people we always just pass stories and all of those stories evolve the way I’m thinking about writing myself or how I view my career, you know, so that’s kind of really like most of the stuff we end up talking about. It’s just like, ideas I’ll play her songs she’ll play me stuff and we kind of just keep being cheerleaders for each other you know,

Jason Lipshutz 4:45
You mentioned challenging yourselves and that’s exactly the the vibe I get from ‘Ends & Begins’ like I hear on every song. You pushing yourself you challenging yourself, did that feel like part of the foundation for this album was just like really pushing yourself to the limits of of your creativity,

Labrinth 5:03
I didn’t think on on ‘Ends & Begins,’ the most important thing when you’re creating or when you’re living life is that you do the most honest version of that. And that is a picture of where I was at the time, and how honest I wanted to be at the time. But I feel like there’s more like, I feel like this is like the tip of the iceberg in terms of what I want to create from for an album. But at the same time, I really appreciate this moment that I’ve created because I’ve really enjoyed it. And I wanted to share the joy.

Jason Lipshutz 5:32
What are things like now like in terms of when you’re thinking about new ideas? Are you thinking about like, oh, this could fit for TV? Or oh, this could fit for my album? Like, how does that delineation happen?

Labrinth 5:42
Yeah, I’ve learned a lot. And I share this quite often. Because I know there’s a lot of people that have this experience, or have had this experience where, like, I have ADHD, and I didn’t know I had it, even for season one. I didn’t know I had ADHD. And before discovering that it made it very difficult for me to finish anything. Even though I did a lot for the show. It was very intense and very, like grueling. I think I’ve learned the process of taking care of my brain and my mind and mental health so that I can make sure I can deliver the things I want to deliver. And also knowing my capacity as well, you know, so I think that’s been the process is kind of going, Okay, how do you achieve the thing you want to achieve? But also how do you make sure you don’t become a vegetable by the end of it, you know?

Jason Lipshutz 6:26
So what’s what’s next?

Labrinth 6:27
I’m working on more films, doing more TV shows, and writing more albums. But I do want to act as well, at some point. So you might see me doing a little something at some point. Okay.

Jason Lipshutz 6:39
All right. When did when did you start really considering that?

Labrinth 6:41
I’ve always wanted to act always. I really love it. And I think it’s an amazing craft. I’m so sorry. So all the actors out there that went to school for years on end, and then they see me in the film and they’re like, that’s trash. You know that’s the worst thing when a guy has done no work and just because he sang a few songs is like, I’ll show you an accent. So no, I’m excited about I have huge respect for it. So I’ll only do a little small thing but I really do want to like mess around in that area.

Jason Lipshutz 7:13
Lab always a pleasure, man.

Labrinth 7:16
Thank you so much.

Labrinth went out with a bang during weekends one and two of Coachella last month, performing Ends & Begins single “Never Felt So Alone” with Billie Eilish and Euphoria soundtrack tracks “I’m Tired” and “All of Us” with Zendaya respectively. Labrinth tells Billboard News that while Eilish’s performance was carefully planned, Zendaya’s came together in a short amount of time.

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“I actually wrote the record in a year and there was so many things behind the scenes that prevented it from seeing the light of day. I think it was good that it happened,” he explained of his LP, which arrived on April 28. “At the time I was losing my s–t and then once we got up to Coachella, it felt like the best time for me to release this record cause it was a celebration and that was the gift that came at the end of it.”

While coming up with the direction for Eilish’s portion of his set, Labrinth wanted to keep her appearance a surprise for the audience. “When I was putting that moment together, I told my lighting guy to keep the lights down and nobody would see that it’s Billie for a long minute, and they’ll see me and think ‘Okay he’s just going to performing it on his own,’” he recalled of his weekend one twist. “And then we just had Billie appear from nowhere and the place erupted into chaos.”

Planning for weekend two was more difficult, Labrinth shared, revealing that he wanted Zendaya to step in but her schedule did not have space for a performance. “I didn’t think she could make it, and then last minute I think something made her have to pass through. When we actually performed, it was more than I thought it would be. We couldn’t hear ourselves, that’s how loud it was,” he reflected on the special moment with his Euphoria collaborator.

Following its release, Ends & Begins peaked at No. 144 on the Billboard 200 chart. “Never Felt So Alone” peaked at No. 62 on the Billboard Hot 100.

Watch Labrinth’s full interview with Billboard in the video above.